This performance of the winterreise is SUPERB. It’s by far the best ever I’ve heard. The pianist is STNNUNG for perfection and also originality , finally we can hear all the beautiful details of the piano accompaniment of this masterpiece , and often, a diverse interpretation emerges.Amazing! The tenor incredible voice …! technically I think nobody will be able to surpass him . Not to talk about his unreachable expressivity words, music , theatre .. cooperate to reveal a terrible message , in some moments I thought to lose my mind d … . the Shubert masterpiece is revealed in all its true geniality and terrible dramatic atmosphere. I think this is probably the most intense and dramatic music of the entire history of music. It puts Shubert in the Olympus of the greats . probably the greatest of all . I think we haven’t duscovered the genius of Shubert yet , but this performance is a great step toward it . Many compliments to both , and my unconditional admiration !
In 78 years I have listened to these songs maybe 100 times. I have always hated them. I appreciated their greatness but I could not stand the harsh pain. Well, finally, upon listening to this performance, I suddenly love them. FINALLY they are played with the sweet nature of Schubert. That pianist plays like Schubert, far and away best I ever heard. Simple, sincere, true and kind. Through Schubert’s nature we can love these songs and this pianist shows the way. And Bostridge who is true and has an angel’s voice does not need to strain. With his voice and understanding, the songs sing themselves.
Since this is one of my favorite works, I have listened to many singers. Mr. Bostridge has the youthful yet world-weary sound spiked with raw emotion that I can imagine Schubert heard in his mind's ear. Thank you for maintaining this after 8 years!
This performance of the winterreise is SUPERB. It’s by far the best ever I’ve heard. The pianist is stunnig but for perfection and also originality , finally we can hear all the beautiful details of the piano of this masterpiece , and often, a diverse interpretation emerges.Amazing! The tenor an incredible voice , technically I think nobody will be able to surpass him . Not to talk about his incredible expressivity . As a result, The shubert masterpiece is revealed in all its true geniality and terrible dramatic atmosphere. I think this is probably the most intense and dramatic music of the entire history of music. And puts Shubert in the Olympus of the greats . , probably the greatest of all . I think we haven’t duscovered the genius of Shubert yet , but this performance is a great step toward it . Many compliments to both , and my unconditional admiration !
The first version I ever heard was HANS HOTTER's dark and funereal interpretation . 50 yrs later it is still my favourite. I have seen BOSTRIDGE sing the cycle several times and have always enjoyed watching him perform it
The last song is a miracle. Bostridge is great, but the pianist is astounding. She sounds like a cathedral of the most beautiful notes which combine so harmoniously with the singer. Rare!
I have read his book and listened to the recordings countless times, but for some reason I never thought to watch a video performance until now. I am utterly shocked. Bostridge's physical presence is just unreal - he is really *in* the music. What a performance. I won't ever listen to Winterreise the same again.
Surprisingly... M. Bostridge seems in my eyes to be one of the top performers of this masterwork! His *sensitivity*, his involvement, his passion are rather moving. Today, I've listened to him (with Thomas Adès) on the belgian radio in the same work. A delight. Thank you for sharing.
Not only the best but also the most educated and knowledgeable about Schubert's Winterreise. One should absolutely read his book about the Winterreise, with each song analyzed in-depth. In English it's called Schubert Winter Journey Anatomy of an Obsession. In German : Schubert's Winterreise Lieder von Liebe und Schmerz. Excellent books, you'll enver listen to the songs and watch Ian the same way. With much more admiration. Respects, great artist and writer.
@Clementine Clement -. You *could not* be more wrong! There’s somebody named Dietrich Fischer-Dieskau who still holds the title of Schubert King, and has since 1955, who not only had a much better natural instrument and much more natural technique than IB, he was also a scholar in a way that IB wishes he could be! But, of course, if you prefer a singer who begins each phrase by trying to bury his chin into his throat, hey! Who am I to argue with _that,_ lmao!
I'm an enthusiast of Ian Bostridge's Schubert interpretation. I like to listen to these songs just before falling asleep. It makes me to feel comfortable during the whole next day.
Exceptionnelle et définitivement la plus troublante version, la plus terriblement nostalgique et la plus douce aussi. Tant de douleur, tant de beauté. La pianiste n'accompagne pas, elle est l'âme de ce déchirant ténor. R e s p e c t !
I agree with the technical aspects, but don’t like the way he strangles his sound by trying to dig his chin into his throat. It’s obvious to me that Schubert is too deep for him….I’ve listened to hundreds of singers, and there are very few who can allow their spirits to inhabit the characters Schubert draws so vividly for them. Dietrich Fischer-Dieskau is the best of the best….I have no idea how he could inhabit the characters in a 3 minute song and totally grab listeners, but he could!
