maxtheknife Tina is my #1 favorite artist! She is undoubtedly a legend on all-terms, but despite huge international acclaim is almost an enigma in the black community. She did record more r&b and blues in future albums. However, her rock success stifled her black base post Private Dancer & Break Every Rule, similar to the mid-60’s and mid-70s with her & Ike leaning more to rock. Foreign Affair, Simply the Best, Wildest Dreams & Twenty-Four Seven all had a ton of r&b/soul and blues. Albeit F.A. was her third HUMONGOUS success internationally, it was a more moderate success here in the United States comparatively because it was not targeted properly in America, specifically towards r&b buyers + listeners. It’s unfortunate that she never had (despite early 60’s success, early 70’s & Private Dancer) a steady black base like Aretha, James, Marvin. However, she had the best deal with long-term, worldwide, stadium-level success.
maxtheknife Tina is my #1 favorite artist! She is undoubtedly a legend on all-terms, but despite huge international acclaim is almost an enigma in the black community. She did record more r&b and blues in future albums. However, her rock success stifled her black base post Private Dancer & Break Every Rule, similar to the mid-60’s and mid-70s with her & Ike leaning more to rock. Foreign Affair, Simply the Best, Wildest Dreams & Twenty-Four Seven all had a ton of r&b/soul and blues. Albeit F.A. was her third HUMONGOUS success internationally, it was a more moderate success here in the United States comparatively because it was not targeted properly in America, specifically towards r&b buyers + listeners. It’s unfortunate that she never had (despite early 60’s success, early 70’s & Private Dancer) a steady black base like Aretha, James, Marvin. However, she had the best deal with long-term, worldwide, stadium-level success.
Did she say she doesn't write music or play an instrument? I know she wrote many songs. Nutbush City Limits being one, but I did wonder how she could do it without playing an instrument.
The Beetles come together was a blues R&B sound with pop vocals. Rock and Roll is no more than blues sung by a white artist. Tina should know this already
@chez jusa, that's an ignorant remark. Rock and roll isn't simply blues music, yes it has its roots in the blues and American gospel but it evolved, white people took it and made it their own. There's an obvious difference between "Born in the USA" and "Good Golly Miss Molly "
I like Tina's voice and her mannerisms in this interview. I like the way that she expresses herself.
Fantastic. I love the way she talks.
maxtheknife Tina is my #1 favorite artist! She is undoubtedly a legend on all-terms, but despite huge international acclaim is almost an enigma in the black community. She did record more r&b and blues in future albums.
However, her rock success stifled her black base post Private Dancer & Break Every Rule, similar to the mid-60’s and mid-70s with her & Ike leaning more to rock.
Foreign Affair, Simply the Best, Wildest Dreams & Twenty-Four Seven all had a ton of r&b/soul and blues. Albeit F.A. was her third HUMONGOUS success internationally, it was a more moderate success here in the United States comparatively because it was not targeted properly in America, specifically towards r&b buyers + listeners.
It’s unfortunate that she never had (despite early 60’s success, early 70’s & Private Dancer) a steady black base like Aretha, James, Marvin. However, she had the best deal with long-term, worldwide, stadium-level success.
No she didn't shes where we love Europe
I miss R&B Tina. R&B reignited her career in 1984 in America. its a shame she choose to move further away from it after Private Dancer.
maxtheknife Tina is my #1 favorite artist! She is undoubtedly a legend on all-terms, but despite huge international acclaim is almost an enigma in the black community. She did record more r&b and blues in future albums.
However, her rock success stifled her black base post Private Dancer & Break Every Rule, similar to the mid-60’s and mid-70s with her & Ike leaning more to rock.
Foreign Affair, Simply the Best, Wildest Dreams & Twenty-Four Seven all had a ton of r&b/soul and blues. Albeit F.A. was her third HUMONGOUS success internationally, it was a more moderate success here in the United States comparatively because it was not targeted properly in America, specifically towards r&b buyers + listeners.
It’s unfortunate that she never had (despite early 60’s success, early 70’s & Private Dancer) a steady black base like Aretha, James, Marvin. However, she had the best deal with long-term, worldwide, stadium-level success.
That was the year she ruined Ike, he put Tina in short dresses along with the Ikeletts Dancers in the 70's
@@louisesirls9352 short dresses ? So u mean he forced Tina to wear tiny clothes ? Sounds like a pimp
She wanted to do rock not rnb
Did she say she doesn't write music or play an instrument? I know she wrote many songs. Nutbush City Limits being one, but I did wonder how she could do it without playing an instrument.
Ike would have her write lyrics and he composed the music.
The year yall ruined Ike is when Tina went big, What's Love Got to do with It, Tina wild women was it, England was not lying.
The Beetles come together was a blues R&B sound with pop vocals. Rock and Roll is no more than blues sung by a white artist. Tina should know this already
No it wasn't we white people we dont care about r&b we rock we love tina
Come Together a blues R'bB sound? Are you kidding me?
@@edmundsishange3608 hell no black Americans don't have a culture
@@nylabellinger7779 what do you mean
@chez jusa, that's an ignorant remark. Rock and roll isn't simply blues music, yes it has its roots in the blues and American gospel but it evolved, white people took it and made it their own. There's an obvious difference between "Born in the USA" and "Good Golly Miss Molly "
Tina found her calling the day she heard the rock guitar, it's that simple..