Congratulations! This man’s voice is/was as near to the voice of God as mankind will hear on this earth. Sadly, he passed away before he reached his zenith, imho.
Everyone talks about the depth of his voice, or his resonance, but no other profundo sings this song with the same level of artistry and emotion that he does
Какой красивый человек с уникальным голосом жил в наше время! Очень жаль,что не услышала его голос в живом концерте. Достойный представитель великой русской басовой школы. Браво!
@@danflemmer1999 А как я жалею, что узнала о нем не далее, как вчера!!😢 Слушаю весь день. При том, что он был территориально ближе ко мне. Лучше поздно, чем вообще не услышать Это.
I'm amazed by how Pasyukov achieves such a warm and rich tone. His voice sounds so rich and filling, and he has the sound almost no other Oktavist has. In Glenn Miller's performance, his tone gets somewhat dry towards the low G and even Bb, but Pasyukov's Bb sounds like liquid gold flowing from a fountain. Thank you so much for this recording!
Sorry, Hitashi son - I had an opportunity to listen this very choir, and Pasyukov, in 1997. in their Belgrade concert - they natural sound was exactly like in this record. After the concert, I bought their CD and was amazed - it was exactly the same sound on that record and in live (they sang some same songs, so I was able to compare). No difference whatsoever. It was their natural sound, and Pasyukov's natural boost. Only, in that concert he didn't sing solo in this song, but in "Twelve Brigands". And he made a clear and resonant G1 at the end of the song.
How could you claim that "Glenn Miller is the more powerful and resonant oktavist than Pasyukov" when you never had a chance to listen to Pasyukov in live? And I'm not trying to deny that Glenn Miller ie excellent singer.
@@boramaks @Isaac Davanzo said: "In Glenn Miller's performance, his tone gets somewhat dry towards the low G and even Bb, but Pasyukov's Bb sounds like liquid gold flowing from a fountain." not the other way aroud
After his first couple of notes it took me a second to realize he wasn't an organ being played. But the beautiful basso profundo that describes nothing richer than something God-sent
This simply sound divine. The depth of this guy is unbelieveble and incomparable to other basso. I think 99% of all basso in the world can't produce a Bb1 like this with these type of harmonics. If you hear closely you can hear the overtones so clearly, this is the main phenomenon with Pasjukov. Superb!
And the power and clarity. He can definitely croak something into a mic much lower, but this is the real deal. No one can touch this. Definitely not some fäget like Geoff Castellucci (mic singer). People sing his praises but dont have any idea that he is nothing compared to actual basso profondos like Pasuykov, Miller, etc who dont need a mic
The resonance of his voice is superhuman, only time I've ever heard singing this resonant was in Yuri Vishniyakov's version of this piece with TWO more oktavists. Truly amazing.
Incredible. None better. the pacing, the color, the depth of feeling, the spirituality, the pathos, the humility - it's all there and unparalleled or matched. The gold standard.
I was listening with my Sennheiser earphones and in one particular place his woice made them vibrate with an overtone I never heard before ! Fantastic !
I once had a mastered version of this haunting and beautiful piece with Vlad's voice carrying the choir. I wish the RUclips algorithm hadn't deleted it because Pasyukov was the man who inspired me to deepen my voice...
La gravite de la note et la vibration de la voix sont servies par un souffle puissant et une tenue calibree . Un timbre et une couleur unique et reconnaissable entre tous les oktavistes .
Great performance. Maybe he doesn't do the crazy G1 like Miller, but the tone and power of Pasyukov's voice is great. This might just be my favourite performance of this piece!
mvdbergrede Yes, it is hard to choose a favorite because these terribly unique voices all bring to light a different aspect of the piece. For over-performed classics for certain voices (e.g., "Nessun Dorma" for tenor) it is really necessary to sort through the thousands of performances and find the good ones, the favorites. With Chesnokov's classic for oktavist soloist, however, the performances are so rare that we don't really need to choose a favorite out of the tiny handful of performances available. Instead, we need to cherish each interpretation for its unique beauty!
