A Day To Remember "Right Back At It Again" raw multi-tracks [UNBOXING]
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- Опубликовано: 15 окт 2024
- Eyal Levi takes you on a guided tour of the raw multi-tracks for "Right Back At It Again," by pop-punk legends A Day To Remember. The song was originally recorded by Andrew Wade and mixed by Ken Andrews from their 2013 album "Common Courtesy."
A few things to note about the song/session:
Lots and lots of layers of vocals, as you'd expect from and Jeremy McKinnon and Andrew Wade production. There's a LOT of interesting details about the vocal arrangement in this song, and you'd be smart to pay close attention to them.
Several layers of effects/post-production for the bridge (marching band, beatboxing, etc)
Guitars are provided both amped and DI
Bass is provided amped and as MIDI, if you want to use a virtual instrument in addition to/instead of the performed track (for example, to use as a sub-bass track)
Get instant access to A Day To Remember multi-tracks Andrew Wade's full mixing session ► nailthemix.com/...
NAIL THE MIX is an online mixing school created by Joey Sturgis, Joel Wanasek and Eyal Levi - the guys who produced bands like TDWP, Chelsea Grin, Blessthefall, Machine Head, Monuments, Miss May I, Of Mice & Men, Reflections, Born Of Osiris, Asking Alexandria and dozens more of this generation's best metal bands.
Every month, NAIL THE MIX members get exclusive access to the REAL MULTI-TRACK SESSIONS from a REAL ALBUM, and a 6-8 hour live streaming class from the producer who mixed it. These are the actual sessions by bands like Gojira, Meshuggah, Periphery, Papa Roach, Machine Head, Bring Me The Horizon, A Day To Remember and more - and NTM is the only place in the world you'll get access to them!
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I love hearing the individual stems of songs like this. Thanks guys!
Thanks for watching!
Dude i'm gonna be honest. ADTR gets a lot of flak for being "cookie cutter" and the poster child for pop-punk but jeremy's vocals are top notch arrangements.
His arrangements are my favorite right behind Spencer Sotelo's of periphery. Now that guy has some crazy harmonies.
Anybody who thinks they’re cookie cutter should try writing songs as good as theirs and see if that doesnt change their opinion :)
The reason I love this song so much is because there is SOOO MUCH stuff! And that barbershop quartet part has to be one of the most creative things I’ve ever heard.
Seriously- such a great arrangement in this song!
+URM Academy right! And it’s honestly so simple too. The majority of it is the exact same chord progression and they just added so much to make it incredible. I love this band and Andrew Wade is a genius.
100% agree with what you said about bass playing. As a bassist, you can have all the fills you want but if the foundation isn't there, the fullness of the sound won't be there, in my experience.
I think it really depends, a really good bass player can add in subtle extras without cluttering up the track or detracting from the main riff and really amazing ones can add something that takes a song to the next level, Mike Dirnt from Green Day is a great example of this, until I became a musician I never even noticed all the amazing subtle extras that he adds in the background because they blend into the song so well most of the time. Sam Rivers from Limp Bizkit is another one, love or hate those bands, their bass players are the true icing on the cake to most of their songs, take away away the stuff they do and add in root note followers, I can almost guarantee neither band would be anywhere near as prolific, sadly bass players that are talented enough to play and write such complimentary parts are probably one of the rarest phenomenon in the music industry.
I've probably heard this song close to 100 times, and had NO idea there was even a beatbox section in it, as well as the intricacies of the vocals. It's so cool to see the behind-the-scenes of it all, with your input and thoughts included! Keep it up!
Thanks for watching!
I'm pretty shocked by how many people dont hear it until someone points it out. Maybe that attests to how well integrated it is.
I always thought it was electric drums
11:30 and 12:21 I’ve always wanted to hear these guitar parts by them selves🤘
16:25 oh my it's beautiful
ADTR is one of my all time favorite bands and yes, andrew wade is a fantastic producer. It would be really cool to get an old school guy like Terry Date in here on one of these. I know he couldn't really do any of the Pantera records or Around the Fur because that was all analog but maybe something more recent he has done.
Terry Date also did bmth's Sempiternal, so that might be a good reason to bring him here.
Stephen Cox Fuck yes
That beatbox break is inspiring. I love to hear you say although it’s “simple” it is very well arranged!
