All retain from that video is, it's all about ears and knowing what you're looking for. You intention and nothing else. Neither plugins nor gears can create that.
Eh. It's also about knowing what tools you need for the job. Knowing WHY you're using a compressor and knowing what to grab in your toolkit. You can have the best ears in the world but if you don't know what to do AFTER you hear stuff it doesn't matter
@@thesoundmajors9858 I agree with you. Knowing your tools help you a lot, speed up your workflow and achieve great results. Although knowing what you are after is something crucial. You can achieve good results by having your intention clear,even you spend a bunch of time trying tools. On the contrary, knowing you tools without no clues over the end product is useless. I got you point, you are right 👍
EQ - small changes | Compressor - -2/3db | De-esser - 3500-5000kh | 2nd Compressor - emphasize what you like | 2nd EQ - go crazy w it (-db @4500kh for males usually) | Doubler
Second this. I make a living from mixing and at this point I can mix a record using Logic or PT Stock no problems. I'd miss R Bass and Sooth. Tokyo Dawn Labs is sick for some color EQ and one of the all time cleanest compressors for free.
Artist was to close to the mic. It has nothing to do with the mic itself. I record in my untreated living room with a $150 at2035 mic with literally just one sound treatment board behind me when I record an get great sounding vocals. people sleep on the little stuff that makes the most difference like actually getting a good performance when recording, and recording at the right levels into the daw. You would be amazed how much those things and mic placement matter. If you can’t get a good vocal with a decent mic and interface than your mixing is the issue.
This is an example of polishing sh*t. If you have a bad recording, you could potentially have a decent result, but it won't be perfect. This recording has so much room tone captured and would need to be masked to be less apparent...but that processing also affects the main vocal. All in all, invest in your performances...it'll be worth it in the end.
The vocal signals are still mono, but the vocal track itself was probably received stereo from the recording engineer, or there’s a stereo plugin on the vocal track that turned it into a stereo track. Hope it makes sense
why does he put the de-esser after the compressor? i thought you would normally use the de-esser first so the compresser doesn't bring out the harshness?
yeah, route your output of the multiple tracks to an aux (vocals on the vocal aux of the singer and drums to the drum aux. etc). then, route the aux’s output to the stereo.
Your going to need to spend a little more cash if you want true true professional sounds I say a $1000 and you can get a mic that’s sounds professional
Yeah how it’s recorded makes a difference but the less eq the better, saturation, and riding the level after light compression is probably gonna get you your best results
![Eminem - Fuel (Shady Edition) feat. Westside Boogie & GRIP [Official Audio]](http://i.ytimg.com/vi/k1OquBida9s/mqdefault.jpg)
the annotation slides u did were really appreciated fr
All retain from that video is, it's all about ears and knowing what you're looking for. You intention and nothing else. Neither plugins nor gears can create that.
Preach
I guess I am kinda randomly asking but do anybody know of a good site to stream newly released series online ?
@Nicolas Leroy I use FlixZone. You can find it by googling =)
Eh. It's also about knowing what tools you need for the job. Knowing WHY you're using a compressor and knowing what to grab in your toolkit. You can have the best ears in the world but if you don't know what to do AFTER you hear stuff it doesn't matter
@@thesoundmajors9858 I agree with you. Knowing your tools help you a lot, speed up your workflow and achieve great results. Although knowing what you are after is something crucial. You can achieve good results by having your intention clear,even you spend a bunch of time trying tools. On the contrary, knowing you tools without no clues over the end product is useless. I got you point, you are right 👍
EQ - small changes | Compressor - -2/3db | De-esser - 3500-5000kh | 2nd Compressor - emphasize what you like | 2nd EQ - go crazy w it (-db @4500kh for males usually) | Doubler
god bless u
💯💯
DONT WORRY ABOUT THE PLUGINS YOU CAN DO THE SAME THING NO MATTER WHAT YOU USE JUST LEARN WHAT YOU HAVE!!!!
Second this. I make a living from mixing and at this point I can mix a record using Logic or PT Stock no problems. I'd miss R Bass and Sooth.
Tokyo Dawn Labs is sick for some color EQ and one of the all time cleanest compressors for free.
0:20 Primer EQ. 1:00 Primer Compresor, para controlar la dinámica y poner el sonido in your face. De - esser 2:18
that's spanish? nice to see
@@baltaza That's spanglish, lmao
Much love. Alex is a beast.
This guy is a genius, thanks for uploading this gem!
really appreciate this channel
keep uploading these kinda videos thanks a million dude
this a gem
thank you 🙏
that female vocals song fire.
Do u know the name of the song?
thanks 4 the vid!
Thank you for these videos really.
Song Playing: Days Over Collective [currently Unreleased]
thank's so much bro
Seeing tumay use fab filter just made my life
Lol that male one was hard to mix with effects after that mic quality. I can see why you moved onto the female
Bless!!🙏🏾🔥
the vocal sounds really boxy
the playback is causing that cause the quality for the stream was really bad
is the artists shit cheap mic
I'm lowkey thinking we're hearing the sound from his speakers, not direct audio in addition to the bad mic lol. The female sound direct though.
ninguna de las tres, la voz sonaba mas clara antes de las EQ, suena boxy por que, boostea frecuncias grabes en vez de limpiar
Artist was to close to the mic. It has nothing to do with the mic itself. I record in my untreated living room with a $150 at2035 mic with literally just one sound treatment board behind me when I record an get great sounding vocals. people sleep on the little stuff that makes the most difference like actually getting a good performance when recording, and recording at the right levels into the daw. You would be amazed how much those things and mic placement matter. If you can’t get a good vocal with a decent mic and interface than your mixing is the issue.
