I remember learning then playing this (solo and tutti) at the annual summer concert at school in 1960. I hoped it would come up for the grade 6 exam, but no such luck. I lost the sheet music many years ago, so I am delighted to have it here. Many thanks.
Though my ability to read music is very limited, I found it quite educational to follow the score to get a better understanding of what I am hearing. Thanks!
LOL, Measure 75-90 section for Mvt. 3; The Suzuki Violin Method Anthology were concealing and revising it to deliberately make the motif a tad more challenging than it needed to be!!!😂😂
There are a couple minor differences with the first movement too. I prefer the Suzuki version of the first movement but wow this version of the third is so much easier and fitting.
@@M_SC In a lot of sheet apart from Suzuki Books, you'll see the scale like this: C,D,E,F#,G#,A,F♮,G♮,E,A,A But in this score, you see it like this: C,D,E,F#,G#,A,F,G,E,A,A, with the F and G remaining sharp
Las escalas menores tienen 3 formas distintas: la natural (sin alteraciones), la armónica (donde se sensibiliza el séptimo grado) y la melódica (que asciende además del séptimo también el sexto grado para evitar el intervalo aumentado entre la sexta y la séptima que tiene la armónica). La versión melódica tiene la particularidad de que al descender se transforma en "natural" y se le quitan las alteraciones. Sin embargo, es común encontrar en el barroco que esta regla no se respeta. De hecho, muchos la llaman "escala menor Bachiana" en honora a Bach como su máximo exponente. Supongo que por eso Vivaldi tampoco respeta esta regla.
I honestly prefer when Baroque is played Historically correct... Romanticism makes baroque boring and that's the reason people dislikes baroque, cause they only hear romantic interpretations...
@@Sebastian-uf3vr❤I disagree, personally I think most pieces like Vivaldi and other pieces sound better in a romantic style because I adds a lot more thought character there are high points and low points while baroque just sounds like scales after scales
I remember learning then playing this (solo and tutti) at the annual summer concert at school in 1960. I hoped it would come up for the grade 6 exam, but no such luck. I lost the sheet music many years ago, so I am delighted to have it here. Many thanks.
music with typical italian, thank you I like it 😀
Thanks for sharing. Couldn't imagine such a beauty for my simple violin...
Next step for me.
Fantazie, genialita spolu s dokonalostí....
Thank you very much for sharing. It was very humble of you to put the notes in the video💓
Very grateful to read your words!
Though my ability to read music is very limited, I found it quite educational to follow the score to get a better understanding of what I am hearing. Thanks!
Maravillosa musica, Gracias
LOL, Measure 75-90 section for Mvt. 3; The Suzuki Violin Method Anthology were concealing and revising it to deliberately make the motif a tad more challenging than it needed to be!!!😂😂
There are a couple minor differences with the first movement too. I prefer the Suzuki version of the first movement but wow this version of the third is so much easier and fitting.
Impressive! 😄
安东尼奥·维瓦尔第-A小调小提琴协奏曲 RV 356(乐谱)Antonio Vivaldi-Violin Concerto in A minor RV 356(Sheet Music Score)，哥们儿，请允许小的我转载，谢了哈。
en los compases 55 y 56 la escala descendente sigue alterada 😳 toda mi vida he visto partituras con esa escala modificada con becuadros 😮😮😮
What? Please explain, I want to understand
@@M_SC In a lot of sheet apart from Suzuki Books, you'll see the scale like this: C,D,E,F#,G#,A,F♮,G♮,E,A,A
But in this score, you see it like this: C,D,E,F#,G#,A,F,G,E,A,A, with the F and G remaining sharp
Las escalas menores tienen 3 formas distintas: la natural (sin alteraciones), la armónica (donde se sensibiliza el séptimo grado) y la melódica (que asciende además del séptimo también el sexto grado para evitar el intervalo aumentado entre la sexta y la séptima que tiene la armónica). La versión melódica tiene la particularidad de que al descender se transforma en "natural" y se le quitan las alteraciones. Sin embargo, es común encontrar en el barroco que esta regla no se respeta. De hecho, muchos la llaman "escala menor Bachiana" en honora a Bach como su máximo exponente. Supongo que por eso Vivaldi tampoco respeta esta regla.
This recording makes it sound like a piece from the era or Romanticism.
because it is ❤
@@AmmonomiC4T You're 200 years off.
I honestly prefer when Baroque is played Historically correct...
Romanticism makes baroque boring and that's the reason people dislikes baroque, cause they only hear romantic interpretations...
@@Sebastian-uf3vr Exactly. The Netherlands Bach Society's interpretations are second to none.
@@Sebastian-uf3vr❤I disagree, personally I think most pieces like Vivaldi and other pieces sound better in a romantic style because I adds a lot more thought character there are high points and low points while baroque just sounds like scales after scales
Nah, I'm just here to replace the lithium-ion battery pack🍔🌭🍕
Que maravilla.
Finally! A proper performance, like it should be. Thank you so very much for this! ... except the last part I prefer at 0.85x speed.
toll
🥰😍🤩😄❣❤❤👍
Con violin solo obligato.
🥰
It’s barque music right.
Yes!
Aguante la IA wacho
Can I use only sound from this?
For sure
1:20
why I think this is played by the robot
6+9x7=69
0:00
3:26
6:19
Hermosa melodía ermoso todo lo que toca,,
Trobo que el primer moviment es massa lent i manca el caràcter apassionat i fogós de la passió barroca.
Хорошего качества запись