Oh My GOD !!!!! What a beautiful rendititon of this song. I'm 63 now, and first saw Patmetheny at University of Bridgeport, Connecticut in 1982.. Being a PM fan since around '79, this took me back. I had to close my eyes and take a breath, with a little lump in my throat. A great song & a great time back then ... Wish I could turn back the clock to that concert that night .
To everyone involved in the FSU Percussion Ensemble, I can only offer my most ardent "Congratulations!" on work that is beautifully realized and performed. Sitting here, at a much more advanced stage of life (age-wise), it is wonderful to see a group of young musicians doing something so very positive. It simply speaks to the power of good music. Though it is not a percussion instrument in the purest sense, the power of the human voice, originally brought to Pat Metheny & Lyle Mays' compositions by Argentina's Pedro Aznar is a constant reminder of what that element, and Pedro's creativity and emotion brought to pieces like "First Circle." Unless I missed something, it's a shame that every player/performer was not properly credited in the video or in the blurb below. Everyone should be recognized for this work so very well done!!! Bravo!!!
Steve, my apologies for being so late to the party, honestly all of the comments have been overwhelming and amazing, we are so thankful that people like you are checking out our work! I've been a fan of yours for quite some time, and I wanted to thank you for taking the time to leave such a beautiful series of kudos. I hope our paths cross in real life sometime soon, and all our best to you! Your comments made our year!
Surprised that someone hasn't taken up Steve Khan's challenge to post credits in the description for all the players and others who supported this performance. All it would take is a little bit of time. Please give credit to these students.
I am crying right now ……. This is beautiful, and a fine tribute to the masters, Pat Metheny & The late Lyle Mays ……. THE MASTERS …. You are all phenomenal, Thank you all
Music education at its best. A percussion symphony playing a legendary song from master songwriters Lyle Mays and Pat Metheney brings a smile to my face. Lyle and Pat would be pleased. I hope more discover what a treasure trove of music these two have given the world.
To everyone who took the time to leave these inspiring comments--THANK YOU! Honestly we didn't expect such an overwhelming response, but I speak for all of the students (and the College of Music for that matter) when I express my gratitude for your time and thoughts. We promise to keep it up! And what a special treat for PM to share the post--I've been a huge fan of his forever, and was lucky to study with Paul Wertico briefly in graduate school--an amazing experience that literally changed everything for me. Also, I wish (as many of you wrote) that Lyle could have seen/heard it--we played an earlier version of this arrangement at PASIC 2011, and one of my colleagues shared it with Lyle back then--he wrote and said "I love the whole FSU vibe!" So to him looking down from above, I say thank you as well--all the best to everyone from the FSU Percussion Studio! JP
As a longtime fan of Metheny and Mays this is by far the best rendition of any of their work that I have ever seen and listened to. To say this is absolute magic is an understatement.
I attended the 1985 London concert of the European 'First Circle' tour of the PM Group, and this was a highlight. A few years later at the Royal Albert Hall, the whole audience joined in on the vocals when they played it, including my two sons.
Amazing Amazing Amazing!!! You knocked it out of the park FSU Percussion Studio! I was attending FSU when the Pat Metheny Group came to Ruby Diamond Auditorium in March 1980. A friend at the time got me a ticket. I was absolutely floored by the musical performance I had just witnessed. After that, I was in like the mob. Musically, I felt somewhat like an outsider with my passion for Metheny, since most folks in my circle of school / work colleagues & friends were die hard rock and rollers. Metheny remained my go to music for the next 6 years (and I still felt in a small minority for knowing and liking his music). Then, when I pushed the play button on the cassette player in my apartment for background music on a first date living in Maine, As Falls Wichita, So Falls Wichita Falls came on. I was flabbergasted when my date named the song / album! She was beautiful, smart, loving and she knew who Pat Metheny and Lyle Mays were! Fast fwd 36 years later and this incredible person, who has accompanied me to PM concerts over 3 decades, the mother of our two amazing sons and the love of my life, turns to me and says: Pat Metheny at the Kennedy center in June? Just like 36 years ago - she had me at "Pat Metheny".
