After purchasing a silver AKG C3000 I was curious to find out if it was different than the original Black AKG C3000 and the newer models. #AKGc3000 #AKGc3000b #RedCabinAcoustic
This is hands down the best explanation of the AKG C3000 history. I was turned onto this model by a peer that owns a few. With his endorsement and your explanation, I bought one, and then another for my brother, and another one for my use as a stereo pair. Thank you!
Thanks for watching and commenting; I really appreciate it. I'm glad that it is/was helpful. I think this is a really good and often overlooked treasure. If you found my page you probably know I have an explanation of the AKG c1000s as well. The video of the 2000 and 4000 should be out later this summer, (2024). peace
Very interesting! Thank you! I've always wondered about the differences, and like you, discovered discrepancies. I have a C3000B (silver) I bought new many years ago. Since that time I've come to the conclusion that most microphones sound different and are useful for different applications, including my own singing style and the type of song I'm singing on.
Thanks for a great video. After watching, I bought 2 C 3000 (original black/green version) used for very little. Before watching your video, I shied away from that model because I was too confused. Thanks to your video, I was able to make an informed purchase.
Thanks for watcing and commenting . . . I'm glad I was able to help - I prefer the early black version and the slightly later silver version both with switchable polar patterns. I own a bunch of them. Although to be fair, I use the newer model infrequently, I only own 1 "modern" version. I am going to try to make a vid about the AKG c2000b soon, the price on those is dropping fast - very nice mic for the cost in my experience. - peace
I have owned the C3000B for nearly 20 years now. It is my go-to secret weapon for recording hand drums like djembe and doumbek. It's the first mic I ever tried to use for recording such drums, and my first impression was it was way too easy to get a fantastic sound. Tried other more expensive / reputable mic's for this same purpose and realized quickly there was no point in searching any further. So lively and full sounding. Good for drum overhead, and a brighter acoustic guitar tone as well.
@steverok67 - Thanks for watching and commenting. I agree, great mics easy to use - The C2000B & C4000B are also very good. I'll make videos about those 2 models soon. peace
Thanks for watching and commenting - I talked to a vocalist today and asked her if she would track some vocals with each mic so I can compare with a women's singing voice, and I'll do male speaking, and perhaps I'll grab a musician . . . I hope to get more vids up soon. peace
This video was a helpful explanation! In the 90s(?) I had an AKG c3000b which I stupidly sold and I regretted it ever since. In spite of the bad reviews, the mic was amazing. Maybe it was the timbre of my voice, but it captured it perfectly - I just sounded really great with that mic. (This was the c3000b model with one direction, and switches on the side.)
I've seen instances when the first three models - black c3000 - silver c3000 & silver c3000b all sounded great - depends on sound source and technique. I watch for them on Guitar Center and Reverb.com and buy the old ones . . . I've NOT used the newer models, so I don't know?
Thanks for watching and commenting. I'm just about to record a VO with the silver c3000 shown in the video - one of my go-to mics. I watch Guitar Center and Reverb.com, but I know there are other sites as well to shop as well. Good luck in your search; I love mine.
Great explanation and history of the c3000. Finding information on this mic and its journey through space and time is like finding a needle in a haystack. I recently stumbled upon an original c3000 from the 90’s and now own 3 (original models) for use on drums. Love them. Nice freq response that handles eq well. Solid on toms.
Thanks for watching and commenting. I own "both" versions and find them both very serviceable on many sources. I should follow up this video with a side-by-side of the original and B model. I am teaching a recording class and a mixing class, between the two courses it should be an easy vid to make! I had my pianos tuned today - perhaps I can get a student to play some copyright free classical. Working on videos of the c1000s and the c2000, c3000, c4000 series . . . peace
@@jamisonfrench I have a bunch of c1000s and c3000s, a pair of c4000s and one c2000, all different, but all good in their own way. I have some VO to finish and hope to finish editing more vids soon. I kinda feel stupid - I had a viola, violin, and cello recording last night - I should have set extra mics to do a comparison, but was concentrating on real work and not youtube. Maybe next week!
We have an old C3000B (silver) and while it wasn't used much on our 1st album, we dug it out after seeing this video and fell in love with it. We used it often on our 2nd album and continue to use it as we currently work on our 3rd album.
That is so cool. I believe it is a better mic than most people think, and even more don't know about it. Where is the best place to get you albums? I will pass along the info my the Music Director and Program Director at the station. You can e-mail me on the contact page of www.redcabinacoustic.com - thanks for watching, working on some other vids . . . peace
Tks for the explanation! I have the Black c3000 with silver stripe, but mine its made in Austria. I boght here in Brazil around 2010. I think its a good mic, but don't have much experience with other mics to compare.
I was just thinking about the "newer" mics yesterday. So you have a black one with the grey strip made in Austria - cool! Does it have the AKG logo in the circle or the new logo with the block AKG letters only? I don't know exactly when production moved to China. I used one of mine for a VO gig yesterday. Thanks for watching and commenting. I'm writing some scripts for new vids to be produced soon.
I have a stereo set from the first C3000 series with the green stripe that has only been used a few times. I bought the microphones new. Back then they were still quite expensive. But they are still made in Austria. I use it far too seldom but would never sell it. They are great sounding.
Thanks for commenting. I quite like the character of the ones I use/own. I just bought a silver/grey 3000b - after I use it a bit I will make a comparison vid. I may also make a vid about buying and using old mics - I wonder how many folks don't like them because they have purchased a used one that has been abused? Have you used any of the newer models?
Yes I did! I like doing research - finding a way to explain was a bigger challenge. I now own a 3000b and will do a comparison soon. Thanks for watching and commenting.
I think this mic just keeps getting better, partly because it was better than many thought AND because there are SO MANY crap mics being sold these days . . . Thanks for watching and commenting.
Thanks so much for watching and commenting, and for the kind words. What is your interest in audio? I'm just curious about who comes to the channel so I met serve better . . . peace
@@redcabinacoustic-official Former singer, DJ, currently presenter, guest speaker, news reader for the partially sighted. Owner of many mics, just not this one! You have a great voice and exceptionally well-paced clear diction.
@@user-nx5on7qu6d That's cool, I don't think most folks really think about how diverse the audio world is . . . Again, thank you for the kind words. I have a friend who reads for CSCN - RADIO READING - Cleveland Sight Center, maybe I should begin that too. peace
Great video. I'm using my C3000 OG (silver) for my PC comms nowadays - not much use since the studio closed back in the late 1990s until I needed a PC mic last year. It is wonderful. t was almost £600 when I bought it back in 1996, worth every penny. The only issue is that AKG tell me there are no capsules left, so once this one dies it cannot be resurrected :¬(
Thanks for watching and commenting. The nice thing is that the OG silver and black models have good capsules and should last a long time. My first edition electret mics from AKG are still working fine. There are a few former AKG engineers in the states with NOS parts, but that might not do you any good because of shipping costs. On the other hand, if it does fail, you could upgrade and mod the mic? Might be fun! cheers!
