Merci pour cette vidéo ça m'a permis de nager dans les cieux et m'envoler dans des nuages plein de spiritualité et de bonheur Merci à vous Monsieur vous êtes un seigneur qui connait bien la valeur de ce que doit être l'humanité et l'Amour
SIRAJ GHOSH Yes, that is the kind of reaction that is so common now, people are losing their self-control....not good. And for musicians, this practice that you have described, of audiences, must be exasperating.
huh? the musician is always speaking to the listeners , whether with their words or with the music . the listener responds by expressing their feelings throughout the performance... nothing wrong with this
@@9UaYXxB in Indian Classical it's not frowned upon to clap or say something when musicians are performing, in fact some encourage it and feel not being appreciated otherwise.
I suddenly realized that, this track is whispering in my mind and I instantly searched and now listening to this masterpiece after two years! So much respect and love dear legends!
One of the things I like about this piece is the simplicity of it, and how they do so much with their instruments. And it's relatively slow, too, so I can get a real good look at Mr. Hussain's hands and get an idea of his technique. I don't know much about about music like this, but I have been a musician for ~20 years now, and what I see here is completely amazing.
nothing beats Indian classical music, these legends are next level- even calling them superhumans wood be an understatement 🙌 music like this sadly isn't and cannot be made anymore
Indian civilization, which is ancient, has given so many gifts to entire humanity. Indian music is one of it, which takes you on ride to show glimpses of spirituality and divinity. Once you you engross and submerge in it, you can feel your soul getting goosebumps ❤❤❤
We have not seen the God krishna but this type of flute player can compare with God.it is not human.and jakir hossain is excellent no comments about these legends.
There is hardly any distinguishing between ustad zakir and his instrument, dear guru you have surpassed human limitations, you've repeatedly astounded audiences with you super human abilities, its an honor to listen to your craft
Rendered with such rooh.. incredible indeed. What inexplicable energy these maestros have around them... Rupak blending into the cosmic evenness of the teentaal as speed picks up .. and the sweetness of madhuvanti builds up to its own epitome.
After reading your knowledgeable description..It was indeed a device combination..The sound of music can not surely be restricted by religion..As Buddha says the laws of the universe are applicable equally to one and all.Aapka Mangal ho..May you be happy.
They say these instruments and music are of gods themselves. And both these legends are no less than incarnation themselves to bring this divinity & pure bliss to all of us through their musical genieus. 😌🙏🏻
Can imagine Ustad Afaq Hussain, Ustad Wajed Hussain, Ustad Nizamuddin coming back for one day to play under the influence of those mics. That will be the greatest day for all tabla players, surely.
Mai jab jab aap dono ki Jodi wala music sunta hun to mujhe lagta hai ki Mai kon sa part nikal lu pura video ke andr se par mujhe pura video hi itna achha lagta hai ki Mai ye
this is pure music which was created by a symbiosis between those two. Like one can predict what the other is about to play. I'm actually really glad I found this music which is not bound to conventions or law to be "good".
salem Zakir maaraba salem Rakesh what a sublime vibration its globality so pretty simply deply communicating like a lulubel in the night surrounded by percussion
.okomoommkookoooooop. oooo00 popopooo ppoppopooopo. Pppoopoo. Ooopopoppoppoppoomomomommopmmmmmm. P. Oopoppppopmmo. M. Mo pppmpmpopo. Oopppmpmppommmmmmoommpomompmkmopkmpmp. P. P. Pmom okomoommkookoooooop. Ppmppopmpmoppppm . Ppmpoppmkpmpymmmmmmmmmmmpppopopmmpmmpomp. Pmppp op. Ppp. Pmomppmmmmmmmmmmmommmmpmpmmmmm ooopopoppoppoppoomomomommopmmmmmm ppmpmm0pmmpp. P. Pmmmppmommpmmmppmmpkpmpmmmmmmmmmmmmmmmmmommmmmmmmmmmmppmpmpppmmpmopplmpmpppmmpmmom0pp. Pompmpo. Pmpmmpmpm. Pmomppmmmmmmmmmmmommmmpmpmmmmm pmmmppmommpmmmppmmpkpmpmmmmmmmmmmmmmmmmmommmmmmmmmmmmppmpmpppmmpmopplmpmpppmmpmmom0pp. M ooopopoppoppoppoomomomommopmmmmmm mmoppmpmmmmmmmmmmppppppppmmmmmmmmmmmmmp0. Ppo
Rendered with such rooh.. incredible indeed. What inexplicable energy these maestros have around them... Rupak blending into the cosmic evenness of the teentaal as speed picks up .. and the sweetness of madhuvanti builds up to its own epitome. But i wish they did away with the hackneyed sawal jawab pattern in drut or interpreted it fresh enough.. it so kills the pace of the raag. Dunno why even the greatest of the lot cannot do away with the 'item number'.
