As a professional sound mixer, I want to add one thing: we tend to be happy to share what we do with anyone asking. Sound is a great way to get into the film industry.
I want to compose for movies. Any tips at all for me? I post a lot of my music on my channel if you’d like to hear it please help yourself. I hope you can enjoy it. 🙂
@@0ErikaAir0 Studio Binder is a good start. You can learn almost everything online for free. But you need to have skills AND network. Almost everything online movie I’ve worked on came from networking.
@@0ErikaAir0 sorry about the reply being janky. RUclips kept adding words in multiple places for some reason. Network like your job depends on it, because it does.
This channel not only teach me sound mixing in a wonderful way it finally made me understand musical concepts all in 15 mins. You guys are from outer space
I'm utterly in love with sound! I'm not a professional but I've been trying to get into sound effects for the past year or so and it is one of the most rewarding things. Also this channel needs an Oscar ASAP!! Amazing job!
This is so important. On my second film we had a great sound guy and I learned so much what an art it is. Then sound design in post production adds so much to the film. It's one of the things that makes an indie feel higher budget.
Sound, and sound crew, is unglamorous, but vital. Once driving to set in a remote location, my GPS failed me, and I got seriously lost. I had to call the producer to get directions. I hated to be late, but you know what? Without the sound crew, absolutely nothing gets shot. So there.
i don't know if i am early but i am 18 years old boy trying to write his script i wanna thank you for all the videos you uploaded specially that one about writting plot twist thank you studiobinder
This is a great video for catching up everyone else on set with what is happening in the audio department. My only critique is with calling 48k "good" vs 96k being great at 192k being Superb. 48k is going to be absoultely great audio for just about any scenario, it wasn't arrived at by accident but was a very deliberate choice. The higher sample rates come in handy in situations of sound design/manipulation but if you're not messing with that there will be zero benefit to you to record at the higher rates. All you'll get is a more full hard drive at the end of your day. Same goes for bit-depth, 16bit is still considered "CD Quality" sound, although most people do work at higher bit-rate now you wont be "losing" anything by recording at "only" 16 bit.
Exactly. Most gear, even consumer gear, will record at 24 bit, 48k. Dialog is not super demanding. 32 bit float is rapidly becoming standard, though, on even consumer gear.
Be aware that 16 bit is only good enough if you record with perfect dynamics, which is never the case. 24 bit or 32 bit float audio is the equivalent of shooting in RAW.
It is so important to learn about filmmaking, not just as an art form or a pop culture phenomenon, but also the science and technical aspects of it. It is just as fascinating, perplexing, and interesting to see the actual filmmaking process of it. The journey of making movies is as much about the story of how the film was made, with the story being told on screen.
Okay, I have been avoiding watching this latest lesson because SOUND is very daunting for some filmmakers. But very important as it is said and known, Sound is 50% of a movie. I appreciate the bite-sized breakdowns of the Sound Lesson and as always I appreciate the STUDIOBINDER for their lessons. THANK YOU FOR THIS!!! Now if you don't mind, I will have to watch this lesson a few more time until Sound becomes second nature!!!
Your channel is a film school all by itself! Please keep making this type of videos. Please do a video on J2K conversions and Theatrical video formats too if possible with detailed explanation. Like how many sound channels does it support, what will be size of it like this. Thank you.
StudioBinder’s timing is scary I just came home from a meeting with the sound designer of my short movie, and we were talking about the best ways to record sound in order to make sound design easier
Great video!! Just what I needed. There's a lot of confusion on this subject and everybody who works in sound for film thinks they know every damn thing (and often they don't). This clears a lot of that confusion, so thank you guys!
This is a very good and easy to follow explanation for someone like myself who has gotten recently into the audiophile scene and have gotten very confused with terms such as Sample Rate, Bit Depth or any of the technical audio stuff as I have learning disabilities and a low I.Q., but I found it very easy to understand, thank you Studio Binder for this.
