*Please note: this is an improved version of an earlier release. A rendering error has been corrected. 0:09 Ihr werdet weinen und heulen (Chor) 5:41 Wer sollte nicht in Klagen untergehen (Rezitativ) 6:23 Kein Artzt ist außer dir zu finden (Arie) 11:13 Du wirst mich nach der Angst (Rezitativ) 11:50 Erholet euch (Arie) 14:54 Ich hab dich einen Augenblick (Choral)
La Musica Terapeutica di Bach mi ha aiutato a sconfiggere la mia Depressione Soli Deo Gloria onore al grande Kappellmeister di Lipsia. Gli Psicofarmaci non ci sono riusciti Bach con la sua Musica Divina si 😊❤
Wunderschöne Aufführung dieser kompakten und fein komponierten Kirchenkantate mit gut harmonisierten Stimmen des ausgezeichneten Chors und herrlichen Stimmen beider genialen Solisten sowie gut vereinigten und perfekt entsprechenden Tönen aller Originalinstrumente. Der intelligente und unvergleichliche Violinist/Dirigent leitet das ebenso ausgezeichnete Barockensemble im veränderlichen Tempo und mit künstlirisch kontrollierter Dynamik. Wunderbar vom Anfang bis zum Ende!
Amazing performance: and so nice to hear it at these elegant tempos - and to see the brilliant musician Pieter-Jan Belder playing the recorder solo. (Each morning I begin with another CD from Lady Nevell and the Fitzwilliam Virginal Book played - magnificently - by him). Daniel Johannsen is brilliant, as ever, in his extraordinary declamation, technique and musicianship. Alex Potter too. But actually, everything is outstanding in this performance. And exemplary direction from Shunske Sato. Thanks, all!
THANK you for sharing the name of Pieter-Jan Belder! I was searching for him (both in the picture and in the description! A perfect example of recorders being hidden again...)
Amazing! I absolutely love this opening chorus- so dramatically chromatic! Also ASTOUNDED by the sound quality of the recording- I feel like I'm there in the church.
I am not religious at all, but consider myself a humanist and agnostic. Bach's cantatas touch me so much! In my opinion, that is not a contradiction. Bach means the magic of being. Nothing comes close to that.
Hello Netherlands Bach Society, I listen to you all the time because as a musician I admire Bach and everyone who plays him. I would like to ask you the immense favor of taxing the Christmas oratory and that you continue to bring out all the best for your fans. Thank you so much from Colombia Gary.M
Звуковая палитра замечательная! Удовольствие дают и звучание певческих голосов, и звучание различных инструментов. Красиво! И понравилась строгость одежды, уж простите.
🍀🍒 De qualite exceptionnelle, cette acoustique me ravit dans cette 1 ere partie, surtout, avec le chromatisme si rare à cette époque, la fragile et aérienne flûte piccolo, c'est extra- ordinaire. Je m'interroge sur le choix que fait Sato des Espaces entre chaque musicien!. Ils sont irréguliers, et de plus, pas identiques pour les différentes oeuvres‼️ Respecte-t'il l'écart entre leurs corps vibratoires INVISIBLES, c'est une théorie que mon ancien chef de choeur avait travaillée, et ce, avec succes, et à notre étonnement à tous,.‼️ Le" retour" de nos voix se ressentait BIEN MIEUX de cette manière. L'Ensemble était bizarrement plus CLAIR et UNI de cette manière, je dirais moins confus et brouillé, mais plus unifié ‼️💙 Si vous aviez d'autres raisons à évoquer, je serais très intéressée, Merci par avance🌈 et belle écoute ❣️🙏
It was written in 1725, only his second year as kantor in Leipzig. With it’s beautiful tone painting, intricate polyphony and expressive harmony, this cantata must have been a complete mess that sunday 😅 pity for the poor Bach that could’t have at his disposal the superb musicians of the Netherlands Society 🙌
@@lucadeieso4815 You think the first performance of this cantata must have been a mess? Oh, I don't know ... Bach was a fairly competent musician; I think we could trust him to write for what his musicians were capable of.