I'm fascinated by your review, mostly because I have no idea what you're talking about. I play guitar and I'm pretty familiar with Western music and the language we use to describe, but what you're talking about is totally new to me. If you wouldn't mind, could you give a quick breakdown of the terms you used in your review? I'd love to hear about it. :)
ElfInflicted Rupak: 7 beat rhythm cycle structured 3 +2 + 2, the basis of which is Tin tin na Dhin na Dhin na. Teentaal: 16 beat rhythm cycle structured 4 + 4 + 4 + 4, or the commonly heard Dha dhin dhin dha Dha dhin dhin dha Dha tin tin ta Ta dhin dhin Dha. Madhuvanti: a romantic raga, you can look it up to see the ascending and descending scale patterns. (Raag is another word for raga.) Sawal Jawab: call and response, literally question and answer. Drut: fast tempo. Rooh: the only word I'd never heard, apparently is the Urdu word for soul or spirit, like atma. Hope that helps a little. Am sure someone will correct me if I'm wrong on anything, as I'm only a student, not an expert.
ElfInflicted Dear ElfInflicted "rooh" is the Urdu word for soul. Urdu is a language spoken in Pakistan, Bangladesh and some pockets of India. Classical Music from India and this part of the world is ideally perceived to be enriching/ inspiring/ and metaphorically speaking is supposed to have a 'soul' to it. Teentaal is basically a what I'd call, a 'pattern' in Indian classical music, with a definitive sequence of beats. Sawal-jawab literally translates to "question and answer" and the sawal-jawab term is used to described the pattern in which two musicians and their sounds interplay. One of them seems to be asking the other; and they respond! (a loose correlation could be the term 'jamming') Ragas are essentially 'constructs' for Indian Music with clearly laid out themes. For example, a set of romantic ragas, patriotic ragas, etc. Their basic patterns have been prescribed/ written down centuries ago (YES!) and in-theory, there could be hundreds of songs (and innumerable combinations) building on each foundational-raga. Item-number is a recent addition to the musical jargon used in SE-Asia, basically implying a sense of garish song-and-dance sequence as opposed to a perceptibly pure raga-based rendition of Classical Music Hope this helps. BTW try searching for this term "jugalbandi" and trawl through some of the Indian Classical music videos, I'm hoping you would like some of that!
Anant Mathur Thanks for the detailed explanations, I love learning about music I'm not familiar with. I knew Urdu was spoken in Pakistan, and it makes sense that it would be spoken in parts of India, too, but I had no idea it was the official language of some Indian states. Fascinating stuff. If I'm understanding correctly, I can see a lot of parallels in Classical Indian music and western music. It sounds like one could apply the term Raga to things like a waltz, for instance. I'm more familiar with Irish music, though, so the constructs that come to mind are the Jig, the Hornpipe, the Air, and so on. Except that these types descend from tradition, as opposed to being codified by a civilization. Does that seem to encompass the meaning of a Raga? Sawal-Jawab is what I'd call a "Call and Response" pattern. Dead Man's Party by Oingo Boingo is, IMO, a great example of it. You get that a lot in varous types of jazz, too. You liken it more to jamming with other folks, though, where the calls and responses are improvised on the spot. Is that more what you mean? I will definitely take a look at Jugalbandi music. Thanks for the reference!