Exactly!! That is what I always say: Sound is the most important part of video :) I always add that I might be biased coming from a sound background :)
The day i will win the Oscars, i will make a shout out for you guys. You're really gearing up for my project, though i haven't yet found the producer or an agent to bring it to life, still in search. Wish me lucky.❤ much from Zambia, Africa.❤🇿🇲
I used to go to schools on 'career day' and as part of it, I taught about the element of sound. I played a scene from Lord of the Rings as is then asked, 'Do you know this movie and did it do well?' Their answers were as one would expect. I then asked, what if the director treated the sound without the attention to detail that the rest of the film got? Then I played the same scene but I had replaced the music with a piece that didn't make sense, SFX that were distracting, and I even added the helicopter sound back into the wide, over-head shot. They laughed and everyone got the point; sound matters. Good times.
As a sound recordist, I am vitally interested in this. It's a good distillation of the pricess, probably too heavy on big budget productions. Someone doing local indie productions will often be a one-man band, and operate out of a sound bag. Another thing to mention os even a beginner recordist might have $5,000 and up equipment he's had to purchase to even get started in the business.
I know this is a long shot but if y’all ever do anything about choreography, can y’all do a segment discussing Terry Notary? He has done lots for the film industry as a stunt man and teaching others. He is the one who has taught people how to play apes, and he has played apes.
He does voice over and uses a sound isolation booth and a very expensive large condenser microphone is my bet. Search on voice-over recording for more info. (You can do voice-over on the cheap by using a shotgun mic and putting a towel over your head. Also use a pop filter. We did that on a student film, lol.)
Single system is not about the sound being recorded "directly onto the camera", but sound recorded simultaneously with picture onto the same medium. You point that dual system is better because a microphone can be placed close to a source is misleading: you can feed sound from an external microphone into the camera and record it along with the picture, and it will constitute a single system.
If you are mentioning sampling rate and bit depth, you should at least hint how to choose a fitting one. In particular, sampling rate should be at least twice as high as the highest frequency you want to reproduce, meaning it should be 40 kHz or more. You may want to use higher sampling rate to either capture wider frequency range for dogs and dolphins to enjoy your movie as well, or to employ a less steep low-pass filter, which means fewer aliasing. As for bit depth, in case of linear pulse-code modulation one bit is equal to 6 dB of S/N ratio, so 8 bits is enough for FM radio quality, 12 bits is equal to good vinyl, 16 bits is close to human pain threshold. Philips originally wanted to use 14 bits for CD. Using more than 16 bits is overkill, but storage is cheap nowadays. Oh, and please use correct units, not "khz", but "kHz", meaning "thousand of Hz".
2:14 - the unit abbreviation is "Hz", not "hz", and "k" is not a unit but a one thousand multiplier - 20k means 20,000, but 20,000 of what? You should have written "kHz", not just "k".
It seems like a boom operator must also be physically fit. Maintaining the boom pole's level at all times must be a pain in the neck. Man, sound recording is an actual math.
There are ways around it. Most important, never, ever buy an aluminum boompole. Carbon fiber is the best. Do. Not. Skimp. On. This!!! Second, you don't often have to hold the pole over both shoulders. Also, the make holders for boompoles that attach to a C stand. This works well for sitdown interviews.
Hello Studiobinder friend，I'm a youtuber from China, your video about filmmaking is so great,really appreciate your work. I'm wondering if I can use some of your material in my video? maybe some short clips, I 'll translate into Chinese, not your whole video, just some clips and of course I'll tell the story in my own words, and also, I'll put the links of the video I referenced, including your channel link. At the end of my video, I'll share your channel to my followers, let them know if they really interested in filmmaking, they can check on your channel. Forgive my shabby English, really looking forward to your reply! Thanks!🙏🙏🙏
Of course! We obviously borrow and credit a lot of different sources in our videos so just make sure you credit those clips as well. You'll find our credits in the description and if you need help, let us know!
Soundrecordist here: yes, that's one of the problems you have to deal with. There are a number of ways to avoid rustling of clothes. I can give only a few examples, because every film is different - so the challenges vary with costumes. One way is to tape the lavalier directly to the actors chest, where there is a little dent in the sternum (always ask for consent first!) - so there is a gap between the mic an the clothing. Another way is to tape a little bit of fur (or other concealers designed for this, there are a number of companies specialized for sound-equipment) on top of the mic and tape down the surrounding clothing to minimize movement of fabric. It's an artform to hide the mics and still record as cleary as possible. Thats why it's so important to have a good working relationship with the costume department and do some testing before shooting. There is much more to this, but to give you an idea.
