Absolutely love your videos, content, methodology, approach to covering different genres. I especially dig production aspect of things, different ways of obtaining various un-typical sonic results. After spending years of composing for cinematic style orchestras, mastering an art of orchestration (for big arena sports events, NHL, ESPN -Hollywood action type, but more traditional, an actual virtual orchestration to be also performed live), ethnic music(Chinese, Arabic, Irish, Celtic etc.) and big-band (1930s-40s, Miller, Ellington, Bssie), and after recording a jazz album I wanna dive into sonic landscapes. Your videos provide a great starting points - libraries for consideration from various developers, sound manipulation, pitch shifting etc. Bro, this is cool !! In one of your videos you mentioned Mark Snow. I met Mark during an ASCAP film music workshop at NYU in the early 2000s. At that time I was playing keyboards as a bandleader with Phil Collins production show at Disney, and started to immerse into music for media. Mark answered bunch of my questions regarding his score for X-Files movie. Great guy, easy going and extremely knowledgeable. I’m gonna watch your videos again, this time with a paper and pencil :) It seems that you tend to use certain developers, and various audio snippets as building blocks…
Thanks for all of the kind words and happy to know the videos have been helpful! Super cool you’ve met mark - have worked with him for about 10 years. Thanks for watching, excited to bring you more videos shortly 😀
Again a great video. I think it is one of the genres I like to compose for the most, music (and SFX) are veeeery very important and of course there is a lot to explore and experiment.
Dear Jonas, You need to have a very good "imagination" about the end result and some surprises "finding" on the way even before starting the Cue, you've nailed it !! Thanks for sharing this knowledge .. Love from India :).
That was fun (and terrifying) to watch and listen to. It reminds me of when I first experienced John Frizzell’s disturbing music for Thirteen Ghosts. It also reminds me a bit of the twisted minds of Trent Reznor/Marco Beltrami…and I mean that in a good way. 😂 Great work!!
Very impressive, inspiring and didactic. Thanks for the content, Jonas! If you can answer, I would like to know how you synchronize the hit points... Did you use the metronome in this score?
My pleasure, I do have a metronome for this piece…about halfway through the video I discuss using it it create tension by increasing tempo during a rise. In regards to hit points I use the metronome and cubase’s grid tool to move my grid so my initial start of a cue is at the appropriate time. A video on this will be made available next month
Incredible timing since i'm working on a horror trailer album right now, the techniques you show here are absolutely incredible! I'm dying to know how you made that bass pulse that accompanies the 16th note screech sounds at 9:23 in the video, sounds so good and punchy!
I love it, this really changes the way I think about making these sounds. Synthesizing bass is only 1 way to do it but using distortion on tons of other source audio is so much more fun! Thermal and Decapitator are my new favorite plugs!@@jonasfriedman
Man I would love to score tv or a video game I have been doing commercial briefs for a sync house this year but man I would love a contracted gig. How did you break into it if you don’t mind me asking?
It’s a lot of fun @squidaniel. In the very beginning I did a few commercial and sync gigs as well as a freelancer but things really started to evolve when I began working with other composers who got the types of projects I wanted to be apart of. I found a way to be valuable to them, I learned from then and it made getting my own projects or more credible joint projects much easier
@@jonasfriedman brilliant man. Thank you so much for the words. I just found you and absolutely love watching you work. I love the way you effortlessly attach an emotion or some kind of human response to a sound. Super helpful! Thank you!
@@jonasfriedman also your videography is amazing, can you please make a video on how you shoot, lighting, camera setup and editing. Also do you upscale your footage to 4k
This is pretty damn professional for such a small channel! Keep it up!
Thanks @kingdudu
Your content is wonderful. I've been learning a lot from you and look forward to your videos.
Really appreciate it @stevenyotis7362 ! Happy to hear it’s been helpful
Awesome Tutorial!👍🙏
Thanks!
Absolutely love your videos, content, methodology, approach to covering different genres. I especially dig production aspect of things, different ways of obtaining various un-typical sonic results. After spending years of composing for cinematic style orchestras, mastering an art of orchestration (for big arena sports events, NHL, ESPN -Hollywood action type, but more traditional, an actual virtual orchestration to be also performed live), ethnic music(Chinese, Arabic, Irish, Celtic etc.) and big-band (1930s-40s, Miller, Ellington, Bssie), and after recording a jazz album I wanna dive into sonic landscapes. Your videos provide a great starting points - libraries for consideration from various developers, sound manipulation, pitch shifting etc. Bro, this is cool !! In one of your videos you mentioned Mark Snow. I met Mark during an ASCAP film music workshop at NYU in the early 2000s. At that time I was playing keyboards as a bandleader with Phil Collins production show at Disney, and started to immerse into music for media. Mark answered bunch of my questions regarding his score for X-Files movie. Great guy, easy going and extremely knowledgeable. I’m gonna watch your videos again, this time with a paper and pencil :) It seems that you tend to use certain developers, and various audio snippets as building blocks…
Thanks for all of the kind words and happy to know the videos have been helpful! Super cool you’ve met mark - have worked with him for about 10 years. Thanks for watching, excited to bring you more videos shortly 😀
Jonas, thanks for the tips on your horror techniques using samples. Very useful info! Keep them coming, please
Happy to hear! More on the way!
