Hell, on the album Starboy, The Weekend calls out other people for 'stealing' his trick, but acknowledges that it's super simple and easy to get along with.
he's saying pop music before this time was better and more varying whereas nowadays popular stuff is a lot of the same thing. hes somewhat right, i mean you used to see key changes or experimentation with indian instruments in Beatles songs. Also, jazz was pop music. basically the guy is saying modern popular music is oversaturated.
@@DafterHindi i think its andrew huang thats why..😂... because i have seen other RUclipsrs being very cautious, they don't play the track ,they dont take any risks.
It's not always a D in the original songs. Huang has transposed all the songs to C major in this video, including pitch adjustment of the original clips that he uses.
a few people in the comments missing the point. he's not saying its the D note. he's saying its the supertonic in the given scale. he clearly explained that he was going to transpose all his examples to the same scale for comparison. he transposed them to the C scale and the supertonic in the C scale is the D note. if he would of transposed them to the D scale then it would of been an E note that he was playing since in the scale of D the supertonic is the E note. and so on and so on for every other scale. Edit: (this is just to help those who might be new to music theory and might be a little lost.)
actually- it is you missing the point! the songs are NOT all transposed to the key of c. so the continuous orange (or d) note represents different degrees of the scale in each of the songs. in essence- the songs 'sound' like they are in the same key because of the continuous d (or orange) note, but in fact they are in different keys, and therefore not an illustration of the supertonic; it's no more than an aural illusion.
@@xmortimorxmortimorx haha dude. USE YOUR EARS! get out a keyboard, guitar- don't take his word for it OR mine. anyone with a decent pair of ears can hear that the tracks are modulating into different (relative) keys and do NOT stay in the same key as he claims. (and thanks for calling me a genius :-P )
This is horrifying. Now I've got that note stuck in my head -- like when you hear a car alarm going on and on and on, and then it finally gets shut off, but your brain keeps hearing it "in the distance". I hope I'm not up all night with D playing on a loop.
...Yeah, to make matters worse I'm getting (and playing) my first instrument tomorrow. Now I'm just going to have one note in my mind the whole time. Wonderful
I appreciate how you explain why the note is popular (and acknowledge that it’s over-used) without taking the easy route of then going “so it’s always lazy to use it and artists/producers who use it are untalented” like some people in these comments
there are only seven notes in a scale so yea. also people saying that this is why pop all sounds the same are forgetting that tamber and arrangement can play a bigger role than harmonic composition. it's HOW you express those notes rather than the notes themselves. the reason why pop all sounds the same isn't really because of the super-tonic, although it does have a role to play.
Those comments make me feel tire Is like in mu country people feeling superior just because they hear rock not regueton (i personally don't hear regueton but people get to fixated that people who hear this genre are losers at everything, really toxic) I know those are opinion But is just that a opinion Most of those comments ooze superiority complex
@@CaveyMoth it's not quite that simple. one could make the same argument for the tonic (first scale degree) for all of classical music. one could make the same argument for the dominant in a lot of eras. andrew is playing all these songs in c, but the supertonic is only d in c major, which further makes it seem simpler than it is. if anything the use of the supertonic as a note to bass melodies on actually adds to the complexity of music as a whole because it wasn't always so common to do this. another method explored.
BradsGonnaPlay no that’s not how it works. The difficulty is to make interesting melodies that are simple and easy to grasp. You need balance in your song, between repetition and variation. Your melodies need small melodic fragments that are recycled through the song without feeling too repetitive. You also need 1-2 hooks, a new aspect/idea + a perfect use phonetics. It is hard to create a pop hit today, especially with the number of bad music there is out there
As an American Music History instructor, this is absolutely something that will help me highlight were we currently are at the end of the semester. Please know I'll be using this video to present to my courses for educational purposes as non of the elective students understand music theory, you explained this VERY well. 5/5 Muffintastic starts, just subscribed for more!
@@arcadepiano That's gotta be the most toxic thing I've read all day, good job. Personal slights, ideological rejection, lack of positive alternative, demeaning metaphors... It actually invokes a sense of perverse admiration at the sheer concentration of vitriol, like a work of art that you despise but can't look away from.
Inventor Maybe you wouldn’t sound as much of a loser if you actually shared your “amazing” knowledge in a positive manner instead of using that knowledge to be a pretentious prick.
@@arcadepiano You know what? I'll give you some benefit of the doubt. And some advice on how to get some traction going, hopefully both in attention and in money. Start by offering some small slivers of your knowledge. I noticed that you have a video showing your favorite chord, and some details about that chord in the description. I would suggest making a short video along the lines of "This is my favorite chord." (chord plays) "This chord can do (thing) when paired with (some other chords), like in (example piece)" (relavant part of example piece plays) "It does this because (some list of reasons)." And so on, with more things the chord can do and more examples of those things. Do this with a few other chords (not the entire list, though, obviously). Additionally, put some music out into the world. People will know you know what you're doing if you show that you can make good music. To reiterate, don't put your whole portfolio out there for free, but do show some of your works. Maybe put your music on a site like bandcamp, where listeners can donate money or (if you're charging money) pay extra if they really like your music. Doing these things will show people that you know what you're talking about, which makes them more likely to pay for special teaching services or further music tracks. Most importantly, drop the pretentious attitude. No matter how legitimately good you are, nobody will want to listen to what you have to say if you constantly insult them.
I'm an amateur musician and I take requests. 9 times out of 10, when someone asks if I can play a current song from the radio, the answer is "Technically yes, but you don't want me to."
Except its only D for the video. Music doesn't work like that. The supertonic refers to a specific distance from the root note. It's about intervalic relationships not specific notes. This concept is not complicated once you understand the underlying principle. You're misleading people by saying it has anything to do with the D note.
Record Label: "So, what makes you think you can break into the pop industry?" Me: "This little melody is in C-Major." *presses the D key* Record Label: "Well, that's not really special. Everyone does tha-" Me: *presses it again* Record Label: "Here's a pen. Sign here."
@@rtxf Yeah, he said he transposed them all. But it totally doesn't matter. You can pick ANY key, and all the notes in the new scale are the exact same distance from each other. You can take any song in a major key and transpose it to 12 different major keys, and it's going to sound the same. It may be way harder to sing if it's outside the power range for the vocalist, but for all practical purposes, it's exactly the same.
Robbert Then it should not come as a surprise they’d all sound perfectly natural, right? You can’t even tell...well, unless you have perfect pitch, that is?
At this point RUclips has taught me that modern pop music have the four chords, the supertonic, the millenium hoot, bunch of trendy beats and sound effects and the tendency to have less melody. Now i wonder how does it manage to produse new different stuff at all! Also it would be interesting to compare those typical fitures with ones from privious decades.