LOL. Heck yes, and that why I have grey hair. And less of it. There are techniques to use to generally eliminate clothing rustle. Curtis Judd is a sound RUclipsr who has several videos on placing a lav mic.
You say that the shotgun mic mainly pics up sound from where it is pointed. True, but then you show the pickup pattern, which clearly shows that a shotgun mic also picks up a good deal of sound from the back, which means that one should be careful not to produce noise directly behind the mic. Also, you mentioned decibels, but did not explain what is it. Seriously, so many technical issues with this video - either explain the technicalities thoroughly or don't mention them at all. For example, in case of the pickup pattern, you did not have to mention decibels, the pretty picture is enough to reflect the directionality pattern.
@@StudioBindercompare to the first 13. Ive got a list these are so good! Also, your Shotlist playlist has "the ultimate" videos in it. My ADHD feathers are ruffled. 😊
Hey everyone, When you watch a film, what elements leave the biggest impact on you? Is it: • The aesthetic and cinematography? • The way scenes are beautifully filmed and edited? • The immersive sound design, foley, or sound effects? • A perfectly balanced mix that ties it all together? • Something else entirely? I’m curious to hear what resonates most with you as a viewer or professional in the industry. Let’s discuss what elevates a good film to something truly memorable! Feel free to share your thoughts and examples of films that nailed these aspects. Let’s geek out over what makes cinema magic!
![Camera Gear: Every Type of Camera Rig Explained [The Shot List, Ep 5]](http://i.ytimg.com/vi/heJ9hWNb10g/mqdefault.jpg)
This is a great reminder of how filmmaking is a marriage between art, science, and technology.
Well said
💯
Beautifully put!
Couldn’t agree more.
Does that mean they doing threesome?
Or poligamy?
As a professional sound mixer, I want to add one thing: we tend to be happy to share what we do with anyone asking. Sound is a great way to get into the film industry.
I want to compose for movies. Any tips at all for me? I post a lot of my music on my channel if you’d like to hear it please help yourself. I hope you can enjoy it. 🙂
@@0ErikaAir0 Studio Binder is a good start. You can learn almost everything online for free. But you need to have skills AND network. Almost everything online movie I’ve worked on came from networking.
@@0ErikaAir0 sorry about the reply being janky. RUclips kept adding words in multiple places for some reason. Network like your job depends on it, because it does.
Probably the most awaited video for me... Thankssss my unconventional film school ❤
You're most welcome!
This channel not only teach me sound mixing in a wonderful way it finally made me understand musical concepts all in 15 mins. You guys are from outer space
YES!!! Sound is the most important thing in a film imo.. Thank you StudioBinder
Totally agree! You're welcome.
I'm utterly in love with sound! I'm not a professional but I've been trying to get into sound effects for the past year or so and it is one of the most rewarding things.
Also this channel needs an Oscar ASAP!! Amazing job!
That's awesome! We love sound too and we've got a couple more videos on the topic coming soon!
Iam also an ambient artist ...archieving soundscape of cities❤
@@prabhuja7554 it’s such fun 😌
I love the idea that Hideo Kojima is directing Paddington 3. Well played Studio Binder, well played.
🤔
Death Stranding 2 is also a secret sequel to Paddington
I don't understand this statement too @@StudioBinder
This is so important. On my second film we had a great sound guy and I learned so much what an art it is. Then sound design in post production adds so much to the film. It's one of the things that makes an indie feel higher budget.
So true. And missing Foley, especially stuff like footsteps, always makes a zero budget production seem cheap.
Yes remember Tangerine was shot on iphone 5s ...but not with a budget sound ...Sean Baker was a sound guy ..even with budget
@@prabhuja7554 Agreed, sound and lighting is much more important than the camera honestly
I will pay studio binder with a film and I will mention Ur overwhelming help u have been to me as an artist ❤❤❤❤
That's great to hear!
