How I Create Live Loops (Russian Circles' Mike Sullivan)
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- Опубликовано: 25 авг 2024
- The instrumental guitar sorcerer uses "Mladek" off the 2011 album 'Empros' to demonstrate how he builds bulldozing tones while onstage.
Rig Rundown: bit.ly/RussianC...
"Harper Lewis" Riff Rundown: bit.ly/HarperLe...
![Rig Rundown - Russian Circles' Mike Sullivan [2017]](http://i.ytimg.com/vi/VVK87xE3NBI/mqdefault.jpg)
One of the most interesting guitarists around right now.
He’s kinda a heavy, modern version of the Edge when it comes to creating unique tones with pedals.
Taparoo is my new favorite technical term
You changed my perception of guitar playing sir ! Im so glad i was introduced to you through the album "Station". It is simply therapy 👌
+1
There’s more important tips in this one video than 90% of RUclips.
I love how Mike has always embraced the low end in heavy guitars. The whole “tight” metal craze is essentially “scoop out the lows” for a ubiquitous “modern” sound. Since he gain stages using pedals, there is a little low end loss, but that’s made up with his choice of pickups and amps. This is a heavy, low tone that works well in a mix.
@Toxic Potato True, but a three piece that overdubs a lot of loops with different gain structures and a bass player that also plays synth lines. Certain parts definitely need to cut more than others.
I agree completely except what you say about gain staging with pedals being responsible for little low end loss. In fact most gain pedals can very easily be responsible for low end loss, and someone has to be very picky to find some that don't do that. The heavy bass+low mid guitar sound of Russian Circles comes from a careful combination of every link in the chain, including very resonant 4x12s, big heads and solid bassy guitars. After these you just pay attention to your pedals, and if you need some that cut some bass then you also use them (like the old+very popular trick of treble boosters or tubescreamers in front of vintage British heads like Laneys, Marshalls etc).
bloodySunday77 I think you misread my meaning. “Little” might have been a poor choice of words, because my intention was to point out that the other things he does compensates for the low end loss of the pedals. I basically meant what you articulated in a different way. And I know Mike has infamously used Ampeg 8x10 cabs instead of a typical 4x12 to retain the low end. I would be interested in the choice of speakers in his Tyrant cab for the current rig.
@@bloodySunday77pedals add compression, compression steals that low end
I was just literally front row at an RC show....I could have touched his pedal board. Freaking amazing show and super fun to watch! Hey Mike, I was the fat bald guy smiling my ass off the entire time....oh yeah...doesn't narrow it down.
Such an amazing guitarist. Mike you truly inspire me with your loops and tapping. Can’t wait for a new record.
they working on new stuff
Russian Circles are undoubtedly the best live band I've ever seen
Back in April '06 saw them open for ISIS at a small bar in Cleveland called the Grog Shop. I'd never heard of them. This was a month prior to the release of "Enter." I remember before they started I thought 'this guy looks like he's 12 years old' (didn't have the beard or the long hair at the time.) Anyway, their performance really blew me away. Particularly Mike Sullivan and the drummer. ISIS performed three new songs that night. Absence was still six months away at that point, and what I had the privilege of hearing were early versions of Dulcinea, 1000 shards, and Holy Tears. I feel like 2006 was a watershed year for "post rock." Just off the top of my head: Russian Circles debut, Red Sparowes every red heart, In the absence of truth, 10,000 days, Cult of Luna somewhere along the highway. All 2006 releases. What an amazing year as a fan of the genre. Almost forgot: Mouth of the Architect's The Ties that Blind was also 2006. Goddamn.
Thanks Mike. You may not have any idea how awesome this is for us.
thanks for this! some great tips regarding keeping your tone different for every loop and also keeping an eye on volume levels post loop.
It's not the sound but the energy the three lads bring to a live show. I said it before, but if you have to, sell the family plot to catch them live!
i could kinda see a little bit of Kurt cobain hidden behind Mike's back playing his
NEGATIVE CREEP but only a little bit
much love SULLIVAN your Russian circles will always great a great inspiration for me since i also compose similar type of instrumental music
but with a little of that goth doom Metal touch to it
Can we have another rig rundown please.
Jon Ayers yep, they’re due for an update
The pedalboard is still pretty much the same as in the previous rundown. Except for the Mobius.
If you watch the audio tree performance, his setup is pretty much the same as the 2017 rig, besides the quilter Taking place of the Fender head and additional pedals, but other than that ots pretty much the same.
It also looks like he's gone back to Les Paul Customs!
Looks like he's still using the Akai E2 Headrush. He talks about it in his rig rundown.
I see no reason for change this pedal. Great thing
Hope you have/had a great time in Australia! Spewin' I missed your tour, but alas traveling half way across this country can be expensive! Rock on!
I love how Jesus can do all this with some loops. Very nice
Well, he didn't actually "walk us through it."
Still don't know what pedals he's using and how to use those pedals to create the loops. :-/
Yeah, my thoughts exactly. I think he's using 2 loopers, one of them being a Jam Man Stereo.
Record chug with a wee bit of reverb, overdub a pretty dry tapping part, then switch on a digital delay, chorus and booster to cut with the octave chords. If you watch the video, it's all in front of you.
An Akai Head Rush E2 for live loops
A Digitech Jam Man for the samples etc
This is how he creates loops. Each one depends on the riff, you're not gonna use chugging with a huge wash reverb (or yes, maybe).
The thing is how he adds layers, and how he shapes the sound he explains that. Practice a lot to nail the loop without cuts.
nice demo. saw them last nite.
tldr; do a chuggy chug followed by a little taparoo
hmm never noticed this before, in the final chugging section he's holding a power chord on the 5th/4th strings.. maybe so that any sort of mistake in picking ends up sounding good?
sort of an adam jones thing?
Loopholes for looping
Thanks for the vid PG. Any notes on the pedals on the board and their respective signal path?
Some info here... ruclips.net/video/VVK87xE3NBI/видео.html
Is part of this video missing?
what is the tuning????
weird. i think it's C#-A-D-g-a-d
i love "chugg"
What kinda guitar is that?
Damn,
What is that chord you’re playing? Are you muting the 4th string?
i think your talking about the octaves, so yes hes muting the 4th. Octaves on thicker 4 strings are i string and one fret apart so fret 5 on 5th string and fret 7 on G.
Ok..... Who makes that guitar? I can see the headstock but i cant tell what it says.
its a Nik Huber Orca
@@Betweendillinger Thanks
akai looper is so trickyyy
taper-ooo
To check out one of their masterpieces live... ruclips.net/video/RmOR1I2Q-OI/видео.html
Oh damn it’s telly
From “kids”
Am I the only one who gets Tom Green vibes?
Andrew Tkach tool vibes ?
@@spiroskaravalakis9358 absolutely agreed
The curves on that guitar! What make/model is it?
@@kylemcdaniel1780 Thank you!
That's so money
Sometimes Mike's performance looks like more pushing pedal buttons than playing the guitar :)
Jesus on guitar
Report them to the police
Cool guy and cool sound, but this video taught absolutely nothing about how to do this aside from conceptual tips on tone diversity.
the other part is just using a looper that overdubs..
>ON, chugging riff, OFF, repeat, ON, tapping riff, OFF, repeat.. add octaves over top, done
this is actually the easy part, trying to get the 3 parts to stack together and sound good is much more challenging
Stay out of my life.