@@michaelpacinus242 Yeah I get you. Sometimes I skip using the bottom roller entirely, et cetera.The troubles I get are the bridge, nut, and tuners. My late bro said to use plastic or graphite saddles on the wound strings of a LesPaul to keep the windings from getting stuck. Worked great.
I’ve been using the Bigsby pedal for over a year now and absolutely love it. It can do a lot more than just emulate a Bigsby. It can create a chorus effect, an auto-vibrato (you can set it to bend automatically), it can be used as an expression pedal for other devices. And despite being all digital I’ve heard no loss in dynamics or quality of my analog signal with all its sensitive germanium and tube elements - I just place it after the fuzz type pedals.
I've been waiting for someone to make this pedal for over ten years. Basically since I started using Bigsby equipped guitars. Gone are the days of tuning issues.
I predict it will flop- it's like an out-of-date version of a DigiTech whammy. Like Cap. said- Tom Morello's dad would've used this- maybe his grand pappy.
Polyphonic detuning from a single audio source is absolutely technically possible. Such technology is used by pitch correction systems such as melodyne which can do apparently impossible things like change minor to major chords in a single audio source.
Yes it's definitely possible, but there's no way to do it in realtime. Sure, maybe SHARC DSP has enough processing power to do such thing, but with such complex analysis I don't think realtime data is enough.
Love this! I have Bigsbys on most of my guitars, but this would be fantastic regardless for the modulation effects. BTW, the proper care and feeding of a Bigsby on your guitar is all over RUclips for those of you complaining of tuning issues...get your bridge break angle dialed in then lube your nut and bridge! No fancy lube needed, a tiny dab on the string at the saddle and nut using any old chapstick does the trick (get a chapstick from the school nurse, she has like 50 of 'em in her drawer). You're welcome.
This was one of those pedals (like most gamechanger pedals) that I thought was a gimmick. Seeing all the demos of this changed my mind. It doesn’t sound digital when used like an actual bigsby
This pedal is a no-brainer if you’re looking at getting a Bigsby. It doesn’t cost much more than the actual tailpiece, works with all your guitars instead of just the one you’ve installed it on, and most importantly, won’t cause tuning issues.
If you're going to do D/A + A/D for a DSP based effect, there is absolutely no reason at this price point to not allow accepting stereo signals and switching between Line/Instrument levels like Meris products
Very fun and perhaps useful pedal. I've had the Light Pedal for awhile now and it really adds an interesting, rather resonant springy/platey reverb you can't get anywhere else.
Cool pedal! I have plenty of guitars. The ones I have with a regular. Strat type vibrato and the ones with a Kahler or Floyd Rose type system just don't do that Bigsby thing. And I don't want to put a Bigsby or something similar on a hardtail guitar. This pedal would absolutely be the best alternative for me.
@@alfsmith4936 : Maybe, but not the way I have it set up (extremely heavy). Besides, it’s not the type of guitar I would want to have that Bigsby sound for anyway. Thanks for your reaction!
So Very Cool, Thankyou. Love the whole idea of this. So do Bigsby's on Guitars now become redundant? As this eliminates the common 'issues' and offers more features/benefits and the option of having a Bigsby on every guitar. Very interesting. Cheers
I'd like to correct the Captain. There exists a mathematical technique called Fast Fourier Series that can single out the frequencies from each string. So that if the processor is powerful enough it can detune each string individually. I don't know if that's what they did, just saying it's possible.
You can, indeed, produce a frequency breakdown - thought that's not quite the same as isolating a string, given that you're able to create similar frequency outputs from different strings at different positions on the fretboard. I would think (and I'm really rusty on related DSP topics - so I may be horribly wrong), you'd need to do a fair bit of additional work to fingerprint which string was which, and probably wouldn't have a 100% correct identification all the time. Whatever the case, this pedal seems like some really nice work. :)
@@MicahTischler it can be easily done. The game Rocksmith analyzes what you play and can tell which string you're playing on with pretty good accuracy.
@@TheBoboMaker I wasn't saying it can't be done - just that it's not as simple as just doing Fourier operations. Also, as it happens, one of my friends is a Rocksmith streamer, and the game does misidentify things from time to time - as I noted would be the case.