@@emericklamontagne3652 Pat is very much still around and active, he’s currently touring his new album called: Side-Eye NYC. Saw him perform it last November. He sounds as great as ever.
I've heard this song by Pat over the years and each time I played it I discovered something that I've might have missed before... It always sounded 'new' to me just like Minuano or have you heard, you know, the hard ones with the most complicated and intricate tonalities. But this cover (if you can call it a "cover") more like a MasterPiece of the Original... Wow, wow, WOW..!! What a pleasant and harmonic surprise... I would never imagine that this piece could've been entirely done on Xilophones (Marimba) and Tubular Bells... Simply and Utterly Exquisite to my ears... Like Falling in Love with Pat Meheny All Over Again!!
Aside from the original Metheny performance, this is the best rendition I have heard of this since UNT 1 o'clock back in 1986 (and this transcription is pretty darn close to both). Well done Dr. Parks and all of the hard working men and women at FSU!!!
Absolutely mind blowing! I certainly hope Pat sees this. What greater compliment can there be for a composer? Well done to the entire FSU ensemble and their staff!
First Circle needs to find various avenues of introduction such as this to each new generation of musicians as they comes along. Such is the destiny of a truly timeless piece of music.
I totally agree, Steve... when young students in a university are introduced to this music by their teachers (Dr. Parks) and they perform the redention of Dr. Parks so perfectly... you know that PMG composed a classic and timeless piece of music!
WOW!...I literally have tears running down my face. Been listening to Pat since the 70's. By far my favorite musician. I must say ive NEVER heard a cover version of any song in any genre that is as brilliant as the original...and with a percussion band!!..Sperior arrangement, superior musicians..what more to say..BRAVO FSU music
You're not the only one with tears running down your face. WOW! is right!! DIDO to your reply! Lyle and Pat were such a magical union. Even amongst the angst between them, which developed later. Two super genius powers may dance for a moment in time, but can never share the same space for long.
First Circle is the reason I became a Pat Metheny fan when i heard it back in 1985. No matter how many time I've heard it, it hits me emotionally more than any other tune I can think of. Your rendition gave me the same feeling I did hearing the PMG original. Beautiful rendition.
It's so nice and so important that the legacy of the PMG is studied and continues to be played, the contribution to music that men gave through the years is a milestone. Well done!
Superb rendition. Pat and Lyle will go down as one of the great composing duos of our time, and their music will live on, as evidenced here. Congratulations to these students, they did a great job!
OMG #1: I'm excited for you all that the post beneath what I'm writing right now is from the legendary Steve Khan. That's a massive gift for your future CVs (though he'd be too humble to think it). Don't take it from me, check him out- if you enjoyed the journey of First Circle, you'll enjoy him. OMG #2: Everything that he said, but if I made a suggestion it would be to augment the vocal arrangement. That fantastic young woman on her own! when the coda really demands more. When I was at jazz college there was, I'm ashamed to say, some snobbery between instrumentalists and singers. How wrong we were. Anyway, this was fantastic, thank you all. Cheers.
bravissimi. I listed to this masterpiece song from 1987 when I bought the CD. I will never figure out how such a celestial piece of music could be produced by human beings..so impossibly beautiful.
having heard this song hundreds of times for nearly forty years, including dozens live by pat and lyle, i offer sincere congratulations for this performance... y'all 'noled it!
I was delighted and surprised when some vocals were added as I didn’t expect it. Bravo all around and the best compliment I can give you is that I did tear up a bit at one point. Who cannot love this song no matter how it is played?
Fabulous!! Kathy and get to see Pat again on Tuesday here in Bethlehem, PA. He must like Bethlehem because we've seen him here probably 8 or 9 times since 1980. It's Side Eye this time and we're so looking forward to it. We've seen all the bands since the Danny Gottieb/Mark Egan/ Lyle days though the Brazilian band days with Pedro Aznar and then the Ron Carter show. We are huge fans and miss Lyle terribly. This percussion version of First Circle is really something. Completely enjoyed it I thank you all very much for the obvious hard work that went into it- and thank you for sharing!