SO GREAT ! MAGNIFICENT ! With a free, powerful, majestic and homogeneous emission of the voice and a real sense of the sacred. WONDERFUL ! Thanks for the post.
Ah ! Can't be true.. I'm dreaming.. The earth's shaking, the mountains trembling, the trees bowing in awe in the view of this giant. With each step he takes in his silver polished armour, people spreading like ants here and there out of fear for the fearless lionheart..
I can’t even compare between Vladimir miller, John Ames, and even Pasyukov, he is up there as my favorite basso profundos/oktavists, he might not have the power of the low notes of Glenn Miller, but he has just the energy, volume, and depth to back him up.
What a voice! I wish I would get the same rich sound on my Bassoon especially on the Contra Bb. Maybe heaven is not above us but way down, deep inside the Earth.
Pasyukov is better than Miller wathever you say. Not a bit but far more better. Sadly he is not anymore of this world, but I hope to meet him in an other world.
Along with Glenn Miller's performance, this is one of my favorites. Pasyukov's voice is so majestic here, but of course Glenn's holds a special place in my heart as the only recording with the low G as Chesnokov originally wrote it.
k barber Yeah, I love this for the tone more than the pitch - there's an effortless warmth to it that stands in pretty stark contrast to the usual vocal fry of the oktavist. I hadn't realised this piece was written with a bottom G - that's pretty crazy. I've sung that note a few times in my life, but never in performance and never without a bad cold.
ThinkingSpeck I wouldn't call the technique employed by Russian oktavists vocal fry, since fry typically is barely audible, and certainly not audible over an entire choir when singing a solo piece like Chesnokov's, but I do agree the Pasyukov's tone is far darker and smoother than almost another oktavist with the exception of Zlatopolsky. When pitched this low, the human voice just tends to have a more growly sound (just as a contrabasson does). By the way I have a brief clip from the performance of the original version with the bottom G from Glenn Miller on my "Profundos and Oktavists vol. 2" if you haven't already heard it. Basso Profundos and Oktavists - Vol. 2
k barber I think he was one of the very few who could truly pull this off entirely on his own. As you point out, many bass voices that normally sound wonderfully resonant get more dry and thin when they right down to those lowest notes (including Glenn Miller, to my mind). As the aim of most choirmasters would be to make the overall piece as sound as good as possible, the temptation will always be to use more than one basso profundo voice to fill out the sound, if you are in the privileged position to have them - no matter what the composer may have written . But Pasyukov really does not need that. Does anyone wknow which voice Chesnokov had in mind for this, or who performed it first?
I agree--Pasyukov's voice has a richness throughout that is quite rare. I don't actually know who Chesnokov composed this for if he had a certain voice in mind. Most of what I know about the piece, I've written here on my website: www.oktavism.com/#!Chesnokovs-Do-Not-Reject-Me-in-My-Old-Age-Op-40-No-5/cu6k/013FFEBD-DD81-4E78-B0A2-BB4AB9FC3058
Of course, it is likely with one of these choirs, but my point in the description is that it is not the recording from the Male Choir of St. Petersburg CD that is available for sale, but is rather some other recording, the source of which I have not located yet.
Phenomenal voice. But there is a problem with the recording. I'd like to hear this track in its original version. Listen to the decay at 3:51, you can hear the artificial reverb ringing. That's not the sound of stone. Also the bass frequencies have been artificially reinforced. There's a fine performance in here somewhere, without all the improvements. He doesn't need the help.
someone who listened him live said in the comments that he sounded like this. Maybe they added reverb to recreate the real sound because old recordings didn't capture the lower harmonics.
Ne otverzhi mene vo vremya starosti, Vnegda oskudevati kreposti moyey, Ne ostavi mene. Yako resha vrazi moi mne i stregushchii dushu moyu soveshchasha vkule, glagolyushche: "Bog ostavil yest′ yevo, Pozhenite i imite yevo, yako nest' izbavlyayay." Bozhe moy, ne udalisa ot mene, Bozhe moy, v pomoshch moyu vonmi. Da postydyatsa i ischeznut oklevetayushchii Dushu moyu, da oblekutsa v stud i sram idushchii zlaya mne. Azh zhe vsegda vozupovayu na Tya, i prilozhu na vsyaku pokhvalu Tvoyu.