I just, (a month ago), picked up a first generation c3000b. A physics professor friend is going to have one of his classes test them this semester to compare. When he does I will make a part two. Thanks for watching. peace
I have probably the 2009-2012 model though I’m pretty sure I bought it in 2013. It doesn’t have as bright highend as some other condenser mics. If that’s a bad thing depends from the context. I think it works nicely for rock vocals or guitar amps
Thanks for watching and commenting, I didn't see your comment or see a notification?? I thinks these mics are great for the price . . . I typically buy used gear in good shape priced well. I do think they sound great and can be manipulated easily to fit many purposes. peace
Nice presentation! You have missed one more version which I have! It is the black glossy finish C3000b with gold stripe and gold logo with a cardioid only which I believe has been manufactured as a limited edition!
I am well aware of that version, but did not include it because it is not readily available. Where did you get yours? Thanks for watching and commenting.
Eduardo - Great question!? I stopped singing years ago! If you don't need the polar patterns on the 420 I think the c3000, (any version), is a much better microphone, but more expensive. However - the Perception Series is very solid for the price. Did you see my video explaining how the Perception and P mics relate to one another? If you shop around you can probably, (depending on where you are), buy a used c3000 for the price of a new P420. Have you seen the RUclips video of a recoding session done all with c3000s? If not I can send the link. - Here it is . . . ruclips.net/video/OGRQ5fMWPM4/видео.html
It's really great on some voices for singing, and strings. I like it on acoustic guitars, cellos, violas, etc. and I've seen it used effectively on drums for jazz and blues. I have not tried it for broadcasting; we have RE-27NDs in the air and production studios, and RE-20s in the newsroom. Those rooms stink acoustically AND have too much ambient noise to use a condenser mic. If you were in a quiet treated studio I think they would be fine as I use them for spoken word voice work - for some characters. I have not used it all that much as I got my first c3000b spring just after everything shut down.
Hi I have the black and silver stripe with round logo at the front and made in China at the bottom. Comes with a Case. Is that a good akg version? I also have the black and green stripe with made in Austria at the bottom round bit where the xlr port goes. Great video
Thanks for watching and commenting. I have recently used the newer models and I have not found a significant difference in sound on the sources I was recording; the one I used was great. At some point I should should dissect them to see the difference. If I understand you correctly, you have an original black w/green stripe model, which should have a multiple polar pattern switch center rear - that has an externally biased condenser capsule, the black and silver model has an electret capsule. AKG made electret capsules great, electret capsules have a bad reputation because they are easier to manufacture and are in a lot of crappy electronics. Some very good mics have electret capsules. If you take care of them they will take care of you. peace
Thank you for the video! I am somewhat confused about the versions of this microphone. I got black with a silver stripe and no logo, just the inscription AKG. It's made in China . Is it fake? And did I get the worst version? Thank you.
No Logo? Maybe it got wiped off? I have removed the decal from mics when cleaning by mistake. Did it come new that way? It seems as is you have a new one - or at least a newer one . . . From my experience they are fine mics and sound great. I don't know if quality control has suffered since manufacturing has moved to China and the company has changed hands. Lots of folks like to dump on China for various reasons; some perhaps deserved, but I don't know if the AKG mics have suffered? I have not done a direct comparison? Maybe someone can compare a vintage and a new c3000.
I'm in doubt, I'm thinking in buyin 2 new models for overheads, I have no access to them to try first, I've also investigated a lot AND THIS IS THE FIRST INFORMED OPINION ON THEM
Thanks for watching and commenting - I own several of each (c3000 and c3000b) and they have treated me well - the c1000s is also very popular for drum overheads. I'm working on a comparison video of the AKG Perception 150/Perception 170/P 170 - should be up in a few days.
My church using 4 units of C3000B but the color is more to gold or champagne color. However ours came only with cardiod pattern, attenuation switch and bass roll off. Yes it has a longer windscreen mesh body. However very disappointed as spare parts are hard to find in my country. Maybe due to change of owners to Harman. Might consider to change to Sennheisser condenser mic for better after sales support.
Not sure about the availability of spare parts - Where are you? The mics you have are the same as the current production models (C3000) in black so parts should be available in theory; although depending on where you are getting the parts might not be worth the cost?
Any idea when the c3000b was discontinued? I'm trying to identify the age of my mic. I got it second hand. It had terrible muffled sound and an unbearable noise floor, but I opened it and found one of the two wires from the capsule was disconnected. It was delicate work but I stripped the wire, soldered it back, and then cleaned the gold capsule sensor with a soft brush and distilled water. Despite impatiently sending 48v through a probably still damp microphone, it sounded better than I could've hoped. Anyway it's no legendary c414 xls but I've grown attached now that I've put in some care. Side note: I had to remove the foam from inside the grill. It was deteriorating to the point that it crumbled to the touch and fibers would shake loose. No one sells replacement foam that's shaped to fit but I've been doing alright without it and I think it may even be more clear and bright, but it's too late to do any A/B testing.
I'd love to help . . . Which microphone do you have? I know this is a tough question because, well, the name changes . . . the last akg c3000b (silver) was produced in 2009 according to my sources, but was manufactured from 1999 to 2009. I have one and quite like it. The real expert is Richard Land, He has repaired some of my vintage AKGs. He has parts no one else has BTW. If you get a good quality AKG mic, that needs repair, he can usually get it back to "like new" factory spec for a reasonable price - www.akgmicrepair.com/ You are right, it's not a 414, BUT can be had much cheaper! Thanks for watching and taking the time to ask.
@@redcabinacoustic-official so I'm just starting out. I have only one voiceover gig under my belt and I'm in the process of recording a new demo. The c3000b was given to me by a friend who got it in a 'lot purchase' of used gear. He listened to it, didn't like it, then stashed it for a few years. I'm the first to crack it open and see what was wrong. I was lucky to find a simple problem within my skill set. It sounds pretty great now. I might ask your contact for that foam but I don't have $10 to my name at the moment.... I'm just curious the age. It's definitely a c3000b. It's silver/gold, has the more rounded grill, a red ring, and is marked c3000b on the body. Searching that off the mic body is actually how I found your video. I was curious if there was a way to pinpoint if it was an early or late model. Not sure how long it takes for foam to break down and crumble at the touch, but it's at least that old.
@@GrandmasterofWin Foam fails at very different rates depending on a variety of environmental and air quality issues. (And/or the quality of the foam to begin with. I have some wind screen foam that is years old, and others flake and fail within a year.) You could cut some cheap foam and experiment or use a nylon pop filter. I have used cotton socks of mics as well - not petty, but can be effective. This mic was made in Austria correct? Is it stamped with a serial number? That may help narrow it down . . . different manuals below. www.akg.com/on/demandware.static/-/Sites-masterCatalog_Harman/default/dwa9098559/pdfs/C3000b_cutsheet.pdf www.akg.com/on/demandware.static/-/Sites-masterCatalog_Harman/default/dwebbad7f2/pdfs/C3000b_manual.pdf www.akg.com/on/demandware.static/-/Sites-masterCatalog_Harman/default/dw572d198a/pdfs/C3000b_service.pdf
@@redcabinacoustic-official Hey I forgot about this comment thread until it came back to me today. It is made in Austria but there is no serial number stamped anywhere on the body, at least not exterior. I haven't opened it up since I cleaned it and soldered the broken cable.
