@@aliensporebombi would't say anything there isnt much arppegios or classic legato but you will master finger independence and other acrobatics. Also get a million new ideas... Fripp stands alone.
People don't realize know this, but it was just as difficult for Fripp. He wrote Fracture when he was 5, and then spent the next 22 years learning to play it.
My father had his impossible piece - Gershwin's Rhapsody in Blue. A high school music teacher told him he could skip the hard part. He didn't. He chased after it for over 40 years. He was fairly gone to Alzheimers a few years before he died and sat down and played quite a bit of it. It was a quest for a grail he never found. I am glad you managed. Made me remember that day 30 some years ago.
@@sudarmaji77 my absolute FAVORITE Fripp moment I'll never not love is a couple moments in an old 80's performance of Elephant Talk (ruclips.net/video/SvJe25wA-e8/видео.html) where he sees a camera goes live and makes the biggest goofy smile (1:57), some other point where he's just shaking his head in amusement, and another where he's sliding up the neck and turns back at a camera skulking behind him. They're all having a blast and feeding off each other, it's so weird haha
Fripp once said, that in time he had mental disorder, he had dream vision. He had seen new structures and kind of harmony and he heard "If you return, play what you saw". Fracture was realesed after he had catatonia, 1973. That's why this song is ridiculously tough to repeat.
Congrats on your herculean effort, it takes some balls, stamina and endurance to play this. NOTE TO GUITARISTS: If you are a guitarist and you think you are really good, way above average and think you can play anything, just give this song a try and be humbled for months or even years. Be prepared to feel the pain and numbness creeping up on your fingers, wrist and arm to a point where they do not obey your commands anymore and you are ready to admit defeat. Forget about Van Halen, Vai, Satriani, Malmsteen and the like, forget even about Steve Morse, this is the plateau of difficulty. If you think i am exaggerating, just give it a try.
Totally agree. I have played a lot of Vai, Satriani, Morse, Van Halen, Petrucci, etc. None compare to this. They all have their "tricks" for getting through their parts. There is no trick to playing constant 16th notes for several minutes straight across many strings. Check out the video on FraKctured for some crazier picking.
Respectfully disagree. Try john petrucci. Start with Dance of Eternity, move onto Count of Tuscany maybe Damage Control..then we can talk. This is good but not impossible stuff.
Still can't believe to this day how Fripp came with this song up, besides being the most complex KC song it still manages to have catchy melodies. Props on this amazing achievement and probably performing the best cover of this song so far on the Internet.
It sounds like someone tried to write a jazzalbum, but had no idea what jazz sounded like and halfway though decided "fuck it, let's just make a rock album" but the drummer got addicted to weird rythms so he kept playing jazz, and everyone else was like "I guess we're still playing jazz" but without it actually ever sounding like jazz. Anyway good job on the performance.
It sounds like someone tried to write an intelligent comment but had no idea what it is to be intelligent and halfway through decided "fuck it, let's just say something stupid" anyways and everyone else was like "I guess he's still an imbecile" but without ever really telling it to his face.
@@adrianfytr35 Hahaha I was gonna comment something similar and retarded, this sounds like jazz musicians getting high trying to be metal even though it is really not jazz or metal and does not sound like it either.
@@deathmetaldouglas69 I had the pleasure of meeting Bill Bruford at the Catalina Bar and Grill in Hollywood and saw his JAZZ band so thank you for the wet tuna slapping of all who assume he was just a hack who was winging it.He went to school to study jazz music way before he ever played with any pro band from my understanding.Thanks for your comment Brother. I am also a drummer so I have done a bit of research regarding this.BTW, YES, you can hear a kick drum pedal squeak when recording for all those audiophiles out there who asked me "well do you know anything about high end audio equipment and do you think you can afford those type of speakers and can you appreciate their accuracy ?" Reply-"well how many studios have you recorded drums in Jerk-off ? !! Have you ever heard the noise of a kick drum pedal on a recording ? NO. You know why ? cause of the gating,noise reduction, compression-to a certain point, etc. I should have brought my sticks into your shop, one to stick up your ass the other to beat some arrogance out of you.I hate people who think they know about music when the closest they have come was to just listen to a recording and judge the engineer's creative license based on the equipment they are listening to it on.Please fondle my buttocks !!! and then suck it...
That is so kind of you to have watched all the Fracture content. Thank you for your support! In case you couldn't tell, I had the biggest smile every time I made a preventable mistake.
This was really inspiring! Your reactions to the "mistakes" added to the humanity and realness of this performance. Bravo! Thank you for bringing us along on your journey.
@@MakeWeirdMusic You're quite welcome! I once had a mentor that brought this perspective to my attention. After watching me perform and coaching me on my performances, she told me that the "mistakes" were the best part because my personality was able to break through and bring me into the moment. That was one of those "ah ha!" moments for me. I'm looking forward to reading your book!
For the last 30+ years, this has been my favorite King Crimson piece. All things considered, I think you've done it justice, and wish you great luck reaching your next destinations.
Just the idea that you and maybe one or two people on this whole planet have ever done this must be rewarding as well. I watched every video and comment and have the greatest respect for this. And besides the musicality it was very inspiring to get to know the philosophy and insights about this piece as well. Very enjoyable!
There are more sir ! From what i know, Kunio Suma played it very well back in 1976, then there was a video by a young french guy (who seemed to enjoy Gong) very good also, and Montresor guitarist had a go, obviously he can play it very neatly... but for unknown reason he didn't feel like he wanted to learn more than two-thirds ! See YT EYo8rG_EX0w
Haha no worries. I get a lot of nasty comments so sometimes I get into a “tit for tat” mode. The neighbors rarely heard me play this because my wife didn’t want to hear it at all. So, I practice quietly during odd hours or when I’m alone.
