I was completely convinced by her agitation.And why wouldn't she be agitated? .She fears losing the love of her husband. Wonderful voice.I didn't know of her till now.
The angel is just ridiculous. Just like this set. I would like to know how exactly they do the first trio in this Act (Susanna, or via, sortite). Where will anyone hide? Also, this is supposed to be a light-hearted and fun comedy. It was not supposed to be full of symbolism and make you think! It is supposed to be a very human opera.
Very original acting of that scene ! I really like it !
Absolutely!
I was completely convinced by her agitation.And why wouldn't she be agitated? .She fears losing the love of her husband.
Wonderful voice.I didn't know of her till now.
Exquisite legato,, this woman is superb!! I don't bother with Schwartzkopf , te Kanawa or Flemming any more now Dorothea is on the scene
ANNA NETREBKO!
Does anybody know why the Salzburg audience DID NOT APPLAUD after this beautifully sung and acted aria?
Because the music hadn't finished yet. Or you wanted to applaud while the orchestra was still playing?
The angel is just ridiculous. Just like this set. I would like to know how exactly they do the first trio in this Act (Susanna, or via, sortite). Where will anyone hide? Also, this is supposed to be a light-hearted and fun comedy. It was not supposed to be full of symbolism and make you think! It is supposed to be a very human opera.
@JPD060486
recitazione troppo verista......