@@redcabinacoustic-official Wait... now that I look at it again, a part of the mic that just looked like scratched paint appears to have a SN. It's very scratched but I can make out 235X2. The X is illegible.
Thanks for watching and commenting. All models in this series are side address. The element is centered in the headbasket on the logo side of the mic. Watch Bark here, it should clear up any confusion - ruclips.net/video/pDbU5Ocb5ok/видео.html
I just did a quick search of the places I but used gear. Prices are about $200 USD for the ones I see listed. The models I'm looking at are early versions of the c3000b, with shock mounts, in good shape, made in Austria. The older Austrian made mics in good shape seem to hold their value better. The earliest models did not come with shock mounts as they have "suspended capsules," I think they began including shock mounts because customers like them. Although I don't know if that continues to be true. Sorry for the tangent, but VALUE is a fickle thing, an original box with documentation is a sign that the mic was taken care of and is therefore more likely to be "Like New." A clean box and original mic clip and/or shock mount really helps. check eBay, Reverb.com, Guitar Center Used Gear, etc.
Love my C3000B but have no idea how to use it properly but somehow i get through it. I have aquestion though if I may. What position would I most likely want the two switches in ( up or down) for doing voiceover? My voice is deep and I work about 4-6” away from the pop screen. Great video by the way, thank you.
For VO there should be no reason to use the PAD, so it should be in the up or 0 dB position, meaning no attenuation. The "High Pass Filter" or "Bass Roll Off" as it is also known, should also be in the up or off position. Unless you have an incredibly beep voice, and/or you have rumble in your recording space. This could be from traffic, HVAC, and/or other household noise. VO should not create a use case for the switches in most cases. As for using this mic for VO it may depend on your space and delivery and of course the type of read you were performing. I tend to start with large diaphragm condensers at mouth level and place them at a 45 degree angle - between my mouth and my left ear. I will practice reading with the mic at this position until I find the proper distance and I like the sound. The next position I try is placing the diaphragm at the height of my left eyebrow at the distance I found to be most pleasant, clear, full, and rich. Of course it depends on the read. I rarely speak directly into the diaphragm. Does any of that make sense? Try it and let me know. If you want to hear someone using this for VO check out this link - it's also about audio . . . ruclips.net/video/qonbJHkxH8w/видео.html
@@redcabinacoustic-official That was extremly helpful. I have been struggling with audio for years and have much respect for those that get it and are able to share it. YES that makes all kinds of sense and I really appreciate the advise. Any thoughts on my next mic? Almost every job I get I know gets molested by an audio engineer and why not. In my early 60’s now and I have learned that my best and most efficient way is to submitt the driest track I can provide and let the “team” make it great, lol. Can’t wait to listen to the link you have kindly provided and to snoop around the rest of your channel.
@@robertp764 I am more than glad to help - that's why I teach now. You next mic probably depends on your voice, your room, and your content. I just bought another C3000 - used, silver version. I plugged it in today, for the very first time to make sure it works, and thought, "This mic sounds fantastic!" There is nothing wrong with the mic you have. Do you have a demo or web page? I'd be glad to listen and give an opinion. For what it's worth LOL. BTW I book gigs with the Neat King Bee original, the Blue BlueBird, the AKG C4000b, and others. Where are you? Maybe find folks nearby and have a microphone playdate. I tend to buy used to get more for my $. The problem with listening to mic reviews of old gear is that you don't know how much abuse the mic has seen. I'm right behind you . . .
hi man love your video learned a lot but I got a question so I wanna use the 3000b together with the jz v11 use the bass role off on the b and gain stage them both right so I get the right high end from the b and the low from the jz but do you know if this would lead to phase issue s and if so how to not have issue s like I don t notice phase things but ppl always keep talking about it blessings
That sounds cool. What are you micing with this pair? Sometimes phase is a problem, sometimes not. Generally speaking the closer the capsules are to each other the fewer the phase problems. Using them as a split stereo pair is another issue. Describe the setup and I'll try to help - peace
@@redcabinacoustic-official you already did help me man thanks I going directly in to my interface thing Focusrite but the mics is really close so I think its cool I never understand phase and so I don t hear it but I think I am good with how I do it peace
@@redcabinacoustic-official he past away too was my best friend he was so cool long time ago but still miss him so I understand what you going true hope you find yourself another cool dog and my condolence for your loss
I don't currently own one, so I can only guess based on my experience with the mics in this line. In an article in MIX magazine in 2000 they state, "On vocals and acoustic guitar, the 2000B is a solid performer. With the mic positioned six to eight inches from the vocalist (and about half that distance for the guitar) with the -10dB on, the mic produced a warm, clear, uncluttered sound with a slight midrange boost." I have used the C1000S for narration and the C3000B and C4000B for voiceover, so I think the C2000B would work - especially for a podcast. Of course it depends on the cost. I have MANY AKG mics, mostly bought used, for a better price than new, and have been pleased with all based on cost for performance. Thanks for watching and asking a question.
Sounds great. I have 2 of these. Is there even a remote possibility of taking these on a boom and use in a similar way as a shotgun for video? I have 2 of them...and I can get them within 2-3ft of my head. My thought is...no it won't work....but curious what a pro would say? I have the single switch version on the side. I guess version 2 of 4
In this video the mic is boomed above me. Any mic can be boomed technically. I know folks use them for drum overheads. With that being said I boom mine for voice all the time. It depends on the space acoustics and the quality of the source, the space/distance between the mic and source, and the volume. At 2-3 feet you may get more room sound than direct sound - try it and see what happens. Is this for narrative film or podcasting/video?I often use LDCs out of frame. The AKG c1000s has a narrow pick-up pattern. I think Curtis Judd did a video comparing a shotgun and a pencil condenser and maybe something else. Thanks for watching.
@@redcabinacoustic-official I'm doing product demonstrations. I'm a talking head against a green screen some of the time so I can get it pretty tight with the mic. In the future, I'm going to be in a space where I can stand at a table and frame in more of my body. I'll play around with it!! I think I'm going to feed into a Zoom H5 or whatever for audio, and then just test it. I really appreciate you taking the time to respond!! Subscribed!
@@JeremiahNichol Cool, let me know how it turns out. I looked at your page and other vids, I think your volume and delivery seem great for demonstration. I should post some more vids soon, too busy at work to shoot and edit. I actually just recently got my "new" 2 switch AKG c3000b - silver, I really do need to do a comparison, but I want to include Guitars, Singing, and Piano, not just VO. Here are 2 RUclips links with folks using that mic, and audio course, and a "How To" on publishing your own audio book - ruclips.net/video/qonbJHkxH8w/видео.html & ruclips.net/video/VeHMtoOn6Lg/видео.html peace
@@redcabinacoustic-official None of my vids use this mic. Some of the more recent ones have a cheap shotgun on a Panny GH5... Haven't made the plunge on the Zoom H5 just yet. Thanks for the links! checking now!