Merci pour cette vidéo ça m'a permis de nager dans les cieux et m'envoler dans des nuages plein de spiritualité et de bonheur Merci à vous Monsieur vous êtes un seigneur qui connait bien la valeur de ce que doit être l'humanité et l'Amour
@6:15 to @6:43. Any one who has played flute will tell you how much mastery that takes.
Audience was attentive and involved, but intelligent enough not to intrude while the artists developed the piece. This was great!
Which in fact is a rarity in these days of "Applause-immediately-whenever-artist-plays-something-with-speed" practices! :)
SIRAJ GHOSH Yes, that is the kind of reaction that is so common now, people are losing their self-control....not good. And for musicians, this practice that you have described, of audiences, must be exasperating.
huh? the musician is always speaking to the listeners , whether with their words or with the music . the listener responds by expressing their feelings throughout the performance... nothing wrong with this
Swede McGuire
@@9UaYXxB in Indian Classical it's not frowned upon to clap or say something when musicians are performing, in fact some encourage it and feel not being appreciated otherwise.
I suddenly realized that, this track is whispering in my mind and I instantly searched and now listening to this masterpiece after two years! So much respect and love dear legends!
One of the things I like about this piece is the simplicity of it, and how they do so much with their instruments. And it's relatively slow, too, so I can get a real good look at Mr. Hussain's hands and get an idea of his technique.
I don't know much about about music like this, but I have been a musician for ~20 years now, and what I see here is completely amazing.
Simplicity? Slow? I don't think we watched the same video haha!
Rakesh Chaurasia is awesome too, genius no less
Zakir, like his father, is a rhythmic genius (no hyperbole!) and the flutist matches his firepower: what a conversation they have! A blessing to hear.
MAY THIS MUSIC LIVE FOREVER
nothing beats Indian classical music, these legends are next level- even calling them superhumans wood be an understatement 🙌
music like this sadly isn't and cannot be made anymore
Indian civilization, which is ancient, has given so many gifts to entire humanity. Indian music is one of it, which takes you on ride to show glimpses of spirituality and divinity. Once you you engross and submerge in it, you can feel your soul getting goosebumps ❤❤❤
Merci pour ce voyage
Même pour ceux qui ne sont pas mystique…
Elle nous emporte….
We have not seen the God krishna but this type of flute player can compare with God.it is not human.and jakir hossain is excellent no comments about these legends.
কোনো ভাষা নেই প্রকাশের, তাঁরা অাছেন বলেই হয়ত পৃথিবীটা আজও টিকে আছে...
There is hardly any distinguishing between ustad zakir and his instrument, dear guru you have surpassed human limitations, you've repeatedly astounded audiences with you super human abilities, its an honor to listen to your craft
Rendered with such rooh.. incredible indeed. What inexplicable energy these maestros have around them...
Rupak blending into the cosmic evenness of the teentaal as speed picks up .. and the sweetness of madhuvanti builds up to its own epitome.
Sushovan Kundu Can you please tell me what is the scale of the banshi which pandit ji is playing here.
After reading your knowledgeable description..It was indeed a device combination..The sound of music can not surely be restricted by religion..As Buddha says the laws of the universe are applicable equally to one and all.Aapka Mangal ho..May you be happy.
Such a beautiful raag, raag hemvati is❤❤😍... Thanks me later for telling the raag's name.. 😂
Thanks tell taal also
@@tushargodadiya319 it's rupak and teentaal
How sweet u r Madhu... Just like ur own name 😂😂😂😂😂😂😂
Thanks
🖕
As always Indian Classical and that too performed by the great performers of our time.
God gifted. Ustad Zakir Hussain, The Ustad of Ustads now a days, and Rakesh ji played very well. Outstanding !