Во-первых, это поистине сверхчеловеческое, что Пасюков смог извлечь такой регистр звуков из своей голосовой щели. И вторая нелепость в том, что он мог контролировать и рулить ею так, что был профессионалом в своей гильдии. Такие люди встречаются не раз на миллион, а раз на сто миллионов. Даже сам Святопольский, хотя и обладал мощным диапазоном, не имел такой силы голоса, как Пасюков. Его голосовая щель, гортань, голосовые связки и легкие должны были быть очень тщательно просвечены рентгеном, чтобы хоть как-то распознать это поистине космическое явление. Po pierwsze to jest iście nadludzkie, że Pasjukow był w stanie ze swojej głośni wydobyć taki rejestr dźwięków. A drugą niedorzecznością jest to, że on potrafił to kontrolować i sterować, i to w taki sposób, że był profesjonalistą w swym cechu. Tacy ludzie trafiają się nie raz na milion, ale raz na sto milionów. Nawet sam Sviatopolski, choć miał potężny zakres, nie miał aż takiej siły głosu, jak Pasjukow. Jego głośnia, krtań, struny głosowe i płuca powinny były zostać niezwykle dokładnie prześwietlone, by choć w jakiś sposób poznać ten iście kosmiczny fenomen.
@Aaron Anderson I deleted these comments 10 months ago out of the amount of stupidity these 2 comments had. JD doesn't fry everything, have you heard him talk? Him sounding like absolute shit in a choir is your opinion has he never sang in a choir, the only time he did was when he was a child. JD does have a powerful voice, one of his friends who sang with him stated he would turn HIS volume down to half every time. Irrelevant.
@Aaron Anderson JD isn't using chest-fry. The sound is smooth on some of the mid- 1st-octave notes, but lower they don't sound that good because it's lower, he has done relaxed proper chest notes, I feel you just heard JD once or twice and just heard him sing and called it chest-fry. Compressed? Jesus... It sounds bad and "somewhat compressed" because JD himself wasn't that good of a singer in his later years since it ruined his voice in a way, hearing him in his younger days he sounded a lot better.
Солист хорош. Дирижор истеричен в проведениях( ускорения истеричны, как по мне) Слушается в целом хорошо. Низкий голос истерика никак не должна окружать. Дирижёр должен свою истерику дома оставлять или, если сможет, духовнику поведать.
Im a metalhead who has been looking for a new adventure.....I have found peace
Bro same
Congratulations! This man’s voice is/was as near to the voice of God as mankind will hear on this earth. Sadly, he passed away before he reached his zenith, imho.
Welcome to a glimpse of heaven
Look into” death to the world”
Hope you found the right place ❤
I’ve never heard a voice so deep yet so angelic and peaceful! ☦️
a significant number of basso profondos just make noise
although Pasyukov is pure crystalline music, the most incredible ever, unmatchable !!!!!
I only recently learned about Pasyukov and he's already one of my favorite voices.
I celebrate masculinity in this! I am so blown away!! Bravo!
Everyone talks about the depth of his voice, or his resonance, but no other profundo sings this song with the same level of artistry and emotion that he does
I think that it goes hand in hand with his resonance. He can command more and does so much with it!
I concur, excellent comment!
Any other recordings from Pasjukov?
The sadness in his voice is so profound. Sounds like a lament for all the evils in human nature and the sorrow of the world.
Kochetov version is lighter but it has more emotion for sure
Какой красивый человек с уникальным голосом жил в наше время! Очень жаль,что не услышала его голос в живом концерте. Достойный представитель великой русской басовой школы. Браво!
I have many times regretted the same loss. A remarkable person and a great voice, perhaps the greatest ever..
@@danflemmer1999 А как я жалею, что узнала о нем не далее, как вчера!!😢 Слушаю весь день. При том, что он был территориально ближе ко мне. Лучше поздно, чем вообще не услышать Это.
Liquid gold voice. The best of all time.