Pat often uses/used shows in the Lehigh Valley as a “tune-up” first show at the beginning of his tours. And thank goodness! We always get to see Pat and the different iterations of his groups!
I am deeply moved by this. Music education at its finest here. Metheny is an under appreciated gem, along with Mays. There is so much care and purpose, and, I'll say it, love embodied in this. A tonic for the soul, every perfectly executed note! Bravo!
Great!!!!!!!!! Congratulations of all the talented young musicians and singer. The best interpretation since the original recording and the live performance from Pat, Lyle and Pedro.
Congratulations on such a faithful and involving performance which completely captured the intent, mood, vibrancy and technical precision of the composers! No easy task. Well done!
Bellísima versión. Lindo ver a jóvenes músicos interpretando, en todo el sentido del término, música tan excelsa como aquella escrita por la dupla Metheny-Mays hace casi 40 años... Rescatan plenamente su complejidad, pero también su espíritu. ¡¡¡ Congratulations !!!
Just...WOW!! The subtleties of the marimba under the vibes are just mind-blowing. What fantastic recreation and interpretation of great piece. VERY well done!!
Man. This performance needs more views. Great piece of music, arranged for and played by an awesome percussion ensemble. Loved some many things: the mallet work, the addition of the bass and voice parts, and it appeared to be performed without a conductor, although that might have been camera angles...
When I was in a percussion ensemble last year, we didn’t have a conductor We communicated with each other using eye/hand signals usually, or someone would play something and we could memorize that to be a cue. My guess is that something similar might be going on here. Hope this helps!
@@Rog5446 Even though the voice part was in the PMG original, the version for percussion ensemble doesn’t usually have any voice part. Bass guitar also isn’t usually a part of a concert percussion ensemble. Though, it is included in percussion ensemble arrangements of PMG work.
This is just peak percussion. Especially tuned percussion. This is such a harmonically and rhythmically sophisticated piece, and you folks performed it with both brilliant technical and artistic execution. As a huge fan of Pat Metheny Group's work (shout out to the late great genius Lyle Mays), I'm stunned by what you did with this, and you should all be incredibly proud of the beauty you brought to this incredible composition.
Also, excellent job to the folk(s) who shot this and did the audio. The way the rhythmic whole body motion is caught at the end (the twisting to hit some notes and then returning) gave a feel for the song. The audio was impeccable. You have brought smiles to PMG fans.
Wow. Just now discovered this in my RUclips feed, Oct. 24, midnight in Japan, 2023. "Wow" for many reasons. JMHO, but this is one of the best, if not "the" greatest, jazz compositions of the last 50 years, and I am glad to hear a new generation who recognizes its impact enough to challenge their own cover. But another wow is for the way you covered it. For a song that entices would-be performers to go over the top, your arrangement's restraint did a good balancing act of expressing your own unique character while preserving the genius of the original score. Bravo!
Wow guys. That was spectacular! A unique arrangement, well suited for yourr ensemble, all your own, and yet still preserving the essential parts of the original’s sense and feel, masterfully played. I think it was perfect.
Wow! Still wiping away the tears from experiencing this amazing performance. Such great musicianship, sincere emotion and great display of so much strong percussion techniques. I will be sharing this with all my students. Bravo to all!
Wow! Just ... Wow! Simply extraordinary! What a wonderful arrangement - and so faithful to the original album version. This is absolutely my favorite Metheny tune ever, and to hear it so lovingly rendered in a percussion ensemble is icing on the considerable cake that is the Metheny/Mays oeuvre. Well done, all of you!!!