I'm sorry I didn't see this, been offline . . . I have not used the 2000b so I don't know? I've got some great work out of the AKG C1000S, the early AKG C3000, and the C4000B. I recently picked up a first generation c3000b, but have not tracked with it, just some spoken word. Sorry I can't help, did you end up buying one?
No such thing as a dumb question. The original version is switchable between Cardioid and Hyper-Cardioid and the second iteration is a fixed Cardioid. So if you were to sing or speak or record anything into the "reverse side" you would be trying to record into the null side of the pattern. You would likely get a very weak signal comprised of reflected sound from the room. The off axis sound would be relatively quiet and heavily colored and probably not useful. Make sense?
@@leonmorgan1158 Yep! - of course mic technique and source may dictate that the mic be aimed at the source but slightly off axis - to help eliminate plosives for example. With that being said I know engineers that will record an instrument off-axis as well to modify frequency response.
@@leonmorgan1158 I have not recorded a guitar cabinet with this mic, but I seen no reason why is would not work. Capsule placement, (relative to the cone), source volume, distance, direction, etc. all have an effect on the sound the mic hears on a cabinet. Condenser Mics can be overloaded and distorted by high SPLs so using the pad may be advised depending on placement and genre. This mic, (depending on the vintage and model), has a pretty high SPL limit. Current production model has a MAX SPL of 155dB.
You are most welcome! Thanks for watching and commenting. I am writing an explanation video for the AKG c1000s variants as well as the c2000b and c4000b microphones as well. It may be a while though, work is busy and I've been moving a radio station and building a recording studio.
Great research, your right... Why? Therefore you have to know what happend to AKG company (Wikipedia it, ex AKG workers are now AUSTRIAN AUDIO). I use the first Edition from 1993. Not much in common with Samsung or CHINA-AKG (also good sounding , poor quality headphones nowadays. Thanks from an Austrian.
Thanks for the feedback! I understand companies get acquired and reconfigured, but the confusion in the name changes seems deliberate! Most of my mics are Austrian or vintage American.
I have no idea from direct comparison? I own and use a variety of RØDE microphones, but not the NT1-A. A quick search found a few RUclips comparisons - don't know how useful they are. - I don't generally think of mics being better than one another; instead I think of mics being good for something or less good for something. Both of these mics are a bit boosted in the high end - that "Modern Sound" but nothing too crazy. The NT1-A's high frequency bump is a bit above 10K and the new c3000 has a bump just under 10k Hz - so it depends on the source and room - ALSO, from a quality standpoint I can say the RØDEs I have are awesome - and I can ALSO say that about the AKGs as well, BUT I only own older AKGs. Thanks for watching and asking - If I can borrow an NT1-A I'll do a comparison.
@@redcabinacoustic-official i am big fan of AKG , but is AKG doing better for females? i was having akg before p120 it was fine but sound was robotic, i am still choosing between rode Nt1A, C214, MK4? 2- do not know why audio techinica at2020 is so popular,what do you think about that model? "your content is helpful of course "
@@pure-studio A couple of things - the P120 is probably at the bottom of the AKG P/Perception line - Any of the other mics in that series would likely be a better fit. - ruclips.net/video/LkWP_ez319g/видео.html - the c3000 is also an upgrade. The AT2020 has a capsule that is .63 inches in diameter and the AKG P120 has a capsule that is .66 inches in diameter - both medium diaphragm condensers. Both are known to be of good quality for the cost, they are also known for being very articulate. The AT2020 is very popular for young artists recording Rap, Hip Hop, and other fast sung and spoken word content because that crispness helps with intelligibility. On women and tenors this may be too much. I often mix match microphones to voices, including my own. My voice lacks much air or upper frequencies, so I will pick a mic that includes those without over-boosting the low end. I have a client that has a high voice that gets squeaky sometimes; I'll reach for a mic without too much top end to mellow him out. Small and medium diaphragm condensers do have a purpose, and when they are OK AND cheap they are popular, but maybe not right for you. Anton Browne does mic reviews and usually includes, "Your voice is not my voice and your choice is not (necessarily) my choice," when referring to mic choices. peace
You are very welcome. I'm trying to get more vids out . . . I have quite a few, "almost finished" scripts, I just need to find the time on the days I have the motivation! peace and thanks for watching and commenting.
This is really interesting and well presented - thanks!. I've just managed to order an original - black with the dark green stripe and red switches. It says Made In Austria on the back. However, I've noticed another one for sale which looks the same - black, green stripe, red switches, same larger bevel, but it *doesn't* say Made In Austria on the back. Also, while the logo on the front is the same, it has a little "R" next to it - like the one in this video, while the other one (the "Made In Austria" one) does not. Any ideas on all of this? Thanks again!
HMMMM . . . I know the current production is made in China, but I've not seen one with a green stripe. It could be a mic repaired from different vintage parts? Where is it listed? I will take a look if still available. I have been using the silver c3000b for voiceovers lately. works very well in one of my vocal booths.
This is hands down the best explanation of the AKG C3000 history. I was turned onto this model by a peer that owns a few. With his endorsement and your explanation, I bought one, and then another for my brother, and another one for my use as a stereo pair. Thank you!
Thanks for watching and commenting; I really appreciate it. I'm glad that it is/was helpful. I think this is a really good and often overlooked treasure. If you found my page you probably know I have an explanation of the AKG c1000s as well. The video of the 2000 and 4000 should be out later this summer, (2024). peace
Very interesting! Thank you! I've always wondered about the differences, and like you, discovered discrepancies.
I have a C3000B (silver) I bought new many years ago. Since that time I've come to the conclusion that most microphones sound different and are useful for different applications, including my own singing style and the type of song I'm singing on.
I just recently got a silver 3000b, but not had the chance to record with it yet - hoping to soon. Thanks for watching.
Thanks for a great video. After watching, I bought 2 C 3000 (original black/green version) used for very little. Before watching your video, I shied away from that model because I was too confused. Thanks to your video, I was able to make an informed purchase.
Thanks for watcing and commenting . . . I'm glad I was able to help - I prefer the early black version and the slightly later silver version both with switchable polar patterns. I own a bunch of them. Although to be fair, I use the newer model infrequently, I only own 1 "modern" version. I am going to try to make a vid about the AKG c2000b soon, the price on those is dropping fast - very nice mic for the cost in my experience. - peace
I have owned the C3000B for nearly 20 years now. It is my go-to secret weapon for recording hand drums like djembe and doumbek. It's the first mic I ever tried to use for recording such drums, and my first impression was it was way too easy to get a fantastic sound. Tried other more expensive / reputable mic's for this same purpose and realized quickly there was no point in searching any further. So lively and full sounding. Good for drum overhead, and a brighter acoustic guitar tone as well.
@steverok67 - Thanks for watching and commenting. I agree, great mics easy to use - The C2000B & C4000B are also very good. I'll make videos about those 2 models soon. peace
Excellent video! Thanks for taking the time to do all that research and then do the video. Much appreciated!