Great work. Sound is usually the least thought of, but most noticeable element of production.
Well said! And 100% true.
Sound, and sound crew, is unglamorous, but vital.
Once driving to set in a remote location, my GPS failed me, and I got seriously lost. I had to call the producer to get directions.
I hated to be late, but you know what? Without the sound crew, absolutely nothing gets shot. So there.
I’ve needed this for years. Love you SB.
Glad we could help with that and thanks for watching!
i don't know if i am early but i am 18 years old boy trying to write his script i wanna thank you for all the videos you uploaded specially that one about writting plot twist thank you studiobinder
CAN'T WAIT for the next sound episode!!! Filmmaking student here who wants to be a sound mixer someday. Thank you guys very much for this!!!
The most important and underated aspect of filmmaking imo. like you said, the audience can forgive a bad picture but they'll never forgive bad sound
This is a great video for catching up everyone else on set with what is happening in the audio department. My only critique is with calling 48k "good" vs 96k being great at 192k being Superb. 48k is going to be absoultely great audio for just about any scenario, it wasn't arrived at by accident but was a very deliberate choice. The higher sample rates come in handy in situations of sound design/manipulation but if you're not messing with that there will be zero benefit to you to record at the higher rates. All you'll get is a more full hard drive at the end of your day. Same goes for bit-depth, 16bit is still considered "CD Quality" sound, although most people do work at higher bit-rate now you wont be "losing" anything by recording at "only" 16 bit.
Exactly. Most gear, even consumer gear, will record at 24 bit, 48k. Dialog is not super demanding.
32 bit float is rapidly becoming standard, though, on even consumer gear.
I agree. I came looking for a comment like this as soon as I saw that part of the video haha
Thanks for sharing those insights! We learn a lot from our viewers so thank you for the clarification.
Be aware that 16 bit is only good enough if you record with perfect dynamics, which is never the case. 24 bit or 32 bit float audio is the equivalent of shooting in RAW.
4k for RUclips most cases too is wasted HDD footprints ...unless content is king 😢
I honestly learn more science from these videos than I do my school! 😂
Normally I hate science yet I pay attention to these videos! 🤣
This is one of StudioBinder's most important videos they've ever shared with us. Thank you so much!
It is so important to learn about filmmaking, not just as an art form or a pop culture phenomenon, but also the science and technical aspects of it. It is just as fascinating, perplexing, and interesting to see the actual filmmaking process of it. The journey of making movies is as much about the story of how the film was made, with the story being told on screen.
I was waiting for this topic THANK YOU studio binder for making this video
Most welcome 😊
Birdemic was just the example we needed, thank you
It was the only choice, really. Haha.
I just took a Signals class for an undergraduate EE degree - didn’t expect this video to explain some of the concepts in better depth
This is so cool! Recording sound is such an artform itself!
It really is! And it gets so much less attention despite being absolutely vital to a successful film.
@@StudioBinderThe last film I worked on, a TV producer came up to me and thanked me in advance for doing one of the most unhearlded jobs on set.
This is a very practical and informative teaching on sound. The information in this video is priceless. Looking forward to the next one.
Thanks! Stay tuned, it'll be a couple more weeks.
Seriously the best online film academy.
Thanks for saying so! We try.
Good news data impowerment ward woman's lider education electronic signature on my way home now and will always 3:17
You guys never cease to impress and bless. Thank you StudioBinder !
Thanks for saying so! We work really hard to hopefully make that happen!
Okay, I have been avoiding watching this latest lesson because SOUND is very daunting for some filmmakers. But very important as it is said and known, Sound is 50% of a movie. I appreciate the bite-sized breakdowns of the Sound Lesson and as always I appreciate the STUDIOBINDER for their lessons. THANK YOU FOR THIS!!! Now if you don't mind, I will have to watch this lesson a few more time until Sound becomes second nature!!!
Well said and thanks for watching!
Your channel is a film school all by itself! Please keep making this type of videos. Please do a video on J2K conversions and Theatrical video formats too if possible with detailed explanation. Like how many sound channels does it support, what will be size of it like this. Thank you.
