I grew up listening to Denis Brain and Barry Tuckwell. It is a thrill to hear Mr. Baborák reach the level of those great artists of the past. What a magnificent performance of Glière's most well-known work. Thank you for sharing this.
Interesting you compare Baborak with Brain and Tuckwell. Of course, each of them is an absolute genius of the horn, but Baborak comes from an extremely different background in terms of playing style to Brain and Tuckwell.
@@somebody9033 Please listen, in this piece and many others, to horn player Abel Pereira (currently at NSO-Washinton and previously at the Berliner Philarmoniker and the London Philharmonic). He is at the level, if not even a higher level, of the horn players mentioned here.
@BruceBoschek, Please listen, in this piece and many others, to horn player Abel Pereira (currently at NSO-Washinton and previously at the Berliner Philarmoniker and the London Philharmonic). He is at the level, if not even a higher level, of the horn players mentioned here.
My favorite horn concerto, I have listened to the recording with Hermann Baumann so many times. This is also a superb performance. I especially enjoyed the cadenza (with multiphonics!) because it was so different from the Polekh cadenza I’m used to, not that it isn’t also great. Thank you for uploading it.
I love how at around 57 seconds you can see one of the violinists probably lose his spot, he comes in ok but just in the nick of time, and the pretty violinist behind him kinda cracks up a little. As a fellow musician, I feel your pain, your relief, and had a little laugh at that. Great playing!
Not too common. He doesn't seem to be paying it much mind anyway but it just comes down to if the soloist has it memorized. Typically it is memorized as to remove distractions and bring the attention to the performer. It's just an aesthetic thing meant to draw you to the performer more. Nothing wrong with some visual aid occasionally!
Usually international soloists won't have the sheet music, but it's not that unusual. What's important in my opinion is if the music reaches the audience.
@@rilke1791 The grand majority of soloists performing concertos with a full orchestra will have the music memorized - not due to specific effort, but the amount of practice required to get in that position will have memorization as a byproduct. To get it this sublime, with this detailed of an interpretation? He had it memorized long ago.
@@Icedmanta Not necessarily, not that simple, you really don't have to practice Gliere that much to sound like him, Brass is 99% about the fundamentals, if you can play a single note that sounds like him you are an excellent player, I can easily go to the piano and sound like whoever you want if it's all about a single note. Baborak could probably sightread some horn concertos, the main reason he shouldn't is because that's risky and because you have to understand to interpret the music. People should do whatever they prefer as long as performance is good
Radek's an at least adequate hornist, but there are only a few short melodic lines that don't contribute to anything else. And a few excursions into the Lower register. Other than that, it's a pretty lackluster piece.
I grew up listening to Denis Brain and Barry Tuckwell. It is a thrill to hear Mr. Baborák reach the level of those great artists of the past. What a magnificent performance of Glière's most well-known work. Thank you for sharing this.
And Dale Clevenger.
Interesting you compare Baborak with Brain and Tuckwell. Of course, each of them is an absolute genius of the horn, but Baborak comes from an extremely different background in terms of playing style to Brain and Tuckwell.
@@somebody9033 Please listen, in this piece and many others, to horn player Abel Pereira (currently at NSO-Washinton and previously at the Berliner Philarmoniker and the London Philharmonic). He is at the level, if not even a higher level, of the horn players mentioned here.
@BruceBoschek, Please listen, in this piece and many others, to horn player Abel Pereira (currently at NSO-Washinton and previously at the Berliner Philarmoniker and the London Philharmonic). He is at the level, if not even a higher level, of the horn players mentioned here.
Peter Damm is a good benchmark for Baborak.
judging by the looks of the violin players, it seems only horn players can understand how goddamn hard this piece is, and how well he is playing it
So funny. Was just remarking how joyous and engaged many orchestras are when Radek is playing. This is not one of those orchestras.
Radek is the Jedi of Horn
This horn player is the real deal! What a sound!
He is easily one of the best currently living horn players!
not only the best horn player alive but also one of the best musicians ever.
@@vascopinheiro812, o Abel Pereira é melhor
Baborak is such a good player, and handsome as well! His stocky build is perfect for his breath and stability.
My favorite horn concerto, I have listened to the recording with Hermann Baumann so many times. This is also a superb performance. I especially enjoyed the cadenza (with multiphonics!) because it was so different from the Polekh cadenza I’m used to, not that it isn’t also great. Thank you for uploading it.
I love how at around 57 seconds you can see one of the violinists probably lose his spot, he comes in ok but just in the nick of time, and the pretty violinist behind him kinda cracks up a little. As a fellow musician, I feel your pain, your relief, and had a little laugh at that. Great playing!
Great eyes you got, thank you 😂❤
本当に美しいホルンの音色をありがとうございます。
I did not know Gliere until now....but he is a treasure hidden in behind....and Baborak and the Prague Orchestra are amazing...Thank you for posting
I am willing to bet you've heard Russian Sailor's Dance before. :)
Bravo Radek !!