Thanks for watching and commenting - I talked to a vocalist today and asked her if she would track some vocals with each mic so I can compare with a women's singing voice, and I'll do male speaking, and perhaps I'll grab a musician . . . I hope to get more vids up soon. peace
@@redcabinacoustic-official Look forward to that!
Thank you very much for this report. Very instructive. Cheers from Canada
Thanks for watching and commenting. I had questions about these mics and thought others may too - peace
This video was a helpful explanation! In the 90s(?) I had an AKG c3000b which I stupidly sold and I regretted it ever since. In spite of the bad reviews, the mic was amazing. Maybe it was the timbre of my voice, but it captured it perfectly - I just sounded really great with that mic. (This was the c3000b model with one direction, and switches on the side.)
I've seen instances when the first three models - black c3000 - silver c3000 & silver c3000b all sounded great - depends on sound source and technique. I watch for them on Guitar Center and Reverb.com and buy the old ones . . . I've NOT used the newer models, so I don't know?
Thanks for the info. Very well researched and explained. Great talking voice too! I have been looking at a 3000B (used) online.
Thanks for watching and commenting. I'm just about to record a VO with the silver c3000 shown in the video - one of my go-to mics. I watch Guitar Center and Reverb.com, but I know there are other sites as well to shop as well. Good luck in your search; I love mine.
I just picked up my first AKG c2000b and I really like it - I also got a c4000b that was a bit quiet, so I had it refurbished - now it's awesome!
Great explanation and history of the c3000. Finding information on this mic and its journey through space and time is like finding a needle in a haystack. I recently stumbled upon an original c3000 from the 90’s and now own 3 (original models) for use on drums. Love them. Nice freq response that handles eq well. Solid on toms.
Thanks for watching and commenting. I own "both" versions and find them both very serviceable on many sources. I should follow up this video with a side-by-side of the original and B model. I am teaching a recording class and a mixing class, between the two courses it should be an easy vid to make! I had my pianos tuned today - perhaps I can get a student to play some copyright free classical. Working on videos of the c1000s and the c2000, c3000, c4000 series . . . peace
@@redcabinacoustic-official That sounds great! I’d be excited to hear those comparisons. I’ve also heard good things about the c4000.
@@jamisonfrench I have a bunch of c1000s and c3000s, a pair of c4000s and one c2000, all different, but all good in their own way. I have some VO to finish and hope to finish editing more vids soon. I kinda feel stupid - I had a viola, violin, and cello recording last night - I should have set extra mics to do a comparison, but was concentrating on real work and not youtube. Maybe next week!
Wow! A very interesting and weird past for this mic series 😂. Good video! You explained it well. I am excited to see more videos from you! Subbed!
More to come! I just got the Aston Element - want to record a comparison - as much for me as anyone else!
We have an old C3000B (silver) and while it wasn't used much on our 1st album, we dug it out after seeing this video and fell in love with it. We used it often on our 2nd album and continue to use it as we currently work on our 3rd album.
That is so cool. I believe it is a better mic than most people think, and even more don't know about it. Where is the best place to get you albums? I will pass along the info my the Music Director and Program Director at the station. You can e-mail me on the contact page of www.redcabinacoustic.com - thanks for watching, working on some other vids . . . peace
@@redcabinacoustic-official Cool, thanks! Right now we just have the albums on our RUclips channel. If you like it we could send you a CD.
@@neutralearth1061 I will send the link of your RUclips channel to Programming and let them ask for a CD if they like . . . peace
Tks for the explanation! I have the Black c3000 with silver stripe, but mine its made in Austria. I boght here in Brazil around 2010. I think its a good mic, but don't have much experience with other mics to compare.
I was just thinking about the "newer" mics yesterday. So you have a black one with the grey strip made in Austria - cool! Does it have the AKG logo in the circle or the new logo with the block AKG letters only? I don't know exactly when production moved to China. I used one of mine for a VO gig yesterday. Thanks for watching and commenting. I'm writing some scripts for new vids to be produced soon.
Thank you for this informative video!
It is my pleasure. Thanks for listening and commenting. I hope to get more useful vids posted soon - peace
I have a stereo set from the first C3000 series with the green stripe that has only been used a few times. I bought the microphones new. Back then they were still quite expensive. But they are still made in Austria. I use it far too seldom but would never sell it. They are great sounding.
Thanks for commenting. I quite like the character of the ones I use/own. I just bought a silver/grey 3000b - after I use it a bit I will make a comparison vid. I may also make a vid about buying and using old mics - I wonder how many folks don't like them because they have purchased a used one that has been abused? Have you used any of the newer models?
Sound like you did a lot of research for this video. Thank you for this!
Yes I did! I like doing research - finding a way to explain was a bigger challenge. I now own a 3000b and will do a comparison soon. Thanks for watching and commenting.
@@redcabinacoustic-official I'd love to see/hear a comparison, cheers!
I use to use my original C3000 (black with green stripe) for everything! Damn good mic.
I think this mic just keeps getting better, partly because it was better than many thought AND because there are SO MANY crap mics being sold these days . . . Thanks for watching and commenting.
Great piece.Well researched and beautifully presented. If any mic could make my voice as good as yours - I'd buy it in a heartbeat!
Thanks so much for watching and commenting, and for the kind words. What is your interest in audio? I'm just curious about who comes to the channel so I met serve better . . . peace
@@redcabinacoustic-official Former singer, DJ, currently presenter, guest speaker, news reader for the partially sighted. Owner of many mics, just not this one! You have a great voice and exceptionally well-paced clear diction.
@@user-nx5on7qu6d That's cool, I don't think most folks really think about how diverse the audio world is . . . Again, thank you for the kind words. I have a friend who reads for CSCN - RADIO READING - Cleveland Sight Center, maybe I should begin that too. peace
Great video. I'm using my C3000 OG (silver) for my PC comms nowadays - not much use since the studio closed back in the late 1990s until I needed a PC mic last year. It is wonderful. t was almost £600 when I bought it back in 1996, worth every penny. The only issue is that AKG tell me there are no capsules left, so once this one dies it cannot be resurrected :¬(
Thanks for watching and commenting. The nice thing is that the OG silver and black models have good capsules and should last a long time. My first edition electret mics from AKG are still working fine. There are a few former AKG engineers in the states with NOS parts, but that might not do you any good because of shipping costs. On the other hand, if it does fail, you could upgrade and mod the mic? Might be fun! cheers!
Thanks for the honest review
Thanks for watching and taking the time to comment. I hope to make more videos soon.
@@redcabinacoustic-official Please do. Good job!
Thanks for your research!
I just, (a month ago), picked up a first generation c3000b. A physics professor friend is going to have one of his classes test them this semester to compare. When he does I will make a part two. Thanks for watching. peace
I have probably the 2009-2012 model though I’m pretty sure I bought it in 2013. It doesn’t have as bright highend as some other condenser mics. If that’s a bad thing depends from the context. I think it works nicely for rock vocals or guitar amps
Thanks for watching and commenting, I didn't see your comment or see a notification?? I thinks these mics are great for the price . . . I typically buy used gear in good shape priced well. I do think they sound great and can be manipulated easily to fit many purposes. peace
Nice presentation! You have missed one more version which I have! It is the black glossy finish C3000b with gold stripe and gold logo with a cardioid only which I believe has been manufactured as a limited edition!