A similar but way more limited would be a Boss VB-2W Vibrato @ unlatch mode/ I have been using it for a while to mimic bigsby. It was nice because your guitar is always in tune etc. lol compared to floyd or any other vibrato. But interacting with that vibrato arm is just 2x better feeling than a pedal. It's a hassle... that's true but feels so much better than a pedal. Although for light work Boss VB-2W was fine and you can have it with all of your guitars. One downside... their quality is rather sh1te... compared to normal Boss pedals. I've had two new and both sent back because of hinges were loose and the pedal was clunky... Shocked as it was my first wazacraft and they were worse in quality than my other normal series Boss pedals... > reason why I have bought floyd rose guitar. The instabilisty in tuning sucks though... (altough my bridge is not floating perfectly so it is probably much better in correct postion.)
Been watching this channel for years now. Love to watch Pete and Lee jam., Two players at different levels but both great players. Wouldn't it be much more entertaining if they would offer some tuition as as well as just pushing gear. Anyone agree?
I love how gamechanger always comes up with weird ideas and I always think they're done because there's no way to make something else so original. Then they do.
Holy Crap dude, that's all I can say. I want that Bigsby pedal, and that Friedman Little Sister amplifier, and Pete's nearly instant mastery of a new toy, and all of it connected to my PRS single-cut guitar. The fact that it's made in Latvia is icing on the free market cake., I love it. I love your channel as well, thanks for the honest review of the gear you sell and the fun you have in demonstrating it.
It looks like a Bigsby but in operation is spiritually closer to the B Bender, but on steroids. It doesn’t seem able to do the soulful, quick wobble of a real Bigsby because of the mechanics of foot operation, but it takes the whoops and dives of a B Bender into the 21st Century with a bang. 💥
Can you flick it with your foot and make it flutter lol? I only heard the intro but that sounds amazing, couldn't hear any artefacting, sounding pretty damn genuine, granted it's only a couple semi-tones, but it sounds legit. (I know you don't flutter with Bigsbys but come on, it's a circuit-board with some mechanical bits.)
Not for me, but I guess, if you want a Bigsby. Wow- just checked the prices- you better really want a Bigsby. Is it just me or does everything this company makes feel a little gimmicky? Probably just me- but I can't get myself to like their stuff. Edit: If you like the Wammy by Digitech- check out the Boss PS-6 Harmonist. It does everything the whammy does plus it does both 2 and 3 part harmonies in major or minor scales, pitch shifter, detune, and wammy which Boss calls "S-Bend". The S-Bend feature lets you set how high or low it will bend to when you hit the pedal- it does 2nds, 3rds, 4ths, 5ths, or a whole octave. Plus, it lets you decide how quickly the pitch goes up and how long it takes to come back down when you release the pedal. The foot switch changes to momentary- meaning you have to hit it and hold it down then release to return to normal pitch when you select S-bend mode. It will allow you to select really slow, long bends- and I mean like crazy slow- it sounds nuts. Or you can set it really fast to where when you hit the pedal it almost instantly jumps up, and when you release, it instantly comes back down. Plus, you can invert it- where when you hit the pedal, it goes down in pitch- it does crazy dive bombs. And the harmonies track perfectly- no latency, no distortion, sounds just like someone playing with you. There's also a blend knob so you can set it to barely hear the harmonized lead line or- you can set it where you only hear the harmonized line and not the line you're actually playing. I honestly think it's one of, if not the best, Boss pedal I've ever owned. 169$ new- from ZZounds, which means it's a little cheaper everywhere else. ZZounds sells on credit so- their prices are always a little higher.
I am really surprised that, as far as I'm aware of, no one has came out with a sort of two-way expression pedal before this. I quickly realized after I had tried both a Whammy pedal and a Bigsby/Floyd Rose, that perhaps the biggest difference was the physical bars could easily go between pitch-shifting up or down while the pedal could only easily go one direction at a time. With how popular the Whammy is and how much effort Digitech put into it I'm surprised they never thought of putting a two-way expression pedal on it. Now that they seem to be coming back, they are probably rushing to make a two-way Whammy VI that does this to compete but with larger pitch-shifts to emulate a Floyd Rose better. 😅
3:08 It isn't getting 6 outputs, but, technically, I mean think of multiband compression. It's one signal but there are multiple fundamental frequencies (and their harmonics) that could probably be detected and then have processing applied to them individually (to some extent). Not saying I know exactly how any of that would work, but you know, blah, blah technology, something about AI. Things are wild.
