Dear Sir/Madam, It's been pointed out by Mr Daniel Raab (esq), that the close harmony technique used in "Holiday for Strings" at 0:55, "High Heels" at 3:10 and "A Canadian In Mayfair" at 5:37 has a specific name: "Shearing voicings". In the next Utterly Spiffing guide that I make, I'll make sure to explain what that means and how it's employed in these pieces. May I offer my gratitude for any felicitations in this comments section. Yours sincerely, Sir Alex Ball End of telegram
Impromptu Dear Mr Fortesque Impromptu, My most earnest thanks for your recent telegram. I did enjoy reading it, pipe in hand, as cousin Ethel stocked the fire. I must offer my sincerest apologies for not fully articulating the interest of one Mr Shearing in said chord voicings. His role was merely to facilitate a rise in notoriety in such technique, but certainly has no claim to its inception. Much like our recently crowned Elizabeth II, he inherited greatly from his forebears. His Empire being a musical one, of course. Just talking of the Empire reminds me off my summers in the Virgin Islands, with sea air, typewriter and trunk of gin for company. Oh, it was a simpler time. Aunt Cecily practicing tennis before luncheon, father reading the papers and thinking of Blighty, mother listening to the wireless. Yours sincerely, Alexander Ballviourge-Windsor
I am not a musician. However, I can now compose using a computer app called MuseScore. It is magic! I can see the notes and actually hear the music right out loud through a sound system. Whereas before, the music was trapped in my mind's ear! CHEERS SIR ALEX BALL.
The absolute attention to detail in these along with the density of knowledge is just mind blowing. It's a dream watching these over and over and trying to learn as much as possible all the while feeling like I'm back in time.
You had me at “do you like music like this?” … I was riveted by your compelling sandwich analogy … a feast for so many different senses… and what a splendid narrator! Such a pleasant change from that Ball chap. Jolly well done sir!
I have a small, but 'steadily growing' collection of British Light Music from back in the 1940's 50's and 60's. Listening to them is like being taken on a 'round the world' cruise, while in reality I stand and laboriously iron a cotton vest, shirt, and a couple of pillow cases. The perfect antidote to any lockdown morning. Good day old chap!
Absolutely splendid series of videos. After spending untold hours over the years deciphering/transcribing/composing in this most delightful of idioms I can't fully express just what a gift to the planet your Spiffing Guide is. My younger self would have been positively gobsmacked to come across them. Many many thanks! Here's to a new generation of joyful light music #stepintothelight
I haven't even watched 2% of this Alex Ball video and I again can't believe it only as 20k views. The production and dedication and humour you put into these videos is just over the great. Thanks again from Buenos Aires.
How come I only learn about this channel now? Absolutely brilliant stuff! I've been a fan of light music for a long time and your remakes are just something special. Your work and the number of views creates hope that maybe light music will once again gets the recognition it deserves, having been virtually forgotten for 40+ years. I'm looking forward to your future productions.
It's a little sad since younger generations tend to treat it as cartoon music or something of a novel. But with the advent of Vaporwave in recent years it shouldn't be too far fetched.
MY FRIEND... MAESTRO... DUDE! These are the types of arrangements I've been looking for. I LOVE this genre and I've FINALLY found someone who can explain it all to me! PIP PIP, ALEX! I subscribed to your channel and mediately and you are my vlogger of the week! Many hours will be spent watching your videos! Thank you! Thank you! Thank you!
Thanks Mathew. A genre that everyone recognises but with very little material covering it online. I've wound up attempting to do it myself! Have a few more of these planned but they take a lot of time to research, so gets a bit overwhelming trying to get an episode together.
One of my compositions has gradually led me away from rock and metal into the uncertain territories of blues harmony, swinging big bands, parisienne accordions, waltz, funk, disco and congas. God I wish I discovered your channel much sooner! It's exactly what I needed. Also, I live quite close to that bridge at 06:18.
Angela Morley was one of the very best I think. Have you heard her arrangement of "A nightingale in Berkley Square" with the John Wilson Orchestra? It's one of my favourite pieces of music ever: ruclips.net/video/8bPwH9NpMWQ/видео.html
Cheers Thomas. Are you any good at working out weird chords? Some of the harmony in there is baffling. Like this chord: Db, E, F, Ab, B, E One of the chords in "Portrait of a flirt". I have no idea what that is! Also, clicked on your channel and saw a Joe Dart clip. Saw Vulfpeck and Joey Dosik in London last week. Was incredible.