@@voraciousreader3341 Yes, I love Dieskau more than 30 years and is still my best choice too. Bostridge has some familiar aspect to me as a Korean. His pronunciation of long vowels seems to have some transformation minimally. In Korean traditional vocal music, a long vowel which is started transformed to another one or more on the same note or the same lyrics vowel. So, specially I commented "fresh." Could "strangles his sound by trying to dig his chin into his throat" be related to my comment?
Thanks to @AthSamaras 01. 0:00:03 - Gute Nacht (Good Night/안녕히 주무세요) 02. 0:05:20 - Die Wetterfahne (The Weather Flag/날씨 깃발) 03. 0:07:05 - Gefror’ne Tränen (Freezing Tears/얼어붙은 눈물) 04. 0:09:32 - Erstarrung (Freezing/얼음이 어는.몹시 추운) 05. 0:12:39 - Der Lindenbaum (The Linden Tree/린덴나무) 06. 0:17:40 - Wasserflut (Flood of Water/물의 홍수) 07. 0:21:42 - Auf dem Flusse (On the River/강 위에서) 08. 0:25:21 - Ruckblick (Look Back/뒤를 돌아보세요) 09. 0:27:30 - Irrlicht (Illumination/불빛.조명) 10. 0:30:18 - Rast (Stop/멈추세요) 11. 0:33:52 - Frühlingstraum (Spring Dream/봄날의 꿈) 12. 0:38:38 - Einsamkeit (Loneliness/외로움.고독) 13. 0:42:00 - Die Post (The Mail/편지) 14. 0:44:06 - Der greise Kopf (The Big Head/빅 헤드) 15. 0:47:17 - Die Krähe (The Crows/까마귀들) 16. 0:50:03 - Letzte Hoffnung (Last Hope/마지막 희망) 17. 0:52:17 - Im Dorfe (In the Village/마을에서) 18. 0:55:40 - Der stürmische Morgen (The stormy Morning/폭풍우치는 아침) 19. 0:56:27 - Täuschung (Fake/속임수) 20. 0:57:45 - Der Wegweiser (The Clue to the Way/길의 단서) 21. 1:02:20 - Das Wirtshaus (The Hostel/호스텔.숙소) 22. 1:07:09 - Mut (Courage/용기) 23. 1:08:33 - Die Nebensonnen (The Sundial/해시계) 24. 1:11:15 - Der Leiermann (The Man in Charge/담당자)
I'm listening everyday Schubert's and Sir Bostridge's Winterreise. And I feel interesting. Feeling emotion in my heart a growing gap. And then I ask myself: Why the end Journey? But I know that; cycle became is circle and of the last song, in my heart, in my mind. Thank you Sir Bostridge.
This is the most touching of all interpretations I have heared anywhere. Bravissimi! You can feel how Ian became this winter wanderer and can live through all the deep thoughts and deeper pains embodied in this ultimate masterwork with him. But drama beats music here. In the end it remains a question of taste and mood if you prefer this soulful approach or a slightly more restrained and controlled one like in Christian Gerhaher's 2001 recording.
@@Geron1mo1 ich kenne einige Interpretationen von Schreier, Fischer Diskau, dennoch ist das zum Teil um Klassen besser, viel plastischer und lebendiger ohne Opern-Pathos, zeitgemäßer...
Браво, браво,браво!!! Два часа ночи.А я слушаю Шуберта и наслаждаюсь пением! Какие они замечательные,-он и она,- Музыканты! Творческих достижений им желаю от всей души. А ведущим этого канала большое СПАСИБО! Россия.Урал-Екатеринбург. 27.11.2020.
Теперь день.И,я,вновь слушаю эту запись. Спасибо слушателям, присутствовавшим на этом концерте,за паузу перед аплодисментами. Спасибо музыкантам за нежные и благодарные поцелуи.Оба эти момента говорят нам о качестве исполнения и ,просто, греют мою душу. Они,-в знак благодарности,-поклонились нам. Я в ответ,-мысленно,- кланяюсь им. 28.11.2020.
TT This is the pinnacle of German Lieder. Brings me to tears every time I hear it. Bohr's is the best recorded version. Eat your heart out Gustav Mahler. I was brought to a recital of this piece by an old friend of mine in 1988. I knew or cared very little for Classical music at the time. I was totally speechless for the whole performance and for hours after.