Im a big bigsby fan., but after having one of these for 6 months the novelty has sort of worn off… don’t get me wrong they look cool and are fun to play around with ( using a real bigsby whilst running the pedal and a delay gets you this crazy wave effect ) but I can’t see myself playing any gigs with it .
Love how when Pete goes wild with this, Cap just sits there enjoying the music. What else can you do? Some might not like pedals like this because they require attention - not just set them up before a gig and press a button allowing the musician to focus on their instrument. I, however, love the creative possibility this pedal can give the artist in a live session. Now, I only wonder if this pedal would work with mic'd instruments, like my saxophone.
You would not a switcher. I’ve been using the Bigsby pedal for a year now, and that’s the one drawback. Having said that, I use it with a fuzz-like Germanium boost in front of the Bigsby and they works really well together - ie no audible loss in dynamics, sensitivity, tone, etc.
Wow, a Bigsby that stays in tune! 🤭
You just have to know how to set them up
@@michaelpacinus242 Yep.I have had better luck with Bigsbys than a stock Strat.
@@geraldfriend256 there’s just so little information about how to set up a bigsby! But once it’s setup, it’s so simple there’s almost no room to fail
@@michaelpacinus242 Yeah I get you. Sometimes I skip using the bottom roller entirely, et cetera.The troubles I get are the bridge, nut, and tuners. My late bro said to use plastic or graphite saddles on the wound strings of a LesPaul to keep the windings from getting stuck. Worked great.
Have you said that as someone with a bigsby because I’ve got 4 Guyra with Bigsbys and I’m not having a problem
I love how Pete instantly masters this device and bends it to his will...brilliant!
Not a surprise to me, The Dane is the man at guitar
Guitar Jedi :)
Dude its a pitch shifter
I’ve been using the Bigsby pedal for over a year now and absolutely love it. It can do a lot more than just emulate a Bigsby. It can create a chorus effect, an auto-vibrato (you can set it to bend automatically), it can be used as an expression pedal for other devices. And despite being all digital I’ve heard no loss in dynamics or quality of my analog signal with all its sensitive germanium and tube elements - I just place it after the fuzz type pedals.
Is it a good expression pedal?
☨ ❤ ☭ 🇷🇺 𝒵
pfft that sounds like an actual trem system to me. Incredible what they've done!
You can also use it for a clutch on Gran Turismo
Possibly the most ambitious crossover in history
O_O
Finally, a Bigsby that won't make your guitar go out of tune just from looking at it!!!
Captures all the fun we love about playing guitar. Well done! 👍
I've been waiting for someone to make this pedal for over ten years. Basically since I started using Bigsby equipped guitars. Gone are the days of tuning issues.
I glued one of these onto my 335 and it's great! So much easier than restringing and tuning an actual bigsby bridge.
LOL! I know it's a joke, but that would be awesome.
Yes! Another pedal that we don't need but will buy!
I bought my guitar with Bigsby for the look... now this effect solves the tuning issues .
Killer looking pedal! Game changer audio knocked it outta the park with that Bigsby pedal
I predict it will flop- it's like an out-of-date version of a DigiTech whammy. Like Cap. said- Tom Morello's dad would've used this- maybe his grand pappy.
Ornis sniffing audio
As a slide player this is the pedal I want most right now! I loved their plasma pedal and regret having solid it 🫠
Love the Gamechanger.
But.. that Greer overdrive!
Damn.. that seriously rips! 🤘🏼
This is my favorite pedal I own.
Literally came to check if you guys tried it as a whammy pedal and whaddya know, "Tom Morello's Dad" pops up, excellent
Digitech whammy 5 🔥🔥🔥
Bought this in 2022 and waited 3 months, so worth it!!!
Pete was feeling it! That was great 😃
About time y'all caught up. I've been raving about this pedal for a couple of years, already. It makes your whammies and your drops look like toys.
has this thing really been available for years?
@@razlahbb A couple, yes. I bookmarked the page at least that long ago.
The thought of double pedaling with two Bigsby pedals is hilarious. Great review.👍🏿
It’s funnier than Zoolander?
Polyphonic detuning from a single audio source is absolutely technically possible. Such technology is used by pitch correction systems such as melodyne which can do apparently impossible things like change minor to major chords in a single audio source.
