To save a lot of labour especially for Strat owners may I suggest soldering a couple of thin wires to lugs 1 and 2 of the volume pot (long enough to reach outside of your guitar assembly) You can clip on the various component combinations and hear what each does. Once you've decided, slacken strings, open up and solder directly in place :)
Yes, Martin, that's the way one should go to really customize the final setup the ears are "looking" for, because all components act differently, sometimes also different from expectations or rules. Trial + Error but without soldering and soldering and soldering, not to mention putting in and out of Pickguards. I do this on every guitar I wire new components into. That is custom work. Best regards "MrHKBlues"
This might be handy if you are going to order some caps for the mod: Simple: 0.001mf = 0.001uf = 1nf = 1000pf Kinman: 0.0012mf = 0.0012uf = 1.2nf = 1200pf Duncan: 0.002mf = 0.002uf = 2nf = 2000pf As said in the video, try different values and see what work. As a tip, try using alligator clips for this. That way you don't have to solder and can try many many different values :). I like the simple mod, with the next values for myself: (slight treble bleed, noticeable enough, not over the top) Humbucker neck 700-800 pf Humbucker bridge 450-550 pf Strat: 300 pf Tele: 350-400 pf Thanks Breja for all these cool video's!
roeletti Hey dude. Thanks for offering this info. I'm curious what pickups you're using with these cap values. In my Eclipse I have a SD JB bridge and SD '59 neck. Would you mind suggesting values for me ? Sounds like you've spent a lot of time finding the best cap values for your pickups. Thanks and have a great day. :-)
I was kinda wondering the massive capacitor values too. Micro (μ) should be written using u when using with Latin alphabet, otherwise it can be confused with milli (m) which is 1000 times larger.
What is rarely talked about when talking about these circuits is what lower frequencies are being cut and examples of what caps are being used. Also how these circuits effect the taper of the volume pot.
Don, sorry I was not around when you posted these timeless videos. I would have loved to be part of some of the discussions. Your sharing of information in all of your videos is par none to anyone on the net these day. You have helped countless folks like myself find the confidence to open up their guitars and find a brave new world of dialing in tone and exploring mods of all kinds. Hats off to you Sir words can not express the gratitude I have for the knowledge you videos convey. Blessings.
I just installed the Kinman treble bleed into my Fender American HH strat and its like night and day, brightened up the sound with more transparent frequencies, save me a lot of money on pickup replacement and other mods
so what i did on my ibanez RG (wasn't sure what style i wanted to use) i put an alligator clip on each terminal of the volume pot.. then i attached every combo i wanted to those clips, changed values of caps and resistors etc. until i figured which worked best for me. the caps and resistors are cheap, so i bought a bunch. i found (for my ear) the kinman method with a 330pf ceramic cap and 150kohm 1/4w resistor sounded the best. the taper on the pot wasn't affected too much and the treble was still very present at a low volume.
Awesome...i made a set of test leads with alligator clamps for a bit of a project. i had an LP style guitar custom built, but still did a few mods (babicz bridge, switchcraft toggle and i replaced the witch hats with speed knobs) Now, i have a pair of "beta" or test humbuckers from Jeff Lace to install and review. i had an amazing electronics guy on Audiokarma construct a 250k pot harness, as Lace pups like 250s much better than 500k. i also had him put a push pull tone knob for phase. Anyway, he also sent a few treble bleeders, and additional caps for me to listen and put the best sounding (to me) combo. Gonna start this weekend. A bit of a daunting task. i do Luthier work all the time, but i farm electronics out, unless its a simple fix. Glad you found your setting using test leads, they are a great tool for testing multiple options! Be Well, -trout
Very interesting info, thank you. I find ironic that DiMarzio sells volume pots with Duncan Treble Bleed mods (they call it it high pass), whereas Seymour Duncan only sells plain vanilla pots.
For me it’s the quick volume roll off in one of my Les Paul’s that has 50’s wiring. I tried a treble bleed and it helps me get a better range on my volume pot.
The Kinman version is actually a Colin Bloxsom version, it works very well and it doesn't mess with the taper of the pot as much as the parallel version. I've had this treble bleed circuit in my Strat for easily a decade and I'm very happy with it.
Sorry, you're wrong Mark, you must be thinking about something else. Colin had nothing to do with inventing this device. It was all my own work and I remember very clearly the experiments I did in developing it and settling on the values. Anyway I'm glad you like it more then the parallel types. Chris Kinman
The new American Professional strat has a combination of Duncan and Kinman. 1200pf cap with 150k resistor in parallel above a 20k resistor in series on the left cap leg. Sounds very natural.
Are you completely sure about this? The 20K would just lower the output, and no one would need that. If the 1200pf is in series with the 20K, and both parallel to the 150K would make a little bit more sense.
I'm using the "simple" treble bleed (TB). it is very effective. When I play high gain and want a bit more clarity for chordings, i can back the volume a bit and the tone clears up very nicely. But I noticed, the sound become somewhat "chopped off" when rolling it down to mute the guitar. I think it will be a smarter choice to wire the TB in push pull pots DPDT, so when i need to just shut the guitar down , i can disengage the treble bleed, so i didnt get that weird cut off sound. When I want to clears up the tone a bit, i can engage the treble bleed.
i know its not exactly what you were saying, but after reading your post, i have seriously started wanting a kill switch on a couple of my gitters. Not a big thing, but really useful when you want it!
:) I know. All of my guitars are finished and set the way I like them so I don't want to take them apart anymore. I did just build a test guitar for these videos going forward so hopefully I'll be able to start having some sounds included in some of these in the future.
I completely agree with this being a specific mod. Some guys even use alligator clips to test different values. I did a new HSS pickguard for my Kramer Focus 3000 (strat copy). It's all DiMarzios (Humbucker and Area singles). For the tone pot, I used a 0.033uF. I added a treble bleed mod, as well. I am using a 330k resistor (or was it 270k?) and 510pF cap in parallel. I think they were great values to use for the tone i wanted.
This is a great Video for someone wondering about fitting one. There are videos of people using different values for sound comparisons but we all use different guitars and equipment. I have experimented so much over the years. Most towns have a Maplins or similar shops that sell electronics. Resistors and capacitors are so incredibly cheap. I use crocodile clips which enables me to try components quickly and easily. On a Strat, it's incredibly simple in particular. I have guitars that spread over a large time frame, from the 50's to new and I don't believe vintage capacitors make any difference. I'm sure someone will tell me they can hear the difference but I can't.
