Me and 2 of my friends were the roadies for the band through Italy and France in November, 1971. We snuck in earlier in the day posing as roadies and were caught by the sound engineer Whitey Davis . We ended being hired because the previous roadies had quit in Yugoslavia. Setting up those huge speakers was tricky. Great to watch them improvise each night. Lots of stories to tell.
The great James Mtume on congas !....post exit from The Strata East Mothership .along with Gary Bartz and Ndugu on drums . A visionaire of sound in his own right !❤❤
So much arbitrary narrow-mindedness in this comments section, get over your gatekeeping nonsense y'all. This is the first electric era Miles stuff that latched onto my ear, the groove is excellent. It makes me want to go deeper. Thanks for the upload.
This Band is where Miles was moving away from being surrounded by 'Jazz' players -- and He came to realise He needed "a different type of Musician," to play the Funk-grounded Sound He was feeling. Depending on which Concerts you may hear from this '71 Tour -- THIS Aggregation of Miles' Band DID have a Sound. But in between the Funk of '72-5, and THE ABSOLUTELY EXPLOSIVE "LostQuintet," from '69-70: it gets buried. Ndugu Chancellor wasn't quite comfortable with the Grooves Miles wanted, but He was committed to working WITH him..and he got Tighter, as the Tour progressed.
One of many things you could say about Miles. He never stopped expanding his vision. Big Fun, On the Corner etc. were mysteries to people used to the cool jazz and the bebop Miles came out of. He was fusing Sly, Jimi and James Brown into a singular style of unnameable genre. Beyond the fusion of late Weather Report. I Sing The Body Electric was music created to paint pictures in your mind.
@@michaelbrickley2443 Yessir. So, basically those people that wanted to stand on 'not liking the new sound,' ...they were largely afraid to use Their Imagination!
@@callmemonkh9020 I loved his earlier bands for straight ahead jazz and the birth of the cool. The later Bitches Brew and beyond was the birth of something entirely different. Didn’t all work but from his experiments was birthed Mahavishnu Weather Report, RTF, drum & bass, jungle, house….so many sub genres. When I first heard a lot of it, Miles, I couldn’t even fathom what was going on. I ascribe to what a musician friend said, if you can’t do better and especially if you’re being critical instead of critiquing, just be quiet
@@michaelbrickley2443 when you point out ALL of the Avenues that sprang from what He was doing -- to me, THAT proves how fertile and crucial that work was. You are correct when you say all of His statements weren't the Clearest, or made the 'tightest connection; I myself had issues with Al Foster's playing ride cymbal, the amplification equipment in terms of quality, AND Miles not avidly seeking a keyboard player to communicate in the Sound. But it was Megalithic in it's presence. Primordial, too. "If it's Major, it's Miles."
@@callmemonkh9020 he will be appreciated more as time goes on, I would hope. Everybody loved Duke Ellington but his impact was greater appreciated after his passing, in my opinion. Shalom
great stuff. full disclosure i am a Miles fanatic. when i was first trying to get into jazz my brother said i should listen to Miles Davis. So i did. i started with my funny valentine and my jaw was on the floor about a minute in. stareted collecting all the 50's and early to mid 60's stuff. loved it all. then i got to hear Bitches Brew. it's not that it was a new thing to me. it was beyond anything that i could even imagine. it was like he reached back to Africa and the beginning of mankind and tapped into something supernatural. never had the vocabulary to express it. when i purchased the "isle of white" dvd, "call it anything" one of the commentators described his experiance as everything that he ever hoped music could be. and when heard it for the first time he was like climbing the walls. give or take. i think that sums it up for me. i was never the same after hearing that. thank you very much for posting this. Thank God for Miles Davis. he was touched by "god" and shared it with the world.
Those journey's Keith takes on this are just amazing......thank god someone caught this all for us to enjoy....such an interesting time it was in that band in 1971 doing Live Evil stuff
L'évolution esthétique de Miles depuis ses débuts avec Charlie Parker jusqu'à sa retraite provisoire (1975-81) est extraordinaire et unique dans l'histoire du jazz, et peut-être de la musique elle-même.
You know this takes a little time to absorb and for the band to fully take flight. Once they do, damn. The music becomes sublime, funky rhythmic equations. One thing is clear to me: Keith Jarrett is a damn genius and my favorite pianist.
