Middle slow movement has been transcribed by Bach for organ and then from organ to piano by Volodos. Volodos ends most of his concerts with this encore. Beautiful
i knew the Bach organ version of this piece for years but hearing this version brings me joy as well hearing Vivaldi's original interpretation vs Bach's interpretation, both geniuses in their own ways but man I love Vivaldi's work
I have been breathing so many years through this and other Vivaldi's violin concerto adapted to organ playing. I have found it so chalenging from emotional through inteligence and even spiritual levels so many times that I felt mesmerized to even be able to hear it enjoy while finding it beauty and perfection an creation every once more listening to it. It would never allow me that I have grasped everything about it and it would make wonder even more. As to how it arrange my spirit it were as through a sort of a meditation about beauty that would ennoble the feelings and encourage further beautiful words and thoughts. To be able to play it at an organ a whole orchestral set it is beyond my grasp anyway.
I Musici, Scimone con I Solisti Veneti, Karl Richter con la MBO, Jean Francois Paillard e la sua orchestra ....... quanta musica mi hanno fatto conoscere 🥰
Barenreiter Verlag should have their new edition of all of Vivaldi's l'estro armonico complete w/ Keyboard Reduction, & an easy to play Continuo Realization.
@CipherSphereqxc0698 Hi, Cipher! Microphones??? There are not two cello parts. One bass clef is for the cellos, the other is for bass and continuo, as you can see on the title page. Starting at m 20, for example, those two parts are different. Cheers!
@@evansanders14753 Hi Evan. That's not my question. He can add as many violas as he wants to get the right balance. I'm asking why did whoever edited & printed this score (it was not Vivaldi!) use TWO alto clefs, with identical notes beginning to end, for the viola(s), when one would do.
Does anyone know why the violas play B flat instead of B natural (as written in the score) around 1:51? I looked around and saw a couple of other recordings that did the same and I'm wondering if my ears are just hearing it wrong lol.
@@vivaldissheetmusic The audio is PLAYING Bb; the score has B natural. (The figured bass says Bb - though that's all written very unconventionally.) You can argue either way...
Harmonically B flat is correct, as B natural would collide with the subsequent D minor entrance of the subject, creating a harmonic mistake called "tritone false relation". My opinion is, this particolar edition of the score is incorrect here
My middle school students played the hell out of this. I love Vivaldi
Wish my high schoolers could play this 😂
what kind of middle schoolers are u raising holy shit
The largo has some very beautiful moments. Surprisingly modern harmonies, also.
Middle slow movement has been transcribed by Bach for organ and then from organ to piano by Volodos. Volodos ends most of his concerts with this encore. Beautiful
Volodos rules
One of my favorite Vivaldi concertos.
Historical masterpiece Fasano
1961/1996 digital remaster
ruclips.net/video/mswbtPewJjA/видео.html
Bellissimo... Uno dei tanti capolavori del Grande Vivaldi!!!!
Es sin duda una sonata hermosa
i knew the Bach organ version of this piece for years but hearing this version brings me joy as well hearing Vivaldi's original interpretation vs Bach's interpretation, both geniuses in their own ways but man I love Vivaldi's work
The rhythmic patterns to analyze in that first movement is insane. I am inspired to make a video on it.
Es una belleza del principio al fin ! . GRACIAS ! por compartírnoslo !
❤😊Devine music 🎼, always a dream to play at any cathedral churches ⛪️ in Europe either Vivaldi or Bach 🙏🎻🎶💐🥰
This concerto is from a series of 12 concertos , many of them have two different viola parts , this one doesn’t
I have been breathing so many years through this and other Vivaldi's violin concerto adapted to organ playing. I have found it so chalenging from emotional through inteligence and even spiritual levels so many times that I felt mesmerized to even be able to hear it enjoy while finding it beauty and perfection an creation every once more listening to it. It would never allow me that I have grasped everything about it and it would make wonder even more. As to how it arrange my spirit it were as through a sort of a meditation about beauty that would ennoble the feelings and encourage further beautiful words and thoughts. To be able to play it at an organ a whole orchestral set it is beyond my grasp anyway.
This is a banger
Serie de Septimas,
Canon,
Imitaciones
Cadenzas
Vivaldi ❤
Que bonita música ❤❤
I Musici, Scimone con I Solisti Veneti, Karl Richter con la MBO, Jean Francois Paillard e la sua orchestra ....... quanta musica mi hanno fatto conoscere 🥰
Maravillo concierto, gracias
For some reason, the cello and contrabass’ entrance in measure 20 makes me think of vikings riding through the forest chasing a boar.
i love this
Barenreiter Verlag should have their new edition of all of Vivaldi's l'estro armonico complete w/ Keyboard Reduction, & an easy to play Continuo Realization.
WHY are there TWO VIOLA PARTS? They play in unison through the whole thing, all movements. Why is the score written that way? Please advise.
Because in Vivaldi's time, microphones did not exist, and why do you only question the fact that there are two violas, but not also the Cellos?
For better balance Vivaldi used two violas, because players could not be mic’ed
@CipherSphereqxc0698 Hi, Cipher! Microphones??? There are not two cello parts. One bass clef is for the cellos, the other is for bass and continuo, as you can see on the title page. Starting at m 20, for example, those two parts are different. Cheers!
@@evansanders14753 Hi Evan. That's not my question. He can add as many violas as he wants to get the right balance. I'm asking why did whoever edited & printed this score (it was not Vivaldi!) use TWO alto clefs, with identical notes beginning to end, for the viola(s), when one would do.
Porque así lo quiso Vivaldi mijo no esté chingando
Does anyone know why the violas play B flat instead of B natural (as written in the score) around 1:51? I looked around and saw a couple of other recordings that did the same and I'm wondering if my ears are just hearing it wrong lol.
The violas are playing in B natural
They play B flat as it should be
@@vivaldissheetmusic The audio is PLAYING Bb; the score has B natural. (The figured bass says Bb - though that's all written very unconventionally.) You can argue either way...
Harmonically B flat is correct, as B natural would collide with the subsequent D minor entrance of the subject, creating a harmonic mistake called "tritone false relation". My opinion is, this particolar edition of the score is incorrect here
Who is this amazing orchestra and solists ???????
I Musici
really?
Beautiful playing, any information about the performers please?
I Musici
Reminds more of Bach's style.
Maybe because it is a fugue. Or at least similar to a fugue (unfortunately, I am no specialist enough to state this).
@@canardeur8390
This is a famous Vivaldi's fugue , no doubt , Vivaldi made other fugues my favorite is in RV 120
@Mhdfrb99 pretty sure it's a fugue, what makes you think it's a canzona?
Bach drew much inspiration from Vivaldi
Maybe because Bach studied Vivaldi EXTENSIVELY?
AD ASTRA MAESTRO!
Awesome fugue in the first mov
💖🌼
First time I think I ever heard a Vivaldi fugue. Not as complex as Bach but still executed well
???
your comment gave me AIDS
🎉
I conducted this in my school orchestra......,..
합주 협주곡