@@mwnyc3976 i think most of the performances of his most difficult cantatas should have been a mess. That’s why his vocal music was considered "confused" in his own time and that’s why in 1730 he wrote the famous ‘Short but Most Necessary Draft for a Well-Appointed Church Music’, trying to secure additional funding for the choirs and orchestra, and pointing to the excellence of the musicians of the Dresden court, were the perfection and finesse of the performances of sacred music was renown in all Europe. Pity for Bach, he had in total 17 "usable" singers, 20 "not yet usable", and 17 "unfit". Even the best singers were termed "usable" by him 😅
@@lucadeieso4815 Thanks for the info! Doing this for twenty years though, with his temper, shouldn't have been that bad. :Ρ But certainly not perfect, NBS is a class of its own.
🍒🌲 Grâce à All of Bach, j'ai remarqué à de multiples reprises que je deviens de plus en plus exigeante vis à vis des "performances", -même si je n'aime pas ce vocable- , des prises de son et des acoustiques des lieux d'enregistrement de TOUTE la musique écoutée par le Net, ce qui, pour ma part, est plus que conséquente ! ICI, quasiment TOUT est parfait, ce qui affûte de + en + mon écoute . EN somme, le niveau général est vraiment , par contagion, tiré vers le haut depuis au moins 5 ou 6 ans... Peut-être aussi l'arrêt forcé dans nos vies, dû à la période Cov19, si dure fût-elle, nous a- t- il poussés, tous, à une parenthèse dans le rythme de nos vies que nous n'aurions JAMAIS faîte autrement... En ont certainement découlé des introspections inédites , des prises de temps donc de CONSCIENCE, qui nous amenèrent à une recherche d'excellence? Ce fut peut- être , et bien malgré nous, une respiration bienvenue, ‼️un BIEN sorti du MAL‼️ qu'on ne commence à entrevoir que maintenant (2023). 💙 Ceci sans méconnaître nos drames vécus et leur portée spirituelle. De la portée de l'Art dans nos vies quotidiennes, il y aurait beaucoup à dire, notre époque est vraiment une nouvelle approche, et Merci à tous d'y participer‼️ 💞 Merci pour nos Jeudis de Découvertes 🎉🎶💙
English lyrics by Francis Browne (BWV 103, anno 1725) You will weep and howl, but the world will rejoice Chorus and Bass Arioso [S, A, T, B / Bass]: Chorus: You will weep and howl, but the world will rejoice. Bass: But you will be sorrowful. Yet your sorrow will be turned to joy. __________ Recitativo T: Who would not sink down in mourning when the beloved is snatched away ? The soul's saviour, the refuge of sick hearts pays no attention to our pains. ___________ Aria A: No physician except you is to be found, [even if] I should search through the whole of Gilead. Who heals the wounds of my sins since here no one has any balm? If you hide yourself, then I must die. Have mercy,ah! hear me! You do not seek my ruin, so come, my heart still hopes. ____________ Recitativo A: After my anguish you will again revive me, and so I shall prepare for your arrival, I trust in the word of your promise that my sorrow will be turned to joy. _____________ Aria [Tenor]: Recover yourselves, my troubled senses, you make yourselves all too woeful. Leave off your sorrowful beginning before I drown in tears. My Jesus allows himself to be seen again, O joy, that nothing can equal! For all the good that has happened to me through this, take, take my heart as an offering! ______________ Chorale [S, A, T, B]: I have for a moment, my dear child, left you; but see, see, with great good fortune and comfort beyond all measure I shall on you the crown of joy place and honour; Your brief suffering will into joy and everlasting good be changed.
Hey! I absolutely love your performances, your take on Bach is fantastic and brilliant! But as someone who plays the recorder, I BEG YOU not to HIDE the musician! I was wondering through the first Chor: "Where is the recorder?? He's the main instrument there!" We already have such a hard time being noticed usually, please don't make it even harder! ;-)
I'm wondering if anyone hears the following: (1) the first chorus is sad, distressed, whereas the second chorus is happy and frenetic; (2) thus chorus two is simply the "inverse" of chorus one (3) the REAL resolution, the true spiritual answer in chorus 3. If there is a musical explanation that supports this hearing, I would be grateful for an explanation.
*Please note: this is an improved version of an earlier release. A rendering error has been corrected.
0:09 Ihr werdet weinen und heulen (Chor)
5:41 Wer sollte nicht in Klagen untergehen (Rezitativ)
6:23 Kein Artzt ist außer dir zu finden (Arie)
11:13 Du wirst mich nach der Angst (Rezitativ)
11:50 Erholet euch (Arie)
14:54 Ich hab dich einen Augenblick (Choral)
Thanks God we have Bach and the Netherlands Bach Society to comfort our souls in these dark and confusing times!
