Question: at MIT and media lab we determined, modeled and tested treated and dynamically optimized in terms of RT-60 and other criteria for tracking, mixing and mastering. As such, we discovered having at least one room axis that is large enough to support the lowest fundamental frequencies required. In other words, like 64 ft to support 20 Hz at sea level. This required a large, well optimized room of about roughly 2500+ sq ft. Do you have any thoughts on that?
Question. I notice that several of your front monitors’ HF drivers are about at level with the top of your mixing console- doesn’t that cause fairly noticeable reflection and interaction with the top of your console? Just was at a similarly configured studio in London where that was a real issue. Am I missing something that one can do to mitigate that issue?
We have a trinnov installed which rectifies this issue. I actually mix in standing position so that desk rises up another foot. With the trinnov off it is a big issue but with it active there are no issues. I have two profiles on the trinnov so the room is corrected to a standing position and sitting position. This means the room is adjusted based on where that desk is positioned. If you look through the videos in this series there a few talking about the tronniv and its importance.
I wonder how strict they are on this? Or - I wonder if they make exceptions for those that are *close* and also have a high permorming Trinnov system. It's kind of bureaucratic... Imagine a company going to all the record producers that used NS-10's on top hit records and saying that they aren't qualified to mix on (enter company name) stereo. But then again, stereo isn't owned or attempted to be owned by a company $$$
Then you get some dumb youtubers telling people that dolby is wrong that the speakers should be placed here or there instead which is insane Obviously you need to follow dolby guidelines because that is what guys like you, mixing movies, is what they are using.
Question: at MIT and media lab we determined, modeled and tested treated and dynamically optimized in terms of RT-60 and other criteria for tracking, mixing and mastering. As such, we discovered having at least one room axis that is large enough to support the lowest fundamental frequencies required. In other words, like 64 ft to support 20 Hz at sea level. This required a large, well optimized room of about roughly 2500+ sq ft. Do you have any thoughts on that?
Cannot we create a 9.2.6 mixing studio?
Yes
Question. I notice that several of your front monitors’ HF drivers are about at level with the top of your mixing console- doesn’t that cause fairly noticeable reflection and interaction with the top of your console? Just was at a similarly configured studio in London where that was a real issue. Am I missing something that one can do to mitigate that issue?
We have a trinnov installed which rectifies this issue. I actually mix in standing position so that desk rises up another foot. With the trinnov off it is a big issue but with it active there are no issues. I have two profiles on the trinnov so the room is corrected to a standing position and sitting position. This means the room is adjusted based on where that desk is positioned. If you look through the videos in this series there a few talking about the tronniv and its importance.
What were the physical dimensions of your room, munis all of the equipment?
If you go onto our mixing page on our website you'll see a diagram with full measurements and a 360 image.
@@AudioAnimalsStudio Thanks. Great video!
I wonder how strict they are on this? Or - I wonder if they make exceptions for those that are *close* and also have a high permorming Trinnov system. It's kind of bureaucratic... Imagine a company going to all the record producers that used NS-10's on top hit records and saying that they aren't qualified to mix on (enter company name) stereo. But then again, stereo isn't owned or attempted to be owned by a company $$$
I think it's a lot more relaxed now. I've seen and heard some terrible atmos rooms.
@@AudioAnimalsStudio in that case, how many terrible rooms had Trinnov?
Then you get some dumb youtubers telling people that dolby is wrong that the speakers should be placed here or there instead which is insane
Obviously you need to follow dolby guidelines because that is what guys like you, mixing movies, is what they are using.