I am well aware of that version, but did not include it because it is not readily available. Where did you get yours? Thanks for watching and commenting.
@@redcabinacoustic-official In Greece. Is this any different quality-wise? Thanks
@@freesongsmusic I have never used one, so I don't know?
Great video, thanks!!
Excuse me Wich do you think is better for singing?
The current version of the C3000 or the AKG P420?
Thanks 😃
Eduardo - Great question!? I stopped singing years ago! If you don't need the polar patterns on the 420 I think the c3000, (any version), is a much better microphone, but more expensive. However - the Perception Series is very solid for the price. Did you see my video explaining how the Perception and P mics relate to one another? If you shop around you can probably, (depending on where you are), buy a used c3000 for the price of a new P420. Have you seen the RUclips video of a recoding session done all with c3000s? If not I can send the link. - Here it is . . . ruclips.net/video/OGRQ5fMWPM4/видео.html
I have the C3000b, side switches. What do you think this microphone excels at regarding its use: broadcasting, guitar, sung vocals?
It's really great on some voices for singing, and strings. I like it on acoustic guitars, cellos, violas, etc. and I've seen it used effectively on drums for jazz and blues. I have not tried it for broadcasting; we have RE-27NDs in the air and production studios, and RE-20s in the newsroom. Those rooms stink acoustically AND have too much ambient noise to use a condenser mic. If you were in a quiet treated studio I think they would be fine as I use them for spoken word voice work - for some characters. I have not used it all that much as I got my first c3000b spring just after everything shut down.
Your voice has a slight Alan Alda-esque quality. Very pleasant.
Thank You - I will certainly take that as a compliment. And, I am for Hire. peace
Hi I have the black and silver stripe with round logo at the front and made in China at the bottom. Comes with a Case. Is that a good akg version? I also have the black and green stripe with made in Austria at the bottom round bit where the xlr port goes. Great video
Thanks for watching and commenting. I have recently used the newer models and I have not found a significant difference in sound on the sources I was recording; the one I used was great. At some point I should should dissect them to see the difference. If I understand you correctly, you have an original black w/green stripe model, which should have a multiple polar pattern switch center rear - that has an externally biased condenser capsule, the black and silver model has an electret capsule. AKG made electret capsules great, electret capsules have a bad reputation because they are easier to manufacture and are in a lot of crappy electronics. Some very good mics have electret capsules. If you take care of them they will take care of you. peace
Thank you for the video! I am somewhat confused about the versions of this microphone. I got black with a silver stripe and no logo, just the inscription AKG. It's made in China
. Is it fake? And did I get the worst version? Thank you.
No Logo? Maybe it got wiped off? I have removed the decal from mics when cleaning by mistake. Did it come new that way? It seems as is you have a new one - or at least a newer one . . . From my experience they are fine mics and sound great. I don't know if quality control has suffered since manufacturing has moved to China and the company has changed hands. Lots of folks like to dump on China for various reasons; some perhaps deserved, but I don't know if the AKG mics have suffered? I have not done a direct comparison? Maybe someone can compare a vintage and a new c3000.
Thank you so much.....
You are so welcome! Thanks for watching.
I'm in doubt, I'm thinking in buyin 2 new models for overheads, I have no access to them to try first, I've also investigated a lot AND THIS IS THE FIRST INFORMED OPINION ON THEM
Thanks for watching and commenting - I own several of each (c3000 and c3000b) and they have treated me well - the c1000s is also very popular for drum overheads. I'm working on a comparison video of the AKG Perception 150/Perception 170/P 170 - should be up in a few days.
My church using 4 units of C3000B but the color is more to gold or champagne color. However ours came only with cardiod pattern, attenuation switch and bass roll off. Yes it has a longer windscreen mesh body. However very disappointed as spare parts are hard to find in my country. Maybe due to change of owners to Harman. Might consider to change to Sennheisser condenser mic for better after sales support.
Not sure about the availability of spare parts - Where are you? The mics you have are the same as the current production models (C3000) in black so parts should be available in theory; although depending on where you are getting the parts might not be worth the cost?
Any idea when the c3000b was discontinued? I'm trying to identify the age of my mic. I got it second hand. It had terrible muffled sound and an unbearable noise floor, but I opened it and found one of the two wires from the capsule was disconnected. It was delicate work but I stripped the wire, soldered it back, and then cleaned the gold capsule sensor with a soft brush and distilled water. Despite impatiently sending 48v through a probably still damp microphone, it sounded better than I could've hoped. Anyway it's no legendary c414 xls but I've grown attached now that I've put in some care. Side note: I had to remove the foam from inside the grill. It was deteriorating to the point that it crumbled to the touch and fibers would shake loose. No one sells replacement foam that's shaped to fit but I've been doing alright without it and I think it may even be more clear and bright, but it's too late to do any A/B testing.
I'd love to help . . . Which microphone do you have? I know this is a tough question because, well, the name changes . . . the last akg c3000b (silver) was produced in 2009 according to my sources, but was manufactured from 1999 to 2009. I have one and quite like it. The real expert is Richard Land, He has repaired some of my vintage AKGs. He has parts no one else has BTW. If you get a good quality AKG mic, that needs repair, he can usually get it back to "like new" factory spec for a reasonable price - www.akgmicrepair.com/
You are right, it's not a 414, BUT can be had much cheaper!
Thanks for watching and taking the time to ask.
@@redcabinacoustic-official so I'm just starting out. I have only one voiceover gig under my belt and I'm in the process of recording a new demo. The c3000b was given to me by a friend who got it in a 'lot purchase' of used gear. He listened to it, didn't like it, then stashed it for a few years. I'm the first to crack it open and see what was wrong. I was lucky to find a simple problem within my skill set. It sounds pretty great now. I might ask your contact for that foam but I don't have $10 to my name at the moment.... I'm just curious the age.
It's definitely a c3000b. It's silver/gold, has the more rounded grill, a red ring, and is marked c3000b on the body. Searching that off the mic body is actually how I found your video. I was curious if there was a way to pinpoint if it was an early or late model. Not sure how long it takes for foam to break down and crumble at the touch, but it's at least that old.
@@GrandmasterofWin Foam fails at very different rates depending on a variety of environmental and air quality issues. (And/or the quality of the foam to begin with. I have some wind screen foam that is years old, and others flake and fail within a year.) You could cut some cheap foam and experiment or use a nylon pop filter. I have used cotton socks of mics as well - not petty, but can be effective. This mic was made in Austria correct? Is it stamped with a serial number? That may help narrow it down . . . different manuals below.
www.akg.com/on/demandware.static/-/Sites-masterCatalog_Harman/default/dwa9098559/pdfs/C3000b_cutsheet.pdf
www.akg.com/on/demandware.static/-/Sites-masterCatalog_Harman/default/dwebbad7f2/pdfs/C3000b_manual.pdf
www.akg.com/on/demandware.static/-/Sites-masterCatalog_Harman/default/dw572d198a/pdfs/C3000b_service.pdf
@@redcabinacoustic-official Hey I forgot about this comment thread until it came back to me today. It is made in Austria but there is no serial number stamped anywhere on the body, at least not exterior. I haven't opened it up since I cleaned it and soldered the broken cable.