Big fan of this era and lineup! I miss Keith Jarrett on electric keyboards. He had a special approach to the Rhodes in particular. He’s all over the Complete Jack Johnson Sessions and I just eat that stuff up like candy. So cool to SEE it as well as hear it after all these years!
Thanks for putting this up, Zvonimir. Great quality sound. A few things I noticed: Sanctuary actually starts at about the 34:36 mark, Funky Tonk starts at the 01:08:00 mark, and goes to the end of performance. There is no reprise of Sanctuary. Other than that, just perfect. If you post we will listen with enthusiasm.
Yeah, the timeline of video is probably just a tracklist from The Lost Septet live album․ It was also recorded in 1971 with the same lineup, that concert was in Vienna on November 5 though
This IS Phenomenal.Pushing this Funk/ Rock Musicians who have so much respect for him that Played this Super Set. What a Concert...Hope remember It in the Eternity...✨🍀👾🛸
I didn't know this particular ensemble even existed. Leave it to Miles to use two conga drummers. And Don Alias, Mtume AND Ndugu....in ONE band! Amazing! Great performance, very diverse, not as dense as later bands with Pete Cosey, etc. And Miles and Gary Bartz sound great. Excellent recording quality as well!
Mostly because Jarrett is playing mostly electric piano & the RMI for the organ and synth sounds. As for density, there, usually Reggie Lucas played rhythm guitar & sometimes Dominique Gaumont would share guitar leads with Pete...Also, Pete doubled on miscellaneous pecussion.
Just to hear Miles’ tone @ his peak is like seeing Ali, before they banned him: so life-affirming inspiring to witness someone truly connect with their genius -thx for upload 🥳
Fantastic ....what to say more??? I like Ndugu" Chancler a superbe drummer i discover with Santana on Borboletta album...Like Michael Shrieve...Lenny White...Billy Cobham...and more these drummers of the 70's were incredibles musicians...All were the little brothers of Tony Williams for me...who was the first of this generation....!!!
Никогда не был поклонником джаз - рока,но с исторической точки зрения очень интересный материал.Майлс как всегда на высоте, чувствуется что в этом хаосе звуков рождаются новые формы джаза и не только джаза а всей современной музыки.
Wonderful! Excelent musicians, a lot of feeling & good vibes. Keyboards, trumpet, sax & etc, bass, drums, congas & other percussions being played by true geniuses, it's a true pleasure to see & listen such a musical treasure. Thank you!
Man, this is as pure visceral groove as it gets! Incubation to Weather Report and directionally similar collaborations… many with Miles Alumni! Thank you for posting!❤😊
The Energy is awesome. Very cool as is often the case with miles, and exploring new areas of jazz in keeping with the ever changing culture of America.
i love this era of miles davis. there can be some busy that I reject ... this drummer stands out by his style I had never listened to him .. it remains incredible.
these guys vare such great players, you can really talk about it but just try to absorb it....its jazz...so cool and funky....and bluesy....rocks too....i love miles and his music. how can u not ?
En 1971 yo tenía 7 años sigo a Miles Davis desde los 17 años hoy a los 59 sigue siendo mi idolo. El cambió el Jazz para siempre y por consiguiente las vidas de muchos de nosotros. Miles por siempre .🇨🇱🇨🇱🇨🇱
Keith never played electric after this and many consider these players his 2nd string band. All high quality people, don’t get me wrong. Especially Keith Jarrett. One of the greatest improvisers, period. His Koln Concert is considered one of the greatest improvised performances, again, period. End of story. Thanks for getting this up online. These cats are on fire. Definitely not rebirth of the Cool….
1:03:00 to about 1:07:30 This is not so much "Funky Tonk" as a solo interlude Jarrett's , which can be found in all concerts of the 1971 European tour, and not only in this period, but already at the CELLAR DOOR SESSIONS in December 1970. In the complete edition of these legendary performances - available for listening on streaming services - they are labeled Improvisation#x. Perhaps these still relatively short free solo improvisations are the seeds of Keith Jarrett's later extended solo concerts. Consider that one day after this performance at CHATEAU NEUF in Oslo, on November 10, Jarrett's first ECM album was recorded at Arne Bendiksen Studio Oslo: FACING YOU. The sound engineer was Jan Erik Kongshaug. Track No. 1 has the visionary, almost future-forecasting title IN FRONT
Spectacular, Miles was always changing, always ahead of the curve. Guitarist and teacher in LA. Accomplished player but not a world class player like some friends. Was talking with Mike Stern about Miles, about what was the most 'out there' of Miles recordings. Mike replied, "Oh man, the live at the Plugged Nickel shit. I dig it but still don't get it." I was immediately left in the dust.
