Great Video, thank you! I think this is very helpful, when you have to grade different scenes with different lighting conditions in one timeline. You would group by scenes, I think.
Thanks! Really usefull. I've got two questions: 1) Does this means that the timeline channel is like an overall layer? I mean: the changes that I apply there happen before or after the groups flow? 2) Is there a keyboard (or micro color panel) shortcut for toggle between groups or toggle between pre-clip, clip and post clip channels? Thanks again! Hope you've got the time to read my question
Is there a way to save a Group+Clip node tree to keep it across projects? If we grab a still, it doesn't keep the group nodes I believe. As always, thank you!
Love your content Qazi !! I have a couple of questions 1.When enabling editable splines in your custom curves does it automatically lock in your 18% grey ? 2. Why have contrast in post -clip instead of clip level ( I understand that it's a global change but some clips might require more or less contrast than others) ?
Thank you for this tutorial! How do you do it if in my case we have several different cameras for the same sequence and the same look ? Is the IN conversion done during the clip ? Or do I have to group cameras for the same sequence ?
Where can we find a cool, simple and full list of all the color space transform settings for most of the cameras & iPhones? Is there any kind of such list?
Is there a good way to have tracking (e. g. Face Refinement) in multiple clips (or Post Group Clip) and track every clip with a single click? For now I have my face refinement in a post group clip and have to select each clip and click on "Track fwd then revers".
Awesome explanation, your expertise shows in every detail! Thanks for sharing these practical tips to optimize workflow and create professional looks in Resolve.
Is it better, worse, or equal to put the CST going from DWG to Rec709 at the Timeline level? Or should it be at the Post-Clip level like you did in this video? Thank you for your videos! 📽
Love your vids man! Is this 18% mid-gray method also useful, even if all the shots have a different exposure? Lets say the cinematographer had auto-exposure on and its all over the place.
Best colorgrading channel in RUclips .
Thank you for always giving me very informative tips on color grading, Qazi. I'm enjoying your video in Korea 😄😄
Bro you’re the best man
Got the practice footage, YAY!
Thanks very much for your work ❤
Great Video, thank you! I think this is very helpful, when you have to grade different scenes with different lighting conditions in one timeline. You would group by scenes, I think.
Thanks for this detailed explanation.
Can you please make a tutorial on Types of Looks for different moods/Genres? Would be really helpful.
Thanks!
Good made Video. I di Not understand why not more people See this!
Amazing video bro
Lovely 💯
Thanks! Really usefull. I've got two questions:
1) Does this means that the timeline channel is like an overall layer? I mean: the changes that I apply there happen before or after the groups flow?
2) Is there a keyboard (or micro color panel) shortcut for toggle between groups or toggle between pre-clip, clip and post clip channels?
Thanks again! Hope you've got the time to read my question
Is there a way to save a Group+Clip node tree to keep it across projects? If we grab a still, it doesn't keep the group nodes I believe. As always, thank you!
Merci
It would be great a video about how to understand 709 color saturation limitations using QT Toolkit using charts module.
Love your content Qazi !!
I have a couple of questions
1.When enabling editable splines in your custom curves does it automatically lock in your 18% grey ?
2. Why have contrast in post -clip instead of clip level ( I understand that it's a global change but some clips might require more or less contrast than others) ?
You should go a video on Node Stack in Resolve.
Thank you for this tutorial! How do you do it if in my case we have several different cameras for the same sequence and the same look ? Is the IN conversion done during the clip ? Or do I have to group cameras for the same sequence ?
4:46 the chapter is called Pre-Clip but the video has you on Post-Clip I'm confused
Where can we find a cool, simple and full list of all the color space transform settings for most of the cameras & iPhones? Is there any kind of such list?
Is there a good way to have tracking (e. g. Face Refinement) in multiple clips (or Post Group Clip) and track every clip with a single click? For now I have my face refinement in a post group clip and have to select each clip and click on "Track fwd then revers".
Awesome explanation, your expertise shows in every detail! Thanks for sharing these practical tips to optimize workflow and create professional looks in Resolve.
Is it better, worse, or equal to put the CST going from DWG to Rec709 at the Timeline level? Or should it be at the Post-Clip level like you did in this video? Thank you for your videos! 📽
🔥🔥🔥
Love your vids man! Is this 18% mid-gray method also useful, even if all the shots have a different exposure? Lets say the cinematographer had auto-exposure on and its all over the place.
Yes as long as your color management is set up properly.
Like TOP 🔝✅
Same footage, but looks so much different after the CST on my end. Wildly oversaturated and warm. Can't figure out what I'm doing wrong.
Make sure resolve is not colour managed in the color management settings. SOunds like you are adding A CST to pre converted footage
One disadvantage with groups. How to find a shot, which has no correction, cos with grouped clips, it always shows that it has corrected.
why i don't get a 3d look like you
I didn't get the practice footage even after trying for multiple times :(
Try VPN maybe
More dots! Who gets that reference? 😂
Why is everything so bright and colorful in India?
Why did our teacher Qazi’s clicks decrease so much?