Very hard to disagree with, I would think. The ABRSM approach is so completely the opposite of a performance based one. The live audience, their expectations and their minimal but crucial feedback (their felt attention, tension and release) make them co-creators of the music. Such a strange place to arrive at.
Very hard to disagree with, I would think. The ABRSM approach is so completely the opposite of a performance based one. The live audience, their expectations and their minimal but crucial feedback (their felt attention, tension and release) make them co-creators of the music. Such a strange place to arrive at.