It\s possible to do it without soldering, just wrap the legs around to luggs of the potentiometer. Super easy and worth trying. The cap or resistor has long enough legs to get a decent connection. This way you can keep your guitar being orginal with the mod.
The solder lugs of a pot are correctly identified as follows. With the shaft of the pot pointing towards you with the lugs hanging downward the lug on the left is #1, the wiper is lug #2 and the lug on the right is lug #3. Lug 3 of the volume pot is connected to the incoming signal. Lug 2 (wiper) is connected to the output jack's tip solder lug. Lug 1 is always connected to ground.
@@bige2867 Hey! On my set up the the duncan set up sounded the most natural. Meaning at full volume it sounded the same as if I didn't have a treble bleed. Of course when I rolled off the volume it was a consistent sound just quieter. I also like the clean look when installed lol. My set up was a SD Le Brea Bridge pick up, SD mini humbucker (bridge) for the neck. 250k volume, 250k tone
Stew-Mac sells premade ones, although they are overpriced ($7.50) compared to just buying the same components elsewhere ($2). They are the duncan (parallel) circuit, with either a ceramic or an orange cap. I used their values but bought the parts elsewhere and I liked how they turned out in an SG with 57 Classic pickups, and in a gretsch currently with broadtrons. The gretsch originally had a kinman style circuit from the factory and it was pretty worthless. I didn't notice much difference to the taper of the pots using these. I used the 100V .001uF orange drop polyester cap, and a 1/4 watt 150-Kohm resistor. Very happy with the result. Mojotone sells premade ones for $3 with the ceramic cap using 220K resistor and a 471pf cap. Haven't tried that combo yet but will soon.
Hey so what did you think about the other combo you were going to try? I too have an SG and just bought a .001uF ceramic cap with a 270k resistor that I will try first in series and then in parallel to see which I prefer.
@@socialdef3 I never did try those Mojo spec ones. They are still sitting there waiting for me to get around to it LOL. What did you end up deciding with your experiment? If you have an SG you might try the spec below if it had humbuckers. I just installed the "stewmac spec" (.001 uF orange drop + 150K-ohm) ones I made (Duncan style/ parallel) on a Gibson Les Paul Standard 60's Wildwood Select Les Paul. Pickups are wildwood spec '59 Tribute humbuckers. They worked really great for this guitar. (I'd say the pickups are pretty similar to 57 classics, maybe slightly bassier in the low end.) The result was the treble is preserved or mostly preserved through the range, rolling the volume back can still clean up a dirty signal in terms of gain/dirt, and the volume taper is slightly modified to be less like audio taper pots and more like a "vintage taper" pot. Or to my ear, I'd say it changed like this: WAS: Full Vol = 10, Half Vol - 7 to 7.5, Qtr Vol = 5, Cut Out 1.5 A little humped up with most control in the upper range TO: Full Vol = 10, Half Vol = 5, Qtr Vol = 2.5 to 3, Cut Out 1.5 Much smoother taper. Very pleased with that result. The only thing I haven't tried with it yet is playing at very low and very loud volumes. Sometimes that kind of changes how things work, so more experimenting required there to see. But for my "practice" levels these are great. If it maintains that taper at stage volumes, I'm going to be really glad I installed these.
Just added a treble bleed to my strat using a 1960s 600v .47uf white molded capacitor and attaching it to the legs(parallel) of the original green 473k .treble bleed works good when using harmonics with distortion. its even more bassy on the low end with a clean tone.
Hey Don, very good, informative video. I am in the beginning stages of a telecaster project, and this answered several questions I had regarding treble bleed circuits. Appreciate it greatly!!
Great video!!! Can you add info in the comments as to the impact of going up and going down in values of the components? You mention that the displayed values are starting points. For each type of bleed circuit It would be nice to know things like: If you go up in capacitor value, then the treble will... If you go down in capacitor value, then... If you go up in parallel resistor value, then... if you go up in series resistor value, then... and so on.
i use a kinman circuit. .047 cap, 150k ohms resistor. duncan sounds thin. kinman does not lose the mid frequency yet still bleeds the treble. i have the same circuit on all my 3 electric guitars (tele, cort aero11 and viva gold 2), and a 5 string active/passive bass
i usually remove any treble bleed that comes with the guitar, when you turn the volume down and lose some treble the tone is more mellow which is what i want when i turn down the volume
Thanks this is great! I installed the duncan style treble bleed and the volume pots on my LP and they're so much more usable now, especially in coil split mode. I used 1.5 nf caps and 100k resistors since that's what I had lying around.
Great video!!! Thanks! I would have to say though, it's not that people hear it differently, is that they have different pickups, strings, etc. All that affects the hysterisis response and therefore what you're filtering. That's why some people completely get rid of all controls and do pickup straight to amp and control it there, but then you've just moved the problem elsewhere and with a long cable to add.
Thanks so much for your thorough and precise videos very important to the do it yourselfers out there who need details to do things right the first time
WarBeer I can't speak 100% to the Kinman and Simple at this time as I don't normally do them and haven't for a while but the Duncan (which I just did on a SG) does not have any signal at Zero.
Thanks for making a succinct and useful video.I have just started rewiring my 8 month old Ibanez semi hollow body with the "Jimmy Page" style circuitry and new HB pickups and am thinking of adding in 2 treble bleeds at the same time. Leaning towards the Kinman version at the moment so thanks again for drawing my attention to it.I think I will have to do it now as it is too much work to do the mods on a semi hollow body style guitar after the new pots etc have been installed.Cheers
Just did this mod (Duncan style) on my Mexican strat with a .0015uf sprague orange drop and 150k resistor; loving the tone I’m getting post-mod. Install video on my channel. 🎸
Are those micro farads or milli farads? Because you have it labeled as milli farads which is 1000 times larger than micro farads. For your reference, micro uses a funny u. So 1 micro farad would be 1 uf. Or if you want to look in the font list, it is actually the Greek letter u.
Just wanted to say thanks for all your vid's. I've used the grease bucket and treble bleeds on my guitars. I like how explain what does what, so I subscribed.
Can you tell us though what effect changing the capacitors and resistors will have? For example, if we increase or decrease the value of the capacitor, will that allow more or less high end to pass? and will increasing or decreasing the resistor in the Duncan bleed cause the taper to roll off quicker or slower?
hi, nice explaination ! question though, as there is still a path between the 2 lugs, I guess that in the Duncan version the treble freq still pass when volume is at minimum, therefore never zero ?