@@nightski380 I know this is free-beating but i mean... more than half of all people with perfect pitch either 1 : don't ever try to do something with music and 2 : don't even understand anything about music either emotioanlly or theoretically ^^' So i'm not too sure you should be proud of something you're probably not able to use. Also, if you really have perfect pitch, you should be having quite a few problems with your ears (ex : when something is "off pitch" it will tend to annoy people with people perfect pitch.) Lastly, i believe there are quite a few different abilities that are being called perfect pitch, no one ever knows which one they're talking about :')
You ever have that feeling where you're close to understanding a fundamental truth about music that will revolutionize your future songs, only to realize the mainstream industry has been using it this whole time, and now you have to avoid using it or sound like pop trash?
I live for sidechain. It makes everything just automatically sound better. Have a monotone subbass? Sidechain. Not enough room for your lead? Sidechain. Wife left you... well, then you probably have other issues to deal with, at least you can cheer yourself up by putting dat sidechain on your mix 😎
if i can find the midi files for any of these i'll extract just the supertonics and run it through a CW (Morse code) decoder. could be a grey code, too, i guess.
I recently started working on an album consisting of instrumental covers of pop songs and it's really helped me realize how simple a lot of my favourite melodies are when you strip away all the lyrics and production. It was actually sometimes pretty disappointing to realize that this hook that always gets stuck in my head really only consists of like three notes.
One pop artist is eventually going to sue another over the supertonic. It's inevitable, given the current standing of lawsuits within the music industry.
@@jorgechavez7211 I do fear doing the same, but at the same time, there really is no defined copyright/music law in my country. I just make sure to not have my songs too /generic/ and always use royalty-free stuff when sampling. I also upload a video of the project file playing just in case people say /I sampled/ their song.
I’ve been calling this “The Weekend Note” when writing the last couple years haha. Which isn’t really a diss, in my mind that’s the first time I heard hammering that 2nd over and over in multiple songs by an artist and now it’s everywhere. Was influential I guess 🤷♂️. Trends seem to last way longer in popular music than they used to also. So everyone, enjoy 20 more years of supertonics and trap hats!! (the louder the more popular) 😂
Another note that works similarly is the fifth. Over the first degree: fifth Over the second degree: fourth Over the third degree: third Over the fourth degree: ninth Over the fifth degree: root Over the sixth degree: seventh Over the seventh: sixth Plus, it's in the tonic chord.
@@tsg_frank5829 What I’m saying is it’s not a half-step or tritone away from any note in any chord, therefore using it in the melody over any chord wouldn’t be incredibly dissonant. There is no note that sounds completely consonant over every chord but the second, fifth . . . and come to think of it, the sixth all avoid the harshest dissonances.
yeah, the fifth thing is a long trope. they used it like during the baroque, classicism, and romantic era classical msuic, but using the fifth note (dominant) especially often during the classicism era in the mid-1700's. Think of Mozart and Haydn.
@@cdifreakguy the major pentatonic scale! It’s a great tool for grouping the most resolved notes and their tonic, Anything that isn’t the major pentatonic will be a dissonance to the tonic. It’s been a fantastic way to get into improvising for me :)
i think the only real difference with the fifth is that you can't just hammer away at it because it's already resolved whereas the 2nd/9th is asking for release
I guess the supertonic note is the pop music equivalent for the minor third note for blues and rock music. A very nice observation and analysis. Please keep up the great work Andrew!
Riffs, Beards & Gear the other ones have names too! In order from 1-7 it goes: tonic, supertonic, mediant, subdominant, dominant, submediant, and subtonic.
That Katy Perry song at least uses the 7th and the 4th note once each, and what a breath of fresh air it was to hear them after first listening to the barrage of the super tonic sprinkled with the same few pentatonic notes.
You’ve absolutely nailed it. I listen to pop music radio and wonder why I get bored within a minute. It’s the supersonic! I didn’t realise until you showed it with so many examples!
Long answer: the intrinsic relationship the notes have with each other, generating a feeling such of a forward moving motion, while still having a periodic repetition of said pattern of notes that the listener can recognize and look forward to. Also being a good complementary to the drum part and viceversa. (As we’ve seen that changing the drum part of a song generally completely destroys the riff, not always but a lot of times) Short answer: jimmy page
@@rodrigoodonsalcedocisneros4419 No its because using only one note gives listeners the freedom of interpretation. thats why using single notes are so powerful right now.
@@sharadsemilo lets say you Are listening to a single sine wave. If you do that you will come to realize that There is no motion or emotions so to say which will lead the Listener to Come up with their own Interpretation which are formed by Their own experiences. A single note is a lower Form of emptiness or Chaos where order can Take place, but must not(but will most likely). Thats why its so Popular too. it's easier to Connect to or in Other words it has a higher range of audience vice versa.
@@9kanima you can have freedom of interpretation with anything, the use of the supertone is a marketing trick to reach the lowest common denominator to maximize profits. This "music's" not about experimentation or soul, its about making money unfortunately.
I STRONGLY DISAGREE! Being as famous as I am on RUclips, I know that it gets hard to read every comment I get. I try my best, but I am just so famous, that I can't do it much longer. Sorry, dear alex
Never knew the major 2nd was the sound I was hearing!! Super interesting the root and 5th is single handedly resposible for rock and metal!! And now pop Major 2nd
The same can be said to the 5th degree of the scale, it fits with every chord and even fits with many chords outside of the scale like the bVII, bVI(+7), bIII, bII(#11). The position of these two notes in the circle of fifths really help to show why they are so easy to fit with so many chords. But I think the main reason is because these notes aren't really at rest, like when it's the 9th or 11th or 7th or 13th of the chord, it's not only that it fits, but they don't fit perfectly and that's why it's pleasant, because it's not restful. The pleasure of the expectation from the note resting to the first or third degree, doesn't really matter if it does rest or not, the fact that there is the expectation is what matter. (sorry for any mistake, english isn't my native language)
Maemi No Yume you shouldn’t need to apologize. You did good at writing your comment for English not being your native language. Hell… People who speak English naturally sometimes aren’t that good at writing English. (Myself included, I have my moments).
Awesome observation, was just gonna write the same one, more or less. I agree with you -- I just think that the 5th sounds naive since it's so overdone, and the 2nd sounds fresher. Also I think something that Andrew only said in the passing is that the 1st and 3rd are adjacent to the 2nd, so all those lazy writers who just noodle around 3 notes have an easier time with 2nd than with 5th -- noodling on the 6th and 4th won't sound as good.
