Ознакомившись с биографией исполнителя, понимаю КАКОГО МАСШТАБА БЫЛ ЭТОТ КОНЦЕРТ! Какое счастье, мне 34 - летней дуре, слышать ЭТО!!! Вы только посмотрите на мимику, на глаза слушателей! Мёртвая тишина в зале! Я счастлива, хоть и не вживую, но в записи ( спасибо интернету) слышать эту великую музыку в гениальном исполнении! Это история! Это событие! Царствия Небесного гениальному пианисту!!!!
Тут не надо быть в рамках возраста, образования и умственных способностей что бы понять чувства исполнителя. Тут все звучит из его стэйнвея. И не нужно знать биографию, что бы это услышать! )
@@СабинаЮсупова-г7с Сабина, ни в коем случае не воспринимайте мой комментарий как удар по пальцам! Меня тригернуло, что вы себя корите за что то… Это же очевидно, что вы для себя открыли исполнение Горовица по новому, как и я в свое время. Я только могу порадоваться, что есть современники, которые могут услышать что то заново и переосмыслить то или иное. И порадоваться за то, что это происходит сейчас, спустя десятилетия после… так что низкий поклон)))
He's not just good. He's really super duper good. Amazing in fact. That's a case of real magical hands and fingers. Demonstration of unbelievable control and precision.
@@artemiywaves да, я видел эти кадры. Но я не понимаю как кадры, где какой-то обычный человек явно на камеру подходит к окошку и берет билет, может что-то прояснить...
Эта эпоха слушателя.... тоже ушла... То, что мы видим и слышим сейчас, уникальное явление! Друзья, кто понимает о чем я, пожалуйста, отзовитесь, милые, духовные люди! ❤
Не хочется верить, но, наверное, это так. Люди больше по дачам, да по огородам. Многие уезжают в Европу, а то в США или Израиль. Но и там вскоре оскудеет народ: старое поколение уйдет и останется население наркоманов и балбесов( это я про запад).
Absolute genius. He had unparalleled heart and soul, and always gave a pure interpretation of the composer’s meaning and purpose. I miss his playing, especially those “butterfly fingers”, but we are blessed to have a rich history of recordings and concert memories.
A final glimpse into a pianistic heritage we can only ready about in books. And here we have it. Phrasing and a coloristic use of the pedal I've certainly never heard from another pianist.. How can he seem to "rebirth" and, to me, make more "vulnerable" recurring passages (i.e. in one of the Scarlatti sonatas he plays) given what is basically a percussive instrument -- which I adore above all others, by the way. I tried to describe to my piano professor how I felt about this when I heard Horowitz in Symphony Hall in Boston in 1968, The only metaphor I could think of was some beautiful sea anemone shrinking when touched. Words fail.
What a privilege to be able to watch and hear this immortal performance again and again! Horowitz will be remembered for as long as Classical Music lives on this earth.
Horowitz described his style best. "A piano recital should not be a lecture, it should be enjoyable". Sometimes failed to hit all the right notes, never failed to find the colour or emotion in a piece of music.
The recording techniques and quality is amazing. I really would love to know what kind of microphones were used in this concert. Of course Horowitz and and the Steinway are always the best!
Uffff que artista!!. Es mucho más que un pianista!!!! Su sensibilidad, su carisma son inmensos!! Commovedor!! Y.....sus manos, su perfección ejecutando, dando a cada nota su individualidad, su sentimiento,... es abrumador!!! Su dinámica es ...insuperable!!!
One of the most recognizable and ideosynchratic pianists recorded, and in his later years one of the most tender. If he didn’t any longer have the old energy, endurance and brimstone, he still had most dynamic control and touch of any pianist alive IMO. He took liberties with composers, but it often worked, and when it didn’t, we’ll, he was always looking for new and different insights. You could forgive him. He was so “Old World!”