If you see vids of Fripp from back in the day in 74 you can see that once a sees a camera he gets into a serious mood and a killer glance to it. Cameras can be really distracting, and having another performance worry such as the disk space makes no good to your playing. Now that you've practiced the song you need to practice the stare lol. Also I've seen some of your videos on the topic and they're really enjoyable for a crimhead so thanks a lot. Also the recording present on the SABB album is a live recording from 1973 in Amsterdam, hence "the shouting guy" Bruford. But it's augmented with studio overdubs. Drums, bass and guitars have overdubs here and there (Wetton has a dual bass solo at 14:16), I think Fripp miss a couple of notes on the motto perpetuo part and one of the overdubs he did was this notes, still you can hear the original take as the overdubs augmented the mix, they weren't made to correct errors. What this implies is that even the recorded version of the song has a mistake on Bobby's playing!
@@MakeWeirdMusic of course! It's an honor ^_^ Larks' tongues in aspic pt. 2: ruclips.net/video/Hn4-ofDHk1k/видео.html Starless: ruclips.net/video/C6qXyC__vdA/видео.html Lament: ruclips.net/video/_rPtnplgUgs/видео.html The night watch: ruclips.net/video/r0UOlF8vXy8/видео.html Thanks a lot for the reply! :D
When people reach a pinacle in their art, they usually come back to it if they walk away for a period. I think it's because, by the time you get to the destination, the original innocent joy that overwhelmed you when you started has been long lost. You're not innocent anymore. Blood has been spilled. But you get over that. Bittersweet innocence has its own joys. You deserve to own what you've accomplished. And then, heh heh heh, you can start learning to play "discipline!"
This track has held a fascination for me for the best part of fifty years. Well done for getting a grip of it and giving me a better opportunity to see how the guitar part is structured than is immediately apparent from the original recording. Thank you!
Oh my god, i can't believe you actually did it! It must be such a relief to finally stop practicing this monstrous song. So happy for you! Greetings from Argentina I want to do a bass cover of this, Wetton is such a hero for me
My right hand is cramping just watching you do this. I messed with the fast picking part back in the day but would never have dreamed of working up the whole thing. Way to go!
incredible track, great rendition... the break, at 13'19" , with Bruford yelling of sheer excitement, is one of my favorite moments of the whole Crimson catalogue...
Anthony.- I've watched every video you've made on this subject and it has taught me a great deal about playing in general. I appreciate your willingness to share your failures and to talk about approach. I'm looking forward to reading your book very much. Enjoy your retirement from Fracture, and I'm excited to see FraKctured soon. 😊 Be well.
awesome !! And a thought for John Wetton. Even if he didi not co-compose Fracture, he was structurally vital for that album, one of my favorites from KC's. The bass line that starts at 14:15 has always amazed me.
Absolutely brilliant sir, as a 21 year old guitarrist I salute your discipline and efforts, you've inspired me and countless others with this series, thank you. :)
This is one of the best pieces of music ever made, and you did a MONSTER job! I have no words. Funny you mentioned the shouting guy: When I was in my early twenties and had partys at my place, me and this other guy who was also into Crimson had a thing we always did. When everybody was drunk (including us) and everybody was having fun talking, dancing around, we always put this on really loud and stood really close to the speakers waiting for the scream and when it came we exploded with a scream too. No one else liked this at all... But we always did it. :-D THANK YOU SO MUCH and hats off to you Anthony. Respect.
Awesome dedication man. KC is a serious band, filled with art, passion, rock, emotion & cross-genre creations. Under-rated and seldom-attempted guitar covers, due to the tuning & I'd guess because the parts are so idiomatic to this little world where King Crimson is the sole stylistic arbiter.
It's beautiful to witness this wave of love around you. I guess we're all really happy for you - I surely am. It's a postcard from a destination I hope to reach some day, but the postcard and what's behind It are compelling just as much.
Honestly, I'm a bit overwhelmed. I started this channel hoping I'd reach 250 people and now we're at 8,200 subscribers on RUclips. And I never, ever would have thought something I'd spend so much time ALONE practicing would be anything anyone else would care about. I'm amazed.
i gave up on this song 4 years of practice, lots of development but i'm done it's not for me anyway! i've been watching your journey since the first video that you've posted and i'm so glad you did it! cheers from brazil!
I think if you've spent 4 years on it, it's in your DNA. You probably just need some help. I know the feeling of giving up, I promise. :) We could have a conversation about it.
@@MakeWeirdMusic oh! I have a hard time with the tension and the need to keep everything loose and relaxed my pinky seems to have a life of it's own hahaha besides this, fripp's pickin style is unatural for me. do you recomend spend time on this? or i should use what is more natural for me
I definitely recommend getting control of your body. The pinky is tricky and it's taken me a long time to get it halfway to where it should be. Nevertheless, it's definitely worth spending the time.
I have been fighting my entire life. It started from a very young age when I noticed my lack of understanding in school classes. Firstly attributed to a lack of intelligence and then the actual issue was discovered - I am losing my hearing. Ever since that moment me, and in particular my parents who greatly supported me throughout the way, have started getting treatments for my horrible condition of hearing loss. I was very hopeful at first, seeing minor improvements every so often, not giving up hope and staying strong, not especially for me, but for my family. Me and my dad used to talk in the evenings, he would tell me how he met my mother, how I too will find an amazing woman like my mom and make a family with her and everything will be okay in the end. It would break his heart if he knew that I gave up. After 22 years of intense struggle and hardships, all it took was one video to make me regret every pointless suffering that I went through because after listening to this piece of shit song I curse the day I started treatment and wish to have gone deaf years ago.