@@redcabinacoustic-official Wait... now that I look at it again, a part of the mic that just looked like scratched paint appears to have a SN. It's very scratched but I can make out 235X2. The X is illegible.
I record all my songs on this mic. I love it.
Cool! Thanks for watching and commenting. You sound great! I checked out your channel and subbed.
Can somebody go into how these should be positioned? That is, where exactly is the element?
Thanks for watching and commenting. All models in this series are side address. The element is centered in the headbasket on the logo side of the mic. Watch Bark here, it should clear up any confusion - ruclips.net/video/pDbU5Ocb5ok/видео.html
What do you think a C3OOOB is worth? Considering that you can get a new C3000 for around 150€?
I just did a quick search of the places I but used gear. Prices are about $200 USD for the ones I see listed. The models I'm looking at are early versions of the c3000b, with shock mounts, in good shape, made in Austria. The older Austrian made mics in good shape seem to hold their value better. The earliest models did not come with shock mounts as they have "suspended capsules," I think they began including shock mounts because customers like them. Although I don't know if that continues to be true. Sorry for the tangent, but VALUE is a fickle thing, an original box with documentation is a sign that the mic was taken care of and is therefore more likely to be "Like New." A clean box and original mic clip and/or shock mount really helps. check eBay, Reverb.com, Guitar Center Used Gear, etc.
Love my C3000B but have no idea how to use it properly but somehow i get through it. I have aquestion though if I may. What position would I most likely want the two switches in ( up or down) for doing voiceover? My voice is deep and I work about 4-6” away from the pop screen. Great video by the way, thank you.
For VO there should be no reason to use the PAD, so it should be in the up or 0 dB position, meaning no attenuation. The "High Pass Filter" or "Bass Roll Off" as it is also known, should also be in the up or off position. Unless you have an incredibly beep voice, and/or you have rumble in your recording space. This could be from traffic, HVAC, and/or other household noise. VO should not create a use case for the switches in most cases. As for using this mic for VO it may depend on your space and delivery and of course the type of read you were performing. I tend to start with large diaphragm condensers at mouth level and place them at a 45 degree angle - between my mouth and my left ear. I will practice reading with the mic at this position until I find the proper distance and I like the sound. The next position I try is placing the diaphragm at the height of my left eyebrow at the distance I found to be most pleasant, clear, full, and rich. Of course it depends on the read. I rarely speak directly into the diaphragm. Does any of that make sense? Try it and let me know. If you want to hear someone using this for VO check out this link - it's also about audio . . . ruclips.net/video/qonbJHkxH8w/видео.html
@@redcabinacoustic-official That was extremly helpful. I have been struggling with audio for years and have much respect for those that get it and are able to share it. YES that makes all kinds of sense and I really appreciate the advise. Any thoughts on my next mic? Almost every job I get I know gets molested by an audio engineer and why not. In my early 60’s now and I have learned that my best and most efficient way is to submitt the driest track I can provide and let the “team” make it great, lol. Can’t wait to listen to the link you have kindly provided and to snoop around the rest of your channel.
@@robertp764 I am more than glad to help - that's why I teach now. You next mic probably depends on your voice, your room, and your content. I just bought another C3000 - used, silver version. I plugged it in today, for the very first time to make sure it works, and thought, "This mic sounds fantastic!" There is nothing wrong with the mic you have. Do you have a demo or web page? I'd be glad to listen and give an opinion. For what it's worth LOL. BTW I book gigs with the Neat King Bee original, the Blue BlueBird, the AKG C4000b, and others. Where are you? Maybe find folks nearby and have a microphone playdate. I tend to buy used to get more for my $. The problem with listening to mic reviews of old gear is that you don't know how much abuse the mic has seen. I'm right behind you . . .
@@redcabinacoustic-official Do you have DM contact and I can tell you my short and boring story?
@@robertp764 I usually direct people to the contact page on www.redcabinacoustic.com
hi man love your video learned a lot but I got a question so I wanna use the 3000b together with the jz v11 use the bass role off on the b and gain stage them both right so I get the right high end from the b and the low from the jz but do you know if this would lead to phase issue s and if so how to not have issue s like I don t notice phase things but ppl always keep talking about it blessings
That sounds cool. What are you micing with this pair? Sometimes phase is a problem, sometimes not. Generally speaking the closer the capsules are to each other the fewer the phase problems. Using them as a split stereo pair is another issue. Describe the setup and I'll try to help - peace
@@redcabinacoustic-official you already did help me man thanks I going directly in to my interface thing Focusrite but the mics is really close so I think its cool I never understand phase and so I don t hear it but I think I am good with how I do it peace
@@sammyvandenbergh Your Dog seems awesome! I just lost mine looking for another - peace
@@redcabinacoustic-official he past away too was my best friend he was so cool long time ago but still miss him so I understand what you going true hope you find yourself another cool dog and my condolence for your loss
@@sammyvandenbergh Thank You
Great info! What do you think of the C2000B for podcasting?
I don't currently own one, so I can only guess based on my experience with the mics in this line.
In an article in MIX magazine in 2000 they state, "On vocals and acoustic guitar, the 2000B is a solid performer. With the mic positioned six to eight inches from the vocalist (and about half that distance for the guitar) with the -10dB on, the mic produced a warm, clear, uncluttered sound with a slight midrange boost."
I have used the C1000S for narration and the C3000B and C4000B for voiceover, so I think the C2000B would work - especially for a podcast. Of course it depends on the cost. I have MANY AKG mics, mostly bought used, for a better price than new, and have been pleased with all based on cost for performance.
Thanks for watching and asking a question.
@@redcabinacoustic-official Thank you.
Sounds great. I have 2 of these. Is there even a remote possibility of taking these on a boom and use in a similar way as a shotgun for video? I have 2 of them...and I can get them within 2-3ft of my head. My thought is...no it won't work....but curious what a pro would say? I have the single switch version on the side. I guess version 2 of 4
In this video the mic is boomed above me.
Any mic can be boomed technically. I know folks use them for drum overheads. With that being said I boom mine for voice all the time. It depends on the space acoustics and the quality of the source, the space/distance between the mic and source, and the volume. At 2-3 feet you may get more room sound than direct sound - try it and see what happens. Is this for narrative film or podcasting/video?I often use LDCs out of frame. The AKG c1000s has a narrow pick-up pattern. I think Curtis Judd did a video comparing a shotgun and a pencil condenser and maybe something else. Thanks for watching.
