I so appreciate you showing the difficulties and addressing the weather conditions. Waving from Tempe and smiling in gratitude for all you share. Your artwork is stunning and inspirational. 😊
Kelli, thank you so much for your beautiful compliments and great feedback! Hello Tempe! Yes, when it's too dry, the paint just sticks to the plate, and really, when it's too humid as well! But when the conditions are just right...the gelli plate magic is irresistible!
Also wanted to mention that I watched another RUclips artist brayer-off her extra paint into a multimedia tablet in little blocks of color and then she uses those pages to print. I thought that was a really good way to organize a whole bunch of brayered pages.
Vivian, thank you, yes, that’s a great idea! My experience is that the repeatedly bartered paper develops a texture that I don’t particularly like, so I appreciate its sacrifice for the process, I do appreciate your sharing that tip!
@@joannasundquist8494 ugh...you have my sympathy! I had no idea when I was starting out, how lucky I was to live in the Desert Southwest with high heat and low humidity. The humidity is a huge factor, and slows everything down so much.
merci beaucoup Vikki pour cette vidéo qui est vraiment ma préférée. Les couleurs sont fantastiques et les designs ressortent si bien. Bravo pour ces jolies créations qui sortent de l'ordinaire
I'm so glad, Cathy, thank you! I do have one already that is straight print to panel, although I was thinking of some further work on this once mounted, but to see the mounting to panel, ruclips.net/video/IWM_WTl6vUk/видео.html
Snagged a dragonfly stencil from you today. We're gonna try it but I really have a hard time putting bold colors together as you do. Beautiful! Maybe I should try fluid acrylics although it's very humid in No.Florida.
Thank you! I hope you have great success with the stencil and yes, try some fluid acrylics! The humidity is a factor...I have seen another artist use a blow dryer to speed drying time but WITHOUT HEAT!
You always have such terrific results! Thanks for slowing video down at end - gave my eyes a rest and allowed us to see the process better. Stay cool down there! Hello from San Francisco :-)
s.k., thank you, I appreciate the feedback, I'm torn between wanting the videos to be brief, and showing all the detail in "real time"...and thanks for your cool wishes, the forecast is for 113 degrees today!
Hi VikkiLove your work and color combinations. Is that rice paper you are using or copy paper, I notice a sheen and hoe clean your plate looks when you pull your prints?Thans for sharing!🌸
Thank you! I love the rice paper, but this is HP Premium32, which is a heavier copy paper, super smooth and ideal for prints you want to mount to panel, or use to make greeting cards
Is there some subtle unspoken technique to getting the paint to blend in these beautiful ways? It seems like no matter how I brayer, my colors fully mix and get muddy.
That's a great question! I wonder if you are "over-brayering"...also, colors that are analagous (green and blue) rather than complimentary (green and red) are going to blend rather than create brown or muddy blends, and finally, I avoid cadmiums, as in painting or in gelli plate printing, I find they produce mud more quickly than other pigments. I hope that helps!
@@VikkiReedvery helpful! I appreciate the input. I also got some thick body paints which I think will help with my layering. Thanks for the inspiration 🎨💟
Thank you! I'm not sure I understand the translation which came through as "whisks with foam", it could be the "Mini Ink Blending SET of 2 Tools and 4 Foams"which I purchased from Amazon...let me know if that's not what you're looking for!
Vikki, grato pelo Seu talento e generosidade em compartilhar suas criações. Desejo saber qual é a tinta usada, é acrílica ou offset (tinta gráfica)? Grato!
Hi, yes, let your layers dry, but not TOO long...I am just about to release a video where I let the paint dry too long and couldn't even pull the paper off the plate. The humidity in your studio is a huge factor in gelli plate printing. If you let the paint dry and then apply a layer of wet paint to pull the print, that should do the trick!
Puresunrays, I'm so sorry to create a feeling of uneasiness! We are balancing the need to be quick about things with the feedback that folks are enjoying the "real time" portions of the video, the one we are working on now will feature more real time speed and be longer, I really appreciate the feedback!
There is always so much paint left on my gelli arts gel plate. I put a new coat on to get it off, and then paint from the new coat gets stuck too. I feel like I am constantly wiping it with baby wipes. What could be causing this?
Thanks for your question, I understand your frustration! There are several factors that could be contributing, 1) are you using heavy body paints rather than fluid acrylic? 2) what humidity levels are you dealing with? Both very high humidity and very low humidity will cause paint to stay on the plate, I find a “sweet spot” between 25% and 55% to be best 3) are you applying too much paint at a time? 4) are you working with a very large plate? I find that larger than 8” x 10” becomes challenging, as I live in a very dry climate…I hope this helps you! It can be so fun, but when it’s not working it is very upsetting!