All it is not so simple... because depends on pickup's impedance, Volume pot's value and taper, Tone pot's value, Tone cap's value, guitar's parasitic shunting capacitance (including cable), and next input's impedance. This circuit is not only changing the tone but Volume pot's value and taper parameters too (taper's feel at once). And all variations and component combinations of "treble bleed" circuit are affecting it differently. I prefer Kinman's circuit for 250k pots, but using 500k pots it must be recalculated.
I'm mainly a humbucker guy and I've noticed that with some of my pickups and wiring my amps will clean up really nicely and evenly as I turn the volume pot down while others do almost nothing and then just go all the way off. I have other pots where they get really dark as I roll it off so I can see a treble bleed working for that. What should I be looking for if I want a nice dynamic and smooth volume taper/clean up in a volume pot while still sounding full when on 10?
You can try replacing your Volume Pots (which most likely are AUDIO Taper) with Linear Taper pots. They get wired exactly the same way - they just help smooth out the taper of the volume. Treble Bleeds tend to be pickup dependent. I have some HBs that need them and others that don't. Not sure why that is - its just what I hear as I'm playing. The TB is easy enough to do and can certainly be removed if you don't like it's effects. I'd start with the pots. Don
I did the Duncan mod on my Fender Strat, with the same values as you suggested. It performs as it is supposed to, although I will have to experiment because I want it to clean up faster. When I roll the volume all the way back to 2 it jumps back to full volume. I did put a new CTS pot in, but was wondering if that was normal, or I might have a faulty pot or connection.
Hey Clay... interesting... Not sure why your pot is jumping back to full vol. My suggestion is to recheck all your connections and if they all check out - try swapping the pot out. Is it a high quality CTS or your run of the mill standard CTS pot? There is a difference in quality and you might have a bad one. You could try cleaning it too with DeOxit - maybe something is gunked up in it. Don
Dan, Thanks A lot for your many Video. You are very clear and helpfull. I have used several mod on my strat and I am very happy about. I have a question: the "Treble Bleed" can coexist vith the "Vintage tone wiring"?? and if yes How? Thanks
Yeah, the guy never actually states the unit in the video. I can only assume he means millifarad... therefore, a 0.002mf would equal 2µF. I wish he would clear this up. It also would have been nice to know what the difference is in tone, considering the username "toneworks."
Actually Dartheomus, .002 millifarads would be huge. That is the same as 2000 microfarads (uF)! That would be a very large capacitor physically as well as in capacitance. This much capacitance would usually require an electrolytic capacitor which is polarized. I've never heard of a ceramic cap that big. It should be .002 microfarads (uF) which, as Daniel said, is the same as 2 nanofarads (nF).
Daniel it does mean 2 nF, but mf means micro Farad, 1000 nF is 1 micro Farad - 1 uF, and it is no problem to find a 2 nF cap, but here in Europe they are 2,2 nF, because of the E-ranges, which does not matter at all.
I do have a strat who gets really muddy and bassy when I turn down the vol. My question is: since I set my gain around 3/4 on my amp and I use my guitar vol to clean up my sound whould it work good. My strat is all single coils pups? When my amp is set clean( not much gain) it did become muddy to but not as bad when I have the gain very high.
I have a DPDT on/on mini toggle switch that I want to use to turn on/off a treble bleed circuit on my strat. How do I wire the mini toggle switch to the treble bleed capacitor? Do you have a diagram for that?
What do you think about adding one of these treble bleeds to your other Strat mod called dual capacitors? I was planning to do both. Of course inspired by your extremely informative, no BS style!
+AgentJayZ It's all really dependent on the pickups and how they sound. The Dual Cap Mod is on 7 of my 9 Strats and in some cases the pickups led me down a tone path of needing the treble bleed and others they didn't.
Dear mr. Breja toneworks, can you tell me what kind of resistence do i have to use for a treble bleed with a capacitor of 5 , a capacitor of 6 and a capacitor of 22, for a Kinman system. Thanks a lot.
Excellent explanation. I just bought caps and resistors and will do some experimenting from the Duncan to Kinman kind, but do I need to solder the resistor to the cap or do I just wrap it around like the diagram?
My volume doesn't start to sound lower until about the 3 o'clock position. Will a treble bleed help control the volume loudness level? you mention the "Duncan" treble bleed. thx
To everyone watching this, the Freeway website has a diagram on this setup without the on off switch for a treble bleed, but you can just do that seperately and add it in
Thanks for your reply! Is verifying polarity of the capacitor an issue? For a Strat which of the three would you steer toward? Thanks again for your time, talent and help!!
Thanks for the great video, I might want to try this mod. I do have a question. I have an american strat special SSS, texas special PUs. I have a basic understanding of how the pickguard is wired up and the purpose of caps on the tone pots. But my strat has 2 disc caps per TONE pot, the same 2 caps on each tone pot. Cap #1 is BC Z5U 203M 1KV This cap is installed in a standard way, grounded to pot and connected to lug on right, (when lugs are pointing down). Cap #2 is Y5U 104M This cap is soldered to middle lug and left lug, (when lugs are pointing down). .... Can you tell me what the purpose of Cap #2 is ? Thanks Terry
Hi there, thanks for the lessons. I am upgrading a cheepee Strat. I installed a fine set of 69 Fender pickups.I am old school and fell in love with the original fender sound when the Venturer's came out " Walk don't Run tune back in the 60's. So now I would like to duplicate the tone of the Stratocasters that were used.I noticed that the metal on the pickup posts were a lot higher quality and heavier than the cheaper ones. However, there is still a problem with tone regulation. Would you happen to know which sized capacitors were used back then? I now am going to buy some better capacitors and even try the resistors out with them. Cheers, Leon
Hey Leon... Not sure you're gonna make much headway matching the Venture's sound by switching out the Capacitors but in that era, most Strats had a .1uF Ceramic Disk capacitor. A lot of their sound came from their Mosrite guitars. They switched in the early 60's after playing mainly Fender Jazzmasters. 'Walk Don't Run' was a Jazzmaster strung with really heavy gauge strings going into a Fender Tweed. So - I guess if this is the sound you want to get, you'd need a late 50's style Jazzmaster or Mosrite Ventures model Mark 1 and a Fender amp. Best of luck... Don
Ever tried Jeff Lace's Sensor pups? If you want clean tone, even with high gain...he's tops. They aren't made like any other pup i've known, and they are favored by Clapton, Gilmour, and others i'm not recalling at the moment. i absolutely love them, and he sent me a new prototype pair to evaluate...gonna start that mod tomorrow...very excited for this one!