👏👏👏.. To the F.S.U. Percussion Ensemble.. This was actually an *EXCELLENT* version of this composition!!! I've heard this played by PMG (of course), by Pat Metheny with a full live orchestra (Metropole Orchestra, North Sea Jazz Festival), and now this rendition from your group. Keep up the outstanding work--I look forward to you doing other covers of beautiful jazz compositions!!! 🎉🎉🎉 (One of his compositions that I would LUV to hear you all attempt is "Proof". It's lengthy and a little difficult--I think it has three solos--but consider it. Ciao..👋👋)
Precise, delicate, buoyant! The essence of this beautiful composition - faithfully interpreted and taken to a joyous new place. Congratulations to the musicians, audio and filming crew!
WOW! What an incredible Ensemble! This is what Team Work is all about.........musical synergy! Bravo arrangers and performers. Such mature, musical touch and phrasing throughout. Loved the duo Flat Ride cymbals providing that Wertico light "super energy". A fabulous vocal performance as well. The beauty and power of the performance brought "happy" tears. THANK YOU FSU Percussion Ensemble!
THANK YOU! Awesome to see so many young musicians working in concert with such synchronicity. Truly worthy and outstanding interpretation of Pat and Lyles composition.
You all killed it! Congrats!! I have watched it several times and continue to enjoy it. I have seen PMG many times live. The first two when I was in college at NIU in the mid/late-80s. This was a fantastic rendition of First Circle.
Oh My GOD !!!!! What a beautiful rendititon of this song. I'm 63 now, and first saw Patmetheny at University of Bridgeport, Connecticut in 1982.. Being a PM fan since around '79, this took me back. I had to close my eyes and take a breath, with a little lump in my throat. A great song & a great time back then ... Wish I could turn back the clock to that concert that night .
Somewhere in heaven, Lyle Mays is smiling.
To everyone involved in the FSU Percussion Ensemble, I can only offer my most ardent "Congratulations!" on work that is beautifully realized and performed. Sitting here, at a much more advanced stage of life (age-wise), it is wonderful to see a group of young musicians doing something so very positive. It simply speaks to the power of good music. Though it is not a percussion instrument in the purest sense, the power of the human voice, originally brought to Pat Metheny & Lyle Mays' compositions by Argentina's Pedro Aznar is a constant reminder of what that element, and Pedro's creativity and emotion brought to pieces like "First Circle." Unless I missed something, it's a shame that every player/performer was not properly credited in the video or in the blurb below. Everyone should be recognized for this work so very well done!!! Bravo!!!
Steve, my apologies for being so late to the party, honestly all of the comments have been overwhelming and amazing, we are so thankful that people like you are checking out our work! I've been a fan of yours for quite some time, and I wanted to thank you for taking the time to leave such a beautiful series of kudos. I hope our paths cross in real life sometime soon, and all our best to you! Your comments made our year!
Absolutely, Steve. And we are all lucky that they got this on video so we could be eyewitness to it all. Wonderful.
Outstanding Job of an amazing yetnoriginal Cover of a GOAT masterpiece song!
Surprised that someone hasn't taken up Steve Khan's challenge to post credits in the description for all the players and others who supported this performance. All it would take is a little bit of time. Please give credit to these students.
I am crying right now ……. This is beautiful, and a fine tribute to the masters, Pat Metheny & The late
Lyle Mays ……. THE MASTERS ….
You are all phenomenal, Thank you all
Music education at its best. A percussion symphony playing a legendary song from master songwriters Lyle Mays and Pat Metheney brings a smile to my face. Lyle and Pat would be pleased. I hope more discover what a treasure trove of music these two have given the world.
When Pat Metheny says "Wow!", you go and listen! Great job!
To everyone who took the time to leave these inspiring comments--THANK YOU! Honestly we didn't expect such an overwhelming response, but I speak for all of the students (and the College of Music for that matter) when I express my gratitude for your time and thoughts. We promise to keep it up! And what a special treat for PM to share the post--I've been a huge fan of his forever, and was lucky to study with Paul Wertico briefly in graduate school--an amazing experience that literally changed everything for me. Also, I wish (as many of you wrote) that Lyle could have seen/heard it--we played an earlier version of this arrangement at PASIC 2011, and one of my colleagues shared it with Lyle back then--he wrote and said "I love the whole FSU vibe!" So to him looking down from above, I say thank you as well--all the best to everyone from the FSU Percussion Studio! JP
Awesome..!!!