*GOLD*
Great walkthrough but damn my man need one of them dentist suction tubes. It was hard to listen through without getting distracted.
Thx man
More compression then BOOM
Thanks for the upload it really helped me ! Do you know what is the song that Alex is mixing at the end pls ?
4 real that girls fire
Fasho
whats the name of the song? anyone know when it will come out?
it’s by Days Over Collective, kenny and alex have been working on the songs not sure if it’s out yet though
This song's called Got No Time. It'll be out on streaming platforms in a 6 track EP soon. Updates will be posted on @Daysovermusic on Insta
@@sarca4874 both vocals from the same track ??
The audio is terrible on this video. how are we supposed to learn how to make it sound good if it sounds bad?
Whats the last song called? is it out?
someone please help, is it an imac i sues whats the app
Why he talk like that, like go spit
LOL
@@oddone1325 lol
This is an example of polishing sh*t. If you have a bad recording, you could potentially have a decent result, but it won't be perfect. This recording has so much room tone captured and would need to be masked to be less apparent...but that processing also affects the main vocal. All in all, invest in your performances...it'll be worth it in the end.
Any reason why you did all your surgical EQing after you compressed? Wouldn't you want your EQ changes to go into the compressor instead of after?
Idk why he does it but for me it’s easier to hear the details after the sound is compressed
I’m told everywhere that vocals should be mono and they come mono on my end. It makes me curious what it means to have vocals in stereo format ?
The vocal signals are still mono, but the vocal track itself was probably received stereo from the recording engineer, or there’s a stereo plugin on the vocal track that turned it into a stereo track. Hope it makes sense
do u have a video with a template link for protools?
why does he put the de-esser after the compressor? i thought you would normally use the de-esser first so the compresser doesn't bring out the harshness?
Personal preference
To Control the esses a little more after compression. Compression can make the esses louder
WTF SSL bus compressor on voice?
Everybody uses that lol
@@sticksonthebeat7836 i never see anyone do that, they always use it in the drum buss or mixbuss.
Is that SSL strip on a send ? Nah right?
So everything is on an Aux?
yeah, route your output of the multiple tracks to an aux (vocals on the vocal aux of the singer and drums to the drum aux. etc). then, route the aux’s output to the stereo.
Wow Mii yea i use FL and im confused about how to use the sends
like / dislike ratio says it all
🙏🙏🙏🙏
Name of the second song?
The question I’m wondering is what vocal chain does he use going in?
That vocal has more low end than an 808
youre hearing the vocals through his speakers , its not like screenrecorded audio
SG SLAV no , I’m Just looking at that proQ3 lol
hey do you know the title of this song? I can't find it
It'd by the "Days Over Collective" from Kenny Beats Discord community. IDK if it's out yet though
@@chiefgarvey11 I thinks it's still unreleased
surprised that he didn't low cut..
What plugins is he using? I only recognize pro q.
I know puigchild compressor from waves but that's about it
Fairlchild, Deesser, SSL all from waves. Doubler as well
SSL channel is from Uad
anything sounds like shit when you boost it 30db guys - dont overdo this kind of thing (especially solo)
bruh, he does like boxy vocals huh?
bruh, you do like to ignore the fact that the stream audio is his speakers recorded with a mic in his room, huh?
Do you know what first compressor he used, I couldn’t read it that well
It’s puigchild from waves
@@riomade1163 awesome thx!
Tomay needs to de ess his voice on his stream holy shit every word sounds like he is trying to exaggerate the word challah
what's good microphone to 200 euro or something?
or better go to professional studio and do it?
Check the aston origin or the audio technica at2020 which is way cheaper
Definitely The Aston Origin
RODE NT1A
thanks for answers
Your going to need to spend a little more cash if you want true true professional sounds I say a $1000 and you can get a mic that’s sounds professional
what reverb??
what’s the first song?
first problems first, how is it recorded....
Alll facts, you shouldn't ever have to add a million plugins
Yeah how it’s recorded makes a difference but the less eq the better, saturation, and riding the level after light compression is probably gonna get you your best results
wait he didnt cut the lows????
????????😧😦🫣🤕😭😥
does anyone know what doubler plug in he's using ?
waves doulber 2
@@dayman9432 can u explain his setting on this a little more pleasee
Less is more
where can I get this template
honestly make it real quick, it wont take that long if you have the waves bundle, its only 5 plugins from that bundle at most
Just make it on your own bro
@@AkiraSenju5647 whyere can i get the wav bundle
@hyasf yea man I made my own and I have uad plugins so I swapped out what I could for waves
@@smokahj715 waves like the brand not wav
The slow town sporadically spoil because pizza fascinatingly interfere minus a disagreeable comb. threatening, enthusiastic calf
working hard...still not as good
sounds kinda trash imo
I love Alex Tumay but he talks too much!!!