@@crapadopalese I agree with you. In my case I use the 5th because my bass notes usually go around the IV degree, so in that context the 5th is interesting and I noodle around using the major pentatonic scale of the 5th (which has the 7th, which is the tritone for the IV, which I really like)
hey andrew, you've probably already talked about this, but i'd love if you revisted the "loudness war". i watched a video of a mastering engineer talking about recent changes in the the way that streaming services such as spotify handle loudness of tracks - apparently songs max loudness is now based on the catogory (genre) of which the song is uploaded - which the engineer said completely changes the way that artist should be approaching their mix & master. would love to hear you speak on this topic
I actually kinda got the opposite reaction. Watch again and see how much The Weeknd moves off that supertonic anchor compared to a lot of the other examples. Yes it's always where his melodies are anchored around, but there's a much more fluid and consistent motion than in a lot of the other pop songs.
NCJake True. His songs are extremely catchy and manages to keep plenty of interest. His rhythmic and tonal patterns have worked for years now. But I couldn’t help to meme the guy.😂
I also believe it has kind of an unresolved sound, but not to the point that we are begging to go back to tonic. Pop music in the past few decades has been very driven and propels forward. In conclusion, I feel the supertonic gives the since that we are driving forward or gliding just above the ground. Edit: supertonic, not supersonic. Typo😆
@Makoa The Ancient Yes, it's true that many songs use only 3 or 4 chords, and it's not really surprising if you think about it. There are seven chords in a scale, so using 3 or 4 is a good compromise between too boring and too messy. But what is usually meant by "four chord song" is a song using the I-V-vi-IV progression, which is used quite a lot in pop music. Of course other genres have common progressions as well, like the II-V-I in jazz.
you can play any song or movie you want on youtube. you just have to criticize it. there have been entire reposts of movies with a fake cinema seating and a dude down the front that yells out how crap the movie is.
It's the same concept as it was back in the 1990's where "Add 2" guitar chords were found *all over* alternative rock, college rock, and even grunge songs. What you show here is just the "Add 2" but for this generation of popular music. 🙂 Great video Andrew!
when i saw that andrew was making a video on this, i was *really* hoping he'd talk about alt-rock's usage of the second degree and ninth chords all the way back to basically the 1990's, a shame he didn't imo funnily enough, progressive rock also loves their ninths because a simple addition of a ninth can make power chords sound super involved
@@blake_valentine a chord is usually made of a root note, the third and the fifth, which means if you start the scale on the root note and go up you will also include the third and the fifth note in the chord. So basic chords usually have a 1-3-5 structure. Add9 means you also include the second note in the chord, like 1-2-3-5 or alternatively 1-3-5-9 (9 being just 2 but one octave higher so it sounds the same). So it's a similar concept as the one highlighted in the video, meaning there appears to be a cultural emphasis on the second note of the scale. But in the video it's in the melodies of today's pop music and soundsfromsound talks about the chords of 90's rock
@@blake_valentine just take whatever chord you're playing and add the second scale degree, can also be add9, so for C major it'd be D, for G major it'd be A etc
![Twenty One Pilots - “The Line” (from Arcane Season 2) [Official Music Video]](http://i.ytimg.com/vi/E2Rj2gQAyPA/mqdefault.jpg)
"Hey catchy tune, what music software did you use?"
"Microsoft OneNote"
I don't get it.
@@KuroHebi one note
@@samszotkowski I get it, now.
🤣🤣🤣🤣🤓👍👍
@@NvincibleIronMan that is actually a great joke, for real.
I got perfect pitch for the D note after this video
i already did from megalovania
True
🤣🤣🤣🤣🤣🤣
same:)
Ick
For sale: Lumi MIDI keyboard, lightly used. D key no longer works
HAHAHAHAHAHAHAHA
LOL 😂 good one..
New Sale!: Lumi keyboard with only D key all others are optional.
😂😂😂😂
@@Spaced1sco weekend: I'm listening
The supertonic is that one kid who hangs out with every group in school.
Me.😂
im that kid lol
i m tht lmaooo
me
Me lmao
I was not prepared to receive that much "D" in 8 minutes.
That's what she said
That’s what she said
you have 69 likes on this comment
Worse on weekends
That's what she said
Alternate title: Andrew Huang Exposes The Weekend
Hell, on the album Starboy, The Weekend calls out other people for 'stealing' his trick, but acknowledges that it's super simple and easy to get along with.
Hi malinda 😄
@@cdigames 😂😂
🤣🤣🤣
I wonder if he was like this back during his shoe gaze days
Theory: 36 second. Andrew hitting the same key: 8 minutes.
...And proving how unoriginal most modern pop music is today for the duration.
Bob Dole yeh for sure. It’s missing authentic emotion and melody writing
No wonder I hate pop music nowadays email me if you wanna hear a song idea emberleona2020@gmail.com
I skipped all the examples asking myself if there's more to come... But no
Ember Leona yo u wanna collab? I make deep house/ pop stuff if u wanna work together :)
I found pop music pretty one-note, I didn't expect to be THIS right
well actually real pop music was never about one note - until 10-12 years ago...
@@JoE_Songs real pop music? What does that even mean?
That must be partly why I prefer older music. They don't hang on one note a bunch in older songs.
he's saying pop music before this time was better and more varying whereas nowadays popular stuff is a lot of the same thing. hes somewhat right, i mean you used to see key changes or experimentation with indian instruments in Beatles songs. Also, jazz was pop music. basically the guy is saying modern popular music is oversaturated.
"You know that The Weekend song that goes like D D D D D D D D D C?"
"Which one"
This is funny cuz all of them ahahhahahahaha
Lolol
Do you have the slightest idea how little that narrows it down?
Blinding lights?
@@dragringer1480 no
aaaand there goes the monetization of this video
umg having a party right now
ik was depressief en toen deed ik niet zo lief
Definitely
No cuz the songs are on c major
@@kingofdoodoo1877 look at the bottom of the description
I love how Andrew knew this wasn't gonna be monetized, so he used all the songs he could
I mean a lot of them are in a different key?? ¯\_(ツ)_/¯
f4de RUclips detects key changes regardless
@@EliRickard frick
But I see no copyright claims by their respective labels
@@DafterHindi i think its andrew huang thats why..😂... because i have seen other RUclipsrs being very cautious, they don't play the track ,they dont take any risks.
Take a shot of any alcoholic drink everytime Katy Perry's "Never Really Over" hits the D note.
You’d die, even if it was beer.
aka chug
death
I came at that part of the video as I read this comment
@@_Iscream You would die even if it's water
Now I want a music themed bar with a drink called "supertonic"
Yeah but that drink will only contain two ingredients
Root beer and tonic water
@@JimmiCottam Clever! I Lol'd
And all the songs are transposed to the same key so when you leave the supersonic just resonates in your brain
I'd go
(D)rink
never want to hear a d-note on piano ever again
megalovania starts
It's not always a D in the original songs. Huang has transposed all the songs to C major in this video, including pitch adjustment of the original clips that he uses.