उस्ताद जाकिर हुसैन साब ऐसा तबला खान साब के अलावा कहीं सुनने को नहीं मिलता जुग जुग जियो उस्तादों के उस्ताद 😍❤️❤️❤️🙏🙏🙏
Like a serene river flowing through green valley!
Lords blessings . Love this music but don't dare to play. Love you Zakir and Rakesh thanks for this wonderful piece really amazing.
शुक्रिया इतना अच्छा संगीत देने के लिए
Simply superb - specially 6, 6, 13, 15 min.. Just too good listening to the Maestros !!! Thanks for sharing this master piece
बहुत शानदार लाजबाब
Even today when I listen to this masterpiece, I say Wow!
Big fan forever ❤️
Can anyone ask for a better duo? Amazing!!! Thanks for sharing this masterpiece!
Two gems from India are sparkling there. Bah! Bah!
Wow...Who knew that hands could move so fast like that independently from each other! Beautiful music. Talented artists!
Zakir and Rakesh are amazing together. Their talents are just unbelievable.
They say these instruments and music are of gods themselves. And both these legends are no less than incarnation themselves to bring this divinity & pure bliss to all of us through their musical genieus. 😌🙏🏻
Yes Ninad..Music is God..If brings about an involuntary smile and gratitude for the artists.
Love this music it moves me thanks zakir and rakesh.
Awesome no word they both are already great musicians. They are sure bharatratna pleased everything whole inner soul hats off jay hind
What love has spread by Rakeshji, oh ho, ho ho! Mesmerising.
Can imagine Ustad Afaq Hussain, Ustad Wajed Hussain, Ustad Nizamuddin coming back for one day to play under the influence of those mics. That will be the greatest day for all tabla players, surely.
Sure
Wow... It’s just breath taking skills. Come to Canada please! I want to feel this live performance
Wow great...two legends at one stage...soul touching performance...
Absolutely amazing!
Its not called amazing. Its called MAGIC. which only he can do in the world...
... impressionante o entrosamento das sonoridades, regada a muita criatividade e personalismo na mescla e fusão das sonoridades! ...
Reciprocation between the best performers the best perfect, good to be born in India & watch the best performers of our India
Красавцы!Люблю обоих!
просто замечательные мастера
brilliant and beautiful
ওনাদের বিশ্লেষণ করা আমাদের পক্ষে অসম্ভব, কতটা উচ্চ মানের শিল্পী । 🙏🙏🙏🙏🙏
What nice instrument tablas are ! And what marvelous musicianship from both these guys ! ! !
🌹👍🇮🇷🇨🇦✌️🌹You can not find better music than this just close your eyes and listen to it
usad zakir descovered a new way as tabla master player..thank s for vedio
Its enough to proud my nation,culture and music
Love ❤️ from Pakistan 🇵🇰, big fan of both legend,
Amazing thank you|| ..too good listening to the Maestros !!! Thanks for sharing this master piece
, end is too good!!
It was not only music but absolutely kind of a dream journey....
It's like magic is unfolding before my very eyes
অপূর্ব, অসাধারণ, অনবদ্য, চমৎকার, দারুন, ফাটাফাটি, অসাধারণ শিল্পী দুজনেই ।
I love table and if played by Zakir Hussain amazing!!!
It's Tabla Nisha loooooooooooooooooooooool not Table
@@grandmasterbeats9732 "tabla" in Spanish means table.
Mai jab jab aap dono ki Jodi wala music sunta hun to mujhe lagta hai ki Mai kon sa part nikal lu pura video ke andr se par mujhe pura video hi itna achha lagta hai ki Mai ye
what more do i need?? im tears!!!!!
Two great master musicians of the highest caliber. Thank you for sharing your overwhelming mastery with us 🙏
Raag Hemawati, pure bliss.
Waah ! Zakir ji & Rakeshji 🙏🏻
this is pure music which was created by a symbiosis between those two. Like one can predict what the other is about to play. I'm actually really glad I found this music which is not bound to conventions or law to be "good".