@@VikkiReed thank you for responding! I have some nice liquitex basics acrylics AND the cheap craft smart acrylics. Should I get liquid acrylics? Or acrylic inks? I have an 8x10 plate and it's currently pretty dry in the house because it's winter and the heat is on
@@kirbierose2589 It is making sense to me that your paint is sticking. I use Liquitex Basics, but not on the gelli plate. If I am using medium/heavy body for the gelli plate, I use Amsterdam, and sparingly, for things like photo transfers and floral lifts. Acrylic Inks are too thin to get the kind of prints I like, but you can use them to get other effects. I tried the Liquitex Fluid Acrylics and could not get what I wanted, although I do use some of the Liquitex Soft Body. My "go-to" is Golden Fluid Acrylics which is frustrating because they have become SO expensive. Before you invest a lot of money, I would try a few of the small 1 oz. size...I just found a set at Dick Blick for $29.95, maybe a worthwhile gamble? Here is the link www.dickblick.com/items/golden-fluid-acrylics-intro-colors-set-of-6-30-ml/ I'm not connected and don't get a commission, just want you to find solutions so you can experience the gelli plate magic!
![FendiDa Rappa - Clock Dat ft. Shamar Marco [Official Music Video]](http://i.ytimg.com/vi/3NBU8KHdxYY/mqdefault.jpg)
Fantastic! This is my favorite tutorial yet. Worth rewatching several times! I'll take written notes!
I love that, Avanelle, I'm so glad, thank you!
Always a pleasure!
Thank you, Sue!
I so appreciate you showing the difficulties and addressing the weather conditions. Waving from Tempe and smiling in gratitude for all you share. Your artwork is stunning and inspirational. 😊
Kelli, thank you so much for your beautiful compliments and great feedback! Hello Tempe! Yes, when it's too dry, the paint just sticks to the plate, and really, when it's too humid as well! But when the conditions are just right...the gelli plate magic is irresistible!
THAT WAS FABULOUS! I CANT WAIT TO START PAINTING! THANK YOU SO MUCH
Thanks Connie, I'm so glad you enjoyed the video and are feeling inspired!
So beautiful!
Thank you!
how fun, can't wait to watch !!
I hope you will enjoy it!
Wow! That was an AMAZING piece! Thanks for speeding up, then slowing down the video as appropriate. I always learn something new from you!
Judy. thank you! I'm so glad we're getting better at pacing the videos (I have help with that)!
AMAZING! Your videos are always outstanding!
Vivian, thank you so much!
This is my favorite video of yours, to date. Thank you!!!!
Thank you so much!
Also wanted to mention that I watched another RUclips artist brayer-off her extra paint into a multimedia tablet in little blocks of color and then she uses those pages to print. I thought that was a really good way to organize a whole bunch of brayered pages.
Vivian, thank you, yes, that’s a great idea! My experience is that the repeatedly bartered paper develops a texture that I don’t particularly like, so I appreciate its sacrifice for the process, I do appreciate your sharing that tip!
Gorgeous!
Thank you so much, Patti!
Fabulous! Loved the colours and patterns in these, great inspiration for my own prints.
Thank you, Samantha, I'm so glad you are feeling inspired!
WOW! Absolutely LOVE these!
Thanks so much, Margaret!
Wow fantastic prints. I have become a fan🦋🦋🦋
Thanks very much, Suzie Q!
Beautiful results
Thank you Denise!
This was terrific!
Thank you, Cathy!
Stunning!
thank you Beverly!
Super nice Vikki
Thanks very much, Elizabeth!
I love your videos
Thanks so much, Matt (and family) lol!
Your prints are absolutely amazing! ❤
Thank you so much! Some days everything goes well...today, I can't make ANYTHING happen, but there is always tomorrow!
@@VikkiReed I deal with humidity issues here in the North East…….
@@joannasundquist8494 ugh...you have my sympathy! I had no idea when I was starting out, how lucky I was to live in the Desert Southwest with high heat and low humidity. The humidity is a huge factor, and slows everything down so much.
@@VikkiReed it’s absolutely horrible!!
@@joannasundquist8494 I sympathize with you! I have seen some artists use a blow dryer on cool to speed drying times, I have not tried that myself
This is really inspirational, thank you so much!
My pleasure, I'm glad you are feeling inspired! Thank you for watching and leaving a comment!
merci beaucoup Vikki pour cette vidéo qui est vraiment ma préférée. Les couleurs sont fantastiques et les designs ressortent si bien. Bravo pour ces jolies créations qui sortent de l'ordinaire
Bernadette, thank you for the lovely compliments! I'm so glad you enjoyed the video!
awesome!
Thank you, Tom!
I loved this Vikki. Thank you. Can't wait to watch you mount it, although I could watch you printing all day. 😊
I'm so glad, Cathy, thank you! I do have one already that is straight print to panel, although I was thinking of some further work on this once mounted, but to see the mounting to panel, ruclips.net/video/IWM_WTl6vUk/видео.html
Snagged a dragonfly stencil from you today. We're gonna try it but I really have a hard time putting bold colors together as you do. Beautiful! Maybe I should try fluid acrylics although it's very humid in No.Florida.