Sublime. And spiffy! As fun to watch as to listen. As an amateur composer/arranger I appreciate the analysis. It's a weirdly specific (and under-appreciated) genre, so it's nice to see some thoughtful effort put in to understanding it. If I ever score a 50's sitcom parody, I'll know how to do it! :-)
I leave the orchestration to orchestrators. I do the basis melody and accompaniment with some harmonization as befits the tune. The idea is to compose as many basic melodies as possible.
Alex, this was hilarious! thanks for education work and this very entertaining video form! just as I resumed that my years longing string phase was over I probably have to go back and study now...might be I also need a pseudonym.
You're bringing RUclips to a new level Alex! I look forward to every post. BTW I write retro comedy music for tv and now I know I don't know the first thing about it. Eight part harmony, really? Dang! This is going to help me so much.
Thanks Josh. Much appreciated. 8 part harmony - Angela Morley's stuff is incredible. I've got a few of her scores and the string harmonies are amazing. She always manages to squeeze even more notes into the chord. A lot are using 6 part harmony, but I've got a few where she has 8 part. You'd think it would sound a mess, but it's perfect. I had a bit of trouble working out what some of her actual harmony is because even if you put those 8 notes into harmony software that tells you what chord it is, it can't work it out! What comedy music are you doing for TV? Have you got any links? Always interested to hear.
“Well of course you do, you rambunctious little pumpkin”. Ahahahahaha! That’s made my day. I’ve written to Anthony Eden suggesting he gives you the folio for musical instruction.
This video is so good; rich content and clever humor. It's one of those rare videos where I wish I could have an "extra like++" button to press. The normal like button just can't be smashed hard enough. Anyway, smashing job, pip pip!
Hey Alex, really enjoying your videos (had to laugh out loud at the Pizza Cuto reference) and wanted to ask you, how on earth do you make your string arrangements sound so warm and "old school" (especially referring to your video on A Canadian in Mayfair)? Im using pretty much the same plug ins but my Spitfire Symphonic Strings and Woodwinds just don't sound half as lush (they're more bright, or on the other hand buried in the sound). I guess it's a mixing question, but i'd love to get the same analog / old warm tape emulation feeling as you do, and when i slam a tape emulator on the strings it just doesn't cut it at the moment. Any help is much appreciated!
Hiya, Glad you like the videos. Thanks for dropping by. Strings - a big part of the sound is the divisi strings. I'm using a different string patch for every single part and I've gone through every single one to make it sound as realistic as I'm able to. I use Chamber Strings rather than Symphonic and it's much better suited for this style and for layering up because it's small sections. I think Symphonic Strings probably wouldn't sound right because it's too big too start with. With plugins, I put some processing on the string bus and then something different on the master bus. Keep the settings subtle on each plugin and build it up, rather than slam it into one plugin. Gently rolling off some top end from the strings and saturating them a little makes them warmer, for sure. I'm still figuring it out to be honest. If you're interested, here's one of the mockups I did with no vintage FX at all. Just the raw programming: soundcloud.com/alex-ball-1/my-computer-is-a-1950s-orchestra-part-4-modern-mix And here's the processed version: soundcloud.com/alex-ball-1/my-computer-is-a-1950s-orchestra-part-4-vintage-mix
So, have made the episode 4 times and had a couple of proper jazzers check it and it's not been right. Basically been trying to cover topics that are too big and complex. So rewriting a more simpler approach to it. Should be done soon, just taking a breather before I start it for the 5th time!
Hey Alex, it's really great that you present a couple of score excerpts I am certainly going to have a closer look. You could have digged in a little deeper, e.g. the shearing voicing stuff I wrote you or progressions that have been used, because like this it's more like an overview of composers, pieces and mainly the string parts. Nevertheless, with the extras you put in - the sandwich analogy is hilarous! - this was pretty entertaining and "light" :)
Thanks Daniel. Yep, couple of comments saying it doesn't go into enough detail, which is fair. I probably figured the score reductions with guitar chords would explain more than they did. Was going to put stuff in about shearing voicing but I was having annoying issues with the editing software, so gave up and left it as it was. I need to get some better software at some point.
Pretty please with sugar on top.... please continue this amazing series. It is by far my favorite series on your site and I'm very much looking forward to your comments on Brass. Thank you for your fantastic resource.
