Bach explained: Workshop on cantata BWV 140 "Wachet auf, ruft uns die Stimme" (J.S. Bach Foundation)
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- Опубликовано: 25 авг 2024
- One and a half hours prior to the concert, conductor Rudolf Lutz and theologist Karl Graf give a workshop on the musical and theological background of the cantata BWV 140 "Wachet auf, ruft uns die Stimme".
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The complete cantata, introductory workshop, worksheet and reflection lecture (in German) is available at: www.bachipedia...
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We are grateful to our friend Adrian Cammack for these translations and subtitles. It is because of his engagement that we are able to share the experience of our introductory workshops with our English speaking community.
By the way... Helping us translate our content is a great way of contributing to the Foundation's mission of presenting Bach's vocal work to the world. Please contact us on Facebook, RUclips or sending us an email.
Ich spiele in einer Woche diese Kantate in Japan, es ist so eine interessante Vorlesung über den Musik und Text. Ich habe ganz viel gelernt und mit voller Freude werden wir diese Kantate musizieren. Vielen Dank!
Thank you very much for the English subtitles - they are much appreciated!
Thank you so much for the English subtitles. I am very familiar with this cantata, but now I can appreciate its full profundity!
This choral cantata was composed 1599 by Philipp Nicolai. At that time his church congregation and city of Unna ( Westphalia) was stricken with pestilence.
Thank you very much for the subtitles. Best analysis of bach’s cantatas I’ve ever seen
Sehr gut, wie immer. Danke. Nein, großartig.
Absolutely wonderful and so informative of the poetic and musical inner workings of this amazing cantata. Thank you so much! I will never listen again to this piece of music in the same way. Weeping as I write this.
Le théologien est formidable aussi. Très bonne idée le faire dialoguer avec le musicien.
Thanks for subtitle your conference
merveilleuses ces explications! Très bel humour et vitalité de Rudolf Lutz. Bien, vraiment, qu'il y ait des sous-titres. Entre deux langues, même si on ne les possède pas entièrement ni l'une ni l'autre, on se débrouille pour comprendre, et c'est très sympathique.
Wonderful, thank you.
Wonderful way to take a deep dive into where music and spirituality blend together. Thanks !
what an absolute _gem_ to discover this channel. thank you
I wonder if this choir always takes a whole rehearsal to delve this deeply into all of the pieces they perform? I wish mine did. I have such an appreciation for how these gentlemen provide a detailed interpretation of the text and an extremely in-depth analysis of the music.
Vielen dank! Was für eine Freude 😊
„Zion hört die Wächter singen“…
Wow! I felt so excited when I heard the explanation of this cantata!
I learned to play piano (and it helped me for my two years of German course) with specifically that part, and my heart bounced when I heard it being played in there. WOW! Sounds so wonderful!
I couldn’t help singing along with the crowd.
Can’t wait to listen for the full cantata! ❤️
Прекрасный разбор, маэстро --супер! Исполняли Баха в 90-х, практически наугад. почти без знаний, монография А.Швейцера в русском переводе большая редкость. Единственная книжечка на Украине была "Риторические проемы в музыке Баха" Якова Друскина, да и ту никто не знал. как здорово, что сейчас можно окунуться во весь бэк граунд этой прекрасной музыки!
Very interesting and thanks for the subtitles.
Thank you very much
I want to thank jsbachfoundation for this excellent workshop. „Wachet auf ruft uns die Stimme“ is my favorite Cantata. As a boy who grew up in the choir of the Aachener Dom, this is part of my heritage. I appreciate the detailed explanations for both, the musical as well as the religious elements. And yes, we need to wake up. Yesterday, presumably a Russian rocket killed 50 life’s in a Ukrainian village. Today the Hamaz attacks Israel and again, innocent people dye. We all need to wake up. We are approaching a dead end.
Ah, the works hop is even more interesting than the actual bwv 140. Great !
Eine sehr schöne Einführung, die ich wieder sehr genossen habe! Auch die Untertitel sind eine gute Neuerung, um Nichtdeutschsprachige an diesen wunderbaren Ausführungen teilhaben zu lassen.
Aber dürfte ich anregen, dass man in den Untertiteln immer etwas längere Textausschnitte einblendet? So wirkt es meiner Meinung nach ziemlich hektisch und ist auch nicht so angenehm zu lesen. Aber möglicherweise haben Sie Ihre Gründe dazu, das ist natürlich vollkommen in Ordnung!
Soli Deo Gloria!
@24:30 interessante Erklärung über den aus den Schübler-Chorälen stammenden Orgelchoral.
Ich finde es sehr, sehr schade, dass der Text der dritten Strophe in den Gesangsbüchern geändert wurde. Das "io" ist für mich ein "Juchitzer", ein fröhliches Jauchzen!
I came here to see if he would play the 4th movement while singing, I wonder why nobody does it? Fantastic lecture though.
La Strada such a great movie
I imagine Bach associated 'mother's house' with his orphanhood, in my opinion.
C U L T U R A !
Good teachers tend to be show-offs?
What are you talking about son? These two Doctors are some of the most knowledgeable and down to earth folks I’ve ever seen, and they have graciously made this beautiful lecture available to all of us, even with English subtitles. And you have the nerve of calling them showoffs?!?!?! That’s the best you could muster? 🙄🙄🙄
@@JB-cp3bh Yes, and Maestro Lutz in particular is an extravert. It was not meant to be a negative criticism. Did you ignore the phrase 'good teachers'?
@@paulhwbooth well, the way I understand somebody being called a “show off” has negative connotations, such as being some sort of braggart, hence my response.
If that was a misunderstanding on my part, which it seems to be, please accept my sincere apologies.
Professor Lutz seems indeed an extrovert, which is precisely what makes this lecture even more enjoyable 🤗🤗