Couldn't find you on insta, so I reached out on Facebook. Love your work and would love to explore working with you in the future.
Yes! More like this! love the techniques used...thank you.
My pleasure happy it’s helpful
My favorite video of yours so far! Learned a lot!
Glad to hear it!
Another awesome vid! Loving your work, thanks for the inspiration and all the tips!
Thanks, it’s my pleasure!
Again a great video. I think it is one of the genres I like to compose for the most, music (and SFX) are veeeery very important and of course there is a lot to explore and experiment.
Couldn't agree more!
Dear Jonas, You need to have a very good "imagination" about the end result and some surprises "finding" on the way even before starting the Cue, you've nailed it !! Thanks for sharing this knowledge .. Love from India :).
Thanks @sameerkulkarni1574 appreciate it!
Such a good video Jonas. Really informative
Thanks Steve! Appreciate you checking it out
PHENOMENAL work dude!
Thanks @Draven1980s !
Great work man, appreciate the breakdown
Appreciate it!
Love it! So great!!! 🙌🏼👏🏼
Thank you!!
That was fun (and terrifying) to watch and listen to. It reminds me of when I first experienced John Frizzell’s disturbing music for Thirteen Ghosts. It also reminds me a bit of the twisted minds of Trent Reznor/Marco Beltrami…and I mean that in a good way. 😂 Great work!!
Appreciate it! Trent reznor and Marco Beltrami are some of the greatest
Sweet Jesus. I’ve been in a rut. This is just what I needed. Amazing cue. Thank you.
Really happy to hear it’s been helpful. Thanks for the kind words
Nice
🤘
Very scarry, very effective xD ^^
🔥
Very impressive, inspiring and didactic.
Thanks for the content, Jonas!
If you can answer, I would like to know how you synchronize the hit points...
Did you use the metronome in this score?
My pleasure, I do have a metronome for this piece…about halfway through the video I discuss using it it create tension by increasing tempo during a rise. In regards to hit points I use the metronome and cubase’s grid tool to move my grid so my initial start of a cue is at the appropriate time. A video on this will be made available next month
@@jonasfriedman Thanks!!
oh man, these techniques work awesome in deathcore and some really gorey metal. Also slipknot vibes, just add some drumbreaks and you're almost there.
Good call, definitely a style and collection of sounds that can cross genres
Incredible timing since i'm working on a horror trailer album right now, the techniques you show here are absolutely incredible! I'm dying to know how you made that bass pulse that accompanies the 16th note screech sounds at 9:23 in the video, sounds so good and punchy!
Great to hear! I believe that bass pulse is a kick from Battery 4 arena kit 🤘
Oh awesome I never would have thought! I'm guessing you distorted the kick to make it sound more like a bass synth?@@jonasfriedman
@DanielBastionMusic yes I forgot to mention - it’s very distorted - like everything in the track lol
I love it, this really changes the way I think about making these sounds. Synthesizing bass is only 1 way to do it but using distortion on tons of other source audio is so much more fun! Thermal and Decapitator are my new favorite plugs!@@jonasfriedman
@@DanielBastionMusic me too!
Man I would love to score tv or a video game
I have been doing commercial briefs for a sync house this year but man I would love a contracted gig. How did you break into it if you don’t mind me asking?
It’s a lot of fun @squidaniel. In the very beginning I did a few commercial and sync gigs as well as a freelancer but things really started to evolve when I began working with other composers who got the types of projects I wanted to be apart of. I found a way to be valuable to them, I learned from then and it made getting my own projects or more credible joint projects much easier
@@jonasfriedman brilliant man. Thank you so much for the words. I just found you and absolutely love watching you work. I love the way you effortlessly attach an emotion or some kind of human response to a sound. Super helpful! Thank you!
@Squidaniel my pleasure - appreciate all of the kind words 🙂
Masterful work, thanks for the free lesson 🫡
My pleasure!
Incredible, you are really talented. What camera do you use
Thanks for the kind words - Sony a7iii
@@jonasfriedman also your videography is amazing, can you please make a video on how you shoot, lighting, camera setup and editing. Also do you upscale your footage to 4k
@user-pn9el7yi4j sure thing - I shoot in 4k but have a great lens (Sony 1.2 50mm) and aputure lighting