❤
Amen
La Musica Terapeutica di Bach mi ha aiutato a sconfiggere la mia Depressione Soli Deo Gloria onore al grande Kappellmeister di Lipsia. Gli Psicofarmaci non ci sono riusciti Bach con la sua Musica Divina si 😊❤
Times are dark without any doubt. But not confusing at all. It's all very obvious and clear. Trust in God and listen to Bach.
Wunderschöne Aufführung dieser kompakten und fein komponierten Kirchenkantate mit gut harmonisierten Stimmen des ausgezeichneten Chors und herrlichen Stimmen beider genialen Solisten sowie gut vereinigten und perfekt entsprechenden Tönen aller Originalinstrumente. Der intelligente und unvergleichliche Violinist/Dirigent leitet das ebenso ausgezeichnete Barockensemble im veränderlichen Tempo und mit künstlirisch kontrollierter Dynamik. Wunderbar vom Anfang bis zum Ende!
A pure taste of heaven!
Bravo! Greetings from Mongolia.
How wonderful to have exceptional performances recorded so wonderfully and beautifully. Thanks!!🙏🏻
Amazing performance: and so nice to hear it at these elegant tempos - and to see the brilliant musician Pieter-Jan Belder playing the recorder solo. (Each morning I begin with another CD from Lady Nevell and the Fitzwilliam Virginal Book played - magnificently - by him). Daniel Johannsen is brilliant, as ever, in his extraordinary declamation, technique and musicianship. Alex Potter too. But actually, everything is outstanding in this performance. And exemplary direction from Shunske Sato. Thanks, all!
Thank you for sharing the recorder player's name. I was about to inquire when I read your comment. I loved his performance as well.
THANK you for sharing the name of Pieter-Jan Belder! I was searching for him (both in the picture and in the description! A perfect example of recorders being hidden again...)
Amazing! I absolutely love this opening chorus- so dramatically chromatic! Also ASTOUNDED by the sound quality of the recording- I feel like I'm there in the church.
The balance between the musicians is amazing, everything can still be heard while keeping the dynamics, amazing performance
3:50 to 4:05 leaves me absolutely speechless. Incredible and so, so moving...
Written by someone who lost his parents as a youth, first wife when they were basically newlyweds, and then most of his children before the age of 6.
Well done good souls!
God bless.
Merci…pour le calme de cette interprétation….la serenité….et puis les phrasés….merci pour toutes les vidéos sans oublier les organistes
Topmäßig! spitzenmäßig musiziert!
I love Daniel singing!
And the Piccolo flute speaking!
I am not religious at all, but consider myself a humanist and agnostic. Bach's cantatas touch me so much! In my opinion, that is not a contradiction. Bach means the magic of being. Nothing comes close to that.
The shades of blue are lovely 😊
Soli Deo Gloria 🎉
Bravo, great performance, thanks for sharing this jewel, all of you are fantastic, greetings from Chile
Une pure émanations du paradis ! Le parfum de la délivrance de l'âme. Merci pour cette interprétation remarquable.. Cordialement Olivier
That tenor is just perfect. A voice that sounds almost weightless, like the best of the "Evangelist" performances of the Passions.
Such a beautiful Bach cantata absolutely wonderfully performed🍃thank you NBS
Harika,şaşırtıcı derinlikte ve BACH'ın dehasına yakışır bir performans; ✔ruhumuzu yükselten bir eser!Kayıt kalitesi süper!Solo blok flüt yorumu mükemmel!👏❤J.S.BACH❤♾👏🎼👏🎶👏🤝🙏❤🌹👋
Quand j'écoute des cantates de Bach, je sens mon âme s'élever...😃
Wondermooi! Zo mooi en gevoelig gespeeld en gezongen!
Hello Netherlands Bach Society, I listen to you all the time because as a musician I admire Bach and everyone who plays him.
I would like to ask you the immense favor of taxing the Christmas oratory and that you continue to bring out all the best for your fans.
Thank you so much
from Colombia
Gary.M
Thank you. A sublime performance:)
Superb, wonderful, you lift up our souls..Thank you all!
For anyone who does not know, playing with baroch bows and cellos without spikes is very difficult! Amazing performance.
Baroque
Thank you so much for this wonderful little piece of peace.