I'm amazed by how Pasyukov achieves such a warm and rich tone. His voice sounds so rich and filling, and he has the sound almost no other Oktavist has. In Glenn Miller's performance, his tone gets somewhat dry towards the low G and even Bb, but Pasyukov's Bb sounds like liquid gold flowing from a fountain.
Thank you so much for this recording!
Sorry, Hitashi son - I had an opportunity to listen this very choir, and Pasyukov, in 1997. in their Belgrade concert - they natural sound was exactly like in this record. After the concert, I bought their CD and was amazed - it was exactly the same sound on that record and in live (they sang some same songs, so I was able to compare). No difference whatsoever. It was their natural sound, and Pasyukov's natural boost. Only, in that concert he didn't sing solo in this song, but in "Twelve Brigands". And he made a clear and resonant G1 at the end of the song.
How could you claim that "Glenn Miller is the more powerful and resonant oktavist than Pasyukov" when you never had a chance to listen to Pasyukov in live? And I'm not trying to deny that Glenn Miller ie excellent singer.
@@boramaks did you even read the comment?
@@boramaks @Isaac Davanzo said: "In Glenn Miller's performance, his tone gets somewhat dry towards the low G and even Bb, but Pasyukov's Bb sounds like liquid gold flowing from a fountain." not the other way aroud
@@danielphendarko2651 I did, but you missed his original comment, which he erased in a meantime.
My favorite version and in my opinion the best version of this song.
Yes!!
Agreed
Agreed. However, Eric Holloway may b the only one to match or surpass him (with due respect).
@@chowman007 And M. Zlatapolsky?
Zlatopolsky is the father of basso proffundo@@alexandrek.8038
I've newly discovered basso profundo . So I'm listening to all I can . But I keep coming back to this man's voice.
...don't blame you. He had timber, pathos, richness, you name it. If I could have a voice this would b my choice along with Eric Holloway.
Search for Octavists if you are on your way down...
Same here😅👋
@@jangeerd5343 🙏
It’s time to listen to this again!
The resonance and tone is mind-blowing. One in like more than a billion
Пасюков всегда был моим любимым октавистом. Его голос - жидкое золото, как будто сам Бог одолжил ему свой голос. Великолепный!
His voice is something of ancestral, beautifull
After his first couple of notes it took me a second to realize he wasn't an organ being played. But the beautiful basso profundo that describes nothing richer than something God-sent
This simply sound divine. The depth of this guy is unbelieveble and incomparable to other basso. I think 99% of all basso in the world can't produce a Bb1 like this with these type of harmonics. If you hear closely you can hear the overtones so clearly, this is the main phenomenon with Pasjukov. Superb!
And the power and clarity. He can definitely croak something into a mic much lower, but this is the real deal. No one can touch this. Definitely not some fäget like Geoff Castellucci (mic singer). People sing his praises but dont have any idea that he is nothing compared to actual basso profondos like Pasuykov, Miller, etc who dont need a mic
The resonance of his voice is superhuman, only time I've ever heard singing this resonant was in Yuri Vishniyakov's version of this piece with TWO more oktavists. Truly amazing.
The voice of Mr Pasyukov truly is world class ..and powerful
Incredible. None better. the pacing, the color, the depth of feeling, the spirituality, the pathos, the humility - it's all there and unparalleled or matched. The gold standard.
Both the oktavist himself and the performance overall are incredible to me. What a voice every member of this choir has.
I was listening with my Sennheiser earphones and in one particular place his woice made them vibrate with an overtone I never heard before ! Fantastic !
Just did the same myself, and thought my house was rattling. Had to take them off and look around just to make sure.
I had the same problem with dollar store ear buds.
@@nicholasneyhart396 lol 😂
Yea ! this voice not only has depth,- but richness, body & harmonics ! even organ like,...Wow !!..Thanks for posting, great job. Kind Regards.
Que reverberação/ressonância incrível! Impressionante!!!
I once had a mastered version of this haunting and beautiful piece with Vlad's voice carrying the choir. I wish the RUclips algorithm hadn't deleted it because Pasyukov was the man who inspired me to deepen my voice...
Superb voice a gift from god.