Love your videos always here to help us filmmakers
Our pleasure!
@@StudioBinder any chance you could do a video on green screens and how to edit them out in post production?
As always an incredible episode. I still can't believe this is free, but Im glad it is. I learn so much when watching.
Glad you enjoy it!
Thank you so much for this, Studio Binder. More videos about sound please!!
StudioBinder’s timing is scary
I just came home from a meeting with the sound designer of my short movie, and we were talking about the best ways to record sound in order to make sound design easier
Just wait until the next episode!
Great video!! Just what I needed.
There's a lot of confusion on this subject and everybody who works in sound for film thinks they know every damn thing (and often they don't).
This clears a lot of that confusion, so thank you guys!
Thanks! Glad we could help.
Expecting more videos on sound
We've got two more coming soon!
One of the best channels on the internet. Is there a name for the tune that's at the start of the video from at around 0:36?
Thanks! Yeah, that track is "Origin" by David A. Molina.
@@StudioBinder Thanks! The knowledge and insight you all put out is invaluable.
This is a very good and easy to follow explanation for someone like myself who has gotten recently into the audiophile scene and have gotten very confused with terms such as Sample Rate, Bit Depth or any of the technical audio stuff as I have learning disabilities and a low I.Q., but I found it very easy to understand, thank you Studio Binder for this.
You're so welcome!
@@StudioBinder Cheers, much appreciated.
This channel inspires future filmmakers.
Exactly!! That is what I always say: Sound is the most important part of video :) I always add that I might be biased coming from a sound background :)
Absolutely!!
Wow, I’m quite impressed by the video. I’m just starting my career, but I think this video really shows what goes into production sound.
Thanks! We just scratched the surface but hopefully it's enough to get someone started.
The Sound Mixer wants HIS VOICE HEARD in meetings
Of course! Filmmakers should always give their sound department a seat at the table.
He should get a mic.
The day i will win the Oscars, i will make a shout out for you guys. You're really gearing up for my project, though i haven't yet found the producer or an agent to bring it to life, still in search. Wish me lucky.❤ much from Zambia, Africa.❤🇿🇲
We wish you all the luck! ♥
Always Inspiring to learn from you StudioBinder. Thousand Thanks for this Inspiring video. 🙏😇💯💯💯
You're very welcome!
Can we all agree the boom mic scene from Bolt made our days ❤
I used to go to schools on 'career day' and as part of it, I taught about the element of sound. I played a scene from Lord of the Rings as is then asked, 'Do you know this movie and did it do well?' Their answers were as one would expect. I then asked, what if the director treated the sound without the attention to detail that the rest of the film got? Then I played the same scene but I had replaced the music with a piece that didn't make sense, SFX that were distracting, and I even added the helicopter sound back into the wide, over-head shot. They laughed and everyone got the point; sound matters. Good times.
Thank you for another amazing lesson!
Glad you liked it!
I have been waiting for this. Thank you.
Our pleasure!
Different sounds affect is what makes a video stand out
Very true, sound is so important!
Very good. Excellent explaining
Awesome. Can we get that flowchart as a download describing various roles in filmmaking?
I hear you, studiobinder. great video.
Yes! Thank you!
I love your work guys.
As a MSTie I can fully appreciate that Birddemic clip at the end! 😂
I’ve always enjoyed bad movies because they teach you what NOT to do 🤣
I watched one of those Shark Tornado rip-off films, and the sound was not good. Bad sound immediately takes you out of a film.
All due respect to the Birdemic filmmakers but yeah there is just as much to learn from "bad movies" as there is from "good movies."
Thank youuuuuuu STUDIOBINDER 💕
Thanks! Great episode (again).
Thanks again! ❤
Thank you👍Very very informative💡
Glad it was helpful!
How did I never know about StudioBinder Academy?
As a sound recordist, I am vitally interested in this.
It's a good distillation of the pricess, probably too heavy on big budget productions. Someone doing local indie productions will often be a one-man band, and operate out of a sound bag.
Another thing to mention os even a beginner recordist might have $5,000 and up equipment he's had to purchase to even get started in the business.
Thanks for those insights! And you're right, since most sound mixers are "owner/operators" the expenses just to get started can be hefty.