Man, I thought you were talking about me until that last sentence, and then I KNEW it was about me and I was like, "Wow, this guy really gets it." Are you a professional writer?
Me and my dad used to talk in the evenings, he would tell me how he met my mother, how I too will find an amazing woman like my mom and make a family with her and everything will be okay in the end. It would break his heart if he knew that I gave up. But then he asked to me one more thing: If I happened to have threefiddy. Then I realized he was a giant crustacean from the pletazoic era and told him "Get out of my yard, you damn loch ness monster, I ain't giving you no money"
I’ve been working on a John McLaughlin transcription for almost 7 months so this gives me hope. The destination will be reached and the journey is the greatest I’ve ever been on in my musical career. Congrats on your accomplishments man
@@jinxie1080 It’s his solo on Afro Blue. From the record with Elvin Jones and Joey Defrancesco. There’s more dense McLaughlin solos/pieces but this one is still tough! I’m so close!
Man, I smiled all the way through that performance. I've had a relationship with some songs a bit like this, but never more than nine months as a primary focus (Derek Gripper's "Jarabi"). After finding your channel, Fracture is on my practice schedule and I keep forcing my friends and family to listen to it. So much respect, and I really appreciate you putting this stuff up. The struggle is real, and you've clambered up a mountain climbed by fewer people than Everest.
I’m proud of you for sharing with others. It’s as challenging a listen to untrained ears as it is to play! You are brave. Kudos and thanks for your kind words.
Check out Discipline and Indiscipline from the album of that name. When Crimson kicked off the Discipline tour at Painter's Mill the very first tune, on coming on stage was Discipline. Imagine playing that incredibly precise piece of music without a warm up.
I literally interviewed a world class violinist who said it took him five years to play FraKctured on violin. Go find a professional and give him the sheet music. Prove it to yourself that you’re correct
I remember watching your very first videos on this all those years ago. Congratulations on your achievement! I've dabbled in Fracture but I just don't have the life where I am able or willing to learn to play it fully like this. But what a tune it is. Those big slides and that final repeated ascending part it ends on still makes my hair stand on end 20 years after I first heard it. I can see I'm not alone in that :)
Wow, an OG Fracture Fripp follower! Nice! Thanks so much for watching after all these years. The last couple minutes of Fracture are incredible. I'm hoping my book will help people see what is possible and what I had to go through to get there. Perhaps it will inspire you.
I was having a little trouble hearing Bruford in that mix... all kidding aside though, well done sir, quite an accomplishment... this song made me realize that I was happy that drums was my instrument back in the day... scary hard... I can air-play it perfectly though...
I always think as time goes on and my skills develop that I can go back and learn a Fripp piece and it will suddenly be easier to play. Not the case! I tried to learn Fracture and gave up when I was 14. Now I'm 53 and I'm trying it again! Thanks for this great series, Anthony. You're an inspiration!
This is beautiful, Anthony! It was fantastically fun watching you weave through this piece which holds its own chapter in history and most certainly merits your sharing the experience upon multiple degrees. Congrats!!
Congrats! ...but what a sog it must've been. I can appreciate this in a couple of ways: 1- When I was a teen I was a Rush fanatic and I learned a lot their catalog on bass. It kinda demystified and ruined my enjoyment of the music for listening, so after that I never learned any music from my fav bands unless I was playing it in a group. 2- A couple years ago I decided I was tired of playing guitar and bass and performing and recording, etc... so I retired from music at 45, and despite everyone thinking I'm crazy, it feels good. It's a journey I took, and now it's time for other journeys. Cheers to you on the end of your epic journey.
I was fortunate to listen to King Crimson live when I present the fractures, really amazing, as Fripp said in an interview, this music has to be played live, in the studio it can be done but with all the tricks that it allows. Definitely his music will last for many years for the enjoyment of future generations.
I truly admire you giving yourself a B and still being able to walk away short of "perfection". There is an incredible wisdom in that, and I think it's an attitude more true to the ultimate spirit of music. And congratulations for reaching your goal! So much fun to watch folks like you and Maria have the joy and personal satisfaction of learning and playing this song.
I tried learning various parts of this song over the years, and much of it is just too painful. He employs so many complex techniques. I'm pretty sure the guy shouting near the end was Bruford. This song was not recorded in a studio either, that sh*t was live(ie like what you did here). So good.
Man you got the guts on your side. Congratulations on taking and archiving this challenge. I love this song. And i loved this performance. Now i understand why this is so damn difficult.
Thank you. I firmly believe that if this series existed when I first started learning, I could have done it within a few years. Definitely a fraction of the time. Thanks for watching!
@@MakeWeirdMusic NST is like playing cello with a plectrum instead of a bow.. and stacked with a violin on top with doubble trouuble drums to drive.. try it yourself, pusssssy..
You're incredible, i hope you know that. Someone else said it, but the precision and especially the stamina it takes to pluck that is just incredible. It's about as difficult as guitar playing get as far as I'm concerned. Forget your self doubts, i hope you're proud of yourself.
You're not quite Maria Barbieri, but great job on this incredible tune. I have no business trying to learn this song as a horrendous player...I'm still struggling mightily with trying to learn Discipline, but I'm inspired to try to get parts of it down.