Imagine Vladimir Horowitz passed on Nov. 5, 1986 in New York City. What a momentous journey for him to return home again for these performances where he first began. A variety of sound colors trained by all the great Russian pianists and composers!!! Fortunately, for me, I saw his last performance in NYC. Bravo 👏 👏 👏 👏
Para mim, HOROWITZ é o maior pianista do século XX! Em genialidade, qualidade e postura, ninguém o supera. Ninguém. Ele emana música, elevando o espírito de todos que tiveram o privilégio de vê-lo ao vivo e, agora, na obra póstuma consagrada e que, graças ao Nosso Senhor, temos acesso. HOROWITZ, A MINHA ETERNA GRATIDÃO PELA SUA VIDA! Agora, toque eternamente para Deus que lhe enviou a esse mundo de lágrimas para nos dar um pouco de refrigério com o seu imenso e inenarrável talento.
His 'Traumerei ' is worth the entire concert. Musical genius and unerring taste. I have watched this countless times and every time I end up in tears. He was in a musical universe if his own. I am just eternally grateful that I lived at a time to hear him.
Absolutely. I'm an amateur, but this piece is playable. One thing that I learned is that no piece is simple, though, if you want to play it beautifully. And Horowitz indeed was in a remote musical universe in that regard, though connecting to ours. Very well put, Patricia. Incredibly beautiful. This piece also is a gem. It was made for the best piano players, with in its simplicity so much room for interpretation and embellishment.
It is breathtaking and I don't find any words how much he touched me with his natural and intimate approach to all the composers he was talking to ; or they might have talked to him in exchange. Scarlatti: I never heard anybody else performing this beautiful little sonatas like this. Horowitz played it pretty orchestral and worked out all the different voices and let them sing. Mozart: if there is a term wich describes something like "better than in heaven" than it's exactly what I mean. When it comes to Russian music, I was shocked about how a musician can just translate this great Russian culture. Watching and observing the audience I must say that these people came just to listen to him and his music. It appears like the performer and his audience are celebrating a holy mass. Or like they are celebrating. People started crying in a silent way . There's one thing: music cannot lie! It's a language everybody understands if the mind is open! And I myself, I have no idea of how often I heard this within the last 3 or almost 4 decades and over and over again I detect something new if Horowitz performs! Thank you so much!
I LOVE this remastered video! It eliminates virtually all of the source video noise and beautifully upscales the image (I can even see a spot on Volodya's cheek where his razor missed!). Seriously, whoever crafted this technological marvel is to be congratulated! Thanks so much! 🍾🥂😋👍🎼🎶🎹
This recording has the TV carrier frequency of 15625 Hz throughout. I could hear it when I listened to the CD for the first time 25 years ago and had better ears, but I just checked in a spectrum analyzer, the RUclips video still has it.
A la magnífica interpretación de Horowitz se le debe sumar la tremenda impresión que debió experimentar él, al volver a ejecutar en su país después de 60 años de ausencia; cuántas emociones al regresar a su tierra. Gracias.
Of course, he was known as "The Second Franz Liszt". He can play a wide array of classical piano pieces - not just by Liszt, but a lot of other classical composers we love - from Scarlatti to his favorite past Soviet composers, such as Rachmaninov. He also was known for doing a contemporary twist on Liszt's "Rakoczy March" Hungarian Rhapsody into his concertized own. And of course, don't forget his version of the "Carmen Fantasy" of Bizet. We will all miss him!
For me, his playing is so tender and sensitive. I always revert to a Horowitz performance wondering how he would have interpreted a piece. He took music to a heavenly level, a level of perfection and musicality matched by no other.
In viewing his audience filled with expectant so heartful Russian people, I feel great delight in the fact that they were to hear after all that time, one of their true greats of legend returned so triumphantly, after 61 long years in absentia!! One observes and hears I think, that our Volodya certainly did not then disappoint. Of course one can but only imagine the waves of feelings of the master, returning then to his place of origination after so long a time away. Yes, imagine, but that easily. There seemed to have been in his play here an almost luminescence to it. Even more-so than usually and so particularly within and without the heart rending Rachmaninoff G-major Prelude and Scriabin Opus 2. (Oh Y-E-S!!) I must admit to not having heard nor observed this captured event as I now do, but time and circumstance as now passed have made it profound -- an experience almost as if having been there AND RUSSIAN, for its most rare golden moments!