This is one of the greatest song cycles of Schubert (Lieder) ever composed! One can clearly hear the sadness that outpours from this poem and Schubert sets this song cycle beautifully! As someone who studied German for a year while in high school, I can hear through the vivid words the dwindling spirit of the person through all 24 songs. As a composer of classical music, I often use this song cycle for inspiration. The music always leaves me in tears every single time I listen to it! Danke schön (Thank you)!
@@hssh8698 was meinst du damit? Es gibt zahlreiche gute koreanische Opernsänger, die Wagner, Strauss, Schubert usw singen. Deutsche Aussprache gehört zur standard Gesangsausbildung
@@uschilillifee1730 ich weiß es ehrlich gesagt nicht mehr, was ich damit meinte. Es mag sein, dass ich auf einen anderen Kommentar antworten wollte und versehentlich diesen kommentierte.
This performance finds Ian Bostridge in excellent voice, dramatic commitment, and complexity. I heard him perform this live in Chicago about 20 years ago, near the time of the CD release. I really enjoyed it, and I used to play the recording often (enough). It does not supplant any of the recordings (or recorded performances) by Fischer-Dieskau, Matthias Goerne, Werner Gura, or Peter Mattei (my current favorite) --but it is very good. Supposedly, his German is not very convincing, and he is known for overdoing the consonants (which true German singers never do), but he is not guilty of that here. I can't attest to the quality of his German, but I can say he is delivering smoother lines than he used to.
Bellísimas canciones,y el interprete, además de su famoso libro viaje de invierno,es maravilloso..He cantado La Bella Molinera,ahora voy a montar Viaje de Invierno..maravilloso,bravo
@@hssh8698 Meine Pöbelsprache. Es ehrt die Aufnahme als etwas besonderes, etwas was einen umhaut, als wäre man von einem Brett am Kopf getroffen worden. Ich liebe es den höheren Künsten in meiner Pöbelsprache zu huldigen. Danke der Nachfrage und liebe Grüße.
Wenn man ihn nicht sieht, ist es sehr gut. Das Tempo des ersten Liedes ist perfekt. Die Vokale singt er nicht ganz astrein, für einen Engländer allerdings sehr gut. Der Stimmklang gefällt mir, technisch sehr gut, wie gesagt, sprachlich weit von einem Wunderlich, Hotter oder Dieskau entfernt. Das Grauen neuerdings auf diesem Gebiet heißt Mark Padmore..
I remember as if it was yesterday. He was on the German TV show "aspekte". Maybe it was 8 years ago... who cares. before that I rarely listened to Schubert oder the Schumanns. Romantic music was just a no go for me. I came From Bach to Mendelssohn Bartholdy and then his Winterreise made me become a romantic. These days I adore Sibelius even more.
Whenever I listen to this music my heart is really very sad because I heard it after I had failed in a relationship with her, so I am very sad until now...
@@terryserres8342 bostridge interpretation is usually highly manneristic, yes. in the beginning i liked it, but it can get tiresome after a while. often a more sober performance is appropriate in classical music. however, the english songs he sings really becomes him.
Fremd bin ich eingezogen, Fremd zieh’ ich wieder aus. Der Mai war mir gewogen Mit manchem Blumenstrauß. Das Mädchen sprach von Liebe, Die Mutter gar von Eh’, - Nun ist die Welt so trübe, Der Weg gehüllt in Schnee. Ich kann zu meiner Reisen Nicht wählen mit der Zeit, Muß selbst den Weg mir weisen In dieser Dunkelheit. Es zieht ein Mondenschatten Als mein Gefährte mit, Und auf den weißen Matten Such’ ich des Wildes Tritt. Was soll ich länger weilen, Daß man mich trieb hinaus? Laß irre Hunde heulen Vor ihres Herren Haus; Die Liebe liebt das Wandern - Gott hat sie so gemacht - Von einem zu dem andern. Fein Liebchen, gute Nacht! Will dich im Traum nicht stören, Wär schad’ um deine Ruh’, Sollst meinen Tritt nicht hören - Sacht, sacht die Türe zu! Ich schreibe nur im Gehen An’s Tor noch gute Nacht, Damit du mögest sehen, An dich hab’ ich gedacht.
Die Nebensonnen Wilhelm Müller Drei Sonnen sah ich am Himmel stehen, Hab’ lang’ und fest sie angesehn; Und sie auch standen da so stier, Als wollten sie nicht weg von mir. Ach, meine Sonnen seid ihr nicht! Schaut Andren doch in’s Angesicht! Ja, neulich hatt’ ich auch wohl drei: Nun sind hinab die besten zwei. Ging’ nur die dritt’ erst hinterdrein! Im Dunkeln wird mir wohler sein.