How can you both 'dig' it and not 'get' it? Stern (und Drang) was one of Miles's most inappropriate group members, and I can completely see how he might have thought he'd joined The Mahavishnu Ork or Corea's Elektrik Band, in order to make a tone-deaf contribution to one of the trumpeter's most useless bands.
@@trevorbarre5616 I understand what you're saying. If Miles wasn't playing what I personally wanted to hear from him at the time, his music was useless and served no purpose.
Miles's music with the briefly-electrified Jarrett has always been a personal fave. The 6 x CD 'Cellar Door Sessions' are also highly recommended for those who have the stamina - so much better than the 'On the Corner' funkathons from a year or so later, imho. The Jarrett/DeJohnette duo on a 1971 ECM record, 'Ruta + Daitya' is a seldom-remembered curiosity from this period, and which I would recommend to the curious, and/or obsessive from this most interesting period of early jazz/rock/funk. There ain't nothing else quite like it (and in a good way).
@@trevorbarre5616 one of my better days was when i heard that there was way more Live Evil material about to be released. you are so right about the Cellar Door Sessions. thanks for the heads up about 'Ruta + Daitya'. gonna check that out pronto.
Chancler had more of a traditional backbeat style than DeJohnette, but he was very flexible. I saw him play a concert a couple years later in Boston with Santana, and I thought he played great.
Ndugu played drums on the Santana/Shorter tour in 1988 with Patrice Rushen, Alphonso Johnson, Chester Thompson, Chepito Areas and Armando Peraza. Also, he played drums on the Weather Report album Tale Spinnin. Another one of his great performances is on George Duke's Lemme At It and Rush Hour.
@@gregwickstrom5479 He played on Santana's Borboletta record too! In this show it takes some time for him to really work but he's a great underrated drummer.
De 1968 à 1971, Miles Davis fut accompagné sur scène par Herbie Hancock, Chick Corea et Keith Jarrett. Après, plus aucun claviériste digne de ce nom dans son groupe. Ca se comprend. Il ne pouvait pas trouver mieux. 😎
Can you image if Miles had had 20 more years 80% of the garbage that we have been subjected too wouldn't have stood a chance. As they say, he was Miles ahead.
A redefinition of the BLUES, a truly universal statement - a John Lee Hooker and Muddy Waters.short😊 story infused with the poetry of “Ascension and “Meditations”.
Me and 2 of my friends were the roadies for the band through Italy and France in November, 1971. We snuck in earlier in the day posing as roadies and were caught by the sound engineer Whitey Davis . We ended being hired because the previous roadies had quit in Yugoslavia. Setting up those huge speakers was tricky. Great to watch them improvise each night. Lots of stories to tell.
Hey man! Would love to hear more about this if you're around, over email, etc.
can I have a interview for that stories?
@ sure what would the interview be for?
@@akinpaksoy2127 sure what would you like to know?
Getto jazz 1971 I was 15 living in farmsville Iowa........I dig the hell out of this recorging......great label..... Getto jazz
Bro why are people hating on this in the comments what the hell is going on, this shit is peak Miles.
It's a bit flat
Dont know either. Its one of the funkiest and yet catchy Miles sets from 70's.
The great James Mtume on congas !....post exit from The Strata East Mothership .along with Gary Bartz and Ndugu on drums . A visionaire of sound in his own right !❤❤
Jarrett and Henderson oh my goodness the whole energy is mind blowing. Miles takes you were you haven't been before 🎺🎷🎹🎸🥁🪇✨️🎶🎼🎵🌠🔥🙌🏿👏🏾💯💫
So much arbitrary narrow-mindedness in this comments section, get over your gatekeeping nonsense y'all. This is the first electric era Miles stuff that latched onto my ear, the groove is excellent. It makes me want to go deeper. Thanks for the upload.