I have this on my Godin SD its a HSS pickup set with 1 vol 1 tone however the volume pot has only a resistor on it it looks to be 150k why is this? also humbucker is a 2 wire humbucker if that makes a difference.
Thanks for the post. I have a Tele Deluxe Style guitar with P-90 like single coils (master volume, master tone). I had a Duncan Treble bleed circuit put in, and I feel like it’s too harsh? Especially with certain effects. I end up rolling off the tone when I turn down now. I feel like I still want a treble bleed on the guitar...? Which one of these three is the least dramatic, but still keeps the high end in place?
Hi! Similar experience here, I have a jazzmaster type with lollar p90s and 500k pots and I just had a treble bleed installed. The tech put and orange drop 0,001 capacitor and a 150k resistor. Even with the volume at max I feel like the sound has brightened up, a bit too much
I think on my guitar the tone is wired to the input of the volume, not the output. Does that mean the tone is applied before the volume so it is not affected? I don't seem to lose treble when I roll down the volume, but I do hear more bass when I increase volume.
+Joallyson Castro I know. I didn't have an easy way of showing them off at the time. The difference is pretty subtle so even if I could, I'm not sure via RUclips, you'd be able to discern which was which.
Ive watched the vintage vs modern wiring vid, where you called out the lug that is solderdd to the can as L 1.but in this treble bleed vid you refered to the soldered lug as L 3. Which one is correct? Not ragging just need tobe clear. Thanks
Edad Martin I didn't realize I switched up my naming convention between the videos. I try to be consistent but must have missed that. These are only my naming conventions and they're intended to help people follow my wiring. The name isn't important - the actual lug position is what you should note. Sorry for the confusion. Don
Thank you just found you and subscribed... My question is component related...what if anything is the difference between using a Ceramic, Orange Drop, Oil and Paper capacitor. What if anything will any of them do differently in the circuit? When I rewired my LP I was looking for a 50's kind of sound and went with a pre-wired pot and capacitor kit with oil caps...Now I'm looking at a Tele with not a lot of room and want the best solution that will fit. I don't mind paying for quality components knowing that when you use quality you rarely have to do the job again. Thank you!!!
+Joe Krol Size is an issue with Caps. Some of the PIO ones are hard to fit in cavities. I know there's a lot of debate as to can anyone tell the difference between a PIO, Mylar (Orange Drop) or Ceramic. I like PIOs with Humbuckers and SCs personally. On all my dual HB guitars I only use PIOs. On my strats and teles - it's a mix of PIO and Orange Drops. I only user Ceramic on vintage/period correct strats. All will do the same thing to your tone - its just that some people will hear subtle (SUBTLE) differences in frequency response from the different materials. To my ears, PIO sound warmer and the others are a bit more bright but the next guy might not hear anything any difference. So - bottom line, get a Cap the fits (literally) you cavity. It's the VALUE of the cap that's the most important. It ranged from .015uF to .022uF to .047uF all the way to .1uF. It's totally personal preference on the value as to how much treble frequencies it will remove. So - to answer your question... my opinion on a Tele would be a .022uF PIO cap.
Hi Breja Toneworks, Do you have a full Wiring Diagram of that type of Setup Please and could you email it to me? that is if you wont mind. Or even just a picture on your RUclips Site.
Part of the trick of getting a good tone can be to lose some of that treble. I think its a big thing that strat players do unconsciously to get that strat sound.
To save a lot of labour especially for Strat owners may I suggest soldering a couple of thin wires to lugs 1 and 2 of the volume pot (long enough to reach outside of your guitar assembly) You can clip on the various component combinations and hear what each does. Once you've decided, slacken strings, open up and solder directly in place :)
Awesome advice! Thank you! This is what I am going to do right now. Thanks again.
Yes, Martin, that's the way one should go to really customize the final setup the ears are "looking" for, because all components act differently, sometimes also different from expectations or rules. Trial + Error but without soldering and soldering and soldering, not to mention putting in and out of Pickguards. I do this on every guitar I wire new components into. That is custom work. Best regards "MrHKBlues"
@@MrHKBlues hiii can you upload a sample wiring? Im interested but not sure how to do it. Thanks!
Good advice
Thanks. This was just the question I was asking.. 👍🏽
I'm here to thank you 11 years later! Thanks for keeping it simple and straight to the point!
This might be handy if you are going to order some caps for the mod:
Simple: 0.001mf = 0.001uf = 1nf = 1000pf
Kinman: 0.0012mf = 0.0012uf = 1.2nf = 1200pf
Duncan: 0.002mf = 0.002uf = 2nf = 2000pf
As said in the video, try different values and see what work. As a tip, try using alligator clips for this. That way you don't have to solder and can try many many different values :).
I like the simple mod, with the next values for myself: (slight treble bleed, noticeable enough, not over the top)
Humbucker neck 700-800 pf
Humbucker bridge 450-550 pf
Strat: 300 pf
Tele: 350-400 pf
Thanks Breja for all these cool video's!
roeletti Hey dude. Thanks for offering this info. I'm curious what pickups you're using with these cap values. In my Eclipse I have a SD JB bridge and SD '59 neck. Would you mind suggesting values for me ? Sounds like you've spent a lot of time finding the best cap values for your pickups. Thanks and have a great day. :-)
May the odds be ever in your favor you golden champ
Not sure what kind of "akshually" mfker uses mf anyway when uf is the common standard.
I was kinda wondering the massive capacitor values too. Micro (μ) should be written using u when using with Latin alphabet, otherwise it can be confused with milli (m) which is 1000 times larger.
Does the voltage value matter?
"...it's not just a knob, it's sound advice" I love that quote.
:) Thanks
Me too😎
What is rarely talked about when talking about these circuits is what lower frequencies are being cut and examples of what caps are being used. Also how these circuits effect the taper of the volume pot.
Don, sorry I was not around when you posted these timeless videos. I would have loved to be part of some of the discussions. Your sharing of information in all of your videos is par none to anyone on the net these day. You have helped countless folks like myself find the confidence to open up their guitars and find a brave new world of dialing in tone and exploring mods of all kinds. Hats off to you Sir words can not express the gratitude I have for the knowledge you videos convey. Blessings.
I did Duncan on my Strat yesterday and it is like an awake from a long time of darkness ! Thanks !