John Atkinson 7
God*
Nie, od loterii genów.
This piece sounds so much better when there is a solo Profundo. It feels as though he's telling me a story.
Yes the best version of this song.what a beautiful voice.
Огромное спасибо! Такое звуковое золото!
I'm absolutely speechless
La gravite de la note et la vibration de la voix sont servies par un souffle puissant et une tenue calibree .
Un timbre et une couleur unique et reconnaissable entre tous les oktavistes .
Pasyukov sublime. Gracias por tu música Pavel Chsnokov!!
Master!
Great performance. Maybe he doesn't do the crazy G1 like Miller, but the tone and power of Pasyukov's voice is great. This might just be my favourite performance of this piece!
mvdbergrede Yes, it is hard to choose a favorite because these terribly unique voices all bring to light a different aspect of the piece. For over-performed classics for certain voices (e.g., "Nessun Dorma" for tenor) it is really necessary to sort through the thousands of performances and find the good ones, the favorites. With Chesnokov's classic for oktavist soloist, however, the performances are so rare that we don't really need to choose a favorite out of the tiny handful of performances available. Instead, we need to cherish each interpretation for its unique beauty!
+k barber Very well said!
Maarten miller sing this song higher than pasyukov
Karl Patricks He meant Glenn Miller. Glenn is the only one who did original G1 in this piece of work.
@@TheOktavismChannel what a wonderful voice. A gift from god.
super master, no words for this voice, only tears
SO GREAT ! MAGNIFICENT ! With a free, powerful, majestic and homogeneous emission of the voice and a real sense of the sacred. WONDERFUL ! Thanks for the post.
Вот это голос,просто шедевр!!!
Amazing vocals especially the bass..!
Lower! Much lower than bas!
@@MrOprawca1978 That's not really true. Basso Profundo/Oktavists are subsets of bass voices. There is no voice type lower than bass.
@@MrOprawca1978Oktavist
Melhor timbre de Basso Profundo da Historia !
Piekny artysta i przepiek y ,ciekawy glos.
I wonder how many people have converted to Eastern Orthodoxy because of the influence of the Oktavists
Im trying to become one. This man is my idol.
Ah ! Can't be true.. I'm dreaming.. The earth's shaking, the mountains trembling, the trees bowing in awe in the view of this giant. With each step he takes in his silver polished armour, people spreading like ants here and there out of fear for the fearless lionheart..
Спасибо вам за все!
I can’t even compare between Vladimir miller, John Ames, and even Pasyukov, he is up there as my favorite basso profundos/oktavists, he might not have the power of the low notes of Glenn Miller, but he has just the energy, volume, and depth to back him up.
face of old king ...
a true gem k barber, Pasyukovs voice is magnificent :)
Splendide. Very Nice.Great music.Gabriel.
The very depths of choral music.
Master of Depths
magnificent!!! very bittersweet and haunting
How can anyone give a "thumbs down". I'm shocked!
Eunuchy dały.
@@MrOprawca1978 I’m no muso so don’t understand your terminology!!?
was this recorded in a tunnel?
or, is it just Pasjukov reminding us of our inferior manliness?
Мощный настоящий бас!
Extraordinaire !
Merci !
godly power
What a voice! I wish I would get the same rich sound on my Bassoon especially on the Contra Bb. Maybe heaven is not above us but way down, deep inside the Earth.
Beautiful. ❤💙💞🧡
В нем больше силы и энергии, чем в Миллере
И больше глубины и чувства, и понимания, и красоты. Скажу честно, я влюбилась в голос❤
WOW!!!!
Спасибо!!! Потрясающе!!!!!
Czuje sie w siodmym niebie. Dzieki.
Така краса не можу наслухатись
Pasyukov is better than Miller wathever you say. Not a bit but far more better. Sadly he is not anymore of this world, but I hope to meet him in an other world.
Well said.
Good grief.
Thank you.
Along with Glenn Miller's performance, this is one of my favorites. Pasyukov's voice is so majestic here, but of course Glenn's holds a special place in my heart as the only recording with the low G as Chesnokov originally wrote it.
k barber Yeah, I love this for the tone more than the pitch - there's an effortless warmth to it that stands in pretty stark contrast to the usual vocal fry of the oktavist.