Great video, as always!
Thanks! We put a lot into this one.
I know this is a long shot but if y’all ever do anything about choreography, can y’all do a segment discussing Terry Notary? He has done lots for the film industry as a stunt man and teaching others. He is the one who has taught people how to play apes, and he has played apes.
Great idea! Yeah, he's been everywhere in the last few years.
Wake up babe a new episode of The Shot List just dropped
We were just as excited to return to our favorite series!
This is amazing 😢
Thanks! We put a lot into this one.
Sound off if you love Studio Binder！
BTW what mic set up and settings is the narrator using to get such crisp sound？
Let us ask our engineer. We record in a professional studio so we'll get back to you.
He does voice over and uses a sound isolation booth and a very expensive large condenser microphone is my bet.
Search on voice-over recording for more info.
(You can do voice-over on the cheap by using a shotgun mic and putting a towel over your head. Also use a pop filter. We did that on a student film, lol.)
At 00:25 when they realise they have a boom mic in the shot and the poor boom guy hides it like it's his job to know when it's in frame^^;
Your video is really good ❤
Where can I get the film crew organizational chart seen at 10:24?
Great video.
Thanks!
Hey StudioBinder👋🏽
Hey! 👋
birdemic in the end, genius lol
We had to do it!
Please make video about documentary filmmaking pleaseeeeeeeeeeeeeeeeeeeeeee!
❤❤❤❤❤❤❤❤❤
If you make one also please talk about documentary script writing
We actually have something focused on documentary filmmaking coming soon!
Very interesting information ❤
Glad you think so!
Single system is not about the sound being recorded "directly onto the camera", but sound recorded simultaneously with picture onto the same medium. You point that dual system is better because a microphone can be placed close to a source is misleading: you can feed sound from an external microphone into the camera and record it along with the picture, and it will constitute a single system.
hi Q - which is better to get and why, the 44w tascam or the Zoom PodTrak P4
Up next please educate us about documentary filmmaking 😂🎉
Well.. That sounds great 🤫
Good one!
As a film director what are the things I wanted to know to make a film ?
If you are mentioning sampling rate and bit depth, you should at least hint how to choose a fitting one. In particular, sampling rate should be at least twice as high as the highest frequency you want to reproduce, meaning it should be 40 kHz or more. You may want to use higher sampling rate to either capture wider frequency range for dogs and dolphins to enjoy your movie as well, or to employ a less steep low-pass filter, which means fewer aliasing. As for bit depth, in case of linear pulse-code modulation one bit is equal to 6 dB of S/N ratio, so 8 bits is enough for FM radio quality, 12 bits is equal to good vinyl, 16 bits is close to human pain threshold. Philips originally wanted to use 14 bits for CD. Using more than 16 bits is overkill, but storage is cheap nowadays. Oh, and please use correct units, not "khz", but "kHz", meaning "thousand of Hz".
Explain method is good
Thanks! We tried to make it as clear as possible.
2:14 - the unit abbreviation is "Hz", not "hz", and "k" is not a unit but a one thousand multiplier - 20k means 20,000, but 20,000 of what? You should have written "kHz", not just "k".
When will the departments of dubbing and foley come into the play?
We'll cover those in the next two Shot List episodes! Coming soon.
It seems like a boom operator must also be physically fit. Maintaining the boom pole's level at all times must be a pain in the neck. Man, sound recording is an actual math.
This is 100% true. They make boom poles fairly light these days but your shoulders need to be in tiptop shape!
@@StudioBinder I see.
There are ways around it. Most important, never, ever buy an aluminum boompole. Carbon fiber is the best. Do. Not. Skimp. On. This!!!
Second, you don't often have to hold the pole over both shoulders. Also, the make holders for boompoles that attach to a C stand. This works well for sitdown interviews.
Thank you 🙏🥹
You’re welcome 😊
Fantastic
Thanks!