Yes it's definitely possible, but there's no way to do it in realtime. Sure, maybe SHARC DSP has enough processing power to do such thing, but with such complex analysis I don't think realtime data is enough.
That's the coolest pedal I've seen in a while
Love this! I have Bigsbys on most of my guitars, but this would be fantastic regardless for the modulation effects. BTW, the proper care and feeding of a Bigsby on your guitar is all over RUclips for those of you complaining of tuning issues...get your bridge break angle dialed in then lube your nut and bridge! No fancy lube needed, a tiny dab on the string at the saddle and nut using any old chapstick does the trick (get a chapstick from the school nurse, she has like 50 of 'em in her drawer). You're welcome.
Nope they still suck.
@@waytospergtherebroI 2nd this.. fuck the guy above us
This was one of those pedals (like most gamechanger pedals) that I thought was a gimmick. Seeing all the demos of this changed my mind. It doesn’t sound digital when used like an actual bigsby
It's essentially a whammy pedal with a spring on it. Clever
Same thing LOL
My 1st used Whammy someone had welded a spring under the pedal
You can tell when Pete really gets into a pedal, he turns into Ed O'Brian!
I love this bigsby pedal and Antertons! Very cool! 🎈
it hurts my brain seeing this as a pedal 🤣sounds incredible!
This pedal is a no-brainer if you’re looking at getting a Bigsby. It doesn’t cost much more than the actual tailpiece, works with all your guitars instead of just the one you’ve installed it on, and most importantly, won’t cause tuning issues.
60 years in the making...why has no one done this?.. wow
Technology has finally caught up
I have it and it's amazing.
This would be interesting to use with other instruments like synth or piano.
Or harp... check out Emily Hopkins on RUclips
If you're going to do D/A + A/D for a DSP based effect, there is absolutely no reason at this price point to not allow accepting stereo signals and switching between Line/Instrument levels like Meris products
Fun video. I thought it was going to be simple demo but this pedal has lots of functions
love those Bigsby pedal. they should do Floyd Rose pedal now.
Lol bro
you mean….a whammy pedal
@@nickp440 i was joking but FR design pedal would look good though
FYI you can get instant pitch shifting if you attach a foot switch (ie it locks to the max depth you've set).
Very fun and perhaps useful pedal. I've had the Light Pedal for awhile now and it really adds an interesting, rather resonant springy/platey reverb you can't get anywhere else.
Great playing as always gents
4:58 LOL You guys are so funny!
You can adjust the spring tension by swapping out the stock spring for a softer one. I do that on all my Bigsby's.
Where do you get that spring ?
Haha, love it guys. Looking forward to trying them out down here in Oz.
I love this pedal 🤘🏿😎 It reminds of a car from the 50s with fishtails and it sounds awesome!!!. Getcha Pull -🍻🤘🏿😎🎸
Fun! Great demo.
Very similar to a whammy but better to use as a vibrato pedal. Good demo Pete!
Y'all kept saying Tom Morello, but I was getting more of a Jack White vibe! Sounds amazing!
That pedal is amazing
PMSL at Tom Morello's dad 🤣🤣🤣
Would it make sense to use a guitar with a Bigsby on to compare.
Cool pedal! I have plenty of guitars. The ones I have with a regular. Strat type vibrato and the ones with a Kahler or Floyd Rose type system just don't do that Bigsby thing. And I don't want to put a Bigsby or something similar on a hardtail guitar. This pedal would absolutely be the best alternative for me.
Kahler can do it but you need a very light touch.
@@alfsmith4936 : Maybe, but not the way I have it set up (extremely heavy). Besides, it’s not the type of guitar I would want to have that Bigsby sound for anyway. Thanks for your reaction!
Same, I would love to use this with my strat.
Thank you, Pete - that was excellent!
I think Lee’s smartest move for this channel (and probably business as a whole) was to ‘steal’ Pete from Mesa. They’re a perfect duo for gear demo
Between this and certano benders it’s just the best
Very unique pedal, finally some innovation!
So Very Cool, Thankyou. Love the whole idea of this. So do Bigsby's on Guitars now become redundant? As this eliminates the common 'issues' and offers more features/benefits and the option of having a Bigsby on every guitar. Very interesting. Cheers
I'd like to correct the Captain.
There exists a mathematical technique called Fast Fourier Series that can single out the frequencies from each string.