😂
This Band is where Miles was moving away from being surrounded by 'Jazz' players -- and He came to realise He needed "a different type of Musician," to play the Funk-grounded Sound He was feeling. Depending on which Concerts you may hear from this '71 Tour -- THIS Aggregation of Miles' Band DID have a Sound. But in between the Funk of '72-5, and THE ABSOLUTELY EXPLOSIVE "LostQuintet," from '69-70: it gets buried. Ndugu Chancellor wasn't quite comfortable with the Grooves Miles wanted, but He was committed to working WITH him..and he got Tighter, as the Tour progressed.
One of many things you could say about Miles. He never stopped expanding his vision. Big Fun, On the Corner etc. were mysteries to people used to the cool jazz and the bebop Miles came out of. He was fusing Sly, Jimi and James Brown into a singular style of unnameable genre. Beyond the fusion of late Weather Report. I Sing The Body Electric was music created to paint pictures in your mind.
@@michaelbrickley2443 Yessir. So, basically those people that wanted to stand on 'not liking the new sound,' ...they were largely afraid to use Their Imagination!
@@callmemonkh9020 I loved his earlier bands for straight ahead jazz and the birth of the cool. The later Bitches Brew and beyond was the birth of something entirely different. Didn’t all work but from his experiments was birthed Mahavishnu Weather Report, RTF, drum & bass, jungle, house….so many sub genres. When I first heard a lot of it, Miles, I couldn’t even fathom what was going on. I ascribe to what a musician friend said, if you can’t do better and especially if you’re being critical instead of critiquing, just be quiet
@@michaelbrickley2443 when you point out ALL of the Avenues that sprang from what He was doing -- to me, THAT proves how fertile and crucial that work was. You are correct when you say all of His statements weren't the Clearest, or made the 'tightest connection; I myself had issues with Al Foster's playing ride cymbal, the amplification equipment in terms of quality, AND Miles not avidly seeking a keyboard player to communicate in the Sound. But it was Megalithic in it's presence. Primordial, too. "If it's Major, it's Miles."
@@callmemonkh9020 he will be appreciated more as time goes on, I would hope. Everybody loved Duke Ellington but his impact was greater appreciated after his passing, in my opinion. Shalom
great stuff. full disclosure i am a Miles fanatic. when i was first trying to get into jazz my brother said i should listen to Miles Davis. So i did. i started with my funny valentine and my jaw was on the floor about a minute in. stareted collecting all the 50's and early to mid 60's stuff. loved it all. then i got to hear Bitches Brew. it's not that it was a new thing to me. it was beyond anything that i could even imagine. it was like he reached back to Africa and the beginning of mankind and tapped into something supernatural. never had the vocabulary to express it. when i purchased the "isle of white" dvd, "call it anything" one of the commentators described his experiance as everything that he ever hoped music could be. and when heard it for the first time he was like climbing the walls. give or take. i think that sums it up for me. i was never the same after hearing that. thank you very much for posting this. Thank God for Miles Davis. he was touched by "god" and shared it with the world.
Well said. My favorite all time musician.
Those journey's Keith takes on this are just amazing......thank god someone caught this all for us to enjoy....such an interesting time it was in that band in 1971 doing Live Evil stuff
Ndugu sounds incredible with this group--wow!
L'évolution esthétique de Miles depuis ses débuts avec Charlie Parker jusqu'à sa retraite provisoire (1975-81) est extraordinaire et unique dans l'histoire du jazz, et peut-être de la musique elle-même.
C’est pas peut être, c’est evident son approche musicale a beaucoup apporté a la musique
And to think that Michael Henderson (born 1951) had been playing Motown numbers just a few months before. Such versatility in two sublime forms.
Like Michael Ray, Sun Ra's best trumpeter ever and star of Kool and thr Gang.
My man even threw in a tribute to Jimi....wow! This is tops.
One of the funkiest jazz bands of all time! Live-Evil is one of my fave Miles albums - and here we get Ndugu and Don Alias too! :)
And James Mtume...
also my favorite live album
With Michael Henderson on electric bass.
@@bmuhamad Yes, such an incredible line-up!
I loved hearing Gary Bartz's righteous playing. Great work all around.
You know this takes a little time to absorb and for the band to fully take flight. Once they do, damn. The music becomes sublime, funky rhythmic equations. One thing is clear to me: Keith Jarrett is a damn genius and my favorite pianist.
Sure
Michael Henderson is a groove master.
Very rare video of Ndugu and Don Alias with Miles. Great band.