Звуковая палитра замечательная! Удовольствие дают и звучание певческих голосов, и звучание различных инструментов. Красиво!
И понравилась строгость одежды, уж простите.
What a privilege to see and hear this. Thank you so much. 🤩
This takes me to a different place. ✨🥰 🎶 Beautiful & Dramatically done. The description was well-written also. ✝️ Thank you for both! 🙌
Again, congratulations to both the musicians and the technical crew for an amazing recording of such high quality and musicality.
wow thzt piccolo (recorder i mean) went crazy in this one ! all is superbe, thank you!
Wieder einmal eine absolute Spitzenleistung Von NBS. Hut ab! Besonders gelungen: das Tempo des Schlusschorals!!1
BACH was heaven sent. Probably it was even God himself ;-)
The musical imitation of wailing is terrifying...
Absolutely gorgeous! Thank you, NBS! 🙏🏼
Such a moving performance of one of my favorite cantatas!
My goodness, that opening chorus is sublime!
Beautiful....THANKS!
something heavenly,above perfectness..
🍀🍒 De qualite exceptionnelle, cette acoustique me ravit dans cette 1 ere partie, surtout, avec le chromatisme si rare à cette époque,
la fragile et aérienne flûte piccolo, c'est extra- ordinaire.
Je m'interroge sur le choix que fait Sato des Espaces entre chaque musicien!.
Ils sont irréguliers, et de plus, pas identiques pour les différentes oeuvres‼️
Respecte-t'il l'écart entre leurs corps vibratoires INVISIBLES, c'est une théorie que mon ancien chef de choeur avait travaillée, et ce, avec succes,
et à notre étonnement à tous,.‼️
Le" retour" de nos voix se ressentait
BIEN MIEUX de cette manière.
L'Ensemble était bizarrement plus CLAIR et UNI de cette manière, je dirais moins confus et brouillé,
mais plus unifié ‼️💙
Si vous aviez d'autres raisons à évoquer, je serais très intéressée, Merci par avance🌈
et belle écoute ❣️🙏
Merci beaucoup, NBS!
How am I hearing this for the first time? It's unique, even for Bach. Is it one one of his latest works? It's so good.
It was written in 1725, only his second year as kantor in Leipzig. With it’s beautiful tone painting, intricate polyphony and expressive harmony, this cantata must have been a complete mess that sunday 😅 pity for the poor Bach that could’t have at his disposal the superb musicians of the Netherlands Society 🙌
If only the musicians could travel back to Bach's time and video a performance!@@lucadeieso4815
@@lucadeieso4815
You think the first performance of this cantata must have been a mess? Oh, I don't know ... Bach was a fairly competent musician; I think we could trust him to write for what his musicians were capable of.
@@mwnyc3976 i think most of the performances of his most difficult cantatas should have been a mess. That’s why his vocal music was considered "confused" in his own time and that’s why in 1730 he wrote the famous ‘Short but Most Necessary Draft for a Well-Appointed Church Music’, trying to secure additional funding for the choirs and orchestra, and pointing to the excellence of the musicians of the Dresden court, were the perfection and finesse of the performances of sacred music was renown in all Europe. Pity for Bach, he had in total 17 "usable" singers, 20 "not yet usable", and 17 "unfit". Even the best singers were termed "usable" by him 😅
@@lucadeieso4815 Thanks for the info! Doing this for twenty years though, with his temper, shouldn't have been that bad. :Ρ
But certainly not perfect, NBS is a class of its own.
0:15 - Mr. Sato got some moves.
Bravo!!! Excellent!!!
Buen trabajo
This is just SO STUNNINGLY PLAYED! Beautiful. Thank you so much ❤
That recorder! I must show this to my 4th graders who are just starting to learn to play it.
Yet another superb performance of one of the great master's works. Thank you so much.
Wonderful! And great trumpet playing, indeed!
🍒🌲
Grâce à All of Bach, j'ai remarqué à de multiples reprises que je deviens de plus en plus exigeante vis à vis des "performances", -même si je n'aime pas ce vocable- ,
des prises de son
et des acoustiques
des lieux d'enregistrement de TOUTE la musique écoutée par le Net, ce qui, pour ma part, est plus que conséquente !
ICI, quasiment TOUT est parfait, ce qui affûte de + en + mon écoute .