So that if the processor is powerful enough it can detune each string individually. I don't know if that's what they did, just saying it's possible.
You can, indeed, produce a frequency breakdown - thought that's not quite the same as isolating a string, given that you're able to create similar frequency outputs from different strings at different positions on the fretboard. I would think (and I'm really rusty on related DSP topics - so I may be horribly wrong), you'd need to do a fair bit of additional work to fingerprint which string was which, and probably wouldn't have a 100% correct identification all the time. Whatever the case, this pedal seems like some really nice work. :)
I'm pretty sure you would need a hexaphonic pickup (like a guitar synth) to do that.
@@MicahTischler it can be easily done. The game Rocksmith analyzes what you play and can tell which string you're playing on with pretty good accuracy.
@@martynridley3671 I beg to differ, the video games Rocksmith does it without using an hex pickup.
@@TheBoboMaker I wasn't saying it can't be done - just that it's not as simple as just doing Fourier operations. Also, as it happens, one of my friends is a Rocksmith streamer, and the game does misidentify things from time to time - as I noted would be the case.
A similar but way more limited would be a Boss VB-2W Vibrato @ unlatch mode/ I have been using it for a while to mimic bigsby. It was nice because your guitar is always in tune etc. lol compared to floyd or any other vibrato.
But interacting with that vibrato arm is just 2x better feeling than a pedal. It's a hassle... that's true but feels so much better than a pedal. Although for light work Boss VB-2W was fine and you can have it with all of your guitars. One downside... their quality is rather sh1te... compared to normal Boss pedals. I've had two new and both sent back because of hinges were loose and the pedal was clunky... Shocked as it was my first wazacraft and they were worse in quality than my other normal series Boss pedals... > reason why I have bought floyd rose guitar. The instabilisty in tuning sucks though... (altough my bridge is not floating perfectly so it is probably much better in correct postion.)
Part of the charm of the Bigsby is the look... but this is still way cool.
Been watching this channel for years now.
Love to watch Pete and Lee jam.,
Two players at different levels but both great players.
Wouldn't it be much more entertaining if they would offer some tuition as as well as just pushing gear.
Anyone agree?
No
Wow! That is so freaking cool!
Ive added Bigsbys to a lot of guitars this is worth it..I was never a Whammy Pedal fan..
Cool pedal.
My Bloody Valentine's upcoming fourth album -to be released in 2046- will be an absolute craziness...
I love how gamechanger always comes up with weird ideas and I always think they're done because there's no way to make something else so original. Then they do.
Yeaaaaah !!! So cool !!
That western outlaw tone is still the coolest shit ever
What a cool pedal
What type of amp is Pete using on this one? Sounds great!
Cool effects and very musical too. Wonder if you could use it as a B/G-bender.
I’m hoping this is the case !!! I’m wondering if it can do 1/2 steps as opposed to whole and more ???
Okay, that looks fun.
Holy Crap dude, that's all I can say. I want that Bigsby pedal, and that Friedman Little Sister amplifier, and Pete's nearly instant mastery of a new toy, and all of it connected to my PRS single-cut guitar. The fact that it's made in Latvia is icing on the free market cake., I love it. I love your channel as well, thanks for the honest review of the gear you sell and the fun you have in demonstrating it.
Always 100% effort from the Gamechanger lads.
Nice addition to a tele.
“There’s only one output so there’s no way to tune the strings differently”
Laughs in Fourier transform
For the sake of sheer madness, you should try using it with a guitar that already has a trem arm. Chaos personified, one would hope.
it sounds amaze balls...
It looks like a Bigsby but in operation is spiritually closer to the B Bender, but on steroids. It doesn’t seem able to do the soulful, quick wobble of a real Bigsby because of the mechanics of foot operation, but it takes the whoops and dives of a B Bender into the 21st Century with a bang. 💥
Would it sound better in pink?
İ think that, bigsby is beautiful when it sets under the hand (on the bridge)
When is Gamechanger Audio going to release a bagpipes pedal!!
Can you flick it with your foot and make it flutter lol? I only heard the intro but that sounds amazing, couldn't hear any artefacting, sounding pretty damn genuine, granted it's only a couple semi-tones, but it sounds legit.
(I know you don't flutter with Bigsbys but come on, it's a circuit-board with some mechanical bits.)