I hadn't realised this piece was written with a bottom G - that's pretty crazy. I've sung that note a few times in my life, but never in performance and never without a bad cold.
ThinkingSpeck I wouldn't call the technique employed by Russian oktavists vocal fry, since fry typically is barely audible, and certainly not audible over an entire choir when singing a solo piece like Chesnokov's, but I do agree the Pasyukov's tone is far darker and smoother than almost another oktavist with the exception of Zlatopolsky. When pitched this low, the human voice just tends to have a more growly sound (just as a contrabasson does). By the way I have a brief clip from the performance of the original version with the bottom G from Glenn Miller on my "Profundos and Oktavists vol. 2" if you haven't already heard it.
Basso Profundos and Oktavists - Vol. 2
k barber I think he was one of the very few who could truly pull this off entirely on his own. As you point out, many bass voices that normally sound wonderfully resonant get more dry and thin when they right down to those lowest notes (including Glenn Miller, to my mind). As the aim of most choirmasters would be to make the overall piece as sound as good as possible, the temptation will always be to use more than one basso profundo voice to fill out the sound, if you are in the privileged position to have them - no matter what the composer may have written .
But Pasyukov really does not need that.
Does anyone wknow which voice Chesnokov had in mind for this, or who performed it first?
I agree--Pasyukov's voice has a richness throughout that is quite rare. I don't actually know who Chesnokov composed this for if he had a certain voice in mind. Most of what I know about the piece, I've written here on my website: www.oktavism.com/#!Chesnokovs-Do-Not-Reject-Me-in-My-Old-Age-Op-40-No-5/cu6k/013FFEBD-DD81-4E78-B0A2-BB4AB9FC3058
Just found Pavel Chesnokov and NOW ..Vladimir Pasyukov ....Oh JOY‼️‼️ My Musical Cup is FULL🎶🎶⚡🎶🎶💯🎶🎶😁🌹➕
great bass singer
Bez jakiejkolwiek konkurencji po dziś dzień. Może, troszkę niejaki Złotopolski.
Одна из редчайших записей, в которой слышно основную частоту октависта!
Pourquoi n'y a t'il pas de commentaires plus recents
Il est toujours en vie notre beau ténor russe?
@@clairerichard6010 no
Heavenly!!
не вериться что человек может так петь
To jest możliwe. Swiętopolski (Sviatapolsky) był ponoć jeszcze lepszy.
I'm pretty sure this IS Male Choir of St. Petersburg.
Of course, it is likely with one of these choirs, but my point in the description is that it is not the recording from the Male Choir of St. Petersburg CD that is available for sale, but is rather some other recording, the source of which I have not located yet.
Phenomenal voice. But there is a problem with the recording.
I'd like to hear this track in its original version. Listen to the decay at 3:51, you can hear the artificial reverb ringing. That's not the sound of stone. Also the bass frequencies have been artificially reinforced. There's a fine performance in here somewhere, without all the improvements. He doesn't need the help.
dickrodstein you know what that sounds about right, didn’t notice it at first, but it does sound a bit too resonant..
Thats actually true. That reverb is so artificial, like straight out of Audacity or something
someone who listened him live said in the comments that he sounded like this. Maybe they added reverb to recreate the real sound because old recordings didn't capture the lower harmonics.
Nemaipomenit
Does anyone know the lyrics of this?
If I’m not mistaken, what is sang is the Psalm 71 (part of it).
@@ignaciomedina9974 Do you have the transliterated Russian Lyrics?
Ne otverzhi mene vo vremya starosti,
Vnegda oskudevati kreposti moyey,
Ne ostavi mene.
Yako resha vrazi moi mne i stregushchii dushu moyu soveshchasha vkule, glagolyushche:
"Bog ostavil yest′ yevo,
Pozhenite i imite yevo, yako nest' izbavlyayay."
Bozhe moy, ne udalisa ot mene,
Bozhe moy, v pomoshch moyu vonmi.