Thanks Richard. It is on my list, but they take such an enormous effort to research and make and hardly anyone watches them (and the numbers have dropped with each episode), so makes it difficult to get the motivation up. I'll get the final two done this year.
To be honest, I think the title is what sinks the views, not the content. This is simply the best orchestration dive in available because you outline the core values; then explain the technique, then demonstrate in increasing complexity. The title is clever, but doesn’t beg for clicks anywhere near the quality of the content. I might suggest that if it is views you want, you might consider renaming them so at least orchestrators can find them.
Ha. I've considered doing some of the mushy library music that became the soundtrack of 70s XXX movies, but not the earlier exotica stuff. Is there a particular thing/score you had in mind?
Ah yes, I know that kind of vibe. Don't think I'll get into a video about the theory as they takes masses of research and time to put together, but could compose something like it and talk about that. The Optigan and Mellotron rhythms would be perfect for the backbone and I have all of those.
Thanks a lot, good job. I am a student of postgraduate composition studies, but I learned more from you than during a year of studies :) After too much information, I must admit you are also a professional filmmaker, your films should be obligatory at universities :) Regards, congratulations, keep it up !!!
This is an incredible resource. Thank you for the analysis. Is there any chance you could wield your substantial talent on an analysis and breakdown of pet sounds by the beach boys? There exists a complete scores book for the Beatles but not the beach boys and I would love if someone as amazing as you could shed light on the arrangements and harmonies of those brilliant recordings. Thank you for your amazing work.
I’ve watched them tonight, they are equally amazing. And genuinely really helpful as I’m trying to write something at the minute along this vein. So thankyou, a lot! You’re ace!
I know this was posted a couple years ago but does anyone know how they got those lush string sounds? They definitely sound different to me than classical strings (not that I know much about classical) and remind me of old movies, I would love to be able to get close to that sound in my DAW. Everything I've tried sounds too classical!
@@RockstarDrop Hey, no I haven't tried going for the sound yet, although I think a big part would be the effects he mentioned, I have the free Izotope Vinyl and free Ferric TDS.
Did you use the Abbey Road Vinyl plugin to add wow to the audio? I only made it through the first two minutes. Anyone else hearing this, or should I check in with my doctors?
@@heathjelovic961 Thanks, but do you know the name of the melody? that is, then it is a composition of the same that is of Alex? If you have the song or know where I can find it would you leave me a link?
FYI I just showed this to my Dad, who was not only as rapt as I was, but also could tell me that the cricketer bowling in the last shot was Alec Bedser, playing for England, at Lord's. Jim Laker was the penultimate out of the pavilion, too. Beat THAT.
I thought it might. be. It's fabulous! Of course I'm going to ask what it's called or if it's possible to hear it in full? Thanks for taking the trouble to reply. By the way, does the name Billy Mayerl mean anything to you?
I finished the piece and it's going to be recorded by a small string section as part of a separate project I did for a someone else. Will include it in one of these Light Music guides when it's finally done. Billy Mayerl - hadn't heard of him. Just looked him up and found some Pathe footage of him on a Novachord and piano. He was definitely part of the light music world!
Looking forward to hearing it on completion. You may want to check out Billy Mayerl's Aquarium Suite on RUclips. I think it's right up your street!. I think I've got the complete score on pdf if you're interested.
I allways verry like your Work, you are realy great! Now you David Angel? He s first job for Filmcomposing was to whrote and orchestrate music for Bonanza, David Rose was his boss and the 80 years old Hugo Friedhofer worked at this Time also on Bonanza and teaching David Angel how to made refinements on David Angels first writhings. David Angel was later ghostwrhiter for Maurice Jarre an others. David Angel was my Teacher vor Filmcomposing.
Thank you for your great videos! I am really enjoying these and learning a lot. Can I ask where you get those orchestral scores? I tried to search and buy it on google but I couldn't find it easily... :(
Great, glad they're of use. Scores of this era of stuff have either been donated to me or I've borrowed them from the amazing Light Music Society collection: lightmusicsociety.com/the-library/ You won't find them available for sale anywhere, so it's only from private collections.
Hey. Thanks for creating such cool video! I went through your video and while I think you present nice examples, I am scratching my head where you actually teach things. You mentioned quite a very few things but you leave very much open everything explaining why that works. So I am not getting quite right about your approach. Apart from that? Did you had a cold while recording that video?