Lyle is smiling...!
Loved every bit of it..!!
Music to my ears..!
Keep up the amazing work !!
As a longtime fan of Metheny and Mays this is by far the best rendition of any of their work that I have ever seen and listened to. To say this is absolute magic is an understatement.
As a Gator I gotta say the Noles got us here. Magnificent piece of music.
I attended the 1985 London concert of the European 'First Circle' tour of the PM Group, and this was a highlight. A few years later at the Royal Albert Hall, the whole audience joined in on the vocals when they played it, including my two sons.
Yes!!
Yep! Saw him in the Opera House in Frankfurt, West Germany in 1985 on this tour.
...ditto
Very cool!!
Amazing Amazing Amazing!!! You knocked it out of the park FSU Percussion Studio!
I was attending FSU when the Pat Metheny Group came to Ruby Diamond Auditorium in March 1980. A friend at the time got me a ticket. I was absolutely floored by the musical performance I had just witnessed. After that, I was in like the mob. Musically, I felt somewhat like an outsider with my passion for Metheny, since most folks in my circle of school / work colleagues & friends were die hard rock and rollers. Metheny remained my go to music for the next 6 years (and I still felt in a small minority for knowing and liking his music). Then, when I pushed the play button on the cassette player in my apartment for background music on a first date living in Maine, As Falls Wichita, So Falls Wichita Falls came on. I was flabbergasted when my date named the song / album! She was beautiful, smart, loving and she knew who Pat Metheny and Lyle Mays were! Fast fwd 36 years later and this incredible person, who has accompanied me to PM concerts over 3 decades, the mother of our two amazing sons and the love of my life, turns to me and says: Pat Metheny at the Kennedy center in June? Just like 36 years ago - she had me at "Pat Metheny".
Beautiful job. This song was playing when my son was born. It holds a special place in my heart.
WOW! Like hearing it live from the Metheny Group in concert! You literally brought tears to my eyes! Thank you all.
Me, too. Burst out of me in sobs. I’m still crying! Missing Lyle…
Certainly miss Pat.
@@emericklamontagne3652 Pat is very much still around and active, he’s currently touring
his new album called: Side-Eye NYC. Saw him perform it last November. He sounds as great as ever.
Same here, teared up just because it was so beautiful..
Same here. Tears are flowing.
I've heard this song by Pat over the years and each time I played it I discovered something that I've might have missed before... It always sounded 'new' to me just like Minuano or have you heard, you know, the hard ones with the most complicated and intricate tonalities. But this cover (if you can call it a "cover") more like a MasterPiece of the Original... Wow, wow, WOW..!! What a pleasant and harmonic surprise... I would never imagine that this piece could've been entirely done on Xilophones (Marimba) and Tubular Bells... Simply and Utterly Exquisite to my ears... Like Falling in Love with Pat Meheny All Over Again!!
Aside from the original Metheny performance, this is the best rendition I have heard of this since UNT 1 o'clock back in 1986 (and this transcription is pretty darn close to both). Well done Dr. Parks and all of the hard working men and women at FSU!!!
Check out Crossmen 1998 First Circle and 1991 Pat Metheny shows. You might like those too.
@@dmark2639 I do like those as well. First Circle is one of my absolute all time favorites...
Intense! This group of young people orchestrated this piece in their own way, but captured the intensity of its original form. Bravo!
Absolutely mind blowing! I certainly hope Pat sees this. What greater compliment can there be for a composer? Well done to the entire FSU ensemble and their staff!
Fantastic arrangement and realization. Not ashamed to admit I'm wiping away some tears of joy.
I don't have the words to express how much FSU's interpretation of this classic beautiful song moved me. It truly touched my soul, thank you!
Beautiful performance. Pat's a good friend. I believe he will enjoy this arrangement and performance!
Please forward this to him. He needs to see this.
