Jared, being able to accompany singers using this walking bass style has been a lifetime goal for me and these videos are helping me to achieve it. Great work; a million thanks. John
Thank you very much, Jared, for the great content and your easily comprehensible and systematic way of teaching. Your walking bass playlist is like a multi-week course for me, it's very helpful. Happy Thanksgiving!
The ultimate lesson on Jazz walking bass line! The concepts are well presented. Hope you can do a walking bass line on Jazz Ballad, like Misty. Thanks!
I liked how you broke down the bass section. You did the hard part for us. Now all we need to do is practice it over and over again until we’ve got it.
I've always wanted to learn a good jazzy version of this song, every tab I pull up is just basic open position chords. Your arrangement is fantastic, thank you so much.
This is my first time at your channel, just spended here 1 minute so far. I have a really good guitar teacher, and by now I think I can distinguish who to worth to follow or to pay attention to and you are among those.
Nice lesson as always Jared, lots of useful info for my brain to absorb. However, I have a challenge for you! I challenge you to repeat the whole lesson whilst riding that unicycle in the background 😂
I'm loving this lesson, but my brain is saying - "what are you doing to me?" The amazing thing to me is that all of a sudden this makes total sense to me. All that theory that has seeped into my brain over the years and has just been festering in the corner with nothing to do has finally got got a task. Now it's all about the mechanics of the piece, my fingers are not keeping up with my brain - come on guys, get your act together :-) Thanks so much for this lesson, I'll definitely be following you from now on - Great Work.
Dang man, amazing stuff. I "thought" I had an understanding of guitar and playing but NOPE! I am gonna dive deep into that phase 3! Thank you for this. Thats a ton of work and you've got a new subscriber!
thank you so much for the lesson. I actually pulled my bass to try the bassline alone and it's just like wonder. now my bandmate can just play the chords, I got him covered :)
Great lesson, Jared! I like the way you have added the interval numbers for each chord. It helps to see the structure of the bass line that you are playing. This is also useful for learning to improvise. 👍😍🦘
I know, I sound like those stereotypical people whose amazed with your teaching, but man your dang good! It's free, it's new and hot sticky fresh information and wow! Thanks bro!
Thanks Jared for these invaluable and enjoyable lessons, I would be grateful if you could explain how you insert the chord shapes in ireal pro,? Many thanks.
Glad you're enjoying the lessons, thanks so much! For the graphics in this lesson I just drew the chord shapes in by printing the ireal pro sheet as a pdf, importing it into an ipad app called notability, then drawing the shapes in with an ipad pencil. Hope that helps! -Jared
Hi Brian. Understandable! I generally feel comfortable using ANY non chord tone on beat 2 or 4, especially when they're passing or approach tones. And then will usually shoot for chord tones on beats 1 and 3. In my opinion you can't go wrong with that approach. :)
Interesting ❤y the way using it will be easier BUT I need to learn these fingerings…just had my last (?)guitar acoustic ax om 28 y I got my old tele too etc y I am old😂❤ this coming year
It's an exercise wrist band, used to dampen the overtones that spill over from the strings above the nut. It's a subtle difference but it feels much cleaner to me when it's on. People use scrunchies too, or anything to tie up there to tame those harmonics. Thanks for asking. cheers, -Jared
Wonderful lesson - how did I not find your channel earlier I wonder - as I use a tele to play Jazz! :) Two questions please - are you on the neck pickup (cant see your switch position)? and when I finger-pick when playing Jazz I always find the high B and E strings quite jarring with overtly bright tones despite turning down treble on my rig (don't want to turn it all the way as it moots everything). Any pointers on getting the mellow jazz tone when using a tele (esp on the high notes)? Thank you very much!
Wonderful lesson.understanding theory really makes it. Your Tele sounds great for jazz. what model is it? I have a 63 customer shop Tele that I use primarily for jazz.Versatility is amazing with those Tele's.