Cadence👏👏👏👏👏
Bravo Mr Baborak!! You are GREAT!! You belong to the top of french hornists!!! What I most like is your musicality!!❤👌👏🙌
Whoua!!! quel phrasé sublime bravissimo Radek
In my opinion , the Prague Radio Symphony Orchestra and Radek Baborak are both the classical top what you can hear in Prague lately...
This might’ve been a horn piece, but as a horn player I loved that oboe!
곡 자체는 so epic 하고, solo 는 성실 했으며, vn2 lady 뒷줄 아가씨는 아름답네요, 여러모로 멋진 프라하 라디오 오케스트라, all the best.
So musical; so masterful! Fabulous.
Браво! Чудове виконання! Прекрасний соліст, диригент,оркестр!!! Музика Р.М. Гліера несе радість світлої лірики! Вона так потрібна завжди!
Yes
пожалуйста, используйте великий и могучий русский язык вместо этого украинского диалекта.
@@somebody9033 с чего ты взял что украинский язык это диалект?
@@bladst3r661 "украина", это Россия. "украинский", это РУССКИЙ.
Ничего глупее не слышал
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БРАВО!!!
Beautiful! Thanks
I love how the strings and the horn mix so well, specially in the more cantabile passages.
Great performance.
Amazing smiles from 0.55 😊
Me parece que el concertino no entra a tiempo, se queda dormido.
gracias totales!!!
excelente
Baborak es de otro planeta 👏💪📯
Abel Pereira es mejor
@@pedrobotelhovieira9203 🧢
@@josee4791, do you perhaps know the horn player I'm talking about...?
Weergaloos vakmanschap en muzikaliteit!
Delightful!
15:05 MVMT 2, 40
13:01 II. Andante
20:33
13:02 2nd movt
ラデク様神様
4:42
6:18
9:30
11:52
Great! A 1991 live concert by Cerminaro of USA is still considered all-time best, even above Polekh's original.
❤
Hey love your channel, where do you find all these videos?
13:35
13:35
wow
19:30
20:30
20:33 !!!
I cannot understand… Is he playing by music, not by memory?
Close your eyes… listen… and you’ll understand…
@RainerJurkiewicz I know this concert very well. I don’t need to close my eyes….
Изумительно звучит валторна! Он - пример для подражания для валторнистов!
Какя прекрасня музыка Глиера.
nice
RUclips keep removing this video what a shame...
Has anyone bought the CD, which is available for $25? Is the audio quality good? Thanks
Are you referring to the album recorded by R. Baborak in 2021?
@@canonclassical I think so, it looks to have the Piri Pauer Concerto and the Gliere.
@@brianomalley1124 It's a great album! I listened it on Deezer and it's really awesome! ❤️
is that a double or triple horn?
Double
Alexander 103
Duerk D3
😮🎉u😅😅😅
0:57 🎻🤣
Laughing in violin 😂🎻
Da morire...😂
6:17
A great player, so I mean no shade with this following question: how common is it for the soloist to have sheet music in front of them?
Not too common. He doesn't seem to be paying it much mind anyway but it just comes down to if the soloist has it memorized. Typically it is memorized as to remove distractions and bring the attention to the performer. It's just an aesthetic thing meant to draw you to the performer more. Nothing wrong with some visual aid occasionally!
Usually international soloists won't have the sheet music, but it's not that unusual. What's important in my opinion is if the music reaches the audience.
@@rilke1791 The grand majority of soloists performing concertos with a full orchestra will have the music memorized - not due to specific effort, but the amount of practice required to get in that position will have memorization as a byproduct. To get it this sublime, with this detailed of an interpretation? He had it memorized long ago.
@@Icedmanta Not necessarily, not that simple, you really don't have to practice Gliere that much to sound like him, Brass is 99% about the fundamentals, if you can play a single note that sounds like him you are an excellent player, I can easily go to the piano and sound like whoever you want if it's all about a single note. Baborak could probably sightread some horn concertos, the main reason he shouldn't is because that's risky and because you have to understand to interpret the music. People should do whatever they prefer as long as performance is good
That is odd, now that you mention it. Still an outstanding performance.
Well played, but not in the original style nor even all the actual notes & chords, changed for the cadenza in an odd way...why?
Because music is a living thing and can be interpreted many different ways...especially by a virtuoso of Radek's caliber.
Cool cadenza, but like so many (including the Valery Polekh cadenza) it makes little musical sense.
Radek's an at least adequate hornist, but there are only a few short melodic lines that don't contribute to anything else. And a few excursions into the Lower register. Other than that, it's a pretty lackluster piece.
Adequate? No one plays better than him, except maybe Dohr when it comes to Mahler
@@pauforcadellcampos4452Maybe not as of today
It's an amazing piece you bojo
@@pauforcadellcampos4452no better horns than Vienna Philharmonics for Mahler, Bruckner, Strauss and pretty much every late romantic work...
who wrote this cadenza?? baborak??
bruh?
pretty sure he did, i could be mistaken though
19:28 6:00
13:01
6:33
12:40