Truly inspiring. After I started to play the guitar I discovered so much music and one of my goals became to play Zappa tunes and I'll be sure to take my time and learn as much as I can along the way! Amazing job and thanks!
It is because Fracture has octatonic scale and the Simpsons has C lydianb7 mode. They are not the same mode and scale, but both contains the tritone as defining interval.
Amazing there are several of you who've been following for so long. I'm so grateful. Thank you for your support! FraKctured is next. I was just practicing!
Idea for new challenge: Learn some Angelo Debarre gypsy jazz. Its the hardest thing I've ever encountered, and I'm playing 24 years and have done all the classical grades. Its real head-melting and finger melting stuff.
Maybe there was no alternative for you at this point in time but leaving in the few tiny errors is IMHO absolutely the right thing to do - in a Frippian way - this performance was the truth of that moment and the imperfections are those details that make it both beautiful and uniquely yours. I disagree that the destination is everything - all destinations are invariably nothing more than points along the way.
I was actually going for the best performance to watch. Some were more accurate, but sterile. Some where full of mistakes and exciting. This had a good balance. I think there's something to be said for performances that are so close to falling apart. Thanks for engaging on the destination/journey thing. I've been thinking a lot about it. Journeys and destinations are both valid, but some people set out to a destination, never reach it, and then all they can talk about is the journey. I didn't want that for myself.
I'd argue that if you listen to a the 70s live versions available even Fripp had a few "surprises" while playing the piece. KC was not known for song consistency...that's part of the reason why Bruford isn't there anymore🤣
@@MakeWeirdMusic When I make music I am in the improv space constantly, looking for interesting threads to pull. The fun part about music is in the individual artist's interpretation of a work, technical prowess is nothing if you cannot make the whole work swing with your own vibe, which you did. I'm tempted to put piano bits to fill in the gaps.
I love improvising and writing through-composed music. But since I have so much going on in my life, I mostly work on composes material a few bars at a time.
Congrats! I'm trying to decide if I want to attempt an equivalent on bass I dont know what to choose. The Jaco stuff I've attempted learning goes beyond what I'm physically capable of it its up to bpm.
Congratulations. It was a joy watching your process (although I only became aware of your channel and work... last year, I think), and watching it all come to a conclusion really is quite inspiring. Thank you for all your work and insight on enduring dedication towards an aim. I will definitely be buying your book once it's out.
It’s amazing the way you play this wonderful piece. I’ve been following your videos for a long time and is clear your level of commitment and sacrifice to get to play this. Incredible performance!
Really good performance. I don't know what it is though, that opening monologue was just delivered so dryly and strangely that I found myself not being able to sit through it. Clearly you've put a lot of time into learning this piece and it's hard to "reduce" that into a ~4 minute speech. I don't know...
I listened to this track repeatedly during some dark years of my adolescence. It made a huge imprint on me with the complexity of the journey that it conveys. Congratulations on bringing it home!
Maybe someday someone will be inspired by this story and video to score “Fracture” for full orchestra and the piece can finally be heard for what I humbly believe it to be: a masterwork of early twentieth century modernism among the greatest works of Holst and Stravinsky (that was a mouthful lol)! This is stunning. Thank you for doing such warm and affectionate justice to my personal favorite song by my personal favorite band. Much love.
It might sound a little cheesy, but I was touched by your story. “Fracture” has a special place in my heart and it was really cool to see someone chase after it with so much adoration and excitement. You still looked excited to play it after 20 years of wrestling with it lol. Really cool.
Thank you for sharing this brilliant masterpiece. Bravo to you for its performance and to your devotion and commitment to this incredible piece of music. I am also happy to see the successful release of your stunning hardback book - pure genius by the Author, fellow contributors and Robert Fripp! A heartfelt Congratulations to you and all that helped in its production!
Thanks so much! So far, only one negative dude got a little under my skin with extremely persistent ignorance and foolish assumptions. Otherwise, feeling good about all the comments on this video! :)
Hey Anthony, this was so excellent dude! Bravo! I loved the story behind it 😊 always love hearing that side as it gives context the music, why we play it and how we got there. Excellent journey - I’m sure you learnt a great deal along the way - your next destination await now 😊😊😊 🙏🏽🙏🏽🙏🏽 have an amazing day my friend!
That was twenty two years wasted.
Don't you get it? This piece is boot camp for making you a better guitar player. If you can play this you can play anything.
@@aliensporebomb "I've got a guitar, Focker. Can you play me?"
@@aliensporebombi would't say anything there isnt much arppegios or classic legato but you will master finger independence and other acrobatics. Also get a million new ideas... Fripp stands alone.
dude, you wish you were this good at blowing goats
Bit of a non-sequitor to quote from your mom's diary entry on your 22nd birthday....
People don't realize know this, but it was just as difficult for Fripp. He wrote Fracture when he was 5, and then spent the next 22 years learning to play it.
Hahahahaa yes. The long and winding road.
Classic! Lol
🤣🤣
My father had his impossible piece - Gershwin's Rhapsody in Blue. A high school music teacher told him he could skip the hard part. He didn't. He chased after it for over 40 years. He was fairly gone to Alzheimers a few years before he died and sat down and played quite a bit of it. It was a quest for a grail he never found. I am glad you managed. Made me remember that day 30 some years ago.
Rhapsody is so much harder than people realize. The full piano score is insane!
You definitely get bonus points for playing it while standing- something Fripp never did. Great job.