Glad you liked it, thanks! You should be able to download the chart from the ireal pro forums easily. And here are image files from the lesson if that's helpful: www.soundguitarlessons.com/blog/Fly-Me-to-the-Moon-Guitar-Chords-with-Walking-Bass-Jazz-Tutorial
That's correct! I don't worry about or think of the letter names at all though other than the root. I just think of the number/scale/chord tone relationships since they're the same off of any root (like 1765 distance would be the same off of any root), whereas the letters are different off of every root. It's totally fine to think of the letters too - just sharing how I think of it. :)
@@soundguitar Yea, you’re right. Just anytime I see a chord, I see a picture of the scale with 1-7 above the letters and 9-13 below the letters. If I see Am6, I picture an A minor scale and a sharp will appear beside the F haha. Weird I know.
This is driving me nuts. I’ve only been studying theory for a couple years and I’m racking my brain on how a D minor 7 contains the root, flat 2nd, 5th and 6th. Unless the flat 2nd is standing in for the flat 3rd, or the flat 3rd is implied and, hmm. I’m just confused. If someone could explain.
Not sure if your still looking. But a D minor 7 has root, flat 3, five, and flat 7. You're right there is no 2nd or 6th. The idea here is you only need to land on chord tones on the first and third beats and then you use passing tones on the 2nd and 4th beats . Jared generally uses passing tones on the 2nd and 4th beat from the scale related to the chord (a D minor scale of some kind) but he has made the point that you really can even use non-scale tones on the 2nd and 4th beats. So chord tones only on first and and 3rd beats and on the 2nd and 4th beats just something to get you to the chord tone you need to hit on the first or 3rd beat.
This lesson is against your walking bass lesson you already have. In your walking bass lesson you reveal how walking bass _emerges_ from chords of harmony By itself. It's already embedded in chords and "approaching" might vary because it's just "approaching". From one chord to another. Walking bass line is born naturally. And here you just drop _random_ sequences of notes in front of chords and telling us "go learn theory and harmonisation in 20+ hours course'... C'mon ! Don't shoot your foot ! :)
Sorry for any confusion, Sviatoslav. I appreciate your feedback and I'm always working on improving and making my lessons as effective as I can. There are not any "random sequences of notes in front of chords" here in this lesson, and I'm quite sure it does not contradict the previous lessons in the series. Again, I apologize for anything that's confusing. If you let me know which notes seems random to you I'm happy to explain them and clear things up. Thank you for your feedback and helping me get better. Cheers, -Jared
I just realized. Perhaps you missed seeing the second video in the series? If so, that would explain why it feels suddenly like random notes are added. Here's the playlist in order, and video #2 explains adding scale notes that aren't just chord tones: ruclips.net/p/PLho65cYn4nF2zh1u6fz67P1Ymp3ynHXoG. I hope that helps! Thanks - Jared
@@soundguitar Don't get me wrong ! Your lessons are THE BEST I found online EVER about guitar theory. And please take in account I'm judging your approach from my position as jazz piano player. It's radically not the position of guitar beginners you're targeting on ! My problem with explanations and education to other always was my inability to split whole theme in separated blocks. But you can do this ! I'm sure your lessons are perfect. They just sometime don't fit in my model. But your exercises and your knowledge is still priceless ! I'm just talking about models of explanation ! You are completely right in everything I've heard. I just disagree with approach to describe the same.. sometimes :) Please share more !!! We need you ! %)
➡ Get my FREE Chord Melody Arrangement of Fly Me to the Moon ➡ bit.ly/2HdU0mV
You know you're a great teacher when literally every comment is applauding you Jared. Bravooo
Jared, being able to accompany singers using this walking bass style has been a lifetime goal for me and these videos are helping me to achieve it. Great work; a million thanks. John
Thank you very much, Jared, for the great content and your easily comprehensible and systematic way of teaching. Your walking bass playlist is like a multi-week course for me, it's very helpful. Happy Thanksgiving!
Thank you so much! I really appreciate it! 🙏
At last a lesson that has everything I wanted to know about walking bass. I followed the previous 2 lesson and this is great. Thanks Jared.
Glad it was helpful, Stuart! :) Thanks!
The ultimate lesson on Jazz walking bass line! The concepts are well presented. Hope you can do a walking bass line on Jazz Ballad, like Misty. Thanks!
Great suggestion! I love to do a lesson on that. thanks for the request. :)
Jared, you are so generous with your teachings, thank you so much. This is golden!
Thanks so much, Claudio! So glad you like this one ~~ cheers, Jared
Thank you! You are a guitar angel blessing us eager to learn.