What a blessing to have such talent. What a blessing to be able to play like that in old age. Something sadness sounds in Träumerei. It also sounds farewell but also deep gratitude towards the music.
Видела на концерте в Белом Доме зрителя в первом ряду, которому повезло сидеть чуть сбоку от рояля. И этот человек неотрывно, чуть скособочившись, глядел на руки Горовица. Нам, зрителям записи, повезло тоже - часто показывают крупным планом его руки, лицо. Не оторвешься. Как это дополняет музыку. Неподвижный корпус, минимум мимики. Все эмоции в руках. Манера не школьная (руки над клавиатурой, кисть и пальцы круглые, удары по клавишам вертикально сверху, так в школе учат). Тут и незаметно, как пальцы касаются клавиш, почти снизу, пальцы чуть ли не прямые. И звук удивительный, "градации нежности" кто-то сказал.
Thank you for this wonderful upload. This historic recital and his later Viennese one are two wonderful examples of how this amazing artist had matured rather like a great vintage wine.
His low wrist technique enables him play with long fingernails that do not come into contact with the keys, while Alfred Brendel's high wrist technique means he has to put sticking plasters on his finger tips to prevent his nails clacking on the keys.
Музыка - когда даже у тишины присутствуют разные тембры звучания, каждая нота отыграв на своём пространстве гармонию созвучия продолжает петь в тишине наполняя пространство чудом Красоты Музыки!
⚜🎹⚜ - CÉLESTEMENT MERCI 🎼: 🎶🎵🎶 ⚜MAESTRO TCHAIKOVSKY⚜ D’AVOIR PERMIS PAR VOS ŒUVRES, D’APPROCHER DE GRANDS VIRTUOSES , TEL QUE CE GRAND PIANISTE & MAÎTRE 🌟 MR HOROWITZ 🌟 🔥"🏵🌬 *SPIRIT 💛 DÉITÉ*🕊🏵"🔥
Come on! More colorful beautiful piano sound than Horowitz=Wilhelm Kempff Emil Gilels Radu Lupu Artur Rubinstein Vladimir Ashkenazy Grigory Sokolov! More genius than Horowitz=Sviatoslav Richter Solomon Cutner Grigory Sokolov Maurizio Pollini Stanislav Bunin Maria Grinberg Murray Perahia Alexei Lubimov! More powerful louder than Horowitz=Mikhail Pletnev! The Second Loudest ever was Lazar Berman! The 3rd Loudest was Erwin Nyiregyhazi!!
Horowitz es Horowitz y nadie se le parerece en su manera de interpretar.. sensitiva y con mucho color. Esas manos planas encima del teclado son inigualables e inconfundibles. Como lo disfruto.❤
J’ai toujours ressenti une véritable passion pour ce génial pianiste….et j’adore comme il « flatte » son piano en arrivant, je fais la même chose avec ma jument quand je la retrouve ❤
A essência de um trabalho de dedicação, fé, sentimentos, esforço, sonhos e esperança alcança o futuro, transcendendo o presente em direção a tempos distantes. Marcam aquilo que para um homem, limita ver apenas seu próprio circulo e subjetivação do meio. Ademais, espiritualmente para sempre existirá. A majestosa essência e sensibilização que percorre as mãos do labor, para todo sempre há de estar.
Этот концерт слушал и видел через дыру от люстры в потолке, сидя на чердаке, другой гений, с которым маэстро Горовиц встретился через несколько лет после победы первого на конкурсе Вэн Клайберна.
Go for it babe. Grow, and.... growing in the true depths of your own individual... god-born talents is to recognize that some part of the universe is living through us. too. Right? Right. So, what do we do now? 2023 A.D. Blessings where ever you are... in time or space. Charles. Hollywood, USA.