Hello Studiobinder friend，I'm a youtuber from China, your video about filmmaking is so great,really appreciate your work. I'm wondering if I can use some of your material in my video? maybe some short clips, I 'll translate into Chinese, not your whole video, just some clips and of course I'll tell the story in my own words, and also, I'll put the links of the video I referenced, including your channel link. At the end of my video, I'll share your channel to my followers, let them know if they really interested in filmmaking, they can check on your channel. Forgive my shabby English, really looking forward to your reply! Thanks!🙏🙏🙏
Of course! We obviously borrow and credit a lot of different sources in our videos so just make sure you credit those clips as well. You'll find our credits in the description and if you need help, let us know!
@@StudioBinder it's very nice of you! Thanks a lot! Have a nice day my friend❤️❤️❤️
If we use the Lavalier mic doesn’t the noise of the clothes rub go into the audio ?
Soundrecordist here: yes, that's one of the problems you have to deal with. There are a number of ways to avoid rustling of clothes. I can give only a few examples, because every film is different - so the challenges vary with costumes. One way is to tape the lavalier directly to the actors chest, where there is a little dent in the sternum (always ask for consent first!) - so there is a gap between the mic an the clothing. Another way is to tape a little bit of fur (or other concealers designed for this, there are a number of companies specialized for sound-equipment) on top of the mic and tape down the surrounding clothing to minimize movement of fabric. It's an artform to hide the mics and still record as cleary as possible. Thats why it's so important to have a good working relationship with the costume department and do some testing before shooting. There is much more to this, but to give you an idea.
@@spoilingspoony4465 thank you for your response!!!!!
We couldn't have answered this better!
LOL. Heck yes, and that why I have grey hair. And less of it.
There are techniques to use to generally eliminate clothing rustle. Curtis Judd is a sound RUclipsr who has several videos on placing a lav mic.
@@spoilingspoony4465plus, if wardrobe is available, have them help, especially with female talent.
PLEASE, MAKE AN APP FOR STUDIO BINDER!
You say that the shotgun mic mainly pics up sound from where it is pointed. True, but then you show the pickup pattern, which clearly shows that a shotgun mic also picks up a good deal of sound from the back, which means that one should be careful not to produce noise directly behind the mic. Also, you mentioned decibels, but did not explain what is it. Seriously, so many technical issues with this video - either explain the technicalities thoroughly or don't mention them at all. For example, in case of the pickup pattern, you did not have to mention decibels, the pretty picture is enough to reflect the directionality pattern.
Thank You
Welcome!
Nice Superb
Could anybody tell me the name of the man who's doing the voice over.
He's actually asked us to keep him anonymous but he is an actor.
@@StudioBinderI am always super happy to hear that splendid British accent.
I'll bet he'd be in demand doing narration in documentary work.
greate video
Thanks for watching!
I hear ya!!
👂
Forgot to put [Shot List Ep. 16] in the title.
(Also forgot for Episode 15)
You're half right 😉 We'll add it to the title but Ep. 15 was Principles of Animation: ruclips.net/video/tYc1yUt0IeA/видео.htmlsi=jOem5D0FtprQSusZ
@@StudioBindercompare to the first 13. Ive got a list these are so good!
Also, your Shotlist playlist has "the ultimate" videos in it. My ADHD feathers are ruffled. 😊
iam waiting studiobinder to make a movie😂
It's a group of people who teach the world or educate the community.bruh
Hmm missing that intro part for a while
It's back, baby!
Hey everyone,
When you watch a film, what elements leave the biggest impact on you? Is it:
• The aesthetic and cinematography?
• The way scenes are beautifully filmed and edited?
• The immersive sound design, foley, or sound effects?
• A perfectly balanced mix that ties it all together? • Something else entirely?
I’m curious to hear what resonates most with you as a viewer or professional in the industry. Let’s discuss what elevates a good film to something truly memorable!
Feel free to share your thoughts and examples of films that nailed these aspects. Let’s geek out over what makes cinema magic!
Ah, Birdemic! A movie that would really fly if it only had better sound design...
We SAW the sound finally 😅 pun intended
What? At 9:12 - ”Some equipment, like lavaliers, can’t be connected by a cable”.
How someone Directs and Acts in the same movie. Do want to see your analysis...
That's an interesting topic. We'll add it to the list.
3:48 7:50
Great