Charmand Grimloch Thanks for the comment. I've taken excerpts from pieces, made easy-to-follow score reductions and put the chords on the score. The idea was that it shows what kind of chords are being used and how they're voiced using real examples. Thanks for the feedback though, if you found it confusing then I'll take that on board for the next one.
Nah no problem. Thats a good video anyways, but I was expecting that you talk a bit about the example you posted. Sure that makes sense that you show the chords. Still...maybe not easy to explain: But there are reasons why certain chords are working in a chain and some are better than others. I was hoping you shed light upon that a bit as well. NO worries, cool video :)
No, fair point. I probably should have done a section where I explain what chords you can extend and what chords you can swap etc. So Chord I can become a 6/9 chord for example, or chord V can be a 13th or b13th. Or why one chord can follow another in a sequence. That sort of stuff? Constructive criticism is good, so I appreciate it. All good.
![I.N "HALLUCINATION" | [Stray Kids : SKZ-PLAYER]](http://i.ytimg.com/vi/n5B5q1Hwt_U/mqdefault.jpg)
Dear Sir/Madam,
It's been pointed out by Mr Daniel Raab (esq), that the close harmony technique used in "Holiday for Strings" at 0:55, "High Heels" at 3:10 and "A Canadian In Mayfair" at 5:37 has a specific name: "Shearing voicings".
In the next Utterly Spiffing guide that I make, I'll make sure to explain what that means and how it's employed in these pieces.
May I offer my gratitude for any felicitations in this comments section.
Yours sincerely,
Sir Alex Ball
End of telegram
Impromptu
Dear Mr Fortesque Impromptu,
My most earnest thanks for your recent telegram. I did enjoy reading it, pipe in hand, as cousin Ethel stocked the fire.
I must offer my sincerest apologies for not fully articulating the interest of one Mr Shearing in said chord voicings. His role was merely to facilitate a rise in notoriety in such technique, but certainly has no claim to its inception.
Much like our recently crowned Elizabeth II, he inherited greatly from his forebears. His Empire being a musical one, of course.
Just talking of the Empire reminds me off my summers in the Virgin Islands, with sea air, typewriter and trunk of gin for company. Oh, it was a simpler time. Aunt Cecily practicing tennis before luncheon, father reading the papers and thinking of Blighty, mother listening to the wireless.
Yours sincerely,
Alexander Ballviourge-Windsor
I am not a musician. However, I can now compose using a computer app called MuseScore. It is magic! I can see the notes and actually hear the music right out loud through a sound system. Whereas before, the music was trapped in my mind's ear! CHEERS SIR ALEX BALL.
Holy hell, how does this have so few views? The quality is off the charts!
Thanks! Glad you enjoyed.
answer: niche content
This might be the best music video I have ever seen on RUclips.
I can't express how useful, funny, and amazing these and your other videos are
RazzerRaw Cheers!
Just re-watching this, and what also jumps out is the subtle use of dynamics in the pizzicato strings, giving them a lovely bounce :)
Absolutely! All played at very quiet dynamics too with only the accented notes being louder.
This is probably the highest quality music RUclips channel out there, up there with Signals Music
The absolute attention to detail in these along with the density of knowledge is just mind blowing. It's a dream watching these over and over and trying to learn as much as possible all the while feeling like I'm back in time.
You had me at “do you like music like this?” … I was riveted by your compelling sandwich analogy … a feast for so many different senses… and what a splendid narrator! Such a pleasant change from that Ball chap. Jolly well done sir!
I have a small, but 'steadily growing' collection of British Light Music from back in the 1940's 50's and 60's. Listening to them is like being taken on a 'round the world' cruise, while in reality I stand and laboriously iron a cotton vest, shirt, and a couple of pillow cases. The perfect antidote to any lockdown morning. Good day old chap!
Absolutely splendid series of videos. After spending untold hours over the years deciphering/transcribing/composing in this most delightful of idioms I can't fully express just what a gift to the planet your Spiffing Guide is. My younger self would have been positively gobsmacked to come across them. Many many thanks! Here's to a new generation of joyful light music #stepintothelight
Good to know old bean.
Coming back to this series is a treat, I remember when it came out like yesterday
I haven't even watched 2% of this Alex Ball video and I again can't believe it only as 20k views. The production and dedication and humour you put into these videos is just over the great.
Thanks again from Buenos Aires.