Thanks
Thank you so much!! 🙏
Jared, I came back to this tutorial after a year. This time, I understand it, and it will give a boost to my learning. Thank you so much!
Right on! Welcome back :)
Exactly the same here!
I liked how you broke down the bass section. You did the hard part for us. Now all we need to do is practice it over and over again until we’ve got it.
Well done!! I’ve struggled with this stuff for decades and avoided doing this style, but you’ve explained it beautifully
Now I am beginning to understand how this all works - ThankYou! Gerhard
Yay, that's what I like to hear!! :)
I've always wanted to learn a good jazzy version of this song, every tab I pull up is just basic open position chords. Your arrangement is fantastic, thank you so much.
This is the perfect guitar lesson channel. Fantastic way of presenting this information. Thank you!
This is my first time at your channel, just spended
here 1 minute so far. I have a really good guitar teacher, and by now I think I can distinguish who to worth to follow or to pay attention to and you are among those.
Welcome!
Thank you Jared!
I like your approach. I've wanted to learn how to arrange a song/chord/bass that fits "my level". Here's the answer!
Awesome way to describe music theory
glad you liked it, thanks! -Jared
Nice lesson as always Jared, lots of useful info for my brain to absorb.
However, I have a challenge for you! I challenge you to repeat the whole lesson whilst riding that unicycle in the background 😂
I'm loving this lesson, but my brain is saying - "what are you doing to me?" The amazing thing to me is that all of a sudden this makes total sense to me. All that theory that has seeped into my brain over the years and has just been festering in the corner with nothing to do has finally got got a task. Now it's all about the mechanics of the piece, my fingers are not keeping up with my brain - come on guys, get your act together :-) Thanks so much for this lesson, I'll definitely be following you from now on - Great Work.
Thanks, Mike! Glad you found this one helpful. :) -Jared
All very informative! One of the best I've come across!
Wow, thanks! Glad to hear that, Ian :)
Dang man, amazing stuff. I "thought" I had an understanding of guitar and playing but NOPE! I am gonna dive deep into that phase 3! Thank you for this. Thats a ton of work and you've got a new subscriber!
thank you the theory of the walking bass is made crystal here with the scale degreee notation and the variation in up down movement is uber helpful
This is perfection. Thank you for all the work you put in and sharing this with us.
You're welcome, Glad you enjoy it! -Jared
great lesson and its even free , GOOD TEACHER
Thank you! 😃
A massive THANK YOU for this lesson. ♥
Wow, this is just what I was looking for. Thank you for doing this man 🤘🏽
Happy to help! Right on, and glad you found what you were looking for :) Cheers, -Jared
Great lesson, thank you.
My pleasure!
This was exactly what I was looking for. New subscriber. Thanks!
Cheers and welcome! :) -Jared
thank you so much for the lesson. I actually pulled my bass to try the bassline alone and it's just like wonder. now my bandmate can just play the chords, I got him covered :)
THIS LESSON OPENED MY EYES TO INTERVALS 😭😭😭 I CANNOT BEGIN TO THANK YOU
Jared is the king of teachers!
That's very kind! ~~
Excellent , one of Mrs Frasers favs…. So I’m gonna have to learn this one 😜👍🏼
Haha, nice! That's great to hear :)
Man this will help a ton,
Thanks a lot
Your channel is a real gem.
I hope you get what you deserve
Glad you liked it. Thanks for the kind words! -Jared
thank you so much for this great explination
You're very welcome!
Great lesson ! Love the way you teach !
Thanks so much! :) -Jared
Super good lesson ! 😊
Thank you! 😃
this is awesome jazz lesson, thanks
Thanks for this clear words!
Great lesson, Jared! I like the way you have added the interval numbers for each chord. It helps to see the structure of the bass line that you are playing. This is also useful for learning to improvise. 👍😍🦘
Thanks Ot! Glad you found it helpful.
Thank you for the amazing in depth explanation!
You're very welcome, Evan! Thanks for watching :)
I was looking for a new tune to learn. This might be it! Thanks dude!
Right on! It's a good one to know :)
Oh my guitar god! Thank you Jared! 😮❤ Just created an account.