Ознакомившись с биографией исполнителя, понимаю КАКОГО МАСШТАБА БЫЛ ЭТОТ КОНЦЕРТ! Какое счастье, мне 34 - летней дуре, слышать ЭТО!!! Вы только посмотрите на мимику, на глаза слушателей! Мёртвая тишина в зале! Я счастлива, хоть и не вживую, но в записи ( спасибо интернету) слышать эту великую музыку в гениальном исполнении! Это история! Это событие!
Царствия Небесного гениальному пианисту!!!!
Hermoso deseo, El reino de los cielos.
Тут не надо быть в рамках возраста, образования и умственных способностей что бы понять чувства исполнителя. Тут все звучит из его стэйнвея. И не нужно знать биографию, что бы это услышать! )
@@AntonioCaldo вы могли бы оставить свой комментарий, не отвечая на мой со своими противоречиями. Для вас - так, для меня - вот так.
@@AntonioCaldo я исходила из своей собственной призмы.... У вас видение мира совсем другое и это нормально.
@@СабинаЮсупова-г7с Сабина, ни в коем случае не воспринимайте мой комментарий как удар по пальцам! Меня тригернуло, что вы себя корите за что то… Это же очевидно, что вы для себя открыли исполнение Горовица по новому, как и я в свое время. Я только могу порадоваться, что есть современники, которые могут услышать что то заново и переосмыслить то или иное. И порадоваться за то, что это происходит сейчас, спустя десятилетия после… так что низкий поклон)))
Maestro's dynamic range ability nobody will ever surpass.
Absolutely agree; of all his skills, this is what keeps the listener enthralled
And don't shirk Steinway...maybe the greatest instrument they made ever.
3:14 @@charlescornner
He's not just good. He's really super duper good. Amazing in fact. That's a case of real magical hands and fingers. Demonstration of unbelievable control and precision.
Amen
На этом историческом концерте был лично. Абсолютный восторг!
Правда ли что билеты были распределены между партийными бонзами и рядовым любителям музыки попасть на концерт было невозможно?
@@VyacheslavLogutin та ладно, есть более большая версия этого видео, вначале небольшая съемка, там самые обычные люди брали билеты
@@artemiywaves да, я видел эти кадры. Но я не понимаю как кадры, где какой-то обычный человек явно на камеру подходит к окошку и берет билет, может что-то прояснить...
@@VyacheslavLogutinв те годы , билеты были вполне доступны ,
😊как я Вам завидую!!!🎉❤
Эта эпоха слушателя.... тоже ушла... То, что мы видим и слышим сейчас, уникальное явление! Друзья, кто понимает о чем я, пожалуйста, отзовитесь, милые, духовные люди! ❤
Не хочется верить, но, наверное, это так. Люди больше по дачам, да по огородам. Многие уезжают в Европу, а то в США или Израиль. Но и там вскоре оскудеет народ: старое поколение уйдет и останется население наркоманов и балбесов( это я про запад).
Многие уезжают в Европу- я имела ввиду наших молодых талантливых музыкантов
Все и вся заполнено бутболистом Мацуевым!Быстро и громко и все всегда ОДИНАКОВО!Беда!😂
Я понимаю,о чем Вы.И многие другие,уверен,тоже понимают.Вы не одни.
😅
С 18 лет я слушую етого Гения..моего кумира юности...так же...в старости...он для меня был и на всю ост.жизнь останеться не поторимым
How good of you to share of such heartfeltedness.
It is most delighting to know, dear Dilshadmir.
Rest in peace dear maestro for all the joy you gave us thru your beautiful music
Absolute genius. He had unparalleled heart and soul, and always gave a pure interpretation of the composer’s meaning and purpose. I miss his playing, especially those “butterfly fingers”, but we are blessed to have a rich history of recordings and concert memories.
