5 Triad Pairs That Sound Great with Adam Maness
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- Опубликовано: 4 сен 2024
- On today's episode, Adam samples 5 of his favorite triad pairs. You can get our podcast on Apple Podcasts, Google Podcasts, Spotify or wherever you get your podcasts. For more info, check out our website: www.youllhearit...
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1. 5 and 6 triads on major
2. 2 (major) and 3 triads on lydian
3. b7 and 1 over dominant
4. b5 and b6 over altered
5. Major(add b3) triads ascending/descending by minor 3rds over dominant b9s
WOW ! THIS IS GREAT 👍! THANK YOU MR. PARKER 😀😀👍✅✅
Are the b5 and b6 major triads?
@@MattWatsonHarmonicayes
yes
@@MattWatsonHarmonica
Most helpful triad pair lesson I’ve found
Wow, so fulfilling. As a 59 year old self-taught guitarist who works in this melodic region, gives me more goals :)
Man, where was this when I was working on my undergrad
Thank you for showing the skill of how to use the triad you are a great teacher I have learned something useful greetings Pianist from Kuala Lumpur Malaysia
I had one lesson on triad pairs, but this really broke different melodic ideas that I can implement into them as well. Thank you!
If I had one suggestion, it would be cool to see you put it all together on a standard or may be a groove at the end of the vid whenever you're giving a list. I would especially love it whenever you or Peter are solo, but I wouldn't mind it when you guys are doing the podcast together. Thank you again for such awesome content, OS has been a game changer
I recently retired with my major goal to get better at music. I hadn't intended to delve into jazz harmony any time soon, but I stumbled upon this channel and, Lord help me, I think I'm hooked. So much fascinating stuff to play with.
Pretty cool retirement goal! My dad recently picked up the drums at 69.
Great tutorial! It sheds light over the subject of triad pairs.
Love your way of teaching, very real and humble.
Keep it up Adam!
Great lesson!!! I will definitely be practicing these!
Mee tooo
Thank you ! Wow, this was one of the best " guitar lessons " I received all through my life .
I'll come back to this. Your major scale lesson was mind opening, and I'm trying this in every key.
Always something to learn or remember to practise ..All good !!
Cool.
The 8 tone sound with four notes is also great. But there are also fine options with pairs that fit the pattern of the others: I.e. F# and Cminor for C7.
Awesome. You made a concept taught a million different ways now make so much sense. Thanks.
Well that should keep me going for a while. Very useful, thanks Adam.
As a guitar player who started out playing blues, that last one is great. It sounds super cool and lets us repurpose a cliche blues lick (1 - b3 - 3 - 5) into a great altered sound. The rest were great too but that last one is my favorite. Thanks!
Great job Adam, it's love when it's the two of you, you guys have a great repore with each other, but the example on the piano were really helpful.
Excellent teacher.
Love how you teach ! Thank you
Guitar player here. Really love your channel
Definitely pair triads gonna change whole way of my ability to play music
Great tonal voicng. I love the adventurous improvisation.
Great stuff, and well-delivered, as always... but what if I want 5 triad pairs that sound great WITHOUT Adam Maness?? Unless Adam wants to move to Ottawa and gig with me, this could cause problems...
Great stuff!
Fantastic. Thanks so much.
Thanx, Adam.
thanks a lot for those great tips!! greetings from Germany
Love this! Great education…
Guitar player here working on these exercises. Great stuff!
Phenomenal lesson
Thanks Adam. I’ve been working on triad pairs a lot recently and love hearing other approaches. Never knew of that last one.
Interesting as usual. Thank you.
Great rundown of some of the possibilities with triads. Good inspiration, both for myself and my students :-)
Génial ! Simple d'accès et facile à capter harmoniquement parlant (il n'a pas expliqué les détails, mais ceux qui viennent regarder ici les connaissent, donc ça va).
Moi je veux bien que tu m’expliques pourquoi on choisit ces triades par rapport aux accords
@@olivierbrionne9302
Un mec a écrit ça il y a 3 ans lui aussi :
1. 5 and 6 triads on major
2. 2 (major) and 3 triads on lydian
3. b7 and 1 over dominant
4. b5 and b6 over altered
5. Major(add b3) triads ascending/descending by minor 3rds over dominant b9
1. parce qu'on est en do majeur ! Donc sol maj et la min marchent à tous les coups.
2. en lydien, donc il joue un ré maj sur un do majeur (#11 : lydien donc)... je veux dire, c'est évident. On est en sol majeur.
3. mixolydien, on joue en fa majeur, donc sib maj et do maj collent sur un do 7.
4. do 7 alt (avec 5te bémol) : on est en (tonalité de) fa mineur. D'où sol bémol maj [solb : 5b de la dominante dans l'accord donc et 9b du ton de Fm (qui est induit par le C7 b5 et c'est aussi au choix de l'improvisateur : soit 9b soit #9, mais c'est parce que tu as la possibilité de jouer l'un ou l'autre parce qu'ils ne sont pas dans l'accord choisi, tout en étant induits...), sib : quarte de la tonalité et réb : sixte de Fm, rien de déconnant] et la b maj (lab : tierce min de Fm, do : quinte Fm, et mib : 7è min de Fm).
5. Pour le dernier c'est plus chaud. il t'explique que sur un C7alt (5b 9b #9) tu peux jouer la gamme diminuée.
Ce qui donne des versions majeures mineurs des triads de la, solb, mib et do.