Big fan of this era and lineup! I miss Keith Jarrett on electric keyboards. He had a special approach to the Rhodes in particular. He’s all over the Complete Jack Johnson Sessions and I just eat that stuff up like candy. So cool to SEE it as well as hear it after all these years!
Yes!!
I heard Keith had a stroke recently lost use of his left arm....grrr....hope he recovers
Thanks for putting this up, Zvonimir. Great quality sound. A few things I noticed: Sanctuary actually starts at about the 34:36 mark, Funky Tonk starts at the 01:08:00 mark, and goes to the end of performance. There is no reprise of Sanctuary. Other than that, just perfect. If you post we will listen with enthusiasm.
Yeah, the timeline of video is probably just a tracklist from The Lost Septet live album․ It was also recorded in 1971 with the same lineup, that concert was in Vienna on November 5 though
This IS Phenomenal.Pushing this Funk/ Rock Musicians who have so much respect for him that Played this Super Set.
What a Concert...Hope remember It in the Eternity...✨🍀👾🛸
camera work is great, personnel are spectacular
Awesome recording. Innovative Jazz at its finest! Thank you for sharing this. Hmm...I guess this makes me a "moron"?
can there be a more expressive performer than Jarrett! he lives every note!
Keith Jarrett has some of the best jam faces.
I didn't know this particular ensemble even existed. Leave it to Miles to use two conga drummers. And Don Alias, Mtume AND Ndugu....in ONE band! Amazing! Great performance, very diverse, not as dense as later bands with Pete Cosey, etc. And Miles and Gary Bartz sound great. Excellent recording quality as well!
Mostly because Jarrett is playing mostly electric piano & the RMI for the organ and synth sounds. As for density, there, usually Reggie Lucas played rhythm guitar & sometimes Dominique Gaumont would share guitar leads with Pete...Also, Pete doubled on miscellaneous pecussion.
Mike plays that lovely / sick bassline to "What I Say".
The congas remind me of their play at Lower Sproul Plaza UC Berkeley very fond memories in the early seventies
This is music at the height of its evolution and progression. The closest thing I can think of it to compare it to in our time is John Zorn.
Damn! Miles was out there during this Period, i Love the Era Miles Davis. 1love
What an incredible JEWEL this post. Thank you !
Just to hear Miles’ tone @ his peak is like seeing Ali, before they banned him: so life-affirming inspiring to witness someone truly connect with their genius -thx for upload 🥳
Fantastic ....what to say more??? I like Ndugu" Chancler a superbe drummer i discover with Santana on Borboletta album...Like Michael Shrieve...Lenny White...Billy Cobham...and more these drummers of the 70's were incredibles musicians...All were the little brothers of Tony Williams for me...who was the first of this generation....!!!
Keith is a true genius.
Никогда не был поклонником джаз - рока,но с исторической точки зрения очень интересный материал.Майлс как всегда на высоте, чувствуется что в этом хаосе звуков рождаются новые формы джаза и не только джаза а всей современной музыки.
Wonderful! Excelent musicians, a lot of feeling & good vibes. Keyboards, trumpet, sax & etc, bass, drums, congas & other percussions being played by true geniuses, it's a true pleasure to see & listen such a musical treasure. Thank you!
phantastic music, i love it very much thanks a Lot Zvonimir Bucevic
Man, this is as pure visceral groove as it gets! Incubation to Weather Report and directionally similar collaborations… many with Miles Alumni! Thank you for posting!❤😊
SUPER. Я в восторге от этой игры музыкантов. И это всё без нот! 👍
The Energy is awesome. Very cool as is often the case with miles, and exploring new areas of jazz in keeping with the ever changing culture of America.
altough if I had lived on those days I would be older than I am already am and I could not wish that, I wish I had lived on those days
i love this era of miles davis. there can be some busy that I reject ... this drummer stands out by his style I had never listened to him .. it remains incredible.
Seeing Keith Jarrett playing electric is a rare sight.
these guys vare such great players, you can really talk about it but just try to absorb it....its jazz...so cool and funky....and bluesy....rocks too....i love miles and his music. how can u not ?
C'est du cantique mon frère
@ericroubert3997 I've got 2 brothers, wtf are you, you cu..?
8:12 - Man, Keith is possessed!
And Henderson is only 20 years old.
Haha! Mental!