I just installed the Kinman treble bleed into my Fender American HH strat and its like night and day, brightened up the sound with more transparent frequencies, save me a lot of money on pickup replacement and other mods
so what i did on my ibanez RG (wasn't sure what style i wanted to use)
i put an alligator clip on each terminal of the volume pot.. then i attached every combo i wanted to those clips, changed values of caps and resistors etc. until i figured which worked best for me.
the caps and resistors are cheap, so i bought a bunch.
i found (for my ear) the kinman method with a 330pf ceramic cap and 150kohm 1/4w resistor sounded the best. the taper on the pot wasn't affected too much and the treble was still very present at a low volume.
Awesome...i made a set of test leads with alligator clamps for a bit of a project. i had an LP style guitar custom built, but still did a few mods (babicz bridge, switchcraft toggle and i replaced the witch hats with speed knobs) Now, i have a pair of "beta" or test humbuckers from Jeff Lace to install and review. i had an amazing electronics guy on Audiokarma construct a 250k pot harness, as Lace pups like 250s much better than 500k. i also had him put a push pull tone knob for phase. Anyway, he also sent a few treble bleeders, and additional caps for me to listen and put the best sounding (to me) combo. Gonna start this weekend. A bit of a daunting task. i do Luthier work all the time, but i farm electronics out, unless its a simple fix.
Glad you found your setting using test leads, they are a great tool for testing multiple options!
Be Well,
-trout
Very interesting info, thank you. I find ironic that DiMarzio sells volume pots with Duncan Treble Bleed mods (they call it it high pass), whereas Seymour Duncan only sells plain vanilla pots.
For me it’s the quick volume roll off in one of my Les Paul’s that has 50’s wiring. I tried a treble bleed and it helps me get a better range on my volume pot.
The Kinman version is actually a Colin Bloxsom version, it works very well and it doesn't mess with the taper of the pot as much as the parallel version. I've had this treble bleed circuit in my Strat for easily a decade and I'm very happy with it.
Sorry, you're wrong Mark, you must be thinking about something else. Colin had nothing to do with inventing this device. It was all my own work and I remember very clearly the experiments I did in developing it and settling on the values. Anyway I'm glad you like it more then the parallel types. Chris Kinman
Looking at your profile I highly doubt that you are Chris Kinman.
The new American Professional strat has a combination of Duncan and Kinman. 1200pf cap with 150k resistor in parallel above a 20k resistor in series on the left cap leg. Sounds very natural.
What is the value of the pot?
THANK YOU, SIR!!!!
Are you completely sure about this? The 20K would just lower the output, and no one would need that. If the 1200pf is in series with the 20K, and both parallel to the 150K would
make a little bit more sense.
I'm using the "simple" treble bleed (TB). it is very effective. When I play high gain and want a bit more clarity for chordings, i can back the volume a bit and the tone clears up very nicely. But I noticed, the sound become somewhat "chopped off" when rolling it down to mute the guitar. I think it will be a smarter choice to wire the TB in push pull pots DPDT, so when i need to just shut the guitar down , i can disengage the treble bleed, so i didnt get that weird cut off sound. When I want to clears up the tone a bit, i can engage the treble bleed.
i know its not exactly what you were saying, but after reading your post, i have seriously started wanting a kill switch on a couple of my gitters. Not a big thing, but really useful when you want it!
Probably the value of the Cap is too high. a 500 Pf, or 330 Pf would be less choppy.
What guitar do you have!!!!!?!?!?!?!?!?!?
I wish you could have some sound clips with the videos to compare
:) I know. All of my guitars are finished and set the way I like them so I don't want to take them apart anymore. I did just build a test guitar for these videos going forward so hopefully I'll be able to start having some sounds included in some of these in the future.
Nice one I look forward to it
Can you describe the sound difference you would get with each option?
I completely agree with this being a specific mod. Some guys even use alligator clips to test different values.
I did a new HSS pickguard for my Kramer Focus 3000 (strat copy). It's all DiMarzios (Humbucker and Area singles). For the tone pot, I used a 0.033uF. I added a treble bleed mod, as well. I am using a 330k resistor (or was it 270k?) and 510pF cap in parallel. I think they were great values to use for the tone i wanted.
That's the beauty of modding. Don
I completely agree! There are so many possibilities to try out!
This is a great Video for someone wondering about fitting one. There are videos of people using different values for sound comparisons but we all use different guitars and equipment. I have experimented so much over the years. Most towns have a Maplins or similar shops that sell electronics. Resistors and capacitors are so incredibly cheap. I use crocodile clips which enables me to try components quickly and easily. On a Strat, it's incredibly simple in particular. I have guitars that spread over a large time frame, from the 50's to new and I don't believe vintage capacitors make any difference. I'm sure someone will tell me they can hear the difference but I can't.
It helped me a lot
It\s possible to do it without soldering, just wrap the legs around to luggs of the potentiometer. Super easy and worth trying. The cap or resistor has long enough legs to get a decent connection. This way you can keep your guitar being orginal with the mod.
The solder lugs of a pot are correctly identified as follows. With the shaft of the pot pointing towards you with the lugs hanging downward the lug on the left is #1, the wiper is lug #2 and the lug on the right is lug #3. Lug 3 of the volume pot is connected to the incoming signal. Lug 2 (wiper) is connected to the output jack's tip solder lug. Lug 1 is always connected to ground.
I believe fender is now using a combo of Duncan and Kinman, on a PCB: the Kinman resistor is 20K, the Duncan 150K, and the Capacitor 1200pF.
Thank you for this valuable information!! Tried them all on my Tele and ended up using the Duncan but used a .001 cap and 150 resistor.
Hi I'm interested to know specifically what you liked about the Duncan arrangement.
@@bige2867 Hey! On my set up the the duncan set up sounded the most natural. Meaning at full volume it sounded the same as if I didn't have a treble bleed. Of course when I rolled off the volume it was a consistent sound just quieter. I also like the clean look when installed lol. My set up was a SD Le Brea Bridge pick up, SD mini humbucker (bridge) for the neck. 250k volume, 250k tone
Stew-Mac sells premade ones, although they are overpriced ($7.50) compared to just buying the same components elsewhere ($2). They are the duncan (parallel) circuit, with either a ceramic or an orange cap. I used their values but bought the parts elsewhere and I liked how they turned out in an SG with 57 Classic pickups, and in a gretsch currently with broadtrons. The gretsch originally had a kinman style circuit from the factory and it was pretty worthless. I didn't notice much difference to the taper of the pots using these. I used the 100V .001uF orange drop polyester cap, and a 1/4 watt 150-Kohm resistor. Very happy with the result. Mojotone sells premade ones for $3 with the ceramic cap using 220K resistor and a 471pf cap. Haven't tried that combo yet but will soon.