I am leaving this comment here for my beloved Daughter. My flower, my happiness my Ilona.. let this comment remind you, that for me, you are the reason to continue this life. You are my breath, my heart, my happiness and my sorrow. Itt hagytom ezt a kommentet neked, drága virágom, Heike Ilona. Tudd meg, szeretlek az utolsó szívdobbanàsomig. Édesapád Tibor.
![슈베르트 [겨울나그네] 전곡 독어,영어,한글 가사 Schubert - Die Winterreise (Winter Journey) Lyrics](/img/1.gif)
Fabulous singing as well. excellent pianist
EXCELLENT, and... This is for better access:
Franz Schubert: Winterreise, D 911 (1827)
01. 0:00:03 - Gute Nacht
02. 0:05:20 - Die Wetterfahne
03. 0:07:05 - Gefror’ne Tränen
04. 0:09:32 - Erstarrung
05. 0:12:39 - Der Lindenbaum
06. 0:17:40 - Wasserflut
07. 0:21:42 - Auf dem Flusse
08. 0:25:21 - Ruckblick
09. 0:27:30 - Irrlicht
10. 0:30:18 - Rast
11. 0:33:52 - Frühlingstraum
12. 0:38:38 - Einsamkeit
13. 0:42:00 - Die Post
14. 0:44:06 - Der greise Kopf
15. 0:47:17 - Die Krähe
16. 0:50:03 - Letzte Hoffnung
17. 0:52:17 - Im Dorfe
18. 0:55:40 - Der stürmische Morgen
19. 0:56:27 - Täuschung
20. 0:57:45 - Der Wegweiser
21. 1:02:20 - Das Wirtshaus
22. 1:07:09 - Mut
23. 1:08:33 - Die Nebensonnen
24. 1:11:15 - Der Leiermann
Thanks a Lot !!!
Thank you. As someone trying to read the translation along with it, this was necessary.
One of, if not the best, performances of Schubert's masterwork. Just extraordinary.
The singer has a perfect pronounciation and on the other hand he sings the whole concert by heart.
This performance of the winterreise is SUPERB. It’s by far the best ever I’ve heard. The pianist is STNNUNG for perfection and also originality , finally we can hear all the beautiful details of the piano accompaniment of this masterpiece , and often, a diverse interpretation emerges.Amazing! The tenor incredible voice …! technically I think nobody will be able to surpass him . Not to talk about his unreachable expressivity words, music , theatre .. cooperate to reveal a terrible message , in some moments I thought to lose my mind d … . the Shubert masterpiece is revealed in all its true geniality and terrible dramatic atmosphere. I think this is probably the most intense and dramatic music of the entire history of music. It puts Shubert in the Olympus of the greats .
probably the greatest of all . I think we haven’t duscovered the genius of Shubert yet , but this performance is a great step toward it . Many compliments to both , and my unconditional admiration !
In 78 years I have listened to these songs maybe 100 times. I have always hated them. I appreciated their greatness but I could not stand the harsh pain. Well, finally, upon listening to this performance, I suddenly love them. FINALLY they are played with the sweet nature of Schubert. That pianist plays like Schubert, far and away best I ever heard. Simple, sincere, true and kind. Through Schubert’s nature we can love these songs and this pianist shows the way. And Bostridge who is true and has an angel’s voice does not need to strain. With his voice and understanding, the songs sing themselves.
Try and listen to Matthias Goerne. I have a dozen versions of Winterreise and it is my favourite.
Since this is one of my favorite works, I have listened to many singers. Mr. Bostridge has the youthful yet world-weary sound spiked with raw emotion that I can imagine Schubert heard in his mind's ear. Thank you for maintaining this after 8 years!
세상에서 제일 섬세하고 아름다운 아름다운 목소리에요♡
This performance of the winterreise is SUPERB. It’s by far the best ever I’ve heard. The pianist is stunnig but for perfection and also originality , finally we can hear all the beautiful details of the piano of this masterpiece , and often, a diverse interpretation emerges.Amazing! The tenor an incredible voice , technically I think nobody will be able to surpass him . Not to talk about his incredible expressivity . As a result, The shubert masterpiece is revealed in all its true geniality and terrible dramatic atmosphere. I think this is probably the most intense and dramatic music of the entire history of music. And puts Shubert in the Olympus of the greats .
, probably the greatest of all . I think we haven’t duscovered the genius of Shubert yet , but this performance is a great step toward it . Many compliments to both , and my unconditional admiration !
The first version I ever heard was HANS HOTTER's dark and funereal interpretation .
50 yrs later it is still my favourite. I have seen BOSTRIDGE sing the cycle several times and have always enjoyed watching him perform it
Such an interpretation, so full of deepness and of different accents, never over the music. He is a superb interpret.