A final glimpse into a pianistic heritage we can only ready about in books. And here we have it. Phrasing and a coloristic use of the pedal I've certainly never heard from another pianist.. How can he seem to "rebirth" and, to me, make more "vulnerable" recurring passages (i.e. in one of the Scarlatti sonatas he plays) given what is basically a percussive instrument -- which I adore above all others, by the way. I tried to describe to my piano professor how I felt about this when I heard Horowitz in Symphony Hall in Boston in 1968, The only metaphor I could think of was some beautiful sea anemone shrinking when touched. Words fail.
What a privilege to be able to watch and hear this immortal performance again and again! Horowitz will be remembered for as long as Classical Music lives on this earth.
you expressed better what I could have written
Indeed!
Horowitz described his style best. "A piano recital should not be a lecture, it should be enjoyable". Sometimes failed to hit all the right notes, never failed to find the colour or emotion in a piece of music.
I have great love for Horowitz. This was a mere 6 days before the Chernobyl disaster only 430 miles away.
I didn't link the two, but yeah!
@@charlescornner Horowitz did Chernobyl... somebody somewhere must think this lol
The recording techniques and quality is amazing. I really would love to know what kind of microphones were used in this concert. Of course Horowitz and and the Steinway are always the best!
For 1986 that recording it's absolutely out of this world
Uffff que artista!!. Es mucho más que un pianista!!!! Su sensibilidad, su carisma son inmensos!! Commovedor!! Y.....sus manos, su perfección ejecutando, dando a cada nota su individualidad, su sentimiento,... es abrumador!!! Su dinámica es ...insuperable!!!
Uffff... beautifully transmitted.
Непревзойдённый Великий Владимир Горовиц! Снова и снова наслаждаюсь каждым звуком этого замечательного музыканта- художника!
One of the most recognizable and ideosynchratic pianists recorded, and in his later years one of the most tender. If he didn’t any longer have the old energy, endurance and brimstone, he still had most dynamic control and touch of any pianist alive IMO. He took liberties with composers, but it often worked, and when it didn’t, we’ll, he was always looking for new and different insights. You could forgive him. He was so “Old World!”
Perfectly said!
A.master.of.his.craft.and.yet.so.humble
A superb master at piano pianissimo control ...unmatched yesterday,..today...
Imagine Vladimir Horowitz passed on Nov. 5, 1986 in New York City. What a momentous journey for him to return home again for these performances where he first began.
A variety of sound colors trained by all the great Russian pianists and composers!!!
Fortunately, for me, I saw his last performance in NYC.
Bravo 👏 👏 👏 👏
ВЛАДИМИР ГОРОВИЦ скончался 5 ноября 1989 года....
You are a treasure to the world. May art bring peace to people's hearts and peace to the world.
Pianist number 1 of sec. XX!!! The best ever and ever!!!
Какое неземное богатство оставил Горовиц человечеству …
Bravo Maestro
А с чего вы решили что неземное богатство ? Горовиц оставил
Para mim, HOROWITZ é o maior pianista do século XX! Em genialidade, qualidade e postura, ninguém o supera. Ninguém.
Ele emana música, elevando o espírito de todos que tiveram o privilégio de vê-lo ao vivo e, agora, na obra póstuma consagrada e que, graças ao Nosso Senhor, temos acesso.
HOROWITZ, A MINHA ETERNA GRATIDÃO PELA SUA VIDA!
Agora, toque eternamente para Deus que lhe enviou a esse mundo de lágrimas para nos dar um pouco de refrigério com o seu imenso e inenarrável talento.
His 'Traumerei ' is worth the entire concert. Musical genius and unerring taste. I have watched this countless times and every time I end up in tears. He was in a musical universe if his own. I am just eternally grateful that I lived at a time to hear him.
Вы счастливый человек. Я не видела Горовица. Но я плачу от счастья что слушаю это
Спасибо
Geniální muzikant, vše má promyšleno, do posledního detailu prooposloucháno, procítěno. Báječný improvizátor. ❤ ❤ Je nejlepší. ❤❤
BRAVO,BRAVO!