Juste en décomposant. Et qui permet de créer des mouvements qui sonnent et que tu peux entendre et apprivoiser.
C'est le but de tout ça : entendre ce que ça donne, pas juste singer des triads à jouer dans telle et telle séquence.
Même si ça commence souvent par ça : singer et comprendre, pour assimiler et entendre.
Faut en profiter pour bosser ça dans toutes les clés.
D'abord 3 , tes plus évidentes. Puis 3 autres encore assez évidentes, puis encore 3 moins évidentes et les 3 dernières jamais jouées ou presque.
Et en développant ton oreille relative, tu finis par ne pus penser à ce que tu joues de façon "théorique", tu pratiques et sans te rendre compte du fais des triads pairs, des tétracordes, tu crées tes propres "plans". Tu joues avec ton vocabulaire hérité des autres (comme tout le monde, sauf Zappa à la rigueur...).
J'espère que c'est pas trop décousu...
@@fredlarrieu5261 merci beaucoup Fred pour tes explications je comprends mieux 😊
Beautiful sounds!!
Lol, love this. On minor, like Dm, F and G, pretty inside, or on Dm7, F and E - this is cool because the E adds the #11 (b5) and 6tt. It is good fun to go experiment
Wonderful lesson thank you!!
Great stuff, thanks!!
Great explanation
Still relevant!!! Need to shed to this!!!
Ideas \ help vor triadpairs over mixolydian #11?
2 Major & 3 dim?
2 Major & 5 minor?
Some recommended 5 minor 6 & 6 minor 6. So for G7#11 -> dmin6 & eminor6.
What do you guys think?
Whatever you do, DON'T watch this video at half-speed! :D
But seriously, good content. Thanks!
Love this! Liked and subscribed
Cool lesson... But to think of it after all the scales is applied, i just realized that every note is not a wrong note... So in improvisation, its just a matter right timing to hit any note... 😁
Thanks Adam! Awesome content as usual!:)
THANK YOU VERY MUCH, GREAT INFORMATION ...
Tetrachord is what I call the 4-note ‘shape’
so helpfull, i d love a digital keyboard played on screen as well.
slow down so you can hear beauty of these chords and arpeggios space but thank you for ideas
Yes much better by yourself
Espectacular!!!!
please could we have the full theme you play at the? beginning of your videos
The theme song for You'll Hear It is Peter Martin's "Emotion in Motion":
open.spotify.com/album/2JGW2L...
it is much better you show examples on the keyboard in order to explain concepts. when you two just talk over the table i feel i am learning very little.
Go pay for lessons then . These are free
He is showing examples on the keyboard…….use yours eyes and ears……all the information is here
you make it all sound so simple lol
thanks a lot !!! what about triads parirs over minor triad?
the i and ii together - Dm Em as one big voicing... instant Kind of Blue territory
@@pimvanharten6935 THANK you !!!
@@clasesdepercusion and All Blues, G7, is approached as one of Adam Maness' combinations (nr 3): play F and on top of that, simultaneously, G, like a six note chord voicing. so I and bVII for a sus, or "11 and 3" sound.
also part of that quintessential, and revolutionary, Kind Of Blue sound, courtesy of George Russell, Bill Evans and Miles Davis.
the Dm Em gives you dorian minor. for a closely related one, Dm +C (basically Dm9/11). try F + Em, F + G. try also Am + Bdim. there are of course also the other minor keys to explore...
@@pimvanharten6935 WOW PIM thanks a lot
I'm trying to keep up
I swear I've heard something like these in a Yes song or two.
Great lesson adam .but why there's no triad pairs over a minor chord?
jeng zarate
He said you could use the 5/6, G and A minor over any diatonic chord from the major scale.
@@armthealiens That doesn't answer his question.
try this on any dorian (minor) chord, for quintessential modal, Kind of Blue sound: Dm + Em. and Dm + C (which equals a Dm7/9/11 chord). try F + Em and F + G. try also Am + Bdim.
Can you do how to play keys like Steely Dan?
I like Adams style vs Peter. He plays examples when I need charts and such. Copy his style , Martin!
why go to berklee when you have open studio
Seems to me that these are great sounds for a composer's toolbox, perhaps someone who writes movie scores.
its very confusing where yu start frst one cant make out the overall context also
******* + 1/2
you gotta laugh at your own jokes...and we won't miss Peter so much.
i miss bearded Adam :(
Why not show this stuff working in a tune?
Thanks for your Job.
showing too fast. please speak more slowly. no need to press your intellect on our simple mind.
too fast your playing difficult to follow fingers
Your lessons are great ....... BUT ! ...... minimum of editing with the name of all chords and triads should be fantastic.
Sorry guys. I’d like to like these, but I just can’t follow what you are doing at these speeds. It’s a real problem across all of your videos.
you all go to fast!!!
When teaching you have to break chords down not keep playing fast..
jeremiah fleming theres levels and levels man.. we’re still levels behind haha but pro tip, slowing down the video half speed (or any speed at that) doesn’t affect the frequencies :)
Chill out. Slow things down
Mark Ellicott keep up lol
This lesson is obviously directed at fairly advanced students. If you need him to slow down then you're not ready
ricky j thanks for your patronising comment. I play quite well actually. I was talking about the speed of his talking and leaving time to enjoy listening to the music. The pianist himself commented on this. But if it makes you feel good trying to belittle other musicians, then go for it. My ego can take it.