Treasure of INDIA , INDIAN CLASSICAL , MUSIC FROM ABODE.
My Brain melts!! Very NICE!!! Love it!!!!
La jobab !!! Bohot khub !!!! What a performence !!!
So beautiful! Namaste, Love and Light, Shanti in TX
Great classical Combination ..... Legendary performance....
I think it is based on raag madhuvanti. Incredible. Mind blowing.
its Hemawati
Great indeed. Rakesh ji is keeping pace with The Ustad
I am a great fan of u sir Zakir Hussain great playing i really ❤ it
Just got that opportunity to enjoy the badon of Zakir Hossain last night and feel in still dream.
salem Zakir maaraba salem Rakesh what a sublime vibration its globality so pretty simply deply communicating like a lulubel in the night surrounded by percussion
This is what Heaven sounds like.
I pity those who dislike it.
Loved it ...zakir is still the best
No words to express the feelings....................
Oh my God ........ Excellent...........................💐💐🙏🙏
Amazing!
Unbelievable! Simply charmed!!
There will always be an awesome chemistry between these two legends
Wah.... mesmerized! Huge salutations to the legends
very nice i can listen to this all day
alma, pulso, pulsão, energia, inconsciente livre de controle...LINDO
Just 1.2 million for these legends ....population is 140 crore ..
GENIUS!!!
I love This video. it's a magic
EXTRAORDINARIOS!!!!MUSICA QUE TRANSPORTA A OTRO NIVEL DEL ALMA Y SOBRETODO EL VIRTUOSISMO EN SU MA'XIMA EXPRESION!!!
god save this 98 disliked people. they don't know what they are disliking☺
They have some vision problem i presume, wanted to give up but pressed down, pity on them
.okomoommkookoooooop. oooo00 popopooo ppoppopooopo. Pppoopoo. Ooopopoppoppoppoomomomommopmmmmmm. P. Oopoppppopmmo. M. Mo pppmpmpopo. Oopppmpmppommmmmmoommpomompmkmopkmpmp. P. P. Pmom okomoommkookoooooop. Ppmppopmpmoppppm . Ppmpoppmkpmpymmmmmmmmmmmpppopopmmpmmpomp. Pmppp op. Ppp. Pmomppmmmmmmmmmmmommmmpmpmmmmm ooopopoppoppoppoomomomommopmmmmmm ppmpmm0pmmpp. P. Pmmmppmommpmmmppmmpkpmpmmmmmmmmmmmmmmmmmommmmmmmmmmmmppmpmpppmmpmopplmpmpppmmpmmom0pp. Pompmpo. Pmpmmpmpm. Pmomppmmmmmmmmmmmommmmpmpmmmmm pmmmppmommpmmmppmmpkpmpmmmmmmmmmmmmmmmmmommmmmmmmmmmmppmpmpppmmpmopplmpmpppmmpmmom0pp. M ooopopoppoppoppoomomomommopmmmmmm mmoppmpmmmmmmmmmmppppppppmmmmmmmmmmmmmp0. Ppo
Pp. Popmpmpm nppppmopmpmmpom0p p
Mpppppmppm. Popppppmop. P
Yo man chill. Likes and dislikes don't matter, no one cares
11:36 the best out of this outstanding track
music with the breath of space piercing the illusion...
So amazing!!! Words can’t describe!
Its so...natural, and uplifting...
Rendered with such rooh.. incredible indeed. What inexplicable energy these maestros have around them...
Rupak blending into the cosmic evenness of the teentaal as speed picks up .. and the sweetness of madhuvanti builds up to its own epitome.
But i wish they did away with the hackneyed sawal jawab pattern in drut or interpreted it fresh enough.. it so kills the pace of the raag. Dunno why even the greatest of the lot cannot do away with the 'item number'.