Haha. Thanks Ian. Hope you’re well
but Fripp has that death stare noone can imitate
Not anymore. His wife castrate him. Now he is a harmless puppy. @@sudarmaji77
@@sudarmaji77 my absolute FAVORITE Fripp moment I'll never not love is a couple moments in an old 80's performance of Elephant Talk (ruclips.net/video/SvJe25wA-e8/видео.html) where he sees a camera goes live and makes the biggest goofy smile (1:57), some other point where he's just shaking his head in amusement, and another where he's sliding up the neck and turns back at a camera skulking behind him. They're all having a blast and feeding off each other, it's so weird haha
@@sudarmaji77He do not stare, he just looks inwards to dig out the energy it takes to do things like this :)
Oh and only the genius of a megalomaniac like Fripp would create a tuning and call it new STANDARD... I F’n love King Crimson
Hahahah I love that "old standard tuning" line.
I think it's less megalomaniacal than it appears, the point is it's not a specialty tuning for one song, but can be used for anything.
Fripp once said, that in time he had mental disorder, he had dream vision. He had seen new structures and kind of harmony and he heard "If you return, play what you saw". Fracture was realesed after he had catatonia, 1973. That's why this song is ridiculously tough to repeat.
Where did he say this so I can look it up and read a bit more about this?
👆
When the original comment or doesn’t reply with the place he read this
Fracture was released in 1973??
@@paveantelic7876 ruclips.net/video/jdqAU3IMnfw/видео.html
Played live in '73.
It’s amazing how a song can be so complex and intricate that you can write an entire book about learning to play it.
Yes, and I have so much more to say about it.
Congrats on your herculean effort, it takes some balls, stamina and endurance to play this.
NOTE TO GUITARISTS: If you are a guitarist and you think you are really good, way above average and think you can play anything, just give this song a try and be humbled for months or even years.
Be prepared to feel the pain and numbness creeping up on your fingers, wrist and arm to a point where they do not obey your commands anymore and you are ready to admit defeat.
Forget about Van Halen, Vai, Satriani, Malmsteen and the like, forget even about Steve Morse, this is the plateau of difficulty. If you think i am exaggerating, just give it a try.
Totally agree. I have played a lot of Vai, Satriani, Morse, Van Halen, Petrucci, etc. None compare to this. They all have their "tricks" for getting through their parts. There is no trick to playing constant 16th notes for several minutes straight across many strings.
Check out the video on FraKctured for some crazier picking.
@@MakeWeirdMusic Exactly, you can't fake it. you either pick every note or it will not sound the same.
Respectfully disagree. Try john petrucci. Start with Dance of Eternity, move onto Count of Tuscany maybe Damage Control..then we can talk. This is good but not impossible stuff.
Hahaha I was playing dance of eternity as a teenager. It is nothing compared to fracture or FraKctured.
@@MakeWeirdMusic please post your version. Looking forward to it. Ha ha
Still can't believe to this day how Fripp came with this song up, besides being the most complex KC song it still manages to have catchy melodies. Props on this amazing achievement and probably performing the best cover of this song so far on the Internet.
Thank you
It sounds like someone tried to write a jazzalbum, but had no idea what jazz sounded like and halfway though decided "fuck it, let's just make a rock album" but the drummer got addicted to weird rythms so he kept playing jazz, and everyone else was like "I guess we're still playing jazz" but without it actually ever sounding like jazz.
Anyway good job on the performance.
I think that's the common definition of "prog"
Hahaha I was gonna comment something similar, this sounds like some jazz musicians got high and were like," Screw it let's try metal!"
It sounds like someone tried to write an intelligent comment but had no idea what it is to be intelligent and halfway through decided "fuck it, let's just say something stupid" anyways and everyone else was like "I guess he's still an imbecile" but without ever really telling it to his face.
@@adrianfytr35 Hahaha I was gonna comment something similar and retarded, this sounds like jazz musicians getting high trying to be metal even though it is really not jazz or metal and does not sound like it either.
@@deathmetaldouglas69 I had the pleasure of meeting Bill Bruford at the Catalina Bar and Grill in Hollywood and saw his JAZZ band so thank you for the wet tuna slapping of all who assume he was just a hack who was winging it.He went to school to study jazz music way before he ever played with any pro band from my understanding.Thanks for your comment Brother. I am also a drummer so I have done a bit of research regarding this.BTW, YES, you can hear a kick drum pedal squeak when recording for all those audiophiles out there who asked me "well do you know anything about high end audio equipment and do you think you can afford those type of speakers and can you appreciate their accuracy ?" Reply-"well how many studios have you recorded drums in Jerk-off ? !! Have you ever heard the noise of a kick drum pedal on a recording ? NO. You know why ? cause of the gating,noise reduction, compression-to a certain point, etc. I should have brought my sticks into your shop, one to stick up your ass the other to beat some arrogance out of you.I hate people who think they know about music when the closest they have come was to just listen to a recording and judge the engineer's creative license based on the equipment they are listening to it on.Please fondle my buttocks !!! and then suck it...
I have watched all your videos on this song and i had the biggest smile on my face watching this! Proud of you, bravo!
That is so kind of you to have watched all the Fracture content. Thank you for your support! In case you couldn't tell, I had the biggest smile every time I made a preventable mistake.
Same same here, it was amazing, finally, congrats Anthony, well deserved isn't it? :)
I really hope Robert sees this, well done, nailed it
He did. And he has publicly mocked me for believing I can walk away from it. Hahaha
@@MakeWeirdMusic LMAO. Fripp really is the comicbook supervillain of guitar playing, after all
@@MakeWeirdMusic I think it wise to leave this as is. Mashup time?