The last song is a miracle. Bostridge is great, but the pianist is astounding. She sounds like a cathedral of the most beautiful notes which combine so harmoniously with the singer. Rare!
I have read his book and listened to the recordings countless times, but for some reason I never thought to watch a video performance until now. I am utterly shocked. Bostridge's physical presence is just unreal - he is really *in* the music. What a performance. I won't ever listen to Winterreise the same again.
He lives the text , the music !
Surprisingly... M. Bostridge seems in my eyes to be one of the top performers of this masterwork! His *sensitivity*, his involvement, his passion are rather moving. Today, I've listened to him (with Thomas Adès) on the belgian radio in the same work. A delight. Thank you for sharing.
Not only the best but also the most educated and knowledgeable about Schubert's Winterreise. One should absolutely read his book about the Winterreise, with each song analyzed in-depth. In English it's called Schubert Winter Journey Anatomy of an Obsession. In German : Schubert's Winterreise Lieder von Liebe und Schmerz. Excellent books, you'll enver listen to the songs and watch Ian the same way. With much more admiration. Respects, great artist and writer.
That book is astounding!
Yes, well said! I didnt take to it too well at first because I had my own pictures in my head, but now Shubert's pictures and my own happily overlap.
Just ordered it from my local library, thanks for the recommendation!
@@TFreckle You're most welcome.
@Clementine Clement -. You *could not* be more wrong! There’s somebody named Dietrich Fischer-Dieskau who still holds the title of Schubert King, and has since 1955, who not only had a much better natural instrument and much more natural technique than IB, he was also a scholar in a way that IB wishes he could be! But, of course, if you prefer a singer who begins each phrase by trying to bury his chin into his throat, hey! Who am I to argue with _that,_ lmao!
Realy, sooo.. good. Thank you Mr. Bostridge. Greed from Austria! 🇦🇹
Are you familiar with the storyline of this cycle? That's intentional, he's telling the story with an illustrative face.
It seems he was born to sing Schubert's masterworks.
😊ㅣ)ㅣ)ㅣㅣㅣㅣㅣㅣㅣㅣㅣㅣㅣ)ㅣㅣㅣㅣ
I'm an enthusiast of Ian Bostridge's Schubert interpretation. I like to listen to these songs just before falling asleep. It makes me to feel comfortable during the whole next day.
can't like this piece enough - has taken me through some tough times. Utter peace!
It's legendary Winerreise singing!!!!!!!!
Love love His lovely color of voice!!!!!!!!
Exceptionnelle et définitivement la plus troublante version, la plus terriblement nostalgique et la plus douce aussi. Tant de douleur, tant de beauté. La pianiste n'accompagne pas, elle est l'âme de ce déchirant ténor. R e s p e c t !
❤exactement❤
So bold, extremely rich color and such in depth inteperation. Superb❗❗❗
The pianist Saskia Giorgini is wonderfull. Of course Ian also
딕션만으로도 흐름을 느끼게 하는 연주! 정말 좋군요. 선율이 아니라 가사가 알알이 풀려 나옵니다. 다른 요소는 그저 도우미 같은 연주, 참신합니다. 반주자와의 호흡도 찰떡입니다.
I agree with the technical aspects, but don’t like the way he strangles his sound by trying to dig his chin into his throat. It’s obvious to me that Schubert is too deep for him….I’ve listened to hundreds of singers, and there are very few who can allow their spirits to inhabit the characters Schubert draws so vividly for them. Dietrich Fischer-Dieskau is the best of the best….I have no idea how he could inhabit the characters in a 3 minute song and totally grab listeners, but he could!
@@voraciousreader3341 Yes, I love Dieskau more than 30 years and is still my best choice too. Bostridge has some familiar aspect to me as a Korean. His pronunciation of long vowels seems to have some transformation minimally. In Korean traditional vocal music, a long vowel which is started transformed to another one or more on the same note or the same lyrics vowel. So, specially I commented "fresh." Could "strangles his sound by trying to dig his chin into his throat" be related to my comment?
Ian Bostridge captivant !! un final limpide et puissant à la fois ..une merveilleuse interprétatiOn !
Beautiful. Thank you for the upload and thanks to Bostridge and Saska for their amazing performance.
1. 00:03
2. 05:20
3. 07:05
4. 09:32
5. 12:39
6. 17:40
7. 21:42
8. 25:21
9. 27:30
10. 30:18
11. 33:52
12. 38:38
13. 42:00
14. 44:06
15. 47:17
16. 50:03
17. 52:17
18. 55:40
19. 56:27
20. 57:45
21. 1:02:20
22. 1:07:09
23. 1:08:33
24. 1:11:15
Shi An Co Thank you!