Same bruh 😆
Shirley Márquez Dúlcey I think you’re kind of making Scrofol’s point... :-)
I can still hear it 10 minutes after the video ended...i think its part of me now.
When I was little I must've somehow figured this out, because i spammed that D and thought i was a song writing prodigy.
You still have chance! :D
I tried to play pop songs in music and thought I was doing something wrong just spamming D
Yeah well it turns out that every pop musician working from 2015 onwards thinks the same XD
I still have not outgrown that ...
This really shows you how important rhythm is to make your melody unique
a few people in the comments missing the point. he's not saying its the D note. he's saying its the supertonic in the given scale. he clearly explained that he was going to transpose all his examples to the same scale for comparison. he transposed them to the C scale and the supertonic in the C scale is the D note. if he would of transposed them to the D scale then it would of been an E note that he was playing since in the scale of D the supertonic is the E note. and so on and so on for every other scale.
Edit: (this is just to help those who might be new to music theory and might be a little lost.)
actually- it is you missing the point! the songs are NOT all transposed to the key of c. so the continuous orange (or d) note represents different degrees of the scale in each of the songs. in essence- the songs 'sound' like they are in the same key because of the continuous d (or orange) note, but in fact they are in different keys, and therefore not an illustration of the supertonic; it's no more than an aural illusion.
0:35 there you go genius!
@@xmortimorxmortimorx haha dude. USE YOUR EARS! get out a keyboard, guitar- don't take his word for it OR mine. anyone with a decent pair of ears can hear that the tracks are modulating into different (relative) keys and do NOT stay in the same key as he claims. (and thanks for calling me a genius :-P )
@@coolpoolb he doesn't transpose the song, but he does transpose what he's playing. the song and what he's playing aren't always in the same key.
@@coolpoolb I think you need this
ruclips.net/video/Jk6jVl1fAn0/видео.html
Alternate title: Confusing the copyright claim system
lol... I think as long as it's less than 5 seconds it's fine, don't quote me on that.
Yeah, I guess if it's pitch shifted down a fifth the software's going to have a hard time recognizing it.
@@DFPercush i can i will
@@agentofchaos2901 ... but you didn't
@@iplaysdrums If I hammer a bunch of D's on the keyboard for more than 5 seconds, it might get flagged though... right??!?
Andrew Huang, also known as the Supertonic Slayer 🗡
cuckoo!
Can’t here a D for one week now..
TING TING TING TING TING TING
They called him... the Supertonic Slayer. (The Only Thing They Fear is You ensues)
Supertonic Slayer
Also Slayer: 0-0-0-0-0-0-0-0
No wonder so many pop songs fit so well with Megalovania, Megalovania also is played with D
now this one is a masterpiece
@@alteredanimesh It is a proven fact that it is impossible to make Megalovania sound bad
megalovania is an awful melody, it can't be worse
@@libremercadoencrisiseconom2118 ok, one guy
Megalovania is literally in D minor(one of the minor modes, I don't remember which onr). But that means the D wouldn't be the supertonic
After hearing D repeating over and over, I think I can identify a D flawlessly.
Can you still now?
In relation to another note (of which you know what not it is) maybe, but unless you have absolute pitch, its gonna be tough...
All you really need to learn is one note by ear, and memorize how the intervals move. Then you are set.
give it 10 minutes
your mom can identify this D
I mean, I wasn't aware of it before, and now I probably can't stop hearing it.
Oh...
Oh no...
This is going to make pop music even harder to listen to...
@@rwrunning1813 Not possible, is it?
I was aware of it (that a lot of pop music was sounding similar) but not why.
this will single-handedly ruin everything
What a big pile of orange shit this was. Meaning the pop music of today’s.
Well done
We live in a world where Bad Lip Reading only gets 6 likes in 24 minutes.
@@dyray732 we live in a world where Bad Lip Reading only gets 37 likes in 3 hours.
We live in a world
was just wondering about you guys the other day. you been doing well?
holy shittt
i wish u will comment in 1 of my videos too xD
this explains my constant deja-vu moments at work (pop-radio)
More to do with the fact that pop music is literally engineered to sound familiar, I think.
This is horrifying. Now I've got that note stuck in my head -- like when you hear a car alarm going on and on and on, and then it finally gets shut off, but your brain keeps hearing it "in the distance". I hope I'm not up all night with D playing on a loop.
...Yeah, to make matters worse I'm getting (and playing) my first instrument tomorrow. Now I'm just going to have one note in my mind the whole time. Wonderful
When you said "car alarm" it triggered this musical memory: ruclips.net/video/xV7nHX2RLjQ/видео.html
Can't stop thinking about D huh?
Exactly!!!
The Weekends been pretty quiet since this dropped.
Thank God..... If only it could last forever
@@jasperlawson6315 you said it
Press F to pay respects (and not D)
He's looking for a new note.
The Weeknd*
I appreciate how you explain why the note is popular (and acknowledge that it’s over-used) without taking the easy route of then going “so it’s always lazy to use it and artists/producers who use it are untalented” like some people in these comments
Yeah. Complaining about pop music using the supertonic a lot is like complaining about blues using the blue note a lot.
Somebody gets it
Yeah, agree. Pop isn't my favorite genre but I wish people wouldn't bash on it so much.
there are only seven notes in a scale so yea. also people saying that this is why pop all sounds the same are forgetting that tamber and arrangement can play a bigger role than harmonic composition. it's HOW you express those notes rather than the notes themselves. the reason why pop all sounds the same isn't really because of the super-tonic, although it does have a role to play.
Those comments make me feel tire
Is like in mu country people feeling superior just because they hear rock not regueton (i personally don't hear regueton but people get to fixated that people who hear this genre are losers at everything, really toxic)
I know those are opinion
But is just that a opinion
Most of those comments ooze superiority complex
Alt title: "How to write a pop song in 5-10 minutes!"
This was the most intelligent way to throw shade at the entire pop music industry I’ve ever seen 😂
I knew that modern pop music was monotonous and repetitive. But I didn't know there was so much reliance on one single note. Yikes!
@@CaveyMoth ikr. crazy
@@CaveyMoth it's not quite that simple. one could make the same argument for the tonic (first scale degree) for all of classical music. one could make the same argument for the dominant in a lot of eras. andrew is playing all these songs in c, but the supertonic is only d in c major, which further makes it seem simpler than it is. if anything the use of the supertonic as a note to bass melodies on actually adds to the complexity of music as a whole because it wasn't always so common to do this. another method explored.