This was really inspiring! Your reactions to the "mistakes" added to the humanity and realness of this performance. Bravo! Thank you for bringing us along on your journey.
Thanks so much Ted. I am glad there are mistakes for that very reason. I’m not one of those flashy “look at me” youtube guitarists.
@@MakeWeirdMusic You're quite welcome! I once had a mentor that brought this perspective to my attention. After watching me perform and coaching me on my performances, she told me that the "mistakes" were the best part because my personality was able to break through and bring me into the moment. That was one of those "ah ha!" moments for me.
I'm looking forward to reading your book!
Super cool. Do you have videos on your channel?
@@MakeWeirdMusic I do, thanks for asking.
Congratulations, a great accomplishment.
Thank you so much 😀
For the last 30+ years, this has been my favorite King Crimson piece. All things considered, I think you've done it justice, and wish you great luck reaching your next destinations.
Thank you!
Fracture is my favorite king crimson tune. Just amazing. I never ever get tired of listening to it.
Just the idea that you and maybe one or two people on this whole planet have ever done this must be rewarding as well. I watched every video and comment and have the greatest respect for this. And besides the musicality it was very inspiring to get to know the philosophy and insights about this piece as well. Very enjoyable!
Awesome. Thanks so much. Glad you enjoyed the series.
There are more sir ! From what i know, Kunio Suma played it very well back in 1976, then there was a video by a young french guy (who seemed to enjoy Gong) very good also, and Montresor guitarist had a go, obviously he can play it very neatly... but for unknown reason he didn't feel like he wanted to learn more than two-thirds ! See YT EYo8rG_EX0w
Imagine he is your neighbour hearing the same song for 22 years..
Imagine thinking about a more likely reality for 30 seconds.
Imagine how many times he's had new neighbors.
@@MakeWeirdMusic just making a joke but i respect your affort
Haha no worries. I get a lot of nasty comments so sometimes I get into a “tit for tat” mode. The neighbors rarely heard me play this because my wife didn’t want to hear it at all. So, I practice quietly during odd hours or when I’m alone.
@@MakeWeirdMusic i know you are a Professional and i wish i could play that 🎸🎶
you know when did something big when Robert Fripp does not copyright claim your video.
OK, I smirked at that quip.
I emailed him beforehand and he was very gracious about protecting it.
because this is a scam, a fake history to make money with the book. This guy is just an actor who spend 6 month learning the song.
@braulio, I’ll pay you $10 to stop revealing the truth. (Once I get my huge royalty check from the book, of course.)
@@MakeWeirdMusic 15$ but in the cryptocurrency of your choice
You know what's probably the worst? There's an Asian kid out there somewhere that learned the whole damn thing in a week. Or less. Scary shit.
I actually talk about that in my book. lol
Oh, you are Evil....
Cough cough ichika nito cough
If he learned the thing in less time, its only because he practised more in that time
That just made me laugh pretty hard.
If you see vids of Fripp from back in the day in 74 you can see that once a sees a camera he gets into a serious mood and a killer glance to it. Cameras can be really distracting, and having another performance worry such as the disk space makes no good to your playing. Now that you've practiced the song you need to practice the stare lol.
Also I've seen some of your videos on the topic and they're really enjoyable for a crimhead so thanks a lot.
Also the recording present on the SABB album is a live recording from 1973 in Amsterdam, hence "the shouting guy" Bruford. But it's augmented with studio overdubs. Drums, bass and guitars have overdubs here and there (Wetton has a dual bass solo at 14:16), I think Fripp miss a couple of notes on the motto perpetuo part and one of the overdubs he did was this notes, still you can hear the original take as the overdubs augmented the mix, they weren't made to correct errors.
What this implies is that even the recorded version of the song has a mistake on Bobby's playing!
Thanks. I haven't watched any of those videos. Care to share a good one?
@@MakeWeirdMusic of course! It's an honor ^_^
Larks' tongues in aspic pt. 2: ruclips.net/video/Hn4-ofDHk1k/видео.html
Starless: ruclips.net/video/C6qXyC__vdA/видео.html
Lament: ruclips.net/video/_rPtnplgUgs/видео.html
The night watch: ruclips.net/video/r0UOlF8vXy8/видео.html
Thanks a lot for the reply! :D
I didn't realize that Wetton was overdubbing. Amazing bass line nonetheless.
When people reach a pinacle in their art, they usually come back to it if they walk away for a period.
I think it's because, by the time you get to the destination, the original innocent joy that overwhelmed you when you started has been long lost. You're not innocent anymore. Blood has been spilled.
But you get over that. Bittersweet innocence has its own joys. You deserve to own what you've accomplished.
And then,
heh heh heh,
you can start learning to play "discipline!"
Exactly. Also I am a proofreader on the New 80s KC transcription book. Had to learn all those songs to validate the parts
This track has held a fascination for me for the best part of fifty years. Well done for getting a grip of it and giving me a better opportunity to see how the guitar part is structured than is immediately apparent from the original recording. Thank you!
Thank you Andy!
Oh my god, i can't believe you actually did it! It must be such a relief to finally stop practicing this monstrous song.
So happy for you! Greetings from Argentina
I want to do a bass cover of this, Wetton is such a hero for me
Do it! Thanks for watching
Wetton Is unbelievable in this song!
Bravo! This gives me that much more appreciation for Fripp’s musical mind, creativity, and imagination.
Thanks so much, Matthew
My right hand is cramping just watching you do this. I messed with the fast picking part back in the day but would never have dreamed of working up the whole thing. Way to go!
