Roger Deakin's Favorite Lighting Technique
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- Опубликовано: 27 июл 2024
- Trying out Roger Deakin's favorite (I think) lighting set-up!
➡️ Film Assets used in this video (Film Emulation, Film Burns, Grain...) - bit.ly/3Pr6EvM
a Tweenie bounced off Unbleached Muslin is the lighting set-up I kept seeing over and over again in Deakin's lighting breakdowns. So simple, yet beautiful and effective.
For my own test I used an LED light with a CTO gel instead of a Tweenie.
▷ Lighting Breakdowns by Roger 🥰 - cinegleaner.postach.io/
⚡ Unbleached Muslin - geni.us/ZeV2GM
⚡ CTO Gel - geni.us/3sPmO3r
▷ The best music & SFX for your videos (Get 2 months free) - bit.ly/3B2yQ0Y
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▷ TIME SAVING Motion graphic templates I use - bit.ly/3qVzfB4
▷ follow me on Instagram - / yuvala96
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▷ The gear I use:
- Main Camera: geni.us/0Lr7
- Most used Lens: geni.us/drQ3TdY
- Lumix 14-42mm: geni.us/GUSJd
- Helios 44 (cheap, vintage lens): geni.us/gclAlBy
- Nanlite RGB tubes: geni.us/uyBi
- Strong LED light: geni.us/wdZVx
- Godox SL-60W (cheaper option): geni.us/GtxBj9F
- Softbox (like LightDome): geni.us/DSUvHdX
- Cheap, small LED light: geni.us/d5Is
Gear used in this video:
Camera: Blackmagic Pocket Cinema Camera 4K
Lenses: Sigma ART 18-35
Chapters:
00:00 Deakin's Favorite Lighting Set-up
00:49 Examples
01:47 My set-up
03:16 Set-up #2.
03:38 Shaping Light
04:04 Conclusion 
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Thanks for this! Very helpful
@@ZacBarnesMusic thanks for watching!
For the second scene, the right eyes are getting completely lost in darkness, which feels like taking away a very intricate detail. So adding a small eye light could get back the life in the character.. just a thought.. the shots look very naturally lit 🔥
Definitely something to think about
Thanks (:
Or just rotating the light source 15ish degrees closer to the front so the light wraps a bit more to the other side of the face.
DUDE! Looks fantastic. Please keep these videos up!
I'm posting a new video every second Monday now (:
I love your videos, keep creating man! 🔥
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It's so enlightening
MAN... This is phenomenal! Much love from East Tennessee USA🙏
THANK YOU 🤝 🤝
Lovely share Yuval really enjoying your videos keep up the awesome work!
Thanks for the love🔥❤️
I appreciate your channel bro. keep up the good work.
I appreciate your comment 🤝
love your style tthat screams from the shots you created and graded! king Yuval
🥺My man
This video is awesome! I learned so much Yuval!
Thanks! Glad you found this helpful :)
Great video, keep it up Yuval! 🤙
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Thanks for sharing @Yuval Aloni🔥🔥
Thanks for watching 🤝🤝
That's an incredibly soft light source. I'm so glad I found/watched your your video! I'm gonna try this for my (cinematography) school projects!! THANK YOU!
Thanks for watching!
Send me the results once you try it, I wanna see! 🤙🏻
This was very insightful! thank you :D
Sure! Thanks for watching :)
what a great RUclipsr you are Yuval
sick video bro!!
עוד סירטון פצצה ממש מגניב מה שעשית כאן!
This is just amazing! Thanks for sbaring... I would love to see TBE results with unbleached cloth or just a little less orange CT gel or light to still maintain that softness and intimate feel. Great work😎😎😎
Thank you, Mary! (:
great explanation
Thanks (:
more is coming
I had you in mind today, what a coincidence!
Really? Haha
Good job, keep going
Thank you 🙏
Hey, I loved the video and there's a lot of potential in your channel and I'm amazed you don't have at least 10x the subs. I think what stops a lot of viewers is the fact that the majority of them aren't filmmakers themselves, they are simply interested in the topic of the video. That's what I would focus on to pull in more viewers: You need to tell a story with the thumbnail and title that makes an average person with no knowledge interested in the topic and then show why what you are presenting is interesting in the first 30 or better 5 seconds of the video to make them feel like they clicked on the right thing. For example, the website you scrolled through just shows many pictures that scoot by fast, and I as someone who's clueless about lighting and cinematography had no idea what even made it special, and couldn't take a closer look before it was over so fast. So feel free to spend some time explaining it early into the video. I think the quality and a lot of the topics of your videos are on point, and what you need is to focus on the way you tell your story, maybe with some changes of tone as well. Looking forward to more as you clearly know your stuff and I would love to learn more about this!
Thank you so much for putting the time to write this comment!
Will definitely take this into account 🙏
iv'e done that in a recent short film I shot - I did this due to lack of space and time , but for my good luck and surprise -The result was one of the prettiest most natural looking frames from the film...!
I wanna see it!
Love Unbleached Muslin
@@YuvalAloni its on post as we speak! Sure I will probably make a video about that, and the production at general..its actually like a movie in itself🌌
5:13 5:14
i use sunset lamps, they work great too.
What are sunset lamps?
@@YuvalAloni they’re lamps basically just on a shade of sunset, but more on a deep red orange hue. it can create a really nice natural looking soft light if bounced on a medium just like the technique shown in the vid.
@@icedtea5143 That sounds like some pleasing light! Do you have an example you can show me by chance?
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Beautiful, did you use any blackpromist filter?
Thanks ❤️
I'm pretty sure I did not use a Pro-mist here
@@YuvalAloni oh interesting ! Perhaps did you use a glow effect in post? I really love the final look of the shots
Is this book shelf effect? Nice vid
It's sort of a book light, yea
Great work! Do you know what your camera color temperature was if you were using essentially a tungsten light? Thanks!
Thank you 🙏🏻
I was around 4000k I believe, was monitoring a custom LUT which also changed colors a bit so I was reacting to that also
@@YuvalAloni Thanks! Why do you think Deakins prefers to shoot a tungsten light (warm) into unbleached muslin (warmer tones) to create an overall warmer look, when those warmer tones can be offset by the internal white balance of the camera? If you wanted to cool off or warm up a shot you could just change it in camera. So he could choose to shoot with a daylight bulb into bleached muslin then warm it up with internal color temp in camera. I feel like I might be missing something. Any thoughts would be amazing!
@@chrisbutler8856 that’s a good question and it’s not an experiment I ever did myself, but having real world light interact with a scene is not the same as changing WB.
Think about beautiful sunset light hitting someones skin, making it glow so beautifully. You can’t replicate it with a warm WB, it’s not the same effect really
Did you set the color temperature of the camera to match the light? Or did you offset it to make the light warmer?
WB was around 4000k, I was monitoring using a custom LUT also, so just set it to whatever looked right
@@YuvalAloni Awesome, thanks for the info. Do you if there is math you can do to know what color temperature a CTO will make your light. Like if I have a 5600 light and I put a full CTO on it what temperature is the light? I have tried to look into this on google and cant find anything
This is very revealing, but I was wondering if you adjusted the color temperature while editing
The color grade definitely changed the look quite a bit
what was your camera's WB?
Probably around 3200, can’t remember exactly
The initial light is tungsten isnt it?
I'm using a Daylight LED but with a CTO gel
So you technically made a booklight with the window curtain?
Yup, essentially
He uses something called cove lighting. This is basically a book light.
He doesn't always use a cove set-up.
My version is indeed more of a book light because of the diffusion from the window and sheers
you just know.
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