Hey there! I have something to ask you that could be world-changing. Do you mind dropping me an email at jparks@fsu.edu? THANK YOU!
Beautiful rendition, Congratulations. Pat I am sure would be flattered and Lyle would be proud to hear their composition done with your talents!
Pat posted this video on his Facebook page with the comment "WOW"
@@Tokoloko Great to hear he liked it
Magic. This is one of my all-time favorite pieces and you guys nailed it in the most creative yet faithful way. Just amazing.
Hard to describe the joy this brought me. Thank you all so much. The first time I heard this song live was in 1984 on the actual First Circle tour.
Wow!!! There should of been applause afterwards...🥲👍
First Circle needs to find various avenues of introduction such as this to each new generation of musicians as they comes along. Such is the destiny of a truly timeless piece of music.
I totally agree, Steve... when young students in a university are introduced to this music by their teachers (Dr. Parks) and they perform the redention of Dr. Parks so perfectly... you know that PMG composed a classic and timeless piece of music!
WOW!...I literally have tears running down my face. Been listening to Pat since the 70's. By far my favorite musician. I must say ive NEVER heard a cover version of any song in any genre that is as brilliant as the original...and with a percussion band!!..Sperior arrangement, superior musicians..what more to say..BRAVO FSU music
You're not the only one with tears running down your face. WOW! is right!! DIDO to your reply! Lyle and Pat were such a magical union. Even amongst the angst between them, which developed later. Two super genius powers may dance for a moment in time, but can never share the same space for long.
First Circle is the reason I became a Pat Metheny fan when i heard it back in 1985. No matter how many time I've heard it, it hits me emotionally more than any other tune I can think of. Your rendition gave me the same feeling I did hearing the PMG original. Beautiful rendition.
I’ve seen Pat live many times over the years and this makes me so happy. Just perfect in every way.
More than 35 years Pat fan... this is amazing performance ... from another musician group.. .... creating the same sounds . 😊
I love this. Pat and Lyle were great composers as well as great musicians.
It's so nice and so important that the legacy of the PMG is studied and continues to be played, the contribution to music that men gave through the years is a milestone. Well done!
What a perfomance .the very best of Pat Metheny Group.. An incredible piece...The best ever. Viva Venezuela and Metheny Group.....
Excellent work young ones! The First circle was always one of my favorite Pat Metheny Group Tracks. This is a very nice interpretation of it
Very proud FSU alum and huge Pat fan to see such polished playing done so tastefully
How can I give 100x likes?
Superb rendition. Pat and Lyle will go down as one of the great composing duos of our time, and their music will live on, as evidenced here. Congratulations to these students, they did a great job!
OMG #1: I'm excited for you all that the post beneath what I'm writing right now is from the legendary Steve Khan. That's a massive gift for your future CVs (though he'd be too humble to think it). Don't take it from me, check him out- if you enjoyed the journey of First Circle, you'll enjoy him. OMG #2: Everything that he said, but if I made a suggestion it would be to augment the vocal arrangement. That fantastic young woman on her own! when the coda really demands more. When I was at jazz college there was, I'm ashamed to say, some snobbery between instrumentalists and singers. How wrong we were. Anyway, this was fantastic, thank you all. Cheers.
Sono in estasiii!! PAT METHENY apprezzerà 👍👍👍
That was wonderful, thanks so much to all of you!
Remarkable rendition and arrangement considering how complex First Circle is to play on it's many instruments!!
Pat Matheny‘s First Circle one of the most moving songs I know. FSU did an incredible arrangement and performance. Bravo!!!! ❤️😍🤩
Superb performance of one of the most iconic Metheny/Mays masterpieces. Thank you for your hard work!
bravissimi. I listed to this masterpiece song from 1987 when I bought the CD. I will never figure out how such a celestial piece of music could be produced by human beings..so impossibly beautiful.
nice solo transcription
having heard this song hundreds of times for nearly forty years, including dozens live by pat and lyle, i offer sincere congratulations for this performance... y'all 'noled it!