@@bmxkamikazee I’m pretty sure classical music doesn’t repeat the same 4 chords over and over and over again throughout the whole piece lol
@@eo4295 I believe you've heard of Pachelbel's "Canon in D" and Ravel's "Bolero".
I feel like I learned an entire "pop music's formula" type of course that gets advertised on RUclips so much, for free.
seriously, this seems like any basic musician could produce “world class hits” using nothing but samples, loops, and 1 note with 4 ornament notes
@@BradsGonnaPlay Looks like classicalness in modern music is required!
BradsGonnaPlay no that’s not how it works. The difficulty is to make interesting melodies that are simple and easy to grasp. You need balance in your song, between repetition and variation. Your melodies need small melodic fragments that are recycled through the song without feeling too repetitive. You also need 1-2 hooks, a new aspect/idea + a perfect use phonetics. It is hard to create a pop hit today, especially with the number of bad music there is out there
@@jeanpillet-conery2479 bro that's called writing a basic song, it sure as hell isn't easy but very underwhelming
That keyboard, not having a high C gives me anxiety.
so close yet so far
I'm fairly sure it's so you can connect multiple lumi keyboards to make a bigger keyboard
Can I just connect an extra C?
@@musiqaman just have a bunch of modular individual black and white keys
Matthew someone get LEGO on the phone right now!!!
Now I just want to hear a song that is not all D's.
As an American Music History instructor, this is absolutely something that will help me highlight were we currently are at the end of the semester. Please know I'll be using this video to present to my courses for educational purposes as non of the elective students understand music theory, you explained this VERY well. 5/5 Muffintastic starts, just subscribed for more!
@@arcadepiano nobody asked
@@arcadepiano That's gotta be the most toxic thing I've read all day, good job. Personal slights, ideological rejection, lack of positive alternative, demeaning metaphors... It actually invokes a sense of perverse admiration at the sheer concentration of vitriol, like a work of art that you despise but can't look away from.
@@arcadepiano Well, if your list of EVERY CHORD IN THE HISTORY OF EVER is so great, why don't you try using it to teach us _pitiful ignorants?_
Inventor Maybe you wouldn’t sound as much of a loser if you actually shared your “amazing” knowledge in a positive manner instead of using that knowledge to be a pretentious prick.
@@arcadepiano You know what? I'll give you some benefit of the doubt. And some advice on how to get some traction going, hopefully both in attention and in money.
Start by offering some small slivers of your knowledge. I noticed that you have a video showing your favorite chord, and some details about that chord in the description. I would suggest making a short video along the lines of "This is my favorite chord." (chord plays) "This chord can do (thing) when paired with (some other chords), like in (example piece)" (relavant part of example piece plays) "It does this because (some list of reasons)."
And so on, with more things the chord can do and more examples of those things. Do this with a few other chords (not the entire list, though, obviously).
Additionally, put some music out into the world. People will know you know what you're doing if you show that you can make good music. To reiterate, don't put your whole portfolio out there for free, but do show some of your works. Maybe put your music on a site like bandcamp, where listeners can donate money or (if you're charging money) pay extra if they really like your music.
Doing these things will show people that you know what you're talking about, which makes them more likely to pay for special teaching services or further music tracks.
Most importantly, drop the pretentious attitude. No matter how legitimately good you are, nobody will want to listen to what you have to say if you constantly insult them.
Once I tried to pick melodies by ear and realised that i was playing mostly one note when hearing the lyrics, now I know why.
I'm an amateur musician and I take requests. 9 times out of 10, when someone asks if I can play a current song from the radio, the answer is "Technically yes, but you don't want me to."
lol same. it's upsetting :p
i tried to pick roland faunte's song melodies by ear and for such gorgeous tunes they really are simple
@@SeekerGoldstone Yeah it sounds like most of these songs aren't going to sound good when converted to basically any instrument.
The Weeknd's name should be "D Weeknd"
Oh my gosh
You’re right
except it's the supertonic
Except its only D for the video. Music doesn't work like that. The supertonic refers to a specific distance from the root note. It's about intervalic relationships not specific notes. This concept is not complicated once you understand the underlying principle. You're misleading people by saying it has anything to do with the D note.
@@frag4007 exactly, people these days 🤦🏻♂️ can’t seem to take a joke.
Okay then, let's make it "Supertonic Weekend"
There's a song in that.
Bagsed it!
Record Label: "So, what makes you think you can break into the pop industry?"
Me: "This little melody is in C-Major." *presses the D key*
Record Label: "Well, that's not really special. Everyone does tha-"
Me: *presses it again*
Record Label: "Here's a pen. Sign here."
_proceeds to press it again but one octave up, and then an A key on the original octave_
@@litterbox019 Ab G F D F G
@@marshed0mallow sans?
@@clipPRmusicsans!
Musicians be like:
D D D D D D D D D D D D C D
RE RE RE RE RE RE RE RE RE RE
Wrong. He transposed them to c major. The note that’s played over and over is the SUPERTONIC, the second note in the scale, rather than D.
@@bennybooboobear3940 musicians be like: SUPERTONIC SUPERTONIC SUPERTONIC SUPERTONIC SUPERTONIC SUPERTONIC SUPERTONIC SUPERTONIC SUPERTONIC SUPERTONIC SUPERTONIC SUPERTONIC SUPERTONIC SUPERTONIC TONIC SUPERTONIC
@@spyrix4750 LMAO
There is one impostor among us
Makes sense why my classically trained dad thinks people "talk-sing" in pop songs.
@@activitine62 I disagree, I don’t think they are failing, some of them are, and some of it is good, it’s just a different style
@@activitine62 few artists like Bruno Mars for example are nailing it. Most of them aren't🤣
You don't have to be classically trained to realize they're not singing but talk-singing
ah pop just sounded boring to people who practice classical music.
@@陳懷生-y7w 古翼庭
"Let me show you a few songs to see how big the supertonic has become."
*gets ad with a song where the main note is LITERALLY D*
laughs in adblocker
@Salim Sivaad were those transposed? They all sounded pretty natural in c
@@rtxf Yeah, he said he transposed them all. But it totally doesn't matter. You can pick ANY key, and all the notes in the new scale are the exact same distance from each other. You can take any song in a major key and transpose it to 12 different major keys, and it's going to sound the same. It may be way harder to sing if it's outside the power range for the vocalist, but for all practical purposes, it's exactly the same.
@@Nightmoore missed him say they were transposed, but I know how theory works :) thanks for explaining it for the next guy to read this tho.
Robbert Then it should not come as a surprise they’d all sound perfectly natural, right? You can’t even tell...well, unless you have perfect pitch, that is?
At this point RUclips has taught me that modern pop music have the four chords, the supertonic, the millenium hoot, bunch of trendy beats and sound effects and the tendency to have less melody. Now i wonder how does it manage to produse new different stuff at all! Also it would be interesting to compare those typical fitures with ones from privious decades.