Thanks! Good job.
People like you deserve a spot in heaven
Thank u
Shi-An Costello Dankeeee 👍👌🏻
F'ing brilliant. The best interpretation/performance of the piece ever. Franz would freak. Bravo, Bravo! and Brava to Giorgini who is flawless.
The most intelligent and beautiful singer who sings with the entirety of himself.
Thanks to @AthSamaras
01. 0:00:03 - Gute Nacht (Good Night/안녕히 주무세요)
02. 0:05:20 - Die Wetterfahne (The Weather Flag/날씨 깃발)
03. 0:07:05 - Gefror’ne Tränen (Freezing Tears/얼어붙은 눈물)
04. 0:09:32 - Erstarrung (Freezing/얼음이 어는.몹시 추운)
05. 0:12:39 - Der Lindenbaum (The Linden Tree/린덴나무)
06. 0:17:40 - Wasserflut (Flood of Water/물의 홍수)
07. 0:21:42 - Auf dem Flusse (On the River/강 위에서)
08. 0:25:21 - Ruckblick (Look Back/뒤를 돌아보세요)
09. 0:27:30 - Irrlicht (Illumination/불빛.조명)
10. 0:30:18 - Rast (Stop/멈추세요)
11. 0:33:52 - Frühlingstraum (Spring Dream/봄날의 꿈)
12. 0:38:38 - Einsamkeit (Loneliness/외로움.고독)
13. 0:42:00 - Die Post (The Mail/편지)
14. 0:44:06 - Der greise Kopf (The Big Head/빅 헤드)
15. 0:47:17 - Die Krähe (The Crows/까마귀들)
16. 0:50:03 - Letzte Hoffnung (Last Hope/마지막 희망)
17. 0:52:17 - Im Dorfe (In the Village/마을에서)
18. 0:55:40 - Der stürmische Morgen (The stormy Morning/폭풍우치는 아침)
19. 0:56:27 - Täuschung (Fake/속임수)
20. 0:57:45 - Der Wegweiser (The Clue to the Way/길의 단서)
21. 1:02:20 - Das Wirtshaus (The Hostel/호스텔.숙소)
22. 1:07:09 - Mut (Courage/용기)
23. 1:08:33 - Die Nebensonnen (The Sundial/해시계)
24. 1:11:15 - Der Leiermann (The Man in Charge/담당자)
Wow! They even choreographed coughing in between each of the songs, how fascinating!
So wonderful!!!! Thank you so much for sharing!!!!
I'm listening everyday Schubert's and Sir Bostridge's Winterreise. And I feel interesting. Feeling emotion in my heart a growing gap. And then I ask myself: Why the end Journey? But I know that; cycle became is circle and of the last song, in my heart, in my mind. Thank you Sir Bostridge.
This is as good as it gets - what a wonderful performance! Thank you so much for sharing.
Every melody is the masterpiece...
i'm reading his book. it,s amazing!
I love this guy and his interpretation of "Winterreise"!
This is the most touching of all interpretations I have heared anywhere. Bravissimi!
You can feel how Ian became this winter wanderer and can live through all the deep thoughts and deeper pains embodied in this ultimate masterwork with him. But drama beats music here. In the end it remains a question of taste and mood if you prefer this soulful approach or a slightly more restrained and controlled one like in Christian Gerhaher's 2001 recording.
Did you never hear of Peter Anders, Peter Schreier or Dietrich Fischer-Dieskau ? Oh my god.
@@Geron1mo1 ich kenne einige Interpretationen von Schreier, Fischer Diskau, dennoch ist das zum Teil um Klassen besser, viel plastischer und lebendiger ohne Opern-Pathos, zeitgemäßer...
Ich liebe Schubert und Ian!
Me too !
Браво, браво,браво!!!
Два часа ночи.А я слушаю
Шуберта и наслаждаюсь
пением! Какие они замечательные,-он и она,-
Музыканты! Творческих
достижений им желаю
от всей души.
А ведущим этого канала
большое СПАСИБО!
Россия.Урал-Екатеринбург.
27.11.2020.
Reading his book, it's really good.
Victor P. I'm reading it too but I think it's far too vague in places. Always thought provoking but rarely informative.
Victor P. what book?
maybe "Schubert's Winter Journey: Anatomy of an Obsession" by Ian Bostridge
Joe Gurvets Yes! Excellent.
Bravo bravissimo Ian Bostridge e che bravissima la pianista!
Most beautiful Winterreise ever. Pure beauty and goosebumps.