How come I only learn about this channel now? Absolutely brilliant stuff! I've been a fan of light music for a long time and your remakes are just something special. Your work and the number of views creates hope that maybe light music will once again gets the recognition it deserves, having been virtually forgotten for 40+ years.
I'm looking forward to your future productions.
It's a little sad since younger generations tend to treat it as cartoon music or something of a novel. But with the advent of Vaporwave in recent years it shouldn't be too far fetched.
By Jove, this was absolutely smashing!
MY FRIEND... MAESTRO... DUDE!
These are the types of arrangements I've been looking for. I LOVE this genre and I've FINALLY found someone who can explain it all to me!
PIP PIP, ALEX! I subscribed to your channel and mediately and you are my vlogger of the week! Many hours will be spent watching your videos! Thank you! Thank you! Thank you!
Thanks Mathew. A genre that everyone recognises but with very little material covering it online. I've wound up attempting to do it myself! Have a few more of these planned but they take a lot of time to research, so gets a bit overwhelming trying to get an episode together.
Alex Ball music lovers everywhere owe you a dept of gratitude!
One of my compositions has gradually led me away from rock and metal into the uncertain territories of blues harmony, swinging big bands, parisienne accordions, waltz, funk, disco and congas. God I wish I discovered your channel much sooner! It's exactly what I needed. Also, I live quite close to that bridge at 06:18.
OMGGGG!!! I remembered your video two years later- and worked hard to find it back: thanks to reddit
Thank you for posting this, it's right up my alley!! So happy to hear someone discuss Angela Morley, she's one of my favs.
Angela Morley was one of the very best I think. Have you heard her arrangement of "A nightingale in Berkley Square" with the John Wilson Orchestra?
It's one of my favourite pieces of music ever: ruclips.net/video/8bPwH9NpMWQ/видео.html
Please give us part 2!! This is hilarious yet so informative. I love this genre :)
+ThomasNL Will do part 2, definitely. Takes a lot of research to make them so will probably be a little while, but want to do several of these.
Alex Ball cool! If i can help you in any way, please let me know!
Cheers Thomas. Are you any good at working out weird chords? Some of the harmony in there is baffling. Like this chord:
Db, E, F, Ab, B, E
One of the chords in "Portrait of a flirt". I have no idea what that is!
Also, clicked on your channel and saw a Joe Dart clip. Saw Vulfpeck and Joey Dosik in London last week. Was incredible.
Is that chord Db7#9?
I can do harmony! And that one is indeed Db7(#9) or Db7(b10) The latter used more in europe :)
i dont really know how much time i already spended to find some good guide for making this kind of music
Absolutely brilliant and very timely as I'm pitching for an audio drama that requires some 40s and 50s orchestration.
I’m guessing it didn’t get picked up? Update us
I’ve just found your channel. This series is utterly brilliant and very funny too.
This is stupendous. Thank you.
This is truly spiffing
Thank you so much for making these videos! Great narration btw haha
+SevenUp/DiveBomb I ruined half a loaf of bread making it, so glad you liked it. :)
Jolly well done, sir!
Sublime. And spiffy! As fun to watch as to listen. As an amateur composer/arranger I appreciate the analysis. It's a weirdly specific (and under-appreciated) genre, so it's nice to see some thoughtful effort put in to understanding it. If I ever score a 50's sitcom parody, I'll know how to do it! :-)
I leave the orchestration to orchestrators. I do the basis melody and accompaniment with some harmonization as befits the tune. The idea is to compose as many basic melodies as possible.
Can’t get enough watching your videos man. Thanks a lot
Excellent
Absolutely amazing Alex well done!
+should be doing my homework Thanks, glad you enjoyed. There's a part 2 to this one on my channel and more to come.
This was all very endearing! I had a jolly good time watching this. Very insightful! Thanks old chap!
+DEADLINE My pleasure, you fruity little muffin. Jolly splendid of you to pass by.
Hyped for the next one! Hope you'll finish this series!
Fantastic! Love this. I'll share the heck out of this. Finally some good info on light orch. music. Keep on doing this please!
Thanks very much. Yep, will definitely do more when I have time. Light Music is so ace.
Alex, this was hilarious! thanks for education work and this very entertaining video form! just as I resumed that my years longing string phase was over I probably have to go back and study now...might be I also need a pseudonym.
Great stuff Alex! Love it.