Thank you! I hope you have great success with the stencil and yes, try some fluid acrylics! The humidity is a factor...I have seen another artist use a blow dryer to speed drying time but WITHOUT HEAT!
You always have such terrific results!
Thanks for slowing video down at end - gave my eyes a rest and allowed us to see the process better.
Stay cool down there! Hello from San Francisco :-)
s.k., thank you, I appreciate the feedback, I'm torn between wanting the videos to be brief, and showing all the detail in "real time"...and thanks for your cool wishes, the forecast is for 113 degrees today!
Hi VikkiLove your work and color combinations. Is that rice paper you are using or copy paper, I notice a sheen and hoe clean your plate looks when you pull your prints?Thans for sharing!🌸
Thank you! I love the rice paper, but this is HP Premium32, which is a heavier copy paper, super smooth and ideal for prints you want to mount to panel, or use to make greeting cards
Is there some subtle unspoken technique to getting the paint to blend in these beautiful ways? It seems like no matter how I brayer, my colors fully mix and get muddy.
That's a great question! I wonder if you are "over-brayering"...also, colors that are analagous (green and blue) rather than complimentary (green and red) are going to blend rather than create brown or muddy blends, and finally, I avoid cadmiums, as in painting or in gelli plate printing, I find they produce mud more quickly than other pigments. I hope that helps!
@@VikkiReedvery helpful! I appreciate the input.
I also got some thick body paints which I think will help with my layering.
Thanks for the inspiration 🎨💟
Estou Maravilhada com suas Técnicas...Onde posso comprar estes batedores c/ espuma que usou ??
Thank you! I'm not sure I understand the translation which came through as "whisks with foam", it could be the "Mini Ink Blending SET of 2 Tools and 4 Foams"which I purchased from Amazon...let me know if that's not what you're looking for!
Vikki, grato pelo Seu talento e generosidade em compartilhar suas criações.
Desejo saber qual é a tinta usada, é acrílica ou offset (tinta gráfica)?
Grato!
That was great my paint stays on the plate? I am letting each layer dry but for the pull off paint?? Ty
Hi, yes, let your layers dry, but not TOO long...I am just about to release a video where I let the paint dry too long and couldn't even pull the paper off the plate. The humidity in your studio is a huge factor in gelli plate printing. If you let the paint dry and then apply a layer of wet paint to pull the print, that should do the trick!
@@VikkiReed thanks out of all the u tube videos out there ur the best u get to the point and don’t mix straight colors . Thanks Kathy
@@pyromancyglassart8975 kathy, thank you so much!
I love watching your videos. It's a shame you felt a need to speed it up. Made me feel uneasy.
Puresunrays, I'm so sorry to create a feeling of uneasiness! We are balancing the need to be quick about things with the feedback that folks are enjoying the "real time" portions of the video, the one we are working on now will feature more real time speed and be longer, I really appreciate the feedback!
There is always so much paint left on my gelli arts gel plate. I put a new coat on to get it off, and then paint from the new coat gets stuck too. I feel like I am constantly wiping it with baby wipes. What could be causing this?
Thanks for your question, I understand your frustration! There are several factors that could be contributing, 1) are you using heavy body paints rather than fluid acrylic? 2) what humidity levels are you dealing with? Both very high humidity and very low humidity will cause paint to stay on the plate, I find a “sweet spot” between 25% and 55% to be best 3) are you applying too much paint at a time? 4) are you working with a very large plate? I find that larger than 8” x 10” becomes challenging, as I live in a very dry climate…I hope this helps you! It can be so fun, but when it’s not working it is very upsetting!
@@VikkiReed thank you for responding! I have some nice liquitex basics acrylics AND the cheap craft smart acrylics. Should I get liquid acrylics? Or acrylic inks? I have an 8x10 plate and it's currently pretty dry in the house because it's winter and the heat is on
@@kirbierose2589 It is making sense to me that your paint is sticking. I use Liquitex Basics, but not on the gelli plate. If I am using medium/heavy body for the gelli plate, I use Amsterdam, and sparingly, for things like photo transfers and floral lifts. Acrylic Inks are too thin to get the kind of prints I like, but you can use them to get other effects. I tried the Liquitex Fluid Acrylics and could not get what I wanted, although I do use some of the Liquitex Soft Body. My "go-to" is Golden Fluid Acrylics which is frustrating because they have become SO expensive. Before you invest a lot of money, I would try a few of the small 1 oz. size...I just found a set at Dick Blick for $29.95, maybe a worthwhile gamble? Here is the link www.dickblick.com/items/golden-fluid-acrylics-intro-colors-set-of-6-30-ml/ I'm not connected and don't get a commission, just want you to find solutions so you can experience the gelli plate magic!
@@VikkiReed this is great! Thank you so much for taking the time to share this with me ❤️ can't wait to try!
@@kirbierose2589 I wish you every success...let me know how it goes!