Hey so what did you think about the other combo you were going to try? I too have an SG and just bought a .001uF ceramic cap with a 270k resistor that I will try first in series and then in parallel to see which I prefer.
@@socialdef3 I never did try those Mojo spec ones. They are still sitting there waiting for me to get around to it LOL. What did you end up deciding with your experiment? If you have an SG you might try the spec below if it had humbuckers. I just installed the "stewmac spec" (.001 uF orange drop + 150K-ohm) ones I made (Duncan style/ parallel) on a Gibson Les Paul Standard 60's Wildwood Select Les Paul. Pickups are wildwood spec '59 Tribute humbuckers. They worked really great for this guitar. (I'd say the pickups are pretty similar to 57 classics, maybe slightly bassier in the low end.) The result was the treble is preserved or mostly preserved through the range, rolling the volume back can still clean up a dirty signal in terms of gain/dirt, and the volume taper is slightly modified to be less like audio taper pots and more like a "vintage taper" pot. Or to my ear, I'd say it changed like this:
WAS: Full Vol = 10, Half Vol - 7 to 7.5, Qtr Vol = 5, Cut Out 1.5 A little humped up with most control in the upper range
TO: Full Vol = 10, Half Vol = 5, Qtr Vol = 2.5 to 3, Cut Out 1.5 Much smoother taper.
Very pleased with that result. The only thing I haven't tried with it yet is playing at very low and very loud volumes. Sometimes that kind of changes how things work, so more experimenting required there to see. But for my "practice" levels these are great. If it maintains that taper at stage volumes, I'm going to be really glad I installed these.
Just added a treble bleed to my strat using a 1960s 600v .47uf white molded capacitor and attaching it to the legs(parallel) of the original green 473k .treble bleed works good when using harmonics with distortion. its even more bassy on the low end with a clean tone.
Hey Don, very good, informative video. I am in the beginning stages of a telecaster project, and this answered several questions I had regarding treble bleed circuits. Appreciate it greatly!!
Hey Bill...
Thanks for watching and I'm glad the videos are helping you out.
Great video!!! Can you add info in the comments as to the impact of going up and going down in values of the components? You mention that the displayed values are starting points. For each type of bleed circuit It would be nice to know things like: If you go up in capacitor value, then the treble will... If you go down in capacitor value, then... If you go up in parallel resistor value, then... if you go up in series resistor value, then... and so on.
Nice video!
And funny story: "breja" is a slang for beer here in Brazil.
i use a kinman circuit. .047 cap, 150k ohms resistor.
duncan sounds thin. kinman does not lose the mid frequency yet still bleeds the treble. i have the same circuit on all my 3 electric guitars (tele, cort aero11 and viva gold 2), and a 5 string active/passive bass
i usually remove any treble bleed that comes with the guitar, when you turn the volume down and lose some treble the tone is more mellow which is what i want when i turn down the volume
Thanks this is great! I installed the duncan style treble bleed and the volume pots on my LP and they're so much more usable now, especially in coil split mode. I used 1.5 nf caps and 100k resistors since that's what I had lying around.
Great video!!! Thanks! I would have to say though, it's not that people hear it differently, is that they have different pickups, strings, etc. All that affects the hysterisis response and therefore what you're filtering. That's why some people completely get rid of all controls and do pickup straight to amp and control it there, but then you've just moved the problem elsewhere and with a long cable to add.
Your instructional videos are quite helpful. I hope you will continue to produce more content. Thank you!
Fender now run both series and parallel resistors at the same time. 20k series 130k parallel and a 1.2nf cap I believe.
Bill Lawrence was the best at pickup tone circuit modifications. Research his work and follow it for the best tone you can get.
Thanks so much for your thorough and precise videos very important to the do it yourselfers out there who need details to do things right the first time
Thanks, your uploads are always interesting and informative.
.001uf and 220k resistor in kinman works for me very well
My 75 and 77 tele have the .001 capacitor. I will be putting one in my Classic series 60s tele.
So, do all three of the circuits presented here allow a bit of volume when the pot is completely off?
WarBeer I can't speak 100% to the Kinman and Simple at this time as I don't normally do them and haven't for a while but the Duncan (which I just did on a SG) does not have any signal at Zero.
Could you please suggest wiring for 2 humbuckers with a 3 way blade switch and just 1 volume pot, no tone
Thanks for making a succinct and useful video.I have just started rewiring my 8 month old Ibanez semi hollow body with the "Jimmy Page" style circuitry and new HB pickups and am thinking of adding in 2 treble bleeds at the same time. Leaning towards the Kinman version at the moment so thanks again for drawing my attention to it.I think I will have to do it now as it is too much work to do the mods on a semi hollow body style guitar after the new pots etc have been installed.Cheers
Just did this mod (Duncan style) on my Mexican strat with a .0015uf sprague orange drop and 150k resistor; loving the tone I’m getting post-mod. Install video on my channel. 🎸
any passive mid boost schamatic for bass guitar ? please....
Any guitar can be wired according the 50ties wiring.NO need for treble bleed.
Very simple and very effective.
Treble bleeds are truly subjective. In many cases they're not needed but in some, based on pickup output or other factors they can be beneficial. Don
Might work for your Les Paul, but my Strat is half as usefull without it. No "50's mod" for single coil guitars, mate
well i mean you can wire up a strat like a 50s les paul? it's just if it's input or output loaded.
Very helpful video. Have used the Duncan treble bleed and it works a treat
Are those micro farads or milli farads? Because you have it labeled as milli farads which is 1000 times larger than micro farads. For your reference, micro uses a funny u. So 1 micro farad would be 1 uf. Or if you want to look in the font list, it is actually the Greek letter u.
micro
Just wanted to say thanks for all your vid's. I've used the grease bucket and treble bleeds on my guitars. I like how explain what does what, so I subscribed.
Absolutely beautiful to me, bro. Helped a lot. Thank you.
Nice video and I didn't know about the 3 versions, so great info...
Philip
Thank you Sir ! Really Love your channel !
Can you tell us though what effect changing the capacitors and resistors will have? For example, if we increase or decrease the value of the capacitor, will that allow more or less high end to pass? and will increasing or decreasing the resistor in the Duncan bleed cause the taper to roll off quicker or slower?
hi, nice explaination ! question though, as there is still a path between the 2 lugs, I guess that in the Duncan version the treble freq still pass when volume is at minimum, therefore never zero ?
Christophe Rebeyrol Yes - you are correct.
