Yeah.. I used the hard filt ones. Vic Firth? Don't remember the name. I felt that wooden mallets would be too loud in that auditorium. Thanks for popping by :)
Thanks mate... Too bad the audio is bad tho. I had someone record it with several mic's in the room, but Alas! the HD crashed and the recording is lost forever :(
the most accurate performance on youtube. Schick's is far too inaccurate for me and although it is so hard to follow i followed every bit of your playing in time with the score. Firstly how long did it take you to learn it and secondly how did you figure out those complicated polyrhythms? (for instance bar 28 with the 5:3 semiquavers (16ths) against demisemis (32nds)). O...and very well played :)
I enjoyed your playing. It is a good piece too!
Its a very interesting piece to study. I wish you all the luck and play with a hard-on. I know I did!
Yeah.. I used the hard filt ones. Vic Firth? Don't remember the name. I felt that wooden mallets would be too loud in that auditorium.
Thanks for popping by :)
Thanks mate... I wish you all the luck. Its a fun piece to reherse, but it really gets on your nerves sometimes. I even dreamt about it ;)
Thanks mate... Too bad the audio is bad tho. I had someone record it with several mic's in the room, but Alas! the HD crashed and the recording is lost forever :(
@ksyolelov My French is rusty at best. Would you mind to write your comment in English so I can understand it? :P Cheers!
the most accurate performance on youtube. Schick's is far too inaccurate for me and although it is so hard to follow i followed every bit of your playing in time with the score. Firstly how long did it take you to learn it and secondly how did you figure out those complicated polyrhythms? (for instance bar 28 with the 5:3 semiquavers (16ths) against demisemis (32nds)). O...and very well played :)