Thanks for watching and commenting :) Cheers, -Jared
I know, I sound like those stereotypical people whose amazed with your teaching, but man your dang good! It's free, it's new and hot sticky fresh information and wow! Thanks bro!
Yesss Jared is awesome
Wow, so much to learn!
Ditto! :)
(e.g. Dm7 1 b7 6 5 - I really like this kind of your memo style ! very useful) Thank you
Great lesson ❤
Thanks! :)
Love the way you taught this!
Glad you liked it!!
Great work. I guarantee you'll have success, if you continue like this!
Thanks for the encouragement! I really appreciate it. Cheers ~~ Jared
Awesome lesson
Excellent, encore
Thanks Jared for these invaluable and enjoyable lessons, I would be grateful if you could explain how you insert the chord shapes in ireal pro,? Many thanks.
Glad you're enjoying the lessons, thanks so much! For the graphics in this lesson I just drew the chord shapes in by printing the ireal pro sheet as a pdf, importing it into an ipad app called notability, then drawing the shapes in with an ipad pencil. Hope that helps! -Jared
LOVE YOUR CHANNEL!❤
This is the kind of song I used to air guitar, now it's actually possible to play lol
Awesome lesson. I get insecure about how to use NCTs in the bass. But doing it in a linear way seems to work fine if done tastefully.
Hi Brian. Understandable! I generally feel comfortable using ANY non chord tone on beat 2 or 4, especially when they're passing or approach tones. And then will usually shoot for chord tones on beats 1 and 3. In my opinion you can't go wrong with that approach. :)
Thank you, this is great!
Great video, thanks
I'm the 420th like, nice! Oh and well deserved like as you teach unlike any other guitar YTutors
Wow, thanks! and congrats on being like number 420 haha! cheers, -Jared
THANK YOU
This is gold, fantastic videos! Thank you
Glad you like it, David! Thanks for the comment, Cheers - Jared
thanks a lot - what i exactly was looking for)
You're welcome! Glad to hear that :)
Thank You So Much
amazing job !! thanks for that
Thanks so much! :)
Please can you share the walkin bass with the tab sheet music cuz I don’t get it, thanks.
Interesting ❤y the way using it will be easier BUT I need to learn these fingerings…just had my last (?)guitar acoustic ax om 28 y I got my old tele too etc y I am old😂❤ this coming year
What is that thing wrapped around the strings above the nut and why/how/what does it doing?
It's an exercise wrist band, used to dampen the overtones that spill over from the strings above the nut. It's a subtle difference but it feels much cleaner to me when it's on. People use scrunchies too, or anything to tie up there to tame those harmonics. Thanks for asking. cheers, -Jared
Muito legal a aula, matou a pau!
Wonderful lesson - how did I not find your channel earlier I wonder - as I use a tele to play Jazz! :) Two questions please - are you on the neck pickup (cant see your switch position)? and when I finger-pick when playing Jazz I always find the high B and E strings quite jarring with overtly bright tones despite turning down treble on my rig (don't want to turn it all the way as it moots everything). Any pointers on getting the mellow jazz tone when using a tele (esp on the high notes)?
Thank you very much!
Wonderful lesson.understanding theory really makes it. Your Tele sounds great for jazz. what model is it? I have a 63 customer shop Tele that I use primarily for jazz.Versatility is amazing with those Tele's.
Thanks! It's a 2011 standard American tele. It's served me well :) I love it
Damn you're good.
Hearing these walking baselines reminds me of Bach.
EPIC
Muy bien me gusta mucho
Another awesome video, are you able to share the iReal pro file to play along with? Thanks
Glad you liked it, thanks! You should be able to download the chart from the ireal pro forums easily. And here are image files from the lesson if that's helpful: www.soundguitarlessons.com/blog/Fly-Me-to-the-Moon-Guitar-Chords-with-Walking-Bass-Jazz-Tutorial
Just to make sure I’m on the right page here. One you have up there is an F major 7, tones 1765. That’d be FEDC, right?
That's correct! I don't worry about or think of the letter names at all though other than the root. I just think of the number/scale/chord tone relationships since they're the same off of any root (like 1765 distance would be the same off of any root), whereas the letters are different off of every root. It's totally fine to think of the letters too - just sharing how I think of it. :)
@@soundguitar Yea, you’re right. Just anytime I see a chord, I see a picture of the scale with 1-7 above the letters and 9-13 below the letters. If I see Am6, I picture an A minor scale and a sharp will appear beside the F haha. Weird I know.