Absolutely. I'm an amateur, but this piece is playable. One thing that I learned is that no piece is simple, though, if you want to play it beautifully. And Horowitz indeed was in a remote musical universe in that regard, though connecting to ours. Very well put, Patricia.
Incredibly beautiful. This piece also is a gem. It was made for the best piano players, with in its simplicity so much room for interpretation and embellishment.
01:20:21 R. Schumann - Kinderszenen Op.15, 7. Träumerei (Грёзы).
It is breathtaking and I don't find any words how much he touched me with his natural and intimate approach to all the composers he was talking to ; or they might have talked to him in exchange. Scarlatti: I never heard anybody else performing this beautiful little sonatas like this. Horowitz played it pretty orchestral and worked out all the different voices and let them sing. Mozart: if there is a term wich describes something like "better than in heaven" than it's exactly what I mean. When it comes to Russian music, I was shocked about how a musician can just translate this great Russian culture. Watching and observing the audience I must say that these people came just to listen to him and his music. It appears like the performer and his audience are celebrating a holy mass. Or like they are celebrating. People started crying in a silent way . There's one thing: music cannot lie! It's a language everybody understands if the mind is open! And I myself, I have no idea of how often I heard this within the last 3 or almost 4 decades and over and over again I detect something new if Horowitz performs! Thank you so much!
Der Mann war genial und konnte mit jeder Musik überzeugen!
I was shocked at how beautiful this whole concert was. It was a celebration.
I LOVE this remastered video! It eliminates virtually all of the source video noise and beautifully upscales the image (I can even see a spot on Volodya's cheek where his razor missed!). Seriously, whoever crafted this technological marvel is to be congratulated!
Thanks so much! 🍾🥂😋👍🎼🎶🎹
This recording has the TV carrier frequency of 15625 Hz throughout. I could hear it when I listened to the CD for the first time 25 years ago and had better ears, but I just checked in a spectrum analyzer, the RUclips video still has it.
A la magnífica interpretación de Horowitz se le debe sumar la tremenda impresión que debió experimentar él, al volver a ejecutar en su país después de 60 años de ausencia; cuántas emociones al regresar a su tierra. Gracias.
Of course, he was known as "The Second Franz Liszt". He can play a wide array of classical piano pieces - not just by Liszt, but a lot of other classical composers we love - from Scarlatti to his favorite past Soviet composers, such as Rachmaninov.
He also was known for doing a contemporary twist on Liszt's "Rakoczy March" Hungarian Rhapsody into his concertized own. And of course, don't forget his version of the "Carmen Fantasy" of Bizet.
We will all miss him!
For me, his playing is so tender and sensitive. I always revert to a Horowitz performance wondering how he would have interpreted a piece. He took music to a heavenly level, a level of perfection and musicality matched by no other.
You put that beautifully, if it weren't for this man I'd be long gone by now
@@lisztchopinliebestraum3507yo JD
In viewing his audience filled with expectant so heartful Russian people, I feel great delight in the fact that they were to hear after all that time, one of their true greats of legend returned so triumphantly, after 61 long years in absentia!!
One observes and hears I think, that our Volodya certainly did not then disappoint.
Of course one can but only imagine the waves of feelings of the master, returning then to his place of origination after so long a time away. Yes, imagine, but that easily.
There seemed to have been in his play here an almost luminescence to it. Even more-so than usually and so particularly within and without the heart rending Rachmaninoff G-major Prelude and Scriabin Opus 2. (Oh Y-E-S!!)
I must admit to not having heard nor observed this captured event as I now do, but time and circumstance as now passed have made it profound -- an experience almost as if having been there AND RUSSIAN, for its most rare golden moments!
What a blessing to have such talent. What a blessing to be able to play like that in old age. Something sadness sounds in Träumerei. It also sounds farewell but also deep gratitude towards the music.