I’ve been a PMG fan for about 20 years and have heard “First Circle” countless times (although never live, sadly). This was brilliant, well done!!
I was delighted and surprised when some vocals were added as I didn’t expect it. Bravo all around and the best compliment I can give you is that I did tear up a bit at one point. Who cannot love this song no matter how it is played?
Fabulous!! Kathy and get to see Pat again on Tuesday here in Bethlehem, PA. He must like Bethlehem because we've seen him here probably 8 or 9 times since 1980. It's Side Eye this time and we're so looking forward to it. We've seen all the bands since the Danny Gottieb/Mark Egan/ Lyle days though the Brazilian band days with Pedro Aznar and then the Ron Carter show. We are huge fans and miss Lyle terribly. This percussion version of First Circle is really something. Completely enjoyed it I thank you all very much for the obvious hard work that went into it- and thank you for sharing!
I'll be at the Bethlehem show on Tuesday too. 😀
Pat often uses/used shows in the Lehigh Valley as a “tune-up” first show at the beginning of his tours. And thank goodness! We always get to see Pat and the different iterations of his groups!
I am deeply moved by this. Music education at its finest here. Metheny is an under appreciated gem, along with Mays. There is so much care and purpose, and, I'll say it, love embodied in this. A tonic for the soul, every perfectly executed note! Bravo!
One of the best renditions I’ve ever heard. Great work!
Great!!!!!!!!! Congratulations of all the talented young musicians and singer. The best interpretation since the original recording and the live performance from Pat, Lyle and Pedro.
Bravo
Lyle Mays is Smiling from Above.
Fantastic! Great composition preformed by a very competent ensemble. Thanks for posting!
And Yes The Young Lady Has A Beautiful VOICE!
This brings tears - such an amazing rendition!
What an incredible interpretation of the wonderful First Circle. Truly outstanding.
fanatstic, tears in my eyes
Congratulations on such a faithful and involving performance which completely captured the intent, mood, vibrancy and technical precision of the composers! No easy task. Well done!
Bellísima versión. Lindo ver a jóvenes músicos interpretando, en todo el sentido del término, música tan excelsa como aquella escrita por la dupla Metheny-Mays hace casi 40 años... Rescatan plenamente su complejidad, pero también su espíritu. ¡¡¡ Congratulations !!!
Just...WOW!! The subtleties of the marimba under the vibes are just mind-blowing. What fantastic recreation and interpretation of great piece. VERY well done!!
Love the texture of voice and marimba, awesome job guys!!
Two Thumbs Up!
Good times. Sounds fantastic!
Absolutely brilliant. Great job!
I hope some how, some way this video makes it to Pat Metheny? And he posts a comment on his thoughts?
@Producer in the comments says Pat is a good friend. Perhaps the video will find its way to him for comment!
You made me cry...beautiful
Bravo!!! Fan of that song since 1983
Man. This performance needs more views. Great piece of music, arranged for and played by an awesome percussion ensemble. Loved some many things: the mallet work, the addition of the bass and voice parts, and it appeared to be performed without a conductor, although that might have been camera angles...
I'm a bit confused, you say the addition of voice and bass parts, yet the original had voice and bass???
When I was in a percussion ensemble last year, we didn’t have a conductor
We communicated with each other using eye/hand signals usually, or someone would play something and we could memorize that to be a cue. My guess is that something similar might be going on here.
Hope this helps!
@@Rog5446 Even though the voice part was in the PMG original, the version for percussion ensemble doesn’t usually have any voice part. Bass guitar also isn’t usually a part of a concert percussion ensemble. Though, it is included in percussion ensemble arrangements of PMG work.
This is just peak percussion. Especially tuned percussion. This is such a harmonically and rhythmically sophisticated piece, and you folks performed it with both brilliant technical and artistic execution. As a huge fan of Pat Metheny Group's work (shout out to the late great genius Lyle Mays), I'm stunned by what you did with this, and you should all be incredibly proud of the beauty you brought to this incredible composition.
This performance made my eyes sweat. Bravo!!!
