7 essential EQ secrets from the pros
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- Опубликовано: 15 июл 2024
- Are you using EQ to its fullest potential in your music? Take a look back at top EQ techniques from professional artists, mixers, and mastering engineers including David Kim, Enrique Gonzalez Müller, Kimbra, Emerson “Em” Mancini, and Geoff Manchester. These tips can help you sculpt the tone of your recordings, unmask elements in your mix, balance your tracks, and more - all using AI-powered plugins.
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Videos featured:
• How to Mix Guitars and...
• How to Mix a Song (Sta...
• Essential Steps of Mix...
• Kimbra Shares Mixing T...
• Mixing Bass to Sit PER...
• Mastering a Song Start...
• How to use the FREE Oz...
Chapters
00:00 Intro
00:42 1. Guitar tone EQ
03:05 2. EQ as a creative effect
04:41 3. Unmasking drums with EQ
08:05 4. Unmasking tracks with EQ
11:39 5. Balance kick and bass with EQ
14:48 6. Stereo and mid/side EQ
19:33 7. Transient and sustain processing in Ozone EQ
26:23 Outro
#izotope #mixing #mastering #proaudio
MusicBed Sync ID: MB01XK9GEHUECRW 
Видеоклипы
Consider implementing a feature for Neutron that enables it to communicate with all other Neutron instances. This would allow each instance to automatically adjust and share the frequency spectrum efficiently. Additionally, users could specify the role of each Neutron instance-whether it's the lead, background, or distant background-enabling it to fine-tune its adjustments based on these roles.
Transient sustain processing finally!! 🎉
Kimbra! ❤🎉
She's so beautiful!
"Part 6 Pro": If you have to boost the gain more than 2db on the eq, your problem is somewhere else.
"Part 7 Pro": Instantly boost eq lows by 5db. (with gain match I know)
All I understood from this is that mixing and mastering is subjective, no matter the engineer or software. At the end of the day, find your workflow and go off that. Reference others, keep what you like, throw away what you don't. Mixing and Mastering doesn't have to be so black and white of what you CAN DO versus what you CANNOT DO. Do whatever gets YOU the sounds you want and try to have fun with it. But keep in mind, knowing most of the basics does help. Great video though, learned some cool things.
That's what I was doing wrong. Part 6 Stereo mid side, THANKS to You "EM" ! AWE'sSoME !!
Does neutron 4 elements have the unmasking feature? Thanks! Great video with great knowledge as always.
It does! Thanks for watching. Learn more about unmasking in Neutron 4 here: www.izotope.com/en/learn/unmasking-your-mix-with-neutron.html
@@iZotopeOfficial thank you much! now it will be so much easier getting the kick and bass just right.
Let's not forget that "we can't compete with the hearing range of BATS" hahaha^^
Legend em PT Please!
When using emulation channel strips, is it better to use neutron before or after in the chain, or does it even matter? Thanks.
If you need Neutron's noise gate, a more precise low-pass filter than the channel strip emulator provides, and/or Nectar's auto-leveler, I'd run those before the emulator in that order. Once you're happy with your base sound, other Neutron plugins or the Neutron mothership will work well after the emulator.
But no, it doesn't really matter as long as you're getting your desired results. I personally try to get rid of unwanted noise and low frequencies before I hit any dynamics processing like auto-leveling, dynamic EQ, or compression, but that's not a hard-and-fast rule.
@@gitpho Ok makes sense, thank you! Got neutron elements 4 and haven’t used it yet but looking forward to. With the unmasking feature I might not have to worry about side chaining to get the kick and bass right. Thanks you for the help. Cheers!
Plugin Alliance products placement in the first few seconds 😅
Why is upgrading from RX8 Advanced to RX10 Advanced 1200bucks? Where is my Everything bundle upgrade deal for 300 bucks? Why can't I use Native Access to download iZotope? Where is Trash 3? How many annual generations of nectars and ozones and RXs before we get something new?
Rest assured that over time, we'll develop Native Access as the preferred destination for installing and authorization, not only for Native Instruments products, but also products from iZotope and Plugin Alliance.
the way of working in Stereo and Mid/Side shown in part 6 is completely BS, it's not how this EQ operates. it seems that this person got used to Pro-Q and thinks you can switch between all modes keeping all the bands stuck to the channel/mode they were set in, but it's not what Ozone EQ does. and all other info sounds super subjective, for instance what and why will sound "weird and strange", i don't get it.
number 6 is absolute BS. if the track sounds great with that +5 dbs boost you DO that boost. sending it back to the client saying "the mix is not good enough cause i boosted 3 dbs more than usual" shows your lack of confidence.
i fell asleep watching this