En 1971 yo tenía 7 años sigo a Miles Davis desde los 17 años hoy a los 59 sigue siendo mi idolo. El cambió el Jazz para siempre y por consiguiente las vidas de muchos de nosotros. Miles por siempre .🇨🇱🇨🇱🇨🇱
Awsome concert! Thanks a LOT for the post
Terrific! Gary Bartz, wow!
All high fly!
Without doubt Miles is an Avant gardist, he Is 100 steps away from the rest.
We're all Miles from being Davis.
Read the book. MILES AHEAD (2001). Details this era and a lot of new interviews.
This is about FEEL, and FOCUS. Get in where you fit in, focus and make it work !!
Miles Davis is THE ONE!!!!
@gianfrancospadaro6085 🔊🇵🇱Poland🇵🇱🔊 👍 👌 ✌️ 💪 👊 🔊🇵🇱 Poland🇵🇱🔊
Keith never played electric after this and many consider these players his 2nd string band. All high quality people, don’t get me wrong. Especially Keith Jarrett. One of the greatest improvisers, period. His Koln Concert is considered one of the greatest improvised performances, again, period. End of story. Thanks for getting this up online. These cats are on fire. Definitely not rebirth of the Cool….
One of the best documents of Miles at this stage in his career. Thanks!
It's hard to sit still when watching this.
it's so hard to not moving the head like Jarrett
Amazing performance 👍🏼
👌✌ a beautiful noise - more percussive than his later live incarnations Only MD, Michael & Mtume last until 1975
THANK YOU so much for posting this! 👏🏾🙌🏾👍🏿🙏🏿😁
1:03:00 to about 1:07:30
This is not so much "Funky Tonk" as a solo interlude Jarrett's , which can be found in all concerts of the 1971 European tour, and not only in this period, but already at the CELLAR DOOR SESSIONS in December 1970. In the complete edition of these legendary performances - available for listening on streaming services - they are labeled Improvisation#x.
Perhaps these still relatively short free solo improvisations are the seeds of Keith Jarrett's later extended solo concerts. Consider that one day after this performance at CHATEAU NEUF in Oslo, on November 10, Jarrett's first ECM album was recorded at Arne Bendiksen Studio Oslo: FACING YOU. The sound engineer was Jan Erik Kongshaug. Track No. 1 has the visionary, almost future-forecasting title IN FRONT
nice research it adds needed context
Spectacular, Miles was always changing, always ahead of the curve. Guitarist and teacher in LA. Accomplished player but not a world class player like some friends. Was talking with Mike Stern about Miles, about what was the most 'out there' of Miles recordings. Mike replied, "Oh man, the live at the Plugged Nickel shit. I dig it but still don't get it." I was immediately
left in the dust.
How can you both 'dig' it and not 'get' it?
Stern (und Drang) was one of Miles's most inappropriate group members, and I can completely see how he might have thought he'd joined The Mahavishnu Ork or Corea's Elektrik Band, in order to make a tone-deaf contribution to one of the trumpeter's most useless bands.
@@trevorbarre5616 I understand what you're saying. If Miles wasn't playing what I personally wanted to hear from him at the time, his music was useless and served no purpose.
Thanks RUclips for recommending this a year after...
Miles's music with the briefly-electrified Jarrett has always been a personal fave. The 6 x CD 'Cellar Door Sessions' are also highly recommended for those who have the stamina - so much better than the 'On the Corner' funkathons from a year or so later, imho.
The Jarrett/DeJohnette duo on a 1971 ECM record, 'Ruta + Daitya' is a seldom-remembered curiosity from this period, and which I would recommend to the curious, and/or obsessive from this most interesting period of early jazz/rock/funk. There ain't nothing else quite like it (and in a good way).
@@trevorbarre5616 one of my better days was when i heard that there was way more Live Evil material about to be released. you are so right about the Cellar Door Sessions. thanks for the heads up about 'Ruta + Daitya'. gonna check that out pronto.
This is outstanding. Thanks!
This is even better than "AGARTHA" & "PANGEA" ! WOW §
still love this music
What a find. Thanks.
The attack of What I say pushing the wah-wah pedal is pure magic
Some raw hard funk. Miles was doing some of deepest funk during the Funk Age.
omg keith jarret fn kills it around the start of funky tonk
Special shout out to the bass player 💪🏽✌🏽🇩🇴
someone had to hold It down😂
The late - great Michael Henderson on bass with Strata East kegend James Mtume on congas - percussions .