This is amazing
WOWOWOW absolutely fantastic arrangement/performance/energy!! Bravo!!
Exceptionally well-played transcription of this Metheny/Mays for percussion ensemble. BRAVO!
Also, excellent job to the folk(s) who shot this and did the audio. The way the rhythmic whole body motion is caught at the end (the twisting to hit some notes and then returning) gave a feel for the song. The audio was impeccable. You have brought smiles to PMG fans.
Brilliant. Well done. Amazingly difficult work done so well.
Wow. Just now discovered this in my RUclips feed, Oct. 24, midnight in Japan, 2023. "Wow" for many reasons. JMHO, but this is one of the best, if not "the" greatest, jazz compositions of the last 50 years, and I am glad to hear a new generation who recognizes its impact enough to challenge their own cover. But another wow is for the way you covered it. For a song that entices would-be performers to go over the top, your arrangement's restraint did a good balancing act of expressing your own unique character while preserving the genius of the original score. Bravo!
Merely awesome.
Just thrilling-& long live the music of Pat Metheny & Lyle Mays!
Magic ❤ Pat Metheny 🎼🎶🎼🎵
There is hope for this world after all. Thank you students.
Exceptional! Life long PMG fan (since the early days). This gave me goosebumps.
Benedetti dagli DEI!! talentuosi👏👏👏
This is the value of a liberal arts education
Fantastic!!! It's Simply wonderful !!!❤
Just amazing...it brought tears to my eyes....Impeccable !!!!!!
So beautiful. Please, give my heart back. I need to breathe. Thanks.
Wow guys. That was spectacular! A unique arrangement, well suited for yourr ensemble, all your own, and yet still preserving the essential parts of the original’s sense and feel, masterfully played. I think it was perfect.
Wow! Still wiping away the tears from experiencing this amazing performance. Such great musicianship, sincere emotion and great display of so much strong percussion techniques. I will be sharing this with all my students. Bravo to all!
Wow! Just ... Wow! Simply extraordinary! What a wonderful arrangement - and so faithful to the original album version. This is absolutely my favorite Metheny tune ever, and to hear it so lovingly rendered in a percussion ensemble is icing on the considerable cake that is the Metheny/Mays oeuvre. Well done, all of you!!!
Absolutely the best Pat/Lyle cover ever. Nailed it. Thanks for sharing!
Incredible performance!
👏👏👏..
To the F.S.U. Percussion Ensemble..
This was actually an *EXCELLENT* version of this composition!!! I've heard this played by PMG (of course), by Pat Metheny with a full live orchestra (Metropole Orchestra, North Sea Jazz Festival), and now this rendition from your group. Keep up the outstanding work--I look forward to you doing other covers of beautiful jazz compositions!!! 🎉🎉🎉
(One of his compositions that I would LUV to hear you all attempt is "Proof". It's lengthy and a little difficult--I think it has three solos--but consider it. Ciao..👋👋)
Precise, delicate, buoyant! The essence of this beautiful composition - faithfully interpreted and taken to a joyous new place. Congratulations to the musicians, audio and filming crew!
Gooood ensemble!!!!
Outstanding !!!! Thank you for performing and posting.
WOW! What an incredible Ensemble! This is what Team Work is all about.........musical synergy! Bravo arrangers and performers. Such mature, musical touch and phrasing throughout. Loved the duo Flat Ride cymbals providing that Wertico light "super energy". A fabulous vocal performance as well. The beauty and power of the performance brought "happy" tears. THANK YOU FSU Percussion Ensemble!
THANK YOU! Awesome to see so many young musicians working in concert with such synchronicity. Truly worthy and outstanding interpretation of Pat and Lyles composition.
As a longtime PMG fan, this was simply and utterly terrific ... Bravo!
Beautiful. Beautiful . That’s the only word that comes to mind. The rest is beyond words.
You all killed it! Congrats!! I have watched it several times and continue to enjoy it. I have seen PMG many times live. The first two when I was in college at NIU in the mid/late-80s. This was a fantastic rendition of First Circle.