Great video! I always enjoy your channel!
which one has the brightest and most treble sound?
hi. what resistor to use for .22 capacitor and .47 Capacitor?
All it is not so simple... because depends on pickup's impedance, Volume pot's value and taper, Tone pot's value, Tone cap's value, guitar's parasitic shunting capacitance (including cable), and next input's impedance. This circuit is not only changing the tone but Volume pot's value and taper parameters too (taper's feel at once). And all variations and component combinations of "treble bleed" circuit are affecting it differently. I prefer Kinman's circuit for 250k pots, but using 500k pots it must be recalculated.
I'm mainly a humbucker guy and I've noticed that with some of my pickups and wiring my amps will clean up really nicely and evenly as I turn the volume pot down while others do almost nothing and then just go all the way off. I have other pots where they get really dark as I roll it off so I can see a treble bleed working for that. What should I be looking for if I want a nice dynamic and smooth volume taper/clean up in a volume pot while still sounding full when on 10?
You can try replacing your Volume Pots (which most likely are AUDIO Taper) with Linear Taper pots. They get wired exactly the same way - they just help smooth out the taper of the volume. Treble Bleeds tend to be pickup dependent. I have some HBs that need them and others that don't. Not sure why that is - its just what I hear as I'm playing. The TB is easy enough to do and can certainly be removed if you don't like it's effects. I'd start with the pots. Don
Hello! Nowadays, Duncan suggest 560 pf cap and 300k res in parallel
I did the Duncan mod on my Fender Strat, with the same values as you suggested. It performs as it is supposed to, although I will have to experiment because I want it to clean up faster. When I roll the volume all the way back to 2 it jumps back to full volume. I did put a new CTS pot in, but was wondering if that was normal, or I might have a faulty pot or connection.
Hey Clay... interesting... Not sure why your pot is jumping back to full vol. My suggestion is to recheck all your connections and if they all check out - try swapping the pot out. Is it a high quality CTS or your run of the mill standard CTS pot? There is a difference in quality and you might have a bad one. You could try cleaning it too with DeOxit - maybe something is gunked up in it.
Don
Congrats on the video! does not this system allow you to lower the volume fully?
Dan, Thanks A lot for your many Video. You are very clear and helpfull. I have used several mod on my strat and I am very happy about. I have a question: the "Treble Bleed" can coexist vith the "Vintage tone wiring"?? and if yes How? Thanks
1.) No comparison?
2.) Do you have to use ceramic caps, or is that just because they're known to be the brightest of the bunch?
What happens if you use the Kinman and did not wire the resistor in the outer lug, but instead in the pot center lug?
That 0.002mF is actually uF meaning its 2nF capacitors ?
Yeah, the guy never actually states the unit in the video. I can only assume he means millifarad... therefore, a 0.002mf would equal 2µF. I wish he would clear this up. It also would have been nice to know what the difference is in tone, considering the username "toneworks."
I was literally just about to ask :D thanks.
It's a 0.002uF. You can't find a 2uF ceramic capacitor in that format.
Actually Dartheomus, .002 millifarads would be huge. That is the same as 2000 microfarads (uF)! That would be a very large capacitor physically as well as in capacitance. This much capacitance would usually require an electrolytic capacitor which is polarized. I've never heard of a ceramic cap that big.
It should be .002 microfarads (uF) which, as Daniel said, is the same as 2 nanofarads (nF).
Daniel it does mean 2 nF, but mf means micro Farad, 1000 nF is 1 micro Farad - 1 uF, and it is no problem to find a 2 nF cap, but here in Europe
they are 2,2 nF, because of the E-ranges, which does not matter at all.
I do have a strat who gets really muddy and bassy when I turn down the vol. My question is: since I set my gain around 3/4 on my amp and I use my guitar vol to clean up my sound whould it work good. My strat is all single coils pups? When my amp is set clean( not much gain) it did become muddy to but not as bad when I have the gain very high.
Thx bro. I am about to modding my guitar and your videos helps a lot.
do you think the duncan treble bleed would be better for a les paul thanks
+thomboy54 It's the most common. For what it's worth - it's the one I use on mine.
very good . buddy . thank you very much
I can’t find the Duncan treble bleed anywhere? Thanks
I have a DPDT on/on mini toggle switch that I want to use to turn on/off a treble bleed circuit on my strat. How do I wire the mini toggle switch to the treble bleed capacitor? Do you have a diagram for that?
really interesting and useful, greetings from Mexico. I love strats so much...
+velascaux Thanks and Welcome
Which one do I need to get the Eric Clapton woman tone?
+19Luke89 The woman tone is more from the tone pots and having a darker capacitor on those than from a treble bleed.
Breja ToneWorks was trying to be ironic or whatever, sarcastic? Lol
+19Luke89 I know but there are some who believe in strange things. :)
What do you think about adding one of these treble bleeds to your other Strat mod called dual capacitors?
I was planning to do both. Of course inspired by your extremely informative, no BS style!
+AgentJayZ It's all really dependent on the pickups and how they sound. The Dual Cap Mod is on 7 of my 9 Strats and in some cases the pickups led me down a tone path of needing the treble bleed and others they didn't.
Very helpful video, thank you. Could you tell me which one of these mods Andy Timmons did in his guitar?
Really great video, clear explanations!
Dear mr. Breja toneworks, can you tell me what kind of resistence do i have to use for a treble bleed with a capacitor of 5 , a capacitor of 6 and a capacitor of 22, for a Kinman system. Thanks a lot.
Excellent explanation. I just bought caps and resistors and will do some experimenting from the Duncan to Kinman kind, but do I need to solder the resistor to the cap or do I just wrap it around like the diagram?
My volume doesn't start to sound lower until about the 3 o'clock position. Will a treble bleed help control the volume loudness level? you mention the "Duncan" treble bleed. thx
no, treble bleed just filters bass when you turn the volume down. My advice is to try Linear Potentiometers
@@lucasvieira1805 got it, thank you
If I were to solder this on a guitar with 2 humbuckers, 2 volume 1 tone and a 3 way switch would I need to solder a treble bleed on each volume pot?
Are the values of the caps similar on a guitar with humbuckers? 🎉
I have a epiphone wilkat which has 2 vol 1 neck 1 bridge and a master vol do I have too do all 3 or just master or the 2 vol Thanks John
To everyone watching this, the Freeway website has a diagram on this setup without the on off switch for a treble bleed, but you can just do that seperately and add it in
Would the cap & resistor values need to change for 250K and 500K pots?