Gary Bartz and Keith Jarrett are the surviving members of this septet.
Chancler had more of a traditional backbeat style than DeJohnette, but he was very flexible.
I saw him play a concert a couple years later in Boston with Santana, and I thought he played great.
@@kenmeyer6786 Right!
He’s on a wonderful Santana record called Amigos.
Ndugu played drums on the Santana/Shorter tour in 1988 with Patrice Rushen, Alphonso Johnson, Chester Thompson, Chepito Areas and Armando Peraza. Also, he played drums on the Weather Report album Tale Spinnin. Another one of his great performances is on George Duke's Lemme At It and Rush Hour.
@@gregwickstrom5479 He played on Santana's Borboletta record too! In this show it takes some time for him to really work but he's a great underrated drummer.
@@kenmeyer6786 Ndugu was behind the Amigos project and was the one who brought Greg Walker to the Santana band.
Superb Ensemble!!!!
Apreciable e INCREIBLE la fusión estilística, los quiebres músicoemblemáticoambientales a los cuales nos acostumbró Miles y por sobretodo.....
このメンツの演奏は初めて視聴したんだけども、、、何てカッコいいんだ！
Leon "Ndugu" Chancler 19才、Michael Henderson 20才ですよ。この二人とGary Bartz、Mtume のアルバムは結構聴いてるのに肝心のMiles Davis Septet時代の演奏を今まで聴いてこなかったなんて、、、我ながら何か可笑しな気がするね。
Wow...thanks for this upload! Amazing footage and concert!
So incredible!! I didn't know much about Keith when I saw hm at the Montreal Jazz Festival in 1987, but his trio was incredible.
Try to catch some of the albums Keith made in the '70s with Dewey Redman, Charlie Haden, and Paul Motian.
awesome!
Truly THE lost shit. Check it over & over holds up to the taste test
Touché!
To start a good week. Thanks for the gift. Amazing.
32:23
32:23
this is good stuff
bravo Zvonimire svaka čast za snimak
obožavam Gery Bartz-a viđeti uživo . Majlsove najjače godine i najjače postave 70-75-ta
Miles' Boogaloo / Funk phase. Yes.
"And there are still some people who cannot understand, for example, why a company can achieve such an extraordinary and special market value."
What you get when you can FEEL and CONNECT while Focusing on the MUSIC !!
It’s about that time 🔥🔥🔥
Extraordinário! Um ser de muita luz! ❤
Inspiração nos detalhes..Miles sem fronteiras!
키스 자렛이 20대 중반부터 다져 온 멋진 댄스 실력
23:03 오징어 댄스
27:04 오리 댄스
49:18 손가락 댄스
51:48 뭔가를 느낀 키스 자렛
1:03:48 스무스한 리듬 속의 헤드뱅잉 쇼
De 1968 à 1971, Miles Davis fut accompagné sur scène par Herbie Hancock, Chick Corea et Keith Jarrett. Après, plus aucun claviériste digne de ce nom dans son groupe. Ca se comprend. Il ne pouvait pas trouver mieux. 😎
Well Chick moved on like they all do. He went on to form his own Branch of fusion with RTF
But first he formed CIRCLE w/ Dave Holland, Anthony Braxton & Barry Altschul
@@billlarstead8019His climax.
Who is Joe Zawinul
@@eddiebrown9471 vous avez raison. J'Oubliais Joe Zawinul mais c'était plutôt en album que sur scène si je ne me trompe
фантастика! спасибо за то что выложили! шедевр!
Keith fait des exercices de gymnastique, ceci est excellent pour la santé
Promis demain jarret 😂
Can you image if Miles had had 20 more years 80% of the garbage that we have been subjected too wouldn't have stood a chance. As they say, he was Miles ahead.
This version of Honky Tonk is among the best
A redefinition of the BLUES, a truly universal statement - a John Lee Hooker and Muddy Waters.short😊 story infused with the poetry of “Ascension and “Meditations”.
Miles forever
СОВРШЕНСТВО...
5 минути аплауз
👏👏👏👏👏👏
bravo!
Great concert !!!
Freedom! Expression!
Check out 48:10. Great shots of Miles' trumpet.
yes sir!
Miles Davis was like Mozart
Los maestros haciendo lo que se les da la gana. Nada mal. Gracias 🙂💯🎺🎹🎸🎶🥁