Da postydyatsa i ischeznut oklevetayushchii
Dushu moyu, da oblekutsa v stud i sram idushchii zlaya mne. Azh zhe vsegda vozupovayu na Tya, i prilozhu na vsyaku pokhvalu
Tvoyu.
That is the romanization of Russian.
@@ignaciomedina9974 Thank You!
Во-первых, это поистине сверхчеловеческое, что Пасюков смог извлечь такой регистр звуков из своей голосовой щели. И вторая нелепость в том, что он мог контролировать и рулить ею так, что был профессионалом в своей гильдии. Такие люди встречаются не раз на миллион, а раз на сто миллионов. Даже сам Святопольский, хотя и обладал мощным диапазоном, не имел такой силы голоса, как Пасюков. Его голосовая щель, гортань, голосовые связки и легкие должны были быть очень тщательно просвечены рентгеном, чтобы хоть как-то распознать это поистине космическое явление.
Po pierwsze to jest iście nadludzkie, że Pasjukow był w stanie ze swojej głośni wydobyć taki rejestr dźwięków. A drugą niedorzecznością jest to, że on potrafił to kontrolować i sterować, i to w taki sposób, że był profesjonalistą w swym cechu. Tacy ludzie trafiają się nie raz na milion, ale raz na sto milionów. Nawet sam Sviatopolski, choć miał potężny zakres, nie miał aż takiej siły głosu, jak Pasjukow. Jego głośnia, krtań, struny głosowe i płuca powinny były zostać niezwykle dokładnie prześwietlone, by choć w jakiś sposób poznać ten iście kosmiczny fenomen.
Святопольский или Златопольский?
@@ЮрийФилиппов-н7ш Chyba Złotopolski, ale jakież to ma znaczenie, wiadomo, o kogo chodzi.
The sound of God ...
voice!
@@MrOprawca1978 you do not know the difference
👏👏👏👏👏👏👏
Chor tez przepiekny. Majster / sztic
Voici pour moi la Voix de Dieu qui parle aux hommes !
This bass is ..... I would allow myself to be rejected. And to reject also.
god called. he wants his voice back
best
god voice
good voice!
Sacred masculinity, the definition.
Sounds frightening to me
2:14
Is that a man or a sentient pipe organ? genuine question...
This ain't contra-tenor :)
Doesn't contra-tenor just imply a high baritone since that would be an octave lower than a tenor?
Ok. Thank you sir.
This a beyond, multi scale voice.
Alpha male...
Chesnokov, Mozart, Beethoven, Pärt
no one may sing nearly
one of lowest bass singer ever
@Aaron Anderson I deleted these comments 10 months ago out of the amount of stupidity these 2 comments had. JD doesn't fry everything, have you heard him talk? Him sounding like absolute shit in a choir is your opinion has he never sang in a choir, the only time he did was when he was a child. JD does have a powerful voice, one of his friends who sang with him stated he would turn HIS volume down to half every time. Irrelevant.
@Aaron Anderson JD isn't using chest-fry. The sound is smooth on some of the mid- 1st-octave notes, but lower they don't sound that good because it's lower, he has done relaxed proper chest notes, I feel you just heard JD once or twice and just heard him sing and called it chest-fry. Compressed? Jesus... It sounds bad and "somewhat compressed" because JD himself wasn't that good of a singer in his later years since it ruined his voice in a way, hearing him in his younger days he sounded a lot better.
A lot of very low frequency content that doesn't belong anywhere. Was someone playing with a subharmonic synthesizer?
?
That remark makes no sense. I could sing this song at the note for note (however not sounding as good) so this solo is possible to perform.
Tu jest wiele harmonicznych i sub-harmonicznych. Nie do powtórzenia.
Солист хорош. Дирижор истеричен в проведениях( ускорения истеричны, как по мне)
Слушается в целом хорошо. Низкий голос истерика никак не должна окружать. Дирижёр должен свою истерику дома оставлять или, если сможет, духовнику поведать.
Так все же дирижор или дирижёр?
@@ЮрийФилиппов-н7ш Да, это очень важный вопрос. Предлагаю: рукомахатель. )