Best performance of this piece (to my taste) that I've ever heard, through and through -- notwithstanding a little brain cramp in the first phrase of the last movement! (Or is it maybe a textual variant? Doubt it but you never know.) The piece so easily can sound pedestrian even in great hands. This performance makes it be everything.
I don't understand this piece of music. It's certainly beautiful music but it seems to lack virtuosity and connection between the movements. In a way it's like the second Chopin sonata: a collection of beautiful pieces strung together and called a sonata.
@@republiccooper To your former point, I would presume you have a general distaste toward the Mozart sonatas. To the latter, perhaps enjoyment is lost beyond Beethoven, which would be an unfortunate fate. The sonata form is only that, a form that is imposed as a categorization, a label of sorts. It need not be followed if there exists a belief in creativity, which I believe is a necessity of and necessitated by art. I would tend to agree that this sonata is less mature than his others, but that does not mean interpretation is lost.
As one of my music professors always said before recitals, "It's almost always better to capture a great artistic performance than a great technical, error-free exhibition."
Hi, I don't know many sonatas, but what about Beethoven Sonata no. 17 'The Tempest'? I played the first movement a few years ago and I guess it was a little bit easier than this one. Then there is Schumann Sonata No. 1 Op. 11 and Schubert Sonata in A minor, they are both really beautiful as well but I think they are a bit more difficult
I've played this, so... Artist inserts a lot of fermatas, especially at the commencement of right-hand triplets in 1rst movement (the lead triplet on downbeat after some measures not containing triplets). Does some of it in 2nd movement, too. Think he's being artistic. Not sure they were worth it, musically.
it's on dipabrsm syllabus, am currently studying it. first and second movements pretty straightforward, third movement is quite challenging in that it needs much control
This is so nice and smooth. Great work! ❤
Très beau et très émouvant...du grand schubert par le magnifique Geza Anda. Merci infiniment.
It's really a soothing piano piece. I can imagine that morning sun has shone on a quiet village.
00:00 - Allegro moderato
06:14 - Andante
11:05 - Allegro
God bless your soul for this.
Beautiful, Carl Czerny's influence is heard especially from Op.756 etudes 3, 9, 11, 14 and 20
Ridicolous.... Czerny wrote Op 756 in 1845, Schubert died in 1828.
It's Czerny quoting Schubert
Thank you so much for this, it almost saved my life XD
Thanks.
Warm, bright, and colorful. Thanks!
The 2nd movement is pure genius. I love the sudden change in color at 9:42.
Beautiful, Carl Czerny's influence is heard especially from Op.756 etudes 3, 9, 11, 14 and 20
@@czeynerpianistproducercomp7155 Why do you always reply every message with the same reply?
A unique mind (Schubert's) contributing a unique piece in the human construct, brought to life by a unique performer (Anda.) Thanks for posting!
Beautiful, Carl Czerny's influence is heard especially from Op.756 etudes 3, 9, 11, 14 and 20
one word to describe the first movement:Magic
차분하고 정갈한 슈베르트 마음에 든다..
one word yo describe the first movement:Magic
Magic, yes
Best performance of this piece (to my taste) that I've ever heard, through and through -- notwithstanding a little brain cramp in the first phrase of the last movement! (Or is it maybe a textual variant? Doubt it but you never know.) The piece so easily can sound pedestrian even in great hands. This performance makes it be everything.
Completely agree!
I don't understand this piece of music. It's certainly beautiful music but it seems to lack virtuosity and connection between the movements. In a way it's like the second Chopin sonata: a collection of beautiful pieces strung together and called a sonata.
@@republiccooper To your former point, I would presume you have a general distaste toward the Mozart sonatas. To the latter, perhaps enjoyment is lost beyond Beethoven, which would be an unfortunate fate. The sonata form is only that, a form that is imposed as a categorization, a label of sorts. It need not be followed if there exists a belief in creativity, which I believe is a necessity of and necessitated by art. I would tend to agree that this sonata is less mature than his others, but that does not mean interpretation is lost.
@@NFStopsnuf I enjoy both Mozart and Beethoven sonatas.
Have you heard Myra Hess's performance. It's on YT, I think. Simply glorious.
That final movement!!! Ahhh! 😍🫶
this is a beautiful sonata wow wow
ГП - 0:01
СП - 0:52
ПП - 1:04
2 часть:
6:14 - осн тема
3 часть:
ГП - 11:05
A lot more rubato in the (already rather leisurely) first movement than I'm used to hearing. 😮😮😮
That's kind of what I was getting at w/ my remark about the fermats & leading triplet note above.
Despite the heavy pedal and mistakes I thought the nuance and color were very artistic! I’d much rather have that than a sterile “perfect” rendition.
As one of my music professors always said before recitals, "It's almost always better to capture a great artistic performance than a great technical, error-free exhibition."
Music is about colours and nuances, isn’t it?
Vibes > perfection
“To play a wrong note is insignificant; to play without passion is inexcusable.” ― Ludwig van Beethoven
Beautiful
Gratidão’ parabéns. !🇧🇷🙏🏼👏🏻👏🏻🍷🍷🍷
Here for "Kafka on the shore" by Murakami.
"It's time for meditation"
im glad someone else recognised this piece from the series lol
4:37
I love this so much! Could anyone recommend some other Sonatas in similar level?
Hi,
I don't know many sonatas, but what about Beethoven Sonata no. 17 'The Tempest'? I played the first movement a few years ago and I guess it was a little bit easier than this one.
Then there is Schumann Sonata No. 1 Op. 11 and Schubert Sonata in A minor, they are both really beautiful as well but I think they are a bit more difficult
How about Hayden’s Allegro in C?
@@Lea-yb7tx Hi there, thank you so much for your recommendations. These sonatas all sounds so beautiful and challenging to play.
Mendelssohn sonata Op.6 & Op.106
Maybe a little bit more difficult
Schumann, Fantasie in C major, Op. 17 - 3, Langsam getragen, Maurizio Pollini
Beethoven, Sonata No.30 in E Major, Op.109, Richard Goode
I've played this, so...
Artist inserts a lot of fermatas, especially at the commencement of right-hand triplets in 1rst movement (the lead triplet on downbeat after some measures not containing triplets). Does some of it in 2nd movement, too. Think he's being artistic. Not sure they were worth it, musically.
8:01 *cough cough*
예원&선화
2022년도 입시곡
😩😬
계원두요
In the final measures of the piece, why omit that "A" pedal point? The sound is vapid.
예원입시곡
15:36😅🤣😅🤣
12:18
Could anyone recommend other Shubert sonatas ?
The a minor D. 784 is similarly long but more sorrowful.
I like 1, 2, and 11. A lot of them are great.
11:11 what did he do with the bass of bar 4? It should be c# e c# but he plays b d d, it sounds really odd...
There are quite a few wrong notes in this video
Is this sonata easy to play?
it's on dipabrsm syllabus, am currently studying it. first and second movements pretty straightforward, third movement is quite challenging in that it needs much control
too little Allegro in the first movement for my taste
Beautiful, Carl Czerny's influence is heard especially from Op.756 etudes 3, 9, 11, 14 and 20
He has 36 different tempos 😂😂😅
11:5
С ритмом проблемы
00'00"
8:35
11:06
4:38
5:58
9:47