Not for me, but I guess, if you want a Bigsby. Wow- just checked the prices- you better really want a Bigsby. Is it just me or does everything this company makes feel a little gimmicky? Probably just me- but I can't get myself to like their stuff.
Edit: If you like the Wammy by Digitech- check out the Boss PS-6 Harmonist. It does everything the whammy does plus it does both 2 and 3 part harmonies in major or minor scales, pitch shifter, detune, and wammy which Boss calls "S-Bend". The S-Bend feature lets you set how high or low it will bend to when you hit the pedal- it does 2nds, 3rds, 4ths, 5ths, or a whole octave. Plus, it lets you decide how quickly the pitch goes up and how long it takes to come back down when you release the pedal. The foot switch changes to momentary- meaning you have to hit it and hold it down then release to return to normal pitch when you select S-bend mode. It will allow you to select really slow, long bends- and I mean like crazy slow- it sounds nuts. Or you can set it really fast to where when you hit the pedal it almost instantly jumps up, and when you release, it instantly comes back down. Plus, you can invert it- where when you hit the pedal, it goes down in pitch- it does crazy dive bombs.
And the harmonies track perfectly- no latency, no distortion, sounds just like someone playing with you. There's also a blend knob so you can set it to barely hear the harmonized lead line or- you can set it where you only hear the harmonized line and not the line you're actually playing. I honestly think it's one of, if not the best, Boss pedal I've ever owned. 169$ new- from ZZounds, which means it's a little cheaper everywhere else. ZZounds sells on credit so- their prices are always a little higher.
Way cool!
I need this.
I am really surprised that, as far as I'm aware of, no one has came out with a sort of two-way expression pedal before this. I quickly realized after I had tried both a Whammy pedal and a Bigsby/Floyd Rose, that perhaps the biggest difference was the physical bars could easily go between pitch-shifting up or down while the pedal could only easily go one direction at a time. With how popular the Whammy is and how much effort Digitech put into it I'm surprised they never thought of putting a two-way expression pedal on it. Now that they seem to be coming back, they are probably rushing to make a two-way Whammy VI that does this to compete but with larger pitch-shifts to emulate a Floyd Rose better. 😅
All we need now is a chord pedal, a pick pedal, and a pickup switching pedal.
I'm pretty sure Dunlop made one a few years back. I don't remember what it was called, sorry.
You left out a capo pedal 😛
Pete's got to get one of those............................................
I want that!
Well it turns any guitar …..basically even an acoustic into a bigsby ….so I’d say if you like that sound it’s great
Game changer audio do great stuff
Very useful
Am only just getting to grips with the Virtual Jeff!
10:29 It is, but in a good way.🤣
Great idea, if it just was only working like a bigsby and the only way to adjust was to change the spring...
3:08 It isn't getting 6 outputs, but, technically, I mean think of multiband compression. It's one signal but there are multiple fundamental frequencies (and their harmonics) that could probably be detected and then have processing applied to them individually (to some extent). Not saying I know exactly how any of that would work, but you know, blah, blah technology, something about AI. Things are wild.
Im a big bigsby fan., but after having one of these for 6 months the novelty has sort of worn off… don’t get me wrong they look cool and are fun to play around with ( using a real bigsby whilst running the pedal and a delay gets you this crazy wave effect ) but I can’t see myself playing any gigs with it .
Love how when Pete goes wild with this, Cap just sits there enjoying the music. What else can you do? Some might not like pedals like this because they require attention - not just set them up before a gig and press a button allowing the musician to focus on their instrument. I, however, love the creative possibility this pedal can give the artist in a live session. Now, I only wonder if this pedal would work with mic'd instruments, like my saxophone.
This is way cool!
That version of Killing In The Name Of is "La Maison Tellier - Killing In The Name" (ish), no bigsby action though.
Captain and 007!
So the dry analog signal is always running through the digital circuit? Is there a way to bypass fully without using a loop switcher?
You would not a switcher. I’ve been using the Bigsby pedal for a year now, and that’s the one drawback. Having said that, I use it with a fuzz-like Germanium boost in front of the Bigsby and they works really well together - ie no audible loss in dynamics, sensitivity, tone, etc.
Would be cool if it would be in a state of true bypass until the pedal is moved, then it would internally switch in effect.
@@victormaniaci2104 Yes exactly, kind of how Morley have their optical treadle system.
Sounds amazing…I probably can’t afford it yet🤣