I wonder if I'll get a perfect pitch sense for the note D after watching this video
I already have a perfect pitch sense for every note 🤩
perfect pitch people never fail to remind u that they have perfect pitch
@@bailey1410 Yup. I can confirm
Nice 👍
@@nightski380 I know this is free-beating but i mean...
more than half of all people with perfect pitch either 1 : don't ever try to do something with music and 2 : don't even understand anything about music either emotioanlly or theoretically ^^'
So i'm not too sure you should be proud of something you're probably not able to use. Also, if you really have perfect pitch, you should be having quite a few problems with your ears (ex : when something is "off pitch" it will tend to annoy people with people perfect pitch.)
Lastly, i believe there are quite a few different abilities that are being called perfect pitch, no one ever knows which one they're talking about :')
never underestimate the power of re
Lolllll
Lmao
😂
You learn indian classical???
the power of D
Turns out pop music’s favorite color is orange-coral.
... And cotton - candy flavoured! Make you sick when you have too much of it.
Pantone Color of the Year 2019 was Living Coral. Coincidence?
@@tradinglifedf5200 wha
might be interesting to see what colour a person with synesthesia sees when listening to the D note!
@@houndermagnum5918 mine is mint green beacuse its fresh to listen.
The note D just makes megalovania play in my head
You ever have that feeling where you're close to understanding a fundamental truth about music that will revolutionize your future songs, only to realize the mainstream industry has been using it this whole time, and now you have to avoid using it or sound like pop trash?
Relatable af bro
I'll never get over the insane amount of editing work that goes into Andrews videos that most people just overlook
I bet his editor is getting payyd.
“What do you have?!”
A * supertonic *!
“NO!”
Is it sharp or flat?
I was blown away to see how the supertonic easily slides in with all the different chord functions.
"Also sidechain compression." That had me dying of laughter idk why
A D D S O M E R E V E R B
I live for sidechain. It makes everything just automatically sound better. Have a monotone subbass? Sidechain. Not enough room for your lead? Sidechain. Wife left you... well, then you probably have other issues to deal with, at least you can cheer yourself up by putting dat sidechain on your mix 😎
Nobody's talking about OTT ? :o
Bad bass playing? SIDECHAIN!
LOL we all guilty of it :)
I feel like the ghost writers are trying to send a message or something.
if i can find the midi files for any of these i'll extract just the supertonics and run it through a CW (Morse code) decoder. could be a grey code, too, i guess.
they like d
it stands for deez nuts
@@an_annoying_cat no. Yeah. We get it.
the message is "DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD"
0:20 why is everyone talking about the D key and nobody's talking about Andrew playing Pink Fluffy Unicorns Dancing on Rainbows not once but TWICE
it's because he was demonstrating how a song can be transposed to a different key and still be the same song... He did it on purpose
Landon Vincent it was a joke i believe
I was looking for someone to mention this lol
I mean he made the song...
SO THAT'S WHAT IT WAS CRAP I COULDN'T REMEMBER
I recently started working on an album consisting of instrumental covers of pop songs and it's really helped me realize how simple a lot of my favourite melodies are when you strip away all the lyrics and production. It was actually sometimes pretty disappointing to realize that this hook that always gets stuck in my head really only consists of like three notes.
Often it's rhythm and harmonics that makes it special.
One pop artist is eventually going to sue another over the supertonic. It's inevitable, given the current standing of lawsuits within the music industry.
I've been afraid of making music cause I think I'm gonna make something I don't know about but already exists and get sued 💀
@@jorgechavez7211 I do fear doing the same, but at the same time, there really is no defined copyright/music law in my country. I just make sure to not have my songs too /generic/ and always use royalty-free stuff when sampling. I also upload a video of the project file playing just in case people say /I sampled/ their song.
sued over the D
@@jorgechavez7211 nobody cares as long as u dont make too much money on it
@@jorgechavez7211 Legal Eagle did a good breakdown of the legalities of shard song components: ruclips.net/video/zgsL5yW3bao/видео.html
Now I’ll only think of that peachy orange color when I hear a supertonic
I’ve been calling this “The Weekend Note” when writing the last couple years haha. Which isn’t really a diss, in my mind that’s the first time I heard hammering that 2nd over and over in multiple songs by an artist and now it’s everywhere. Was influential I guess 🤷♂️. Trends seem to last way longer in popular music than they used to also. So everyone, enjoy 20 more years of supertonics and trap hats!! (the louder the more popular) 😂
I think it's because of how influential rap music has become, people staying on the same note is sort of a melodic take on rap in a lot of casees
Bach to Pachelbel "You have too much D"
Weekend: "Hold my beer"
"i'm gonna play a subdominant melody over a third degree chord".
why does this feel like a threat?
DestrolioOnline because it is. its a threat to your eardrums
Another note that works similarly is the fifth.
Over the first degree: fifth
Over the second degree: fourth
Over the third degree: third
Over the fourth degree: ninth
Over the fifth degree: root
Over the sixth degree: seventh
Over the seventh: sixth
Plus, it's in the tonic chord.
Ok but the ninth, seventh and sixth aren't really as stable as the tonic, third, fourth or fifth
@@tsg_frank5829 What I’m saying is it’s not a half-step or tritone away from any note in any chord, therefore using it in the melody over any chord wouldn’t be incredibly dissonant. There is no note that sounds completely consonant over every chord but the second, fifth . . . and come to think of it, the sixth all avoid the harshest dissonances.
yeah, the fifth thing is a long trope. they used it like during the baroque, classicism, and romantic era classical msuic, but using the fifth note (dominant) especially often during the classicism era in the mid-1700's. Think of Mozart and Haydn.
@@cdifreakguy the major pentatonic scale! It’s a great tool for grouping the most resolved notes and their tonic,
Anything that isn’t the major pentatonic will be a dissonance to the tonic.
It’s been a fantastic way to get into improvising for me :)
i think the only real difference with the fifth is that you can't just hammer away at it because it's already resolved whereas the 2nd/9th is asking for release
Pop Music then : Only 3 chords
Pop Music now : _Only one note_
_It's evolving, just backwards_
so it's *gnivlove*
So, devolving then.
pop music back in mozart and bach time... 20, 000 notes.
🤩🤩😂🤩😂😂😂🤩😂😂🤩😂🤩😂🤩🤩🤩 Nailed it
This is actually more complex. The song's progression starts in a suspended minor harmony and finds its way occasionally back home
Thanks for using LUMI Keys in the vid 🙏🙏🙏
When the official ROLI channel gets ignored :(
i ofically cant unhear this note anymore, or stop looking for it in songs
I guess the supertonic note is the pop music equivalent for the minor third note for blues and rock music. A very nice observation and analysis. Please keep up the great work Andrew!