@@redcabinacoustic-official I'm doing product demonstrations. I'm a talking head against a green screen some of the time so I can get it pretty tight with the mic. In the future, I'm going to be in a space where I can stand at a table and frame in more of my body. I'll play around with it!! I think I'm going to feed into a Zoom H5 or whatever for audio, and then just test it. I really appreciate you taking the time to respond!! Subscribed!
@@JeremiahNichol Cool, let me know how it turns out. I looked at your page and other vids, I think your volume and delivery seem great for demonstration. I should post some more vids soon, too busy at work to shoot and edit. I actually just recently got my "new" 2 switch AKG c3000b - silver, I really do need to do a comparison, but I want to include Guitars, Singing, and Piano, not just VO. Here are 2 RUclips links with folks using that mic, and audio course, and a "How To" on publishing your own audio book - ruclips.net/video/qonbJHkxH8w/видео.html & ruclips.net/video/VeHMtoOn6Lg/видео.html peace
@@redcabinacoustic-official None of my vids use this mic. Some of the more recent ones have a cheap shotgun on a Panny GH5... Haven't made the plunge on the Zoom H5 just yet.
Thanks for the links! checking now!
Is 3000b or 2000b best to buy? I'm planning to get today ? Can I get a reply please ?
I'm sorry I didn't see this, been offline . . . I have not used the 2000b so I don't know? I've got some great work out of the AKG C1000S, the early AKG C3000, and the C4000B. I recently picked up a first generation c3000b, but have not tracked with it, just some spoken word. Sorry I can't help, did you end up buying one?
Interesting.. I have 3000b>> quick dumb question... is there a difference from singing into front as opposed to reverse side?
No such thing as a dumb question. The original version is switchable between Cardioid and Hyper-Cardioid and the second iteration is a fixed Cardioid. So if you were to sing or speak or record anything into the "reverse side" you would be trying to record into the null side of the pattern. You would likely get a very weak signal comprised of reflected sound from the room. The off axis sound would be relatively quiet and heavily colored and probably not useful. Make sense?
@@redcabinacoustic-official thanks.. so singing into the logo side is the normal way?
@@leonmorgan1158 Yep! - of course mic technique and source may dictate that the mic be aimed at the source but slightly off axis - to help eliminate plosives for example. With that being said I know engineers that will record an instrument off-axis as well to modify frequency response.
@@redcabinacoustic-official is it ok to record electric guitar?
@@leonmorgan1158 I have not recorded a guitar cabinet with this mic, but I seen no reason why is would not work. Capsule placement, (relative to the cone), source volume, distance, direction, etc. all have an effect on the sound the mic hears on a cabinet. Condenser Mics can be overloaded and distorted by high SPLs so using the pad may be advised depending on placement and genre. This mic, (depending on the vintage and model), has a pretty high SPL limit. Current production model has a MAX SPL of 155dB.
Thank you 🇧🇷🇧🇷🇧🇷
You are most welcome! Thanks for watching and commenting. I am writing an explanation video for the AKG c1000s variants as well as the c2000b and c4000b microphones as well. It may be a while though, work is busy and I've been moving a radio station and building a recording studio.
6 original ones for sale in Belgium, 75€ or 400€ for all 6; pretty beaten up though
Bought any mics lately?
Great research, your right...
Why? Therefore you have to know what happend to AKG company (Wikipedia it, ex AKG workers are now AUSTRIAN AUDIO). I use the first Edition from 1993. Not much in common with Samsung or CHINA-AKG (also good sounding , poor quality headphones nowadays. Thanks from an Austrian.
Thanks for the feedback! I understand companies get acquired and reconfigured, but the confusion in the name changes seems deliberate! Most of my mics are Austrian or vintage American.
how it is compared to Rode nt1a?
I have no idea from direct comparison? I own and use a variety of RØDE microphones, but not the NT1-A. A quick search found a few RUclips comparisons - don't know how useful they are. - I don't generally think of mics being better than one another; instead I think of mics being good for something or less good for something. Both of these mics are a bit boosted in the high end - that "Modern Sound" but nothing too crazy. The NT1-A's high frequency bump is a bit above 10K and the new c3000 has a bump just under 10k Hz - so it depends on the source and room - ALSO, from a quality standpoint I can say the RØDEs I have are awesome - and I can ALSO say that about the AKGs as well, BUT I only own older AKGs. Thanks for watching and asking - If I can borrow an NT1-A I'll do a comparison.
@@redcabinacoustic-official i am big fan of AKG , but is AKG doing better for females? i was having akg before p120 it was fine but sound was robotic,
i am still choosing between rode Nt1A, C214, MK4?
2- do not know why audio techinica at2020 is so popular,what do you think about that model?
"your content is helpful of course "
@@pure-studio A couple of things - the P120 is probably at the bottom of the AKG P/Perception line - Any of the other mics in that series would likely be a better fit. - ruclips.net/video/LkWP_ez319g/видео.html - the c3000 is also an upgrade. The AT2020 has a capsule that is .63 inches in diameter and the AKG P120 has a capsule that is .66 inches in diameter - both medium diaphragm condensers. Both are known to be of good quality for the cost, they are also known for being very articulate. The AT2020 is very popular for young artists recording Rap, Hip Hop, and other fast sung and spoken word content because that crispness helps with intelligibility. On women and tenors this may be too much. I often mix match microphones to voices, including my own. My voice lacks much air or upper frequencies, so I will pick a mic that includes those without over-boosting the low end. I have a client that has a high voice that gets squeaky sometimes; I'll reach for a mic without too much top end to mellow him out. Small and medium diaphragm condensers do have a purpose, and when they are OK AND cheap they are popular, but maybe not right for you. Anton Browne does mic reviews and usually includes, "Your voice is not my voice and your choice is not (necessarily) my choice," when referring to mic choices. peace
Wow... 🖕🏻AKG! Lol thanks for clearing this up.
I just ordered an AKG 3000B - Silver - the first 3000B made in Austria - when I get it I will have a musician friend do a comparison.
Here's a review of the world's greatest mic ever made in human history
Thanks for watching and commenting - peace
Fun Fact: BTS used this microphone on an opening line in the song "Fire"
Thanks for that! I'll check it out, did you see a production vid or do you have the inside scoop? - peace
T H A N K Y O U
You are very welcome. I'm trying to get more vids out . . . I have quite a few, "almost finished" scripts, I just need to find the time on the days I have the motivation! peace and thanks for watching and commenting.
Sky c3000 b
Do not understand?
dark grey = color blind lol
YEP!
This is really interesting and well presented - thanks!.
I've just managed to order an original - black with the dark green stripe and red switches. It says Made In Austria on the back. However, I've noticed another one for sale which looks the same - black, green stripe, red switches, same larger bevel, but it *doesn't* say Made In Austria on the back. Also, while the logo on the front is the same, it has a little "R" next to it - like the one in this video, while the other one (the "Made In Austria" one) does not. Any ideas on all of this? Thanks again!
HMMMM . . . I know the current production is made in China, but I've not seen one with a green stripe. It could be a mic repaired from different vintage parts? Where is it listed? I will take a look if still available. I have been using the silver c3000b for voiceovers lately. works very well in one of my vocal booths.