EN somme, le niveau général est vraiment , par contagion, tiré vers le haut depuis au moins 5 ou 6 ans...
Peut-être aussi l'arrêt forcé dans nos vies, dû à la période Cov19, si dure fût-elle, nous a- t- il poussés, tous, à une parenthèse dans le rythme de nos vies que nous n'aurions JAMAIS faîte autrement...
En ont certainement découlé des introspections inédites , des prises de temps donc de CONSCIENCE, qui nous amenèrent à une recherche d'excellence?
Ce fut peut- être , et bien malgré nous, une respiration bienvenue, ‼️un BIEN sorti du MAL‼️
qu'on ne commence à entrevoir que maintenant (2023). 💙
Ceci sans méconnaître nos drames vécus et leur portée spirituelle.
De la portée de l'Art dans nos vies quotidiennes, il y aurait beaucoup à dire,
notre époque est vraiment une nouvelle approche,
et Merci à tous d'y participer‼️
💞
Merci pour nos Jeudis de Découvertes 🎉🎶💙
English lyrics by Francis Browne (BWV 103, anno 1725)
You will weep and howl, but the world will rejoice
Chorus and Bass Arioso [S, A, T, B / Bass]:
Chorus:
You will weep and howl, but the world will rejoice.
Bass:
But you will be sorrowful.
Yet your sorrow will be turned to joy.
__________
Recitativo T:
Who would not sink down in mourning
when the beloved is snatched away ?
The soul's saviour, the refuge of sick hearts
pays no attention to our pains.
___________
Aria A:
No physician except you is to be found,
[even if] I should search through the whole of Gilead.
Who heals the wounds of my sins
since here no one has any balm?
If you hide yourself, then I must die.
Have mercy,ah! hear me!
You do not seek my ruin,
so come, my heart still hopes.
____________
Recitativo A:
After my anguish you will again revive me,
and so I shall prepare for your arrival,
I trust in the word of your promise
that my sorrow
will be turned to joy.
_____________
Aria [Tenor]:
Recover yourselves, my troubled senses,
you make yourselves all too woeful.
Leave off your sorrowful beginning
before I drown in tears.
My Jesus allows himself to be seen again,
O joy, that nothing can equal!
For all the good that has happened to me through this,
take, take my heart as an offering!
______________
Chorale [S, A, T, B]:
I have for a moment,
my dear child, left you;
but see, see, with great good fortune
and comfort beyond all measure
I shall on you the crown of joy
place and honour;
Your brief suffering will into joy
and everlasting good be changed.
I feel blessed!! Thank you!
Fabuloso! ❤❤❤
Love Johannsen‘s drama
Gorgeous
Hey! I absolutely love your performances, your take on Bach is fantastic and brilliant! But as someone who plays the recorder, I BEG YOU not to HIDE the musician! I was wondering through the first Chor: "Where is the recorder?? He's the main instrument there!" We already have such a hard time being noticed usually, please don't make it even harder! ;-)
I'm wondering if anyone hears the following: (1) the first chorus is sad, distressed, whereas the second chorus is happy and frenetic; (2) thus chorus two is simply the "inverse" of chorus one (3) the REAL resolution, the true spiritual answer in chorus 3. If there is a musical explanation that supports this hearing, I would be grateful for an explanation.
❤ ! Bravissimo ! ❤
Beautiful ❤
AMAZING !!!
Het tempo is heerlijk. Past m.i. bij het stuk
How can you explain this? What is this performance? Just speechless. This is God's work.
This is a reupload isn't it?
Yes, we did a reupload because something had gone wrong while rendering the video
Masterpiece!
I listen to this often and love it! One thing at 11:26 though: why sing about 'uncooked chicken'?
The text hier says: so will ich mich zu deiner Ankunft schicken (thus shall I make ready for Thy coming)
It does sound like "uncooked chicken".
Sublime 🧡
The recorder is hallucinogenic.
❤ !!
3:49 ???
I love this performance as usual. Only - was it my ears- the treble recorder was much out of tune. 😢
Otherwise just beautiful.
❤❤❤❤❤❤❤❤❤❤❤❤❤
🎵🎵🎶🎶🎉🎉🎶🎶🎵🎵
❤
🌹🌺🌷🌹🌺🌷🌹🌺🌷
ridicoulus the distance they keep beacuse some authority told them there was a virus carried by the music
I sincerely hope you never get as sick as I was from a virus.