Simply masterful, excellent, perfection. Key by key feeling.
Worthy of pure talent.
Merci pour ce moment de pure grâce.
Well done! Bravo to you all! To Horowitz!, to the audience! To the camera man and all involved in creating this piece of heaven Bravo 👏
Una delle massime concentrazioni d' Arte che siano state elargite all' Umanità .
37:32 how touching! Horowitz playing Scriabin with Scriabin's daugher (or niece, I might have remembered wrongly) watching in the audience.
Daughter, Elena
Is she the one at the bottom?
@@Reichthoff At the 37:32 timestamp, yes!
The man who played colors.
Видела на концерте в Белом Доме зрителя в первом ряду, которому повезло сидеть чуть сбоку от рояля. И этот человек неотрывно, чуть скособочившись, глядел на руки Горовица. Нам, зрителям записи, повезло тоже - часто показывают крупным планом его руки, лицо. Не оторвешься. Как это дополняет музыку. Неподвижный корпус, минимум мимики. Все эмоции в руках. Манера не школьная (руки над клавиатурой, кисть и пальцы круглые, удары по клавишам вертикально сверху, так в школе учат). Тут и незаметно, как пальцы касаются клавиш, почти снизу, пальцы чуть ли не прямые. И звук удивительный, "градации нежности" кто-то сказал.
Extraordinary remarks
俄罗斯一些音乐大师的触键风格就是这样的，手指几乎是平放，贴着键盘弹奏。这是和西方主流教学方法不一样的方式。
True genius. An important, historical performance.
Music음악이란....
수천년이지났어도 늙지않는것은 음악밖에....
🎉🎉🎉🎉🎉🎉🎉🎉🎉
❤❤❤❤❤❤❤❤❤
Thank you for this wonderful upload. This historic recital and his later Viennese one are two wonderful examples of how this amazing artist had matured rather like a great vintage wine.
So perfect I can not believe it happened
So very grateful. Thank you 🙏
His low wrist technique enables him play with long fingernails that do not come into contact with the keys, while Alfred Brendel's high wrist technique means he has to put sticking plasters on his finger tips to prevent his nails clacking on the keys.
Maravilloso..conmovedor..eterno..resplandor
1:00:37 just crying the whole piece its so pure and hopeful
Музыка - когда даже у тишины присутствуют разные тембры звучания, каждая нота отыграв на своём пространстве гармонию созвучия продолжает петь в тишине наполняя пространство чудом Красоты Музыки!
Thank you so much for posting and sharing with the humanity this precious jewel ! 🙏🏻
Ramdomly decided to listen to a bit of the Mozart
The first 20 seconds already blew me away
01:21:51 no words, this man and his tears, only Horowitz
Я тоже плачу. Это нереально.
Super!!!
I have never seen this in that goood quality!
Phantanstic!
⚜🎹⚜ - CÉLESTEMENT MERCI 🎼: 🎶🎵🎶 ⚜MAESTRO TCHAIKOVSKY⚜ D’AVOIR PERMIS PAR VOS ŒUVRES, D’APPROCHER DE GRANDS VIRTUOSES , TEL QUE CE GRAND PIANISTE & MAÎTRE 🌟 MR HOROWITZ 🌟
🔥"🏵🌬 *SPIRIT 💛 DÉITÉ*🕊🏵"🔥
Браво, маэстро!
The incomparable Volodya….❤️🎹🥇🍷
Horowitz estava um nível acima dos gênios. Não dá para acreditar. Magnífico! BRAVO!👏👏👏👏
Nobody else can make a piano sound like that.
Thank you for posting this marvelous performance. It is a little disconcerting, however that the sound is not synchronized with his hand movements.
Волшебник!!!
Die lässige Eleganz in Etincelles ist unglaublich. Wie gern wäre ich beim gesamten Klavierabend live dabei gewesen. Eine Sternstunde!
Thank you, thank you, thank you!!!
amazing horowitz, chapeau to camera man, great job!