I'm fascinated by your review, mostly because I have no idea what you're talking about. I play guitar and I'm pretty familiar with Western music and the language we use to describe, but what you're talking about is totally new to me.
If you wouldn't mind, could you give a quick breakdown of the terms you used in your review? I'd love to hear about it. :)
ElfInflicted
Rupak: 7 beat rhythm cycle structured 3 +2 + 2, the basis of which is Tin tin na Dhin na Dhin na.
Teentaal: 16 beat rhythm cycle structured 4 + 4 + 4 + 4, or the commonly heard Dha dhin dhin dha Dha dhin dhin dha Dha tin tin ta Ta dhin dhin Dha.
Madhuvanti: a romantic raga, you can look it up to see the ascending and descending scale patterns. (Raag is another word for raga.)
Sawal Jawab: call and response, literally question and answer.
Drut: fast tempo.
Rooh: the only word I'd never heard, apparently is the Urdu word for soul or spirit, like atma.
Hope that helps a little. Am sure someone will correct me if I'm wrong on anything, as I'm only a student, not an expert.
shrooman777 This was really great to read. Thanks for taking the time to lay it out for me. :)
ElfInflicted Dear ElfInflicted
"rooh" is the Urdu word for soul. Urdu is a language spoken in Pakistan, Bangladesh and some pockets of India. Classical Music from India and this part of the world is ideally perceived to be enriching/ inspiring/ and metaphorically speaking is supposed to have a 'soul' to it.
Teentaal is basically a what I'd call, a 'pattern' in Indian classical music, with a definitive sequence of beats.
Sawal-jawab literally translates to "question and answer" and the sawal-jawab term is used to described the pattern in which two musicians and their sounds interplay. One of them seems to be asking the other; and they respond! (a loose correlation could be the term 'jamming')
Ragas are essentially 'constructs' for Indian Music with clearly laid out themes. For example, a set of romantic ragas, patriotic ragas, etc. Their basic patterns have been prescribed/ written down centuries ago (YES!) and in-theory, there could be hundreds of songs (and innumerable combinations) building on each foundational-raga.
Item-number is a recent addition to the musical jargon used in SE-Asia, basically implying a sense of garish song-and-dance sequence as opposed to a perceptibly pure raga-based rendition of Classical Music
Hope this helps. BTW try searching for this term "jugalbandi" and trawl through some of the Indian Classical music videos, I'm hoping you would like some of that!
Anant Mathur Thanks for the detailed explanations, I love learning about music I'm not familiar with.
I knew Urdu was spoken in Pakistan, and it makes sense that it would be spoken in parts of India, too, but I had no idea it was the official language of some Indian states. Fascinating stuff.
If I'm understanding correctly, I can see a lot of parallels in Classical Indian music and western music. It sounds like one could apply the term Raga to things like a waltz, for instance. I'm more familiar with Irish music, though, so the constructs that come to mind are the Jig, the Hornpipe, the Air, and so on. Except that these types descend from tradition, as opposed to being codified by a civilization. Does that seem to encompass the meaning of a Raga?
Sawal-Jawab is what I'd call a "Call and Response" pattern. Dead Man's Party by Oingo Boingo is, IMO, a great example of it. You get that a lot in varous types of jazz, too. You liken it more to jamming with other folks, though, where the calls and responses are improvised on the spot. Is that more what you mean?
I will definitely take a look at Jugalbandi music. Thanks for the reference!
Mesmerising combination, blissful rhythm ; soul touching showcase
Soul stirring as always. What an awesome performance. This music is inspired.
Wow such a beautiful Raga. Love it
I don’t know who and why people unlike this music????????
I loved every minute of it.
What a journey!
This is just... just great man, just great
Lexi Gr
This is the magic of music...It takes you somewhere else ..So peaceful.
BRILLIANT! Godess Saraswati embodied!!Proud to be Indian.
Oh my god !!! Exceptionnel !!!
this is magic. where can i buy this in flac format please?
WoW! Just WOW, dont have other word..........
WONDERFUL !!!!!