Wait til you see the FraKctured video. Way more intense.
incredible track, great rendition... the break, at 13'19" , with Bruford yelling of sheer excitement, is one of my favorite moments of the whole Crimson catalogue...
That yell is the best.
I always thought that was Wetton.
@@3ggshe11s to be honest, i always knew it was Bruford, but i can't remember where i got this one. Could it be Wetton ? Dunno.
Liner note or book somewhere said it was Bruford, who apparently had had a habit of doing that if he was particularly enthused about a passage.
Anybody who even attempts to play this song will always have my attention
Yes. I agree
And utmost respect
Anthony.- I've watched every video you've made on this subject and it has taught me a great deal about playing in general. I appreciate your willingness to share your failures and to talk about approach. I'm looking forward to reading your book very much. Enjoy your retirement from Fracture, and I'm excited to see FraKctured soon. 😊 Be well.
Neil! Thank you so much. Super kind of you.
The best part is seeing you having fun playing this song after years of torture and fractured nerves. Congratulations!!!
Thanks so much! Just followed you on IG
awesome !! And a thought for John Wetton. Even if he didi not co-compose Fracture, he was structurally vital for that album, one of my favorites from KC's. The bass line that starts at 14:15 has always amazed me.
Absolutely brilliant sir, as a 21 year old guitarrist I salute your discipline and efforts, you've inspired me and countless others with this series, thank you. :)
That’s awesome. Good luck!
This is one of the best pieces of music ever made, and you did a MONSTER job! I have no words. Funny you mentioned the shouting guy: When I was in my early twenties and had partys at my place, me and this other guy who was also into Crimson had a thing we always did. When everybody was drunk (including us) and everybody was having fun talking, dancing around, we always put this on really loud and stood really close to the speakers waiting for the scream and when it came we exploded with a scream too. No one else liked this at all... But we always did it. :-D THANK YOU SO MUCH and hats off to you Anthony. Respect.
Hah. Fun story. Thanks so much.
Next stage in your life: Zappa's black page.
Haha no
LOL
@Leo Watley the combination of those two pieces would cause the entire globe to have a stroke
I suggest Frank Zappa's jazz from hell
I’m partial to St Alfonzo’s and Father Oblivion
Nice recovery! My hands cramped just watching this. Excellent job bro.
"Gave me a chance to practice returning an insult"
What a legend 👏
Thank you!
Awesome dedication man. KC is a serious band, filled with art, passion, rock, emotion & cross-genre creations. Under-rated and seldom-attempted guitar covers, due to the tuning & I'd guess because the parts are so idiomatic to this little world where King Crimson is the sole stylistic arbiter.
They are a beacon!
It's beautiful to witness this wave of love around you. I guess we're all really happy for you - I surely am. It's a postcard from a destination I hope to reach some day, but the postcard and what's behind It are compelling just as much.
Honestly, I'm a bit overwhelmed. I started this channel hoping I'd reach 250 people and now we're at 8,200 subscribers on RUclips. And I never, ever would have thought something I'd spend so much time ALONE practicing would be anything anyone else would care about. I'm amazed.
This is Phenomenal.. The pure fact that you can remember it all is Phenomenal. I was waiting the whole time for your guitar to explode!❤️
It's a lot of notes! haha
I first heard this song in the late 70’s as a teenager..still makes the hairs stand up!
Very cool
Hearing Thai has given me a whole new appreciation for this song. I am hearing things I never heard before. Very inspiring!
Excellent. Thank you!
i gave up on this song
4 years of practice, lots of development but i'm done
it's not for me
anyway! i've been watching your journey since the first video that you've posted and i'm so glad you did it!
cheers from brazil!
I think if you've spent 4 years on it, it's in your DNA. You probably just need some help. I know the feeling of giving up, I promise. :) We could have a conversation about it.
@@MakeWeirdMusic oh! I have a hard time with the tension and the need to keep everything loose and relaxed
my pinky seems to have a life of it's own hahaha
besides this, fripp's pickin style is unatural for me.
do you recomend spend time on this? or i should use what is more natural for me
I definitely recommend getting control of your body. The pinky is tricky and it's taken me a long time to get it halfway to where it should be.
Nevertheless, it's definitely worth spending the time.
@@p4nico20 Maybe you can't play the piece but I'm sure you learned a lot
Well done, you! Thank you for sharing your experience. 🙏
I have been fighting my entire life. It started from a very young age when I noticed my lack of understanding in school classes. Firstly attributed to a lack of intelligence and then the actual issue was discovered - I am losing my hearing. Ever since that moment me, and in particular my parents who greatly supported me throughout the way, have started getting treatments for my horrible condition of hearing loss. I was very hopeful at first, seeing minor improvements every so often, not giving up hope and staying strong, not especially for me, but for my family. Me and my dad used to talk in the evenings, he would tell me how he met my mother, how I too will find an amazing woman like my mom and make a family with her and everything will be okay in the end. It would break his heart if he knew that I gave up. After 22 years of intense struggle and hardships, all it took was one video to make me regret every pointless suffering that I went through because after listening to this piece of shit song I curse the day I started treatment and wish to have gone deaf years ago.
Man, I thought you were talking about me until that last sentence, and then I KNEW it was about me and I was like, "Wow, this guy really gets it." Are you a professional writer?
