This is the best version of this song outside of Venezuela, You can tell these girls studied this song very well, they understood the rhythm and mastered the pronunciation. Well done! Congratulations and thanks for respecting the composer!
This is a Choral Song from the Composer of Cantata Criolla, not a part of it. Estevez, being part of the second nationalistic school of venezuelan composers, used the 'song' form instead of the 'madrigal' to reflect the people's character on each of his scores. Also, on this subject, you cand find Arrunango, or Habladurias, even Cancion de la Molinera. It is a good female voiced version, although it was written for a 7 part mixed choir.
Bravo chicas...!! Esta pieza no es fácil de interpretar e imagino que hicieron un gran esfuerzo, hasta tocan el Cuatro... Saludos desde Venezuela. --- Girls Bravo ...! This piece is not easy to interpret and imagine made a great effort to play the Cuatro too ... Greetings from Venezuela.
Para ser una composición con un ritmo tan enrevesado y tan difícil de comprender para quien no conozca el Llano venezolano, está muy, pero muy bien. ¡Bravo, chicas!PARA MATHUSALEM: This piece is not from the Cantata Criolla. Is another opus of Antonio Estevez. The lyrics ar also from the same poet: Alberto Arvelo Torrealba.
I sang this solo last semester with my Chamber Choir and ACTUALLY she is rhythmically different in some areas of the piece than written. The phrases in which the soloist sings "Con el sibo y la picada" is different than written in the sheet music. Even that being said the most important part is that they stayed together among the syncopated mess of vocal parts occurring!
No it is not an Aria, It is from the Cantata Criolla, of Venezuelan composer Antonio Estevez and they do a beautiful job trying to interpret such a difficult piece with the intricate rythms of the joropo. Bravo I say!. They even play the four string guitar the Cuatro. Good job...
Overall nice performance and clearly the soloist has a nice voice as well, but for my taste there is a bit too much sliding and is dragging slightly behind the choir. I definitely think sliding can be a great tool and effect when used occasionally, but for me it's a bit much here again. But that's just me :)
This is the best version of this song outside of Venezuela, You can tell these girls studied this song very well, they understood the rhythm and mastered the pronunciation. Well done! Congratulations and thanks for respecting the composer!
This is a Choral Song from the Composer of Cantata Criolla, not a part of it. Estevez, being part of the second nationalistic school of venezuelan composers, used the 'song' form instead of the 'madrigal' to reflect the people's character on each of his scores. Also, on this subject, you cand find Arrunango, or Habladurias, even Cancion de la Molinera. It is a good female voiced version, although it was written for a 7 part mixed choir.
Bravo chicas...!! Esta pieza no es fácil de interpretar e imagino que hicieron un gran esfuerzo, hasta tocan el Cuatro... Saludos desde Venezuela. --- Girls Bravo ...! This piece is not easy to interpret and imagine made a great effort to play the Cuatro too ... Greetings from Venezuela.
Congratulations Perfect style, pronunciation, rhythm. They have done Estevez justice.
By the way, this is not from his Cantata Criolla.
Para ser una composición con un ritmo tan enrevesado y tan difícil de comprender para quien no conozca el Llano venezolano, está muy, pero muy bien. ¡Bravo, chicas!PARA MATHUSALEM: This piece is not from the Cantata Criolla. Is another opus of Antonio Estevez. The lyrics ar also from the same poet: Alberto Arvelo Torrealba.
gracias muy bueno
I sang this solo last semester with my Chamber Choir and ACTUALLY she is rhythmically different in some areas of the piece than written. The phrases in which the soloist sings "Con el sibo y la picada" is different than written in the sheet music. Even that being said the most important part is that they stayed together among the syncopated mess of vocal parts occurring!
No it is not an Aria, It is from the Cantata Criolla, of Venezuelan composer Antonio Estevez and they do a beautiful job trying to interpret such a difficult piece with the intricate rythms of the joropo. Bravo I say!. They even play the four string guitar the Cuatro. Good job...
By the way, who did (wrote) this version? It is quite accurate.
Overall nice performance and clearly the soloist has a nice voice as well, but for my taste there is a bit too much sliding and is dragging slightly behind the choir. I definitely think sliding can be a great tool and effect when used occasionally, but for me it's a bit much here again. But that's just me :)
Amazing voice but it is not an Aria is not Mozart or Rossini so...