Never heard the term SUpertonic before. Only Major 2 or 9. Amazing video!
Tonic
Supertonic
Mediant
Subdominant
Dominant
Submediant
Leading tone
Every note in the scale has a stupid name like this.
Nice to see you in the comment section, Fluff!
Yeah, before Andrew explained what that means I was like... A supertonic?! What's that?!!
Riffs, Beards & Gear the other ones have names too! In order from 1-7 it goes: tonic, supertonic, mediant, subdominant, dominant, submediant, and subtonic.
@@Rain593 Subtonic: *cries in the corner*
it's part of functional harmony, which tries to describe how the notes and their chords work in relation to one another in a progression.
That Katy Perry song at least uses the 7th and the 4th note once each, and what a breath of fresh air it was to hear them after first listening to the barrage of the super tonic sprinkled with the same few pentatonic notes.
When you have to pay to unlock more than one note on your autotune plugin
So far the first comment today to make me _actually laugh out loud!_ 😄👍
@@ChaosRayZero
Same!
@@ChaosRayZero same lol
I like your profile picture✌️
I love how he just gets straight to the point
Made me watch the entire video, despite the clickbaity title, because he went straight in without any bullshit. Good video.
@@themessenger8334 yeah exactly
Alternative title: "Andrew Huang smashes the D key".
"Andrew hits the D"
ya blew it. should've just said "smashes the D"
@Billy _we need to keep it PG_
*PH Intro Plays*
You’ve absolutely nailed it. I listen to pop music radio and wonder why I get bored within a minute. It’s the supersonic! I didn’t realise until you showed it with so many examples!
RUclips: wait wait wait... there are too many songs to indentify and issue a copyright claim!
This is literally like that scene from Rick and Morty when Jerry was listen to "Human Music" on "Earth Radio."
. ∙ . | . ∙ . | . ∙ . | . ∙ . |
Very interesting, this was great! Q: What makes a killer riff, killer?
Why this channel has no verified mark even with 600k+
Slayer: 0-0-0-0-0-0-0-0-0-0-0-0-0
@@gabrielcabello9227 was gonna say Kerry King lol
Long answer: the intrinsic relationship the notes have with each other, generating a feeling such of a forward moving motion, while still having a periodic repetition of said pattern of notes that the listener can recognize and look forward to. Also being a good complementary to the drum part and viceversa. (As we’ve seen that changing the drum part of a song generally completely destroys the riff, not always but a lot of times)
Short answer: jimmy page
When you don't survive it. Otherwise it's just an innocent riff.
Now that I think of it, Blinding Lights starts with the supertonic note
dozens of key signatures, with many different ways to play a song: *exists*
The Weeknd: *A, C, D AND E*
Well Andrew shifted everything to be in the same key
Weeknd took the E from end and put it in his songs
Blinding lights is in F minor.
i hug everyone who listens to this beat ruclips.net/video/953seo4SAL0/видео.html
@@smooshfanultra ...aaaand it was written by Max Martin
Quick summary: why are they using this note so much? It fits with anything (basically it's easy mode for melody writing)
Yeah, laziness at its finest. Tells you how highly producers and artists think of their fans' intellect
@@rodrigoodonsalcedocisneros4419 No its because using only one note gives listeners the freedom of interpretation. thats why using single notes are so powerful right now.
@@9kanima can you please elaborate?
@@sharadsemilo lets say you Are listening to a single sine wave. If you do that you will come to realize that There is no motion or emotions so to say which will lead the Listener to Come up with their own Interpretation which are formed by Their own experiences. A single note is a lower Form of emptiness or Chaos where order can Take place, but must not(but will most likely). Thats why its so Popular too. it's easier to Connect to or in Other words it has a higher range of audience vice versa.
@@9kanima you can have freedom of interpretation with anything, the use of the supertone is a marketing trick to reach the lowest common denominator to maximize profits. This "music's" not about experimentation or soul, its about making money unfortunately.
Oh my god he put what I've noticed for a while into a scholarly presentation
I love when that happens.
5:44 Oh, yeah. I know what this is going to be. Katy Perry Never Re- YEEEEEEEAAAAAHHHHHHH LET'S GOOOOOOOOO
I STRONGLY DISAGREE! Being as famous as I am on RUclips, I know that it gets hard to read every comment I get. I try my best, but I am just so famous, that I can't do it much longer. Sorry, dear alex
right!!!?
Never knew the major 2nd was the sound I was hearing!! Super interesting the root and 5th is single handedly resposible for rock and metal!! And now pop Major 2nd
The same can be said to the 5th degree of the scale, it fits with every chord and even fits with many chords outside of the scale like the bVII, bVI(+7), bIII, bII(#11). The position of these two notes in the circle of fifths really help to show why they are so easy to fit with so many chords. But I think the main reason is because these notes aren't really at rest, like when it's the 9th or 11th or 7th or 13th of the chord, it's not only that it fits, but they don't fit perfectly and that's why it's pleasant, because it's not restful. The pleasure of the expectation from the note resting to the first or third degree, doesn't really matter if it does rest or not, the fact that there is the expectation is what matter.
(sorry for any mistake, english isn't my native language)
Maemi No Yume you shouldn’t need to apologize. You did good at writing your comment for English not being your native language. Hell… People who speak English naturally sometimes aren’t that good at writing English. (Myself included, I have my moments).
@@BlindMelonLord I apologized because I felt like I could have written that with less words idk xD
Awesome observation, was just gonna write the same one, more or less. I agree with you -- I just think that the 5th sounds naive since it's so overdone, and the 2nd sounds fresher. Also I think something that Andrew only said in the passing is that the 1st and 3rd are adjacent to the 2nd, so all those lazy writers who just noodle around 3 notes have an easier time with 2nd than with 5th -- noodling on the 6th and 4th won't sound as good.
@@crapadopalese I agree with you. In my case I use the 5th because my bass notes usually go around the IV degree, so in that context the 5th is interesting and I noodle around using the major pentatonic scale of the 5th (which has the 7th, which is the tritone for the IV, which I really like)
amazing & well said! :)💛
They all should sue each other for copyright infringement.
I love it when the profile pic matches the comment! ^_^
Andrew: In pop music, D is the most popular note.
Undertale fans:
Hahaha.... SKELETON
I don't get it
D is used a lot in undertale music such as megalovania
@@javym1431 ah, i see
@@javym1431 SO THAT'S WHY IT NEVER SOUNDS BAD
Good observation! It explains why I got bored of music last year and thought all the new stuff sounded the same!