+Brett Rosenberg Thanks Brett! There's now a part two to this and working on part 3.
You're bringing RUclips to a new level Alex! I look forward to every post. BTW I write retro comedy music for tv and now I know I don't know the first thing about it. Eight part harmony, really? Dang! This is going to help me so much.
Thanks Josh. Much appreciated.
8 part harmony - Angela Morley's stuff is incredible. I've got a few of her scores and the string harmonies are amazing. She always manages to squeeze even more notes into the chord. A lot are using 6 part harmony, but I've got a few where she has 8 part. You'd think it would sound a mess, but it's perfect.
I had a bit of trouble working out what some of her actual harmony is because even if you put those 8 notes into harmony software that tells you what chord it is, it can't work it out!
What comedy music are you doing for TV? Have you got any links? Always interested to hear.
Alex Ball The client doesn't like public links but I could send you a Dropbox link. Is there a way to DM on RUclips?
+Josh Lucan alexballmusic@gmail.com
Absolutely brilliant!!! Thanks for making this video!
By jove! what a good show, young män! This was terribly, terribly good. Now to play these top tunes on my portable wireless. Top hole!
I LOVE THIS CHANNEL. Thank you Alex!
“Well of course you do, you rambunctious little pumpkin”. Ahahahahaha! That’s made my day. I’ve written to Anthony Eden suggesting he gives you the folio for musical instruction.
This video is so good; rich content and clever humor. It's one of those rare videos where I wish I could have an "extra like++" button to press. The normal like button just can't be smashed hard enough.
Anyway, smashing job, pip pip!
Hey Alex, really enjoying your videos (had to laugh out loud at the Pizza Cuto reference) and wanted to ask you, how on earth do you make your string arrangements sound so warm and "old school" (especially referring to your video on A Canadian in Mayfair)? Im using pretty much the same plug ins but my Spitfire Symphonic Strings and Woodwinds just don't sound half as lush (they're more bright, or on the other hand buried in the sound). I guess it's a mixing question, but i'd love to get the same analog / old warm tape emulation feeling as you do, and when i slam a tape emulator on the strings it just doesn't cut it at the moment. Any help is much appreciated!
Hiya,
Glad you like the videos. Thanks for dropping by.
Strings - a big part of the sound is the divisi strings. I'm using a different string patch for every single part and I've gone through every single one to make it sound as realistic as I'm able to. I use Chamber Strings rather than Symphonic and it's much better suited for this style and for layering up because it's small sections. I think Symphonic Strings probably wouldn't sound right because it's too big too start with.
With plugins, I put some processing on the string bus and then something different on the master bus. Keep the settings subtle on each plugin and build it up, rather than slam it into one plugin. Gently rolling off some top end from the strings and saturating them a little makes them warmer, for sure. I'm still figuring it out to be honest.
If you're interested, here's one of the mockups I did with no vintage FX at all. Just the raw programming: soundcloud.com/alex-ball-1/my-computer-is-a-1950s-orchestra-part-4-modern-mix
And here's the processed version: soundcloud.com/alex-ball-1/my-computer-is-a-1950s-orchestra-part-4-vintage-mix
thanks for the reply! I'll try that then definitely.
awesome sense of humor btw
You're welcome old bean!
I love the humor in your videos...
Eagerly awaiting the further adventures in light music as continued in Part 3.
So, have made the episode 4 times and had a couple of proper jazzers check it and it's not been right. Basically been trying to cover topics that are too big and complex. So rewriting a more simpler approach to it. Should be done soon, just taking a breather before I start it for the 5th time!
I need the spanish subtitles on this video, help me! hahaha. Your job is again wonderful, congratulations bro! (my english is a few bad. sorry)
Oh hell yeah. I wasn't even looking to make this kinda stuff but I am now that I found your videos haha. Nice job mate
I think I've found my new favourite channel
Welcome. Make yourself at home.
Ha ha ha, the best vidéo about harmony ever! Very well made and extremely funny, thanks :-)
Hey Alex,
it's really great that you present a couple of score excerpts I am certainly going to have a closer look. You could have digged in a little deeper, e.g. the shearing voicing stuff I wrote you or progressions that have been used, because like this it's more like an overview of composers, pieces and mainly the string parts. Nevertheless, with the extras you put in - the sandwich analogy is hilarous! - this was pretty entertaining and "light" :)
Thanks Daniel. Yep, couple of comments saying it doesn't go into enough detail, which is fair. I probably figured the score reductions with guitar chords would explain more than they did.