Taking notes before my band hits the studio today, Jeremys vocal arrangements always shocked me. He’s got great control and he always sounds so big in the mix.
Man can they write such a great song with no much complexity for I love it
Subscribed! I have very little experience mixing but still find this so fascinating. Your explanations are spot on and make watching an almost 30 minute video on a 4 minute song completely watchable haha.
I really wanna hear a full mix of everything but with the cleans turned way down and the screams more prominent. I didn't even know he screamed in this track. Goddamn it came out so good.
ADTR is my favorite band of all time it was so cool to hear this.
these videos are amazing, keep it up!
more adtr, bmth, the 1975 in the future?
Thanks for watching!
Very clean raw drums... that means a lot of options. I likey.
Just, wow...
I need to re-mix this. I loved it back when it came out.
Great video! Fascinating to see just how many different parts this song has. You don't even realize it. Wish you would have let some stems play a bit longer, especially the vocals! That's the most interesting part.
Thanks for watching!
Can you please do an unboxing of Chelsea Grin - Hostage
Those vocals are incredible!
Awesome song! But my question is, are all the vocal tracks already processed? Sounds like they're already compressed and leveled. Are the other instruments processed as well? I know the guitars are DI's. So I'm guessing everything is already edited and ready to mix? My only concern with this is that half the work has already been done before the final mix. Is this how most mixers get their sessions? Or do they get raw tracks that haven't been compressed and leveled? I mean yeah, it's still a skill set to make all those tracks sound great in the final mix but it seems half of the work has already been done which isn't really a bad thing but I kind of like the challenge of mixing from un-edited tracks. So - is this how the top mixers receive sessions? That's what I want to know. Thanks.
All that I've got The Used !!!!!!!!!
Eyal couldn't help himself making that pun haha
He sounds like the guy who helps you guide in BF2
I would love to see one of these where someone plays a stem for more than 2 seconds before talking!
i've listened to this song 1,000,000 times, and ive never heard the leads at the start of the chorus. They've got it absolutely buried in the final release...why!? You can barely hear the sound effects at the end either...this makes me wonder if they really did do a good job on mixing it originally. I would've loved the song more if you could hear that stuff. It makes it a world of difference.
I think you would need really good headphones to hear everything that you wouldn't normally hear on standard $20 headphones, or whatever you rock with.
I've listened to this song a million times through studio monitors and headphones.
It's very hard to hear a lot of the things going on in this song. You can hear it, but just barely, It's disappointing. I wish they stood out more because this song is a MASTERPIECE.
Massive Seks sorry, I didn’t know Yamaha HS8s were $20...
damn, i know there's something about ADTR that i really like but somehow never got into 'em.
Did you print the sample for the kick? All I have in my download is a MIDI track for the kick.
Dude... You kill the fun of hearing the whole little stem of sound.. By cutting it out so quick.. It's like if I were too start a puzzle.. And never finish it.. It would burn the soul of a completionist ...
Join Nail the Mix if you want to hear it all together. He's showcasing the tracks that you get if you purchase the session, not letting everyone hear a raw version of the song.
I wanted to hear the harmonized “bitch” by itself😂
3:21
I think there was a singer-songwriter guy that had a label deal, and recorded some extra songs completely on his own, the cheapest way possible ( GarageBand, sm57 for acoustics and box, di bass, drum loops ).
He then sent the songs to the label, thinking they'd use them as demos for his next record, and they just fuckin' released them as they were. Just goes to show what you can put out.
Soulja Boy did “crank dat” on a cracked copy of FL Studio in his his mom’s kitchen!
You’re talking about the green room sessions by Ari Heat, I believe...
Hest not heat typo
@@NoteBand Yep. That was his name.
Hey, maybe try Currents - shattered?
How about an unboxing of Silence by Currents
I would love to see an Architects video :)
We have one! Look on the “unboxing” playlist
Where do you get these stems from?
Anybody from URM know if I join now will I still be able to get these files even if I join just now? I know this one is kinda old.
Members can get this session for $29.99
Bruh can you create a drumless track???
pls stop talking and pausing it so we can hear it
I don’t think you understand what kind of video you are watching
@@2EyesI u
Join nail the mix then
you pause to much !
why is it that the vocals doubled? what does it do?
The slight differences in the two performances essentially make the it sound "bigger"