-- Magnifique interprétation de ce grand classique de F.Schubert. --
오늘 한국 날씨에는
유난히 보스트리지의 목소리가 진정성있게 와 닿는군요.
South Korea.
I speak english. Dont understand a word he's saying. But i've been listening over and over for more times than I could count now
Absolute masterpiece.
Doesnt it exist in English? Hm...
A terrific performance! A really lovely voice ripped and snagged by his owner (a poor madman)
A wonderful duo Ian and Saskia: magic!
Теперь день.И,я,вновь слушаю эту запись.
Спасибо слушателям,
присутствовавшим на
этом концерте,за паузу
перед аплодисментами.
Спасибо музыкантам
за нежные и благодарные
поцелуи.Оба эти момента
говорят нам о качестве
исполнения и ,просто,
греют мою душу.
Они,-в знак благодарности,-поклонились нам.
Я в ответ,-мысленно,-
кланяюсь им.
28.11.2020.
TT
This is the pinnacle of German Lieder. Brings me to tears every time I hear it. Bohr's is the best recorded version. Eat your heart out Gustav Mahler. I was brought to a recital of this piece by an old friend of mine in 1988. I knew or cared very little for Classical music at the time. I was totally speechless for the whole performance and for hours after.
This is one of the greatest song cycles of Schubert (Lieder) ever composed! One can clearly hear the sadness that outpours from this poem and Schubert sets this song cycle beautifully! As someone who studied German for a year while in high school, I can hear through the vivid words the dwindling spirit of the person through all 24 songs. As a composer of classical music, I often use this song cycle for inspiration. The music always leaves me in tears every single time I listen to it! Danke schön (Thank you)!
드디어 우리나라에서 직접 만날 수 있다니 꿈만 같다
아름답고 감성적인 그의 목소리에
무한한 감사를 올린다
true
독일어로 노래하는 한국 오페라 가수의 이름을 지을 수 있는지 궁금합니다.
@@hssh8698 was meinst du damit? Es gibt zahlreiche gute koreanische Opernsänger, die Wagner, Strauss, Schubert usw singen. Deutsche Aussprache gehört zur standard Gesangsausbildung
@@uschilillifee1730 ich weiß es ehrlich gesagt nicht mehr, was ich damit meinte. Es mag sein, dass ich auf einen anderen Kommentar antworten wollte und versehentlich diesen kommentierte.
@@hssh8698 alles gut 😁
The pianist Saskia Giorgini is stunning, one of the best accompaniment ever
Pathetic fucking idiot.
@@zafferung4440 Sorry, what?
What a beautiful performance!!! ❤🌟❤
Just superb !
wundervoll ... und das Buch dazu - genial!
Well done, Mr. Professor! :)
You guys literally have every performance I'm lookinf for! God bless!
Fantastic!
This is the best in Schubert
Amazing!
Absolutely LOVE THIS!!!!
awesome ...
I love the colour of his voice!
Stunning.
This performance finds Ian Bostridge in excellent voice, dramatic commitment, and complexity. I heard him perform this live in Chicago about 20 years ago, near the time of the CD release. I really enjoyed it, and I used to play the recording often (enough). It does not supplant any of the recordings (or recorded performances) by Fischer-Dieskau, Matthias Goerne, Werner Gura, or Peter Mattei (my current favorite) --but it is very good. Supposedly, his German is not very convincing, and he is known for overdoing the consonants (which true German singers never do), but he is not guilty of that here. I can't attest to the quality of his German, but I can say he is delivering smoother lines than he used to.
schön elegant und melancholisch
Muchas gracias. Una maravilla!
Bellísimas canciones,y el interprete, además de su famoso libro viaje de invierno,es maravilloso..He cantado La Bella Molinera,ahora voy a montar Viaje de Invierno..maravilloso,bravo
magnifique!!!
Fabulous 😍
Na das war mal ein Brett! Vielen Dank.
Mir ist der Terminus "Brett" in Deinem gemeinten Zusammenhang unbekannt. Was meinst Du also?
@@hssh8698 Meine Pöbelsprache. Es ehrt die Aufnahme als etwas besonderes, etwas was einen umhaut, als wäre man von einem Brett am Kopf getroffen worden. Ich liebe es den höheren Künsten in meiner Pöbelsprache zu huldigen. Danke der Nachfrage und liebe Grüße.
MAGNIFIQUE !!!!
a very skilled pianist :)
really!
Yes!
Bravo!!!
Fantastic Ian...just started following you because all the music tutor i came across are comparing me with you..
Bostridge seems to understand the full content of these lyrics, if not, I think he can't make an expression like that.