Thanks for your reply! Is verifying polarity of the capacitor an issue? For a Strat which of the three would you steer toward? Thanks again for your time, talent and help!!
+1cleandude No polarity with ceramic capacitors.
Excellent video. I finally understand!
Thanks for the great video, I might want to try this mod.
I do have a question.
I have an american strat special SSS, texas special PUs.
I have a basic understanding of how the pickguard is wired up and the purpose of caps on the tone pots.
But my strat has 2 disc caps per TONE pot, the same 2 caps on each tone pot.
Cap #1 is BC Z5U 203M 1KV
This cap is installed in a standard way, grounded to pot and connected to lug on right, (when lugs are pointing down).
Cap #2 is Y5U 104M
This cap is soldered to middle lug and left lug, (when lugs are pointing down).
.... Can you tell me what the purpose of Cap #2 is ?
Thanks
Terry
Hi there, thanks for the lessons. I am upgrading a cheepee Strat. I installed a fine set of 69 Fender pickups.I am old school and fell in love with the original fender sound when the Venturer's came out " Walk don't Run tune back in the 60's. So now I would like to duplicate the tone of the Stratocasters that were used.I noticed that the metal on the pickup posts were a lot higher quality and heavier than the cheaper ones. However, there is still a problem with tone regulation. Would you happen to know which sized capacitors were used back then? I now am going to buy some better capacitors and even try the resistors out with them. Cheers, Leon
Hey Leon... Not sure you're gonna make much headway matching the Venture's sound by switching out the Capacitors but in that era, most Strats had a .1uF Ceramic Disk capacitor.
A lot of their sound came from their Mosrite guitars. They switched in the early 60's after playing mainly Fender Jazzmasters. 'Walk Don't Run' was a Jazzmaster strung with really heavy gauge strings going into a Fender Tweed.
So - I guess if this is the sound you want to get, you'd need a late 50's style Jazzmaster or Mosrite Ventures model Mark 1 and a Fender amp.
Best of luck...
Don
You said Kinman WAS a pick up maker, Kinman still make pick ups ...just bought one and sound great.
Kinman makes the best pickups, ok, the tone is a subjective thing, but manufacturing quality, and hum and noise reduction are phenomenal.
Ever tried Jeff Lace's Sensor pups? If you want clean tone, even with high gain...he's tops. They aren't made like any other pup i've known, and they are favored by Clapton, Gilmour, and others i'm not recalling at the moment. i absolutely love them, and he sent me a new prototype pair to evaluate...gonna start that mod tomorrow...very excited for this one!
Yeah, I put 2 Kinmans (that "Blues" variant, or what they're called...?) in my Strat years ago and I still love them!
I have this on my Godin SD its a HSS pickup set with 1 vol 1 tone however the volume pot has only a resistor on it it looks to be 150k why is this? also humbucker is a 2 wire humbucker if that makes a difference.
Thanks for the post. I have a Tele Deluxe Style guitar with P-90 like single coils (master volume, master tone). I had a Duncan Treble bleed circuit put in, and I feel like it’s too harsh? Especially with certain effects. I end up rolling off the tone when I turn down now.
I feel like I still want a treble bleed on the guitar...? Which one of these three is the least dramatic, but still keeps the high end in place?
Hi! Similar experience here, I have a jazzmaster type with lollar p90s and 500k pots and I just had a treble bleed installed. The tech put and orange drop 0,001 capacitor and a 150k resistor. Even with the volume at max I feel like the sound has brightened up, a bit too much
Thanks for your input.
I think on my guitar the tone is wired to the input of the volume, not the output. Does that mean the tone is applied before the volume so it is not affected? I don't seem to lose treble when I roll down the volume, but I do hear more bass when I increase volume.
Hey! very nice video.. just missed the each sounds. tks!
+Joallyson Castro I know. I didn't have an easy way of showing them off at the time. The difference is pretty subtle so even if I could, I'm not sure via RUclips, you'd be able to discern which was which.
Ive watched the vintage vs modern wiring vid, where you called out the lug that is solderdd to the can as L 1.but in this treble bleed vid you refered to the soldered lug as L 3. Which one is correct? Not ragging just need tobe clear. Thanks
Edad Martin I didn't realize I switched up my naming convention between the videos. I try to be consistent but must have missed that. These are only my naming conventions and they're intended to help people follow my wiring. The name isn't important - the actual lug position is what you should note. Sorry for the confusion. Don
Thank you just found you and subscribed... My question is component related...what if anything is the difference between using a Ceramic, Orange Drop, Oil and Paper capacitor. What if anything will any of them do differently in the circuit? When I rewired my LP I was looking for a 50's kind of sound and went with a pre-wired pot and capacitor kit with oil caps...Now I'm looking at a Tele with not a lot of room and want the best solution that will fit. I don't mind paying for quality components knowing that when you use quality you rarely have to do the job again. Thank you!!!
+Joe Krol Size is an issue with Caps. Some of the PIO ones are hard to fit in cavities. I know there's a lot of debate as to can anyone tell the difference between a PIO, Mylar (Orange Drop) or Ceramic. I like PIOs with Humbuckers and SCs personally. On all my dual HB guitars I only use PIOs. On my strats and teles - it's a mix of PIO and Orange Drops. I only user Ceramic on vintage/period correct strats. All will do the same thing to your tone - its just that some people will hear subtle (SUBTLE) differences in frequency response from the different materials. To my ears, PIO sound warmer and the others are a bit more bright but the next guy might not hear anything any difference. So - bottom line, get a Cap the fits (literally) you cavity. It's the VALUE of the cap that's the most important. It ranged from .015uF to .022uF to .047uF all the way to .1uF. It's totally personal preference on the value as to how much treble frequencies it will remove. So - to answer your question... my opinion on a Tele would be a .022uF PIO cap.
Is the value of the resistor so important that we have to keep them with the exact value depending on the value of the cap?
Those are just the suggested values, the best would be that you experimemt different configurations and decide what is the best for you.
Need help wiring 2 emg 85, with single volume and tone on a 3 way lever switch
what happens to the regular resistor wire?? and resistor? do you take them out or leave them in ?
Hi Breja Toneworks, Do you have a full Wiring Diagram of that type of Setup Please and could you email it to me? that is if you wont mind. Or even just a picture on your RUclips Site.
? What do you think of the treble bleed compared to the ‘50s wiring style? Do they do the same thing or would there be a difference?
Part of the trick of getting a good tone can be to lose some of that treble. I think its a big thing that strat players do unconsciously to get that strat sound.
Yup. Some, even consciously, amigo...;-)