@@markgoodwin5306 Wow that's cool! That's great that you can see that visually when thinking of pitches. seems helpful. :)
@@soundguitar These movements are challenging as hell. I think I’m gonna focus on this and ignore the world until I can play it 100mph.
@@markgoodwin5306 HAHA nice! :)
So Noice
your really good unfortunately way above my skill level
nices
This is driving me nuts. I’ve only been studying theory for a couple years and I’m racking my brain on how a D minor 7 contains the root, flat 2nd, 5th and 6th. Unless the flat 2nd is standing in for the flat 3rd, or the flat 3rd is implied and, hmm. I’m just confused. If someone could explain.
Not sure if your still looking. But a D minor 7 has root, flat 3, five, and flat 7. You're right there is no 2nd or 6th. The idea here is you only need to land on chord tones on the first and third beats and then you use passing tones on the 2nd and 4th beats . Jared generally uses passing tones on the 2nd and 4th beat from the scale related to the chord (a D minor scale of some kind) but he has made the point that you really can even use non-scale tones on the 2nd and 4th beats. So chord tones only on first and and 3rd beats and on the 2nd and 4th beats just something to get you to the chord tone you need to hit on the first or 3rd beat.
what year is that telecaster?
2011
@@soundguitar thanks! it’s very nice 🤩
Never mind. I think your drawings are just for the base notes. I’ll continue studying this.
Meu Deus! O senhor fala demais. Esse tema é intermediário. Para quem já toca fica muito chato.
👍
17:29 toca o arranjo
no se nada de teoria musical y no se nada de ingles.
vamos a intentarlo, por qué no :D
edit: esto es una locura ayuda me quedé sin manos
A shame you didnt record also the whole part without singing, so that we could memorize the guitar part better.
This lesson is against your walking bass lesson you already have. In your walking bass lesson you reveal how walking bass _emerges_ from chords of harmony By itself. It's already embedded in chords and "approaching" might vary because it's just "approaching". From one chord to another. Walking bass line is born naturally. And here you just drop _random_ sequences of notes in front of chords and telling us "go learn theory and harmonisation in 20+ hours course'... C'mon ! Don't shoot your foot ! :)
Sorry for any confusion, Sviatoslav. I appreciate your feedback and I'm always working on improving and making my lessons as effective as I can. There are not any "random sequences of notes in front of chords" here in this lesson, and I'm quite sure it does not contradict the previous lessons in the series. Again, I apologize for anything that's confusing. If you let me know which notes seems random to you I'm happy to explain them and clear things up. Thank you for your feedback and helping me get better. Cheers, -Jared
I just realized. Perhaps you missed seeing the second video in the series? If so, that would explain why it feels suddenly like random notes are added. Here's the playlist in order, and video #2 explains adding scale notes that aren't just chord tones: ruclips.net/p/PLho65cYn4nF2zh1u6fz67P1Ymp3ynHXoG. I hope that helps! Thanks - Jared
@@soundguitar Don't get me wrong ! Your lessons are THE BEST I found online EVER about guitar theory. And please take in account I'm judging your approach from my position as jazz piano player. It's radically not the position of guitar beginners you're targeting on ! My problem with explanations and education to other always was my inability to split whole theme in separated blocks. But you can do this ! I'm sure your lessons are perfect. They just sometime don't fit in my model. But your exercises and your knowledge is still priceless ! I'm just talking about models of explanation ! You are completely right in everything I've heard. I just disagree with approach to describe the same.. sometimes :) Please share more !!! We need you ! %)
Talk talk talk talk talk talk talk talk talk talk
Daumen runter.
Zuviel Gerede, wenig Praxis.
Schade.
Good, but too quick talking! For people from abroad.
All you had to do is just go through the scale or the chord progression once and we would have got it but instead you drag this out and take forever
Ну, вот. На, нормальном языке говорить
Lesson is good, but talking talking is very boring..
You are talking more and hiding your playing with talking words.
too much talking
I hate this tutorial...
Thanks
Thank you so much!! 🙏
Great lesson. Thank you so much
You’re welcome! Thanks for watching