Великий Горовиц!
Браво, Маэстро!
Chopin Polonaise in A flat, op. 53 No.1
01:13:05
01:16:09
1:17:23 ?
1:17:46
1:18:49
Mozart is my favorite composer I just love how he plays Mozart.
Phenomenal concert and tremendous!
Simply amazing ❤
Fue un genio y sigue siendo a través de escuchar sus interpretaciones .una chilena que lo admiro mucho y sigo admirándolo.
이분의 너무나 행복한미소에 영상을 클릭할수 밖에 없었다
感謝いたします 本当に素晴らしい！！！
Schumman Kinderszenen Op. 15 (at 1:19:42) is the most amazing piece of the concert.
Genius. Nimble fingers for such an old age
Thanks for the HD upload.
Horowitz breathes life into the piano…..Without the nauseating body language.
Master of Master, in tears !
Come on! More colorful beautiful piano sound than Horowitz=Wilhelm Kempff Emil Gilels Radu Lupu Artur Rubinstein Vladimir Ashkenazy Grigory Sokolov! More genius than Horowitz=Sviatoslav Richter Solomon Cutner Grigory Sokolov Maurizio Pollini Stanislav Bunin Maria Grinberg Murray Perahia Alexei Lubimov! More powerful louder than Horowitz=Mikhail Pletnev! The Second Loudest ever was Lazar Berman! The 3rd Loudest was Erwin Nyiregyhazi!!
great video
Я желаю всем, чтобы вы также играли в 83 года
Ннекоторые даже слушать не умеют, не то чтобы играть 😢
Ein Spiel ohne gr.Pathos, einfach wunderbar und berührend! Schön, dass es Aufnahmen gibt, damit auch die Nachwelt ihn genießen kann🎹🎶🎵
The best.
Mágica em seus dedos maravilhosas em suas mãos.
Desde Portugal 17.11.2024
That smile is priceless
Horowitz es Horowitz y nadie se le parerece en su manera de interpretar.. sensitiva y con mucho color.
Esas manos planas encima del teclado son inigualables e inconfundibles.
Como lo disfruto.❤
The gold standard of Tone Poets of the Piano....
J’ai toujours ressenti une véritable passion pour ce génial pianiste….et j’adore comme il « flatte » son piano en arrivant, je fais la même chose avec ma jument quand je la retrouve ❤
Wonderful Horowitz (I saw it on Dutch TV 1989...)
Wonderful Upload !
A essência de um trabalho de dedicação, fé, sentimentos, esforço, sonhos e esperança alcança o futuro, transcendendo o presente em direção a tempos distantes. Marcam aquilo que para um homem, limita ver apenas seu próprio circulo e subjetivação do meio. Ademais, espiritualmente para sempre existirá. A majestosa essência e sensibilização que percorre as mãos do labor, para todo sempre há de estar.
Not one less than perfect note. Unbelievable
merci !
참 좋습니다(very good)!
Il Dio del pianoforte
Vederlo suonare sembra tutto cosi semplice, disinvolto, naturale. Sublimazione perfetta della tecnica.
J'aurais aimé une version sans applaudissements pour pouvoir profiter de ces chefs-d'œuvre en continu.🥰
Этот концерт слушал и видел через дыру от люстры в потолке, сидя на чердаке, другой гений, с которым маэстро Горовиц встретился через несколько лет после победы первого на конкурсе Вэн Клайберна.
И этот Гений - Великий Алексей Султанов.❤️
Где-то сидит с мамой мальчик Коля Цискаридзе...)
Go for it babe. Grow, and.... growing in the true depths of your own individual... god-born talents is to recognize that some part of the universe is living through us. too. Right? Right. So, what do we do now? 2023 A.D. Blessings where ever you are... in time or space. Charles. Hollywood, USA.
The Scriabin etude Opus 8 is unreal. Wish I was there.
Чудесный, неповторимый , замечательный Горовиц
Pure emotion❤
Espectacular.