Was going to put stuff in about shearing voicing but I was having annoying issues with the editing software, so gave up and left it as it was. I need to get some better software at some point.
Love the accent. Technical/ geeky and fun at the same time.
Glad you enjoyed! If you're interested, I've done two more of these guides that go deeper into the genre on my channel.
Will check them out. Are your mock-ups played or programmed? Which libraries? They sound great!
Pretty please with sugar on top.... please continue this amazing series. It is by far my favorite series on your site and I'm very much looking forward to your comments on Brass. Thank you for your fantastic resource.
Thanks Richard. It is on my list, but they take such an enormous effort to research and make and hardly anyone watches them (and the numbers have dropped with each episode), so makes it difficult to get the motivation up.
I'll get the final two done this year.
To be honest, I think the title is what sinks the views, not the content. This is simply the best orchestration dive in available because you outline the core values; then explain the technique, then demonstrate in increasing complexity. The title is clever, but doesn’t beg for clicks anywhere near the quality of the content. I might suggest that if it is views you want, you might consider renaming them so at least orchestrators can find them.
These videos are absolutely hilarious! Rather helpful too
Think you'll ever do a video on the Exotica genre from the 50s/60s?
Ha. I've considered doing some of the mushy library music that became the soundtrack of 70s XXX movies, but not the earlier exotica stuff.
Is there a particular thing/score you had in mind?
Anything from the Tiki / Exotica era by Les Baxter, for sure. I love his and Martin Denny's exotic covers of Misirlou.
Ah yes, I know that kind of vibe. Don't think I'll get into a video about the theory as they takes masses of research and time to put together, but could compose something like it and talk about that. The Optigan and Mellotron rhythms would be perfect for the backbone and I have all of those.
Well done, sir! 👏🏆
Thanks a lot, good job. I am a student of postgraduate composition studies, but I learned more from you than during a year of studies :) After too much information, I must admit you are also a professional filmmaker, your films should be obligatory at universities :) Regards, congratulations, keep it up !!!
This is a fun way to learn, thank you!!!!
+Jermaine Allison Thanks Jermaine!
This is amazing. Thank you.
This is absolutely fantastic! Thank you! :)
Simply smashing! Ta.
Seu canal é incrível! It's wonderful.
This is an incredible resource. Thank you for the analysis. Is there any chance you could wield your substantial talent on an analysis and breakdown of pet sounds by the beach boys? There exists a complete scores book for the Beatles but not the beach boys and I would love if someone as amazing as you could shed light on the arrangements and harmonies of those brilliant recordings. Thank you for your amazing work.
Wonderful! Wonderful!
Thank you
This is absolutely amazing! Thankyou!
You're welcome. There's two more of these on my channel if you like them.
I’ve watched them tonight, they are equally amazing. And genuinely really helpful as I’m trying to write something at the minute along this vein. So thankyou, a lot! You’re ace!
Good to hear. Send a link when you've written it. Always interested to hear.
It's like Stewie Griffin is whispering into my ear.
This is so great
splendid!
Thank you for this!
Fenomenal!🤩
This is fine, fine amusement.
This is brilliant xD
This absolutely amazing.... thanks a lot....
the real wonders of RUclips - brilliant
Great video here !
+Pablo Cortina Thanks!
funniest guide I´ve ever seen... great!!!
more of these please !
zawette Yep, doing a part 2. Takes quite a lot of time to make these, but it's coming.
love it!
I know this was posted a couple years ago but does anyone know how they got those lush string sounds? They definitely sound different to me than classical strings (not that I know much about classical) and remind me of old movies, I would love to be able to get close to that sound in my DAW. Everything I've tried sounds too classical!
Sorry, I just saw the notes on how the excerpt were made!
@@davetbassbos Did you found any info on this? I have the same problem :)
@@RockstarDrop Hey, no I haven't tried going for the sound yet, although I think a big part would be the effects he mentioned, I have the free Izotope Vinyl and free Ferric TDS.
Amazing video!
+nRGcomposing Thanks! Working on part 2 at the moment.
This, is really super.
I still waiting for the Brass episode :((
Not going to happen I'm afraid. Sorry
Perfect mixture of information and comedy. A perfect sandwich if you will.
functionform Thanks very much!