This video is so informative but shows the authenticity all of us music producers can relate to! Big up Andrew for this one ✅
hey andrew, you've probably already talked about this, but i'd love if you revisted the "loudness war". i watched a video of a mastering engineer talking about recent changes in the the way that streaming services such as spotify handle loudness of tracks - apparently songs max loudness is now based on the catogory (genre) of which the song is uploaded - which the engineer said completely changes the way that artist should be approaching their mix & master. would love to hear you speak on this topic
agreed. i've had insipid discussions about which flavor of edm/metal tracks are based solely on compression/loudness and reference levels in dj mixes
Agreed, that would be awesome.
Interesting, didn't know they had changed this. Do you have a link for this video?
I'd love to see the video as well haha
Jon Sine made a video on this recently
Alternate title: why pop music is obsessed with being generally monotonous
Yep the melody is almost always super boring, of course my opinion but I like a melody that you can play and it sounds good even on its own.
It makes sense. Everything is going to lowest common denominator. Find the thing that NOBODY finds offensive in any situation, and overuse it.
or "How pop kills music"
its more that pop music is terrified of any musical tension
Vacuous minds feed off vacuous music. Pop is the sonic equivalent of fast food.
You nailed it Andrew. Pop music will be listened to in a very different way after watching this video.
painful way
The Weeknd: People love my unique melodies and I’m rolling in fresh ideas!
Andrew Huang: I’m about to ruin this mans whole career.
I actually kinda got the opposite reaction. Watch again and see how much The Weeknd moves off that supertonic anchor compared to a lot of the other examples. Yes it's always where his melodies are anchored around, but there's a much more fluid and consistent motion than in a lot of the other pop songs.
😂🤣😂🤣😂😆💯
NCJake True. His songs are extremely catchy and manages to keep plenty of interest. His rhythmic and tonal patterns have worked for years now. But I couldn’t help to meme the guy.😂
I mean....people have used pentatonic scale over and that’s 5 notes.....Weeknd using 3 or 4 notes isn’t really that much different
(But I’m not a rapper)
And people wonder why alot of people can't stand pop radio music
ikr it all just sounds the same
i cant, i listen to an incredible amount of music (not trying to sound like a douche) and i cant stand pop or modern reggae.
Dude I hate pop radio music with a burning passion
I’m the 69th like
Are those two people referring to the same people?
It really drives it home since he's using the Ariel of soundfonts here.
Arial
😂 well said, the midi piano D was really annoying about halfway in
which one is it
@@bien.mp4 'grand piano 1'
I also believe it has kind of an unresolved sound, but not to the point that we are begging to go back to tonic. Pop music in the past few decades has been very driven and propels forward. In conclusion, I feel the supertonic gives the since that we are driving forward or gliding just above the ground.
Edit: supertonic, not supersonic. Typo😆
I feel like a door just opened, realizing what “that” sound is
Curious how Adam Neely feels about the colors on that keyboard...
i need this to match my rgb pc setup
funny thing, I had the same thought when I saw the colors
I feel pissed off, C is cleaaarly lightblue and yellow, and D green, E Red, F blue, G orange, A yellow and lightblue, B orange/brown/dark purple.
@@SC2Villares NO
@@kennyr1161 XD
Oh God is this one of those "Four Chord Songs" things that I will never stop hearing now?
That's what I was thinking. Hearing all those songs like that gave me flashbacks from that Axis of Awesome video
@@singflower the Axis of Awesome is becoming a lot less trendy now.
@Makoa The Ancient Yes, it's true that many songs use only 3 or 4 chords, and it's not really surprising if you think about it. There are seven chords in a scale, so using 3 or 4 is a good compromise between too boring and too messy.
But what is usually meant by "four chord song" is a song using the I-V-vi-IV progression, which is used quite a lot in pop music. Of course other genres have common progressions as well, like the II-V-I in jazz.
@@penguindrum264 I don't know much about them, I just remembered watching that video a few years ago.
@@singflower *Just if you play in the scale though, and 7s 9s 11s 13s, theres way more to make it interesting
Watching this video has improved my pitch recognition for D by about 4000%
imagine the record companies fighting over which one will take the money this video makes lol
Except most of these songs are owned by one super corporation.
you can play any song or movie you want on youtube. you just have to criticize it. there have been entire reposts of movies with a fake cinema seating and a dude down the front that yells out how crap the movie is.
Whoop post Malone got this one lol
Feels like that scene where John Malkovich fell through a portal into his own mind and everything was Malkovich.
Malkovich, Malkovich, Malkovich. Malkovich!! Malkovich?
... Malkovich?
Nathan V MALKOVICH!!!
@@EpixManz malkovich MALKOVICH malkovich *MALkovich*
The Weekend: That's a lot of supertonic. But I love it.
Just came to say this about the thumbnail:
That keyboard is very gay and I want it
Katy Perry: "Hold my beer"
Is- is that a pun?
The Weeknd*
I finally understand why modern pop music all sounds the same to me
It's the same concept as it was back in the 1990's where "Add 2" guitar chords were found *all over* alternative rock, college rock, and even grunge songs. What you show here is just the "Add 2" but for this generation of popular music. 🙂 Great video Andrew!
Hi, I dont know much music theory, but what is "add 2"? I'm genuinely interested
when i saw that andrew was making a video on this, i was *really* hoping he'd talk about alt-rock's usage of the second degree and ninth chords all the way back to basically the 1990's, a shame he didn't imo
funnily enough, progressive rock also loves their ninths because a simple addition of a ninth can make power chords sound super involved
@@blake_valentine a chord is usually made of a root note, the third and the fifth, which means if you start the scale on the root note and go up you will also include the third and the fifth note in the chord. So basic chords usually have a 1-3-5 structure. Add9 means you also include the second note in the chord, like 1-2-3-5 or alternatively 1-3-5-9 (9 being just 2 but one octave higher so it sounds the same). So it's a similar concept as the one highlighted in the video, meaning there appears to be a cultural emphasis on the second note of the scale. But in the video it's in the melodies of today's pop music and soundsfromsound talks about the chords of 90's rock
@@blake_valentine just take whatever chord you're playing and add the second scale degree, can also be add9, so for C major it'd be D, for G major it'd be A etc
aka the Deftones chord
holy shit lmao when you did all the weeknd songs back to back lmao
Ikr
This made me realize that all of these pop songs basically sound the exact same and now I can’t unhear that stupid D anymore
He literally transposed them to the same key, of course they sound similar
Most of these songs aren't actually in the key of C though.
@@internetuser8922 ^
it's not D in all the songs
Not everyone is in D, but rather the concept of supertonic, which he explained was the second note in the scale, making it sound similar
I stopped watching Andrew for a hot minute and I come back and he does theory thursdays now?! I've been missing out!!!