Interpretación apasionada y senciila como la propia obra. Maravilloso.
5年前かな福岡で美しき水車屋の娘を聴いて感動したよ、冬の旅は高校以来感動している。
So "unbearably " beautiful :)
Wenn man ihn nicht sieht, ist es sehr gut. Das Tempo des ersten Liedes ist perfekt. Die Vokale singt er nicht ganz astrein, für einen Engländer allerdings sehr gut. Der Stimmklang gefällt mir, technisch sehr gut, wie gesagt, sprachlich weit von einem Wunderlich, Hotter oder Dieskau entfernt.
Das Grauen neuerdings auf diesem Gebiet heißt Mark Padmore..
Wow. Wow. Wow. Listen to that Erstarrung.
A genuine artist
excellent pronunciation, by the bye :)
Amo essa musica!!!
A well deserved drie zoenen
페터 슈라이어 이후 최고의 가곡가..
Outstanding performace, definitely. But try also version by Peter Schreier & András Schiff.
I remember as if it was yesterday. He was on the German TV show "aspekte". Maybe it was 8 years ago... who cares. before that I rarely listened to Schubert oder the Schumanns. Romantic music was just a no go for me. I came From Bach to Mendelssohn Bartholdy and then his Winterreise made me become a romantic. These days I adore Sibelius even more.
Whenever I listen to this music my heart is really very sad because I heard it after I had failed in a relationship with her, so I am very sad until now...
I probably would have passed out being the page-turner.
🤣
AND VERY NICE TO
Ian bostridge 최고!
Literally the only tenor in the world who can sing this. No German tenors around to do it either.
Nowadays.... Behle, Lichdi. Once ago.. Anders, Schreier. Unfortunately no Wunderlich.
@@terryserres8342 You find padmore to be better than bostridge? That is surprising, because he has a pretty similar sound, but a poorer technique!
@@terryserres8342 bostridge interpretation is usually highly manneristic, yes. in the beginning i liked it, but it can get tiresome after a while. often a more sober performance is appropriate in classical music. however, the english songs he sings really becomes him.
@@terryserres8342 Taste in singers is very subjective. We all have our own opinions.
@@terryserres8342 you must not have read my comment. I did not say anything about Bostridge.
Teary eyes of the pianist on 3:10....
3:50 Gute Nacht DM section
He is really 鴉 He likes 鴉 Good interpretations.
Fremd bin ich eingezogen,
Fremd zieh’ ich wieder aus.
Der Mai war mir gewogen
Mit manchem Blumenstrauß.
Das Mädchen sprach von Liebe,
Die Mutter gar von Eh’, -
Nun ist die Welt so trübe,
Der Weg gehüllt in Schnee.
Ich kann zu meiner Reisen
Nicht wählen mit der Zeit,
Muß selbst den Weg mir weisen
In dieser Dunkelheit.
Es zieht ein Mondenschatten
Als mein Gefährte mit,
Und auf den weißen Matten
Such’ ich des Wildes Tritt.
Was soll ich länger weilen,
Daß man mich trieb hinaus?
Laß irre Hunde heulen
Vor ihres Herren Haus;
Die Liebe liebt das Wandern -
Gott hat sie so gemacht -
Von einem zu dem andern.
Fein Liebchen, gute Nacht!
Will dich im Traum nicht stören,
Wär schad’ um deine Ruh’,
Sollst meinen Tritt nicht hören -
Sacht, sacht die Türe zu!
Ich schreibe nur im Gehen
An’s Tor noch gute Nacht,
Damit du mögest sehen,
An dich hab’ ich gedacht.
Die Nebensonnen
Wilhelm Müller
Drei Sonnen sah ich am Himmel stehen,
Hab’ lang’ und fest sie angesehn;
Und sie auch standen da so stier,
Als wollten sie nicht weg von mir.
Ach, meine Sonnen seid ihr nicht!
Schaut Andren doch in’s Angesicht!
Ja, neulich hatt’ ich auch wohl drei:
Nun sind hinab die besten zwei.
Ging’ nur die dritt’ erst hinterdrein!
Im Dunkeln wird mir wohler sein.
❤❤❤
The poster's list should state that "Täuschung" is number 19 (it is seen as last word of the preceding number 18 "Der stürmische Morgen".)
I am leaving this comment here for my beloved Daughter. My flower, my happiness my Ilona.. let this comment remind you, that for me, you are the reason to continue this life. You are my breath, my heart, my happiness and my sorrow.
Itt hagytom ezt a kommentet neked, drága virágom, Heike Ilona. Tudd meg, szeretlek az utolsó szívdobbanàsomig.
Édesapád Tibor.