Did you use the Abbey Road Vinyl plugin to add wow to the audio? I only made it through the first two minutes. Anyone else hearing this, or should I check in with my doctors?
2:27 Heavens no! *faints*
AMReed8 Very uncouth of me, I do apologise.
is there a part 5 today?
3:15 did you use session strings pro for those sounds?
larry dude Spitfire Chamber Strings.
0:01
Song name?
Please
Is the firts song
¿?
Someone else asked this question and Alex said it's a composition of his.
@@heathjelovic961 Thanks, but do you know the name of the melody? that is, then it is a composition of the same that is of Alex? If you have the song or know where I can find it would you leave me a link?
@@fernandezhoracio7383 I don't know the name of it or have a link, sorry.
FYI I just showed this to my Dad, who was not only as rapt as I was, but also could tell me that the cricketer bowling in the last shot was Alec Bedser, playing for England, at Lord's. Jim Laker was the penultimate out of the pavilion, too. Beat THAT.
+Jake Yapp I salute your Dad's knowledge!
Verry verry Cool!!!!!
Awesome! Loved it. Would very much like to know the name of the first piece we hear 1 second in…?
Phil King That's one of mine.
I thought it might. be. It's fabulous! Of course I'm going to ask what it's called or if it's possible to hear it in full? Thanks for taking the trouble to reply. By the way, does the name Billy Mayerl mean anything to you?
I finished the piece and it's going to be recorded by a small string section as part of a separate project I did for a someone else. Will include it in one of these Light Music guides when it's finally done.
Billy Mayerl - hadn't heard of him. Just looked him up and found some Pathe footage of him on a Novachord and piano. He was definitely part of the light music world!
Looking forward to hearing it on completion. You may want to check out Billy Mayerl's Aquarium Suite on RUclips. I think it's right up your street!. I think I've got the complete score on pdf if you're interested.
Would love the score if you've got it - always on the look out for period sheet music. My email is alexballmusic@gmail.com
I allways verry like your Work, you are realy great!
Now you David Angel? He s first job for Filmcomposing was to whrote and orchestrate music for Bonanza, David Rose was his boss and the 80 years old Hugo Friedhofer worked at this Time also on Bonanza and teaching David Angel how to made refinements on David Angels first writhings. David Angel was later ghostwrhiter for Maurice Jarre an others. David Angel was my Teacher vor Filmcomposing.
Thanks Gerold. I've not heard of David Angel until now. I'll have to look him up. So David Rose taught him and he taught you?
How are you getting the isolated parts? Do you have the multitracks or just good samples?
underrated
Thank you for your great videos! I am really enjoying these and learning a lot. Can I ask where you get those orchestral scores? I tried to search and buy it on google but I couldn't find it easily... :(
Great, glad they're of use.
Scores of this era of stuff have either been donated to me or I've borrowed them from the amazing Light Music Society collection: lightmusicsociety.com/the-library/
You won't find them available for sale anywhere, so it's only from private collections.
wow thank you so much!! :)
😂😂 Yet so briljant! 😇
I watched this and learned something
Hey. Thanks for creating such cool video! I went through your video and while I think you present nice examples, I am scratching my head where you actually teach things. You mentioned quite a very few things but you leave very much open everything explaining why that works. So I am not getting quite right about your approach. Apart from that? Did you had a cold while recording that video?
Charmand Grimloch Thanks for the comment.
I've taken excerpts from pieces, made easy-to-follow score reductions and put the chords on the score. The idea was that it shows what kind of chords are being used and how they're voiced using real examples.
Thanks for the feedback though, if you found it confusing then I'll take that on board for the next one.
Nah no problem. Thats a good video anyways, but I was expecting that you talk a bit about the example you posted. Sure that makes sense that you show the chords. Still...maybe not easy to explain: But there are reasons why certain chords are working in a chain and some are better than others. I was hoping you shed light upon that a bit as well. NO worries, cool video :)
No, fair point. I probably should have done a section where I explain what chords you can extend and what chords you can swap etc. So Chord I can become a 6/9 chord for example, or chord V can be a 13th or b13th. Or why one chord can follow another in a sequence.
That sort of stuff?
Constructive criticism is good, so I appreciate it. All good.
Dear Mr. Ball,
FURST!!111!!!11
Sincerely,
Tony
Hahaha. Love it!
Why do I feel hungry after watching this video? I've already eaten dinner!
Ha Ha - Absolutely love these videos.