Make Weird Music Yes
Me and my dad used to talk in the evenings, he would tell me how he met my mother, how I too will find an amazing woman like my mom and make a family with her and everything will be okay in the end. It would break his heart if he knew that I gave up. But then he asked to me one more thing: If I happened to have threefiddy. Then I realized he was a giant crustacean from the pletazoic era and told him "Get out of my yard, you damn loch ness monster, I ain't giving you no money"
I’ve been working on a John McLaughlin transcription for almost 7 months so this gives me hope. The destination will be reached and the journey is the greatest I’ve ever been on in my musical career. Congrats on your accomplishments man
Get it!!
Out of curiosity, for what piece is that transcription? I'm always curious to hear more McLaughlin!
@@jinxie1080 It’s his solo on Afro Blue. From
the record with Elvin Jones and Joey Defrancesco. There’s more dense McLaughlin solos/pieces but this one is still tough! I’m so close!
Man, I smiled all the way through that performance. I've had a relationship with some songs a bit like this, but never more than nine months as a primary focus (Derek Gripper's "Jarabi"). After finding your channel, Fracture is on my practice schedule and I keep forcing my friends and family to listen to it. So much respect, and I really appreciate you putting this stuff up. The struggle is real, and you've clambered up a mountain climbed by fewer people than Everest.
I’m proud of you for sharing with others. It’s as challenging a listen to untrained ears as it is to play! You are brave. Kudos and thanks for your kind words.
Check out Discipline and Indiscipline from the album of that name. When Crimson kicked off the Discipline tour at Painter's Mill the very first tune, on coming on stage was Discipline. Imagine playing that incredibly precise piece of music without a warm up.
Nice! So you've mastered it already?
I literally interviewed a world class violinist who said it took him five years to play FraKctured on violin. Go find a professional and give him the sheet music. Prove it to yourself that you’re correct
I’m sure you’re a nice guy, Mark. Hope you have a good weekend.
Good job man. I think that's Bruford yelling on the track!
Oh really? Either way, I love it.
Make Weird Music yep, it’s recorded live (crowd is mixed out) Bruford vibing so much he yells out and the drum mic picks it up...
James Lennane I wondered who that was!
Shouting guy is Bill Bruford!
I remember watching your very first videos on this all those years ago. Congratulations on your achievement! I've dabbled in Fracture but I just don't have the life where I am able or willing to learn to play it fully like this.
But what a tune it is. Those big slides and that final repeated ascending part it ends on still makes my hair stand on end 20 years after I first heard it. I can see I'm not alone in that :)
Wow, an OG Fracture Fripp follower! Nice!
Thanks so much for watching after all these years. The last couple minutes of Fracture are incredible.
I'm hoping my book will help people see what is possible and what I had to go through to get there. Perhaps it will inspire you.
The song you play once and never want to even think about playing it again
Once or five thousand times haha. But, yes, never again.
Dude, what a monumental task learning that damn song. Kudos to you on your patience, persistence, and performance. Amazing
Thank you! Check out the FraKctured video
Mr. Fripp knows where all of the notes are. Apparently, so do you. A feat that you should be very proud of.
Haha thank you. Learning the notes was, unfortunately, the easiest part!
@@MakeWeirdMusic At the risk of sounding ignorant, it is one thing to play it and another thing to mean it. That to me would be the difficult part.
Yes. Playing real music on top of learning this is the real challenge
Great effort, I'd be happy to be that close. One of my favourite songs ever.
Thank you. It's so fun, especially now that I'm done with it. haha
I was having a little trouble hearing Bruford in that mix... all kidding aside though, well done sir, quite an accomplishment... this song made me realize that I was happy that drums was my instrument back in the day... scary hard... I can air-play it perfectly though...
Air drums are hard enough!!
I always think as time goes on and my skills develop that I can go back and learn a Fripp piece and it will suddenly be easier to play. Not the case! I tried to learn Fracture and gave up when I was 14. Now I'm 53 and I'm trying it again! Thanks for this great series, Anthony. You're an inspiration!
Thanks so much, Burgess. Really appreciate it. If I can do it, anyone can. With my book, anyone should be able to do it in at least half the time.
Well done mate. Still one of my favourite crimson tracks , and yes , it is a bugger to play 💫
Yes. Even for the experts!
This is beautiful, Anthony! It was fantastically fun watching you weave through this piece which holds its own chapter in history and most certainly merits your sharing the experience upon multiple degrees. Congrats!!
Thank you Jonathan. You are so kind! And what a musician you are. A big compliment from you.
This made my day as hell.
Thank you
Really really amazing work! Truly inspiring, I’ve been intrigued for so long by Fripp’s playing and your videos made me appreciate it even more,
Awesome! Thank you!
Congrats! ...but what a sog it must've been. I can appreciate this in a couple of ways:
1- When I was a teen I was a Rush fanatic and I learned a lot their catalog on bass. It kinda demystified and ruined my enjoyment of the music for listening, so after that I never learned any music from my fav bands unless I was playing it in a group.
2- A couple years ago I decided I was tired of playing guitar and bass and performing and recording, etc... so I retired from music at 45, and despite everyone thinking I'm crazy, it feels good. It's a journey I took, and now it's time for other journeys. Cheers to you on the end of your epic journey.
I think that’s a pretty freeing feeling. Nice work!
Congratulations!
Thank you!
that was quite an experience how funny you made a mistake in the "easiest" parts, ur my new hero thanks for this inspiration
The easiest parts are just the most obvious/visible. There are many more mistakes haha
Wow! Congratulations Anthony. What an amazing journey. We’ll done.
Ed, you are just such a kind friend! I am indebted to you
Good job man. I had a helluva time learning the tandem run from 21st Century Schizoid Man, so, I'll be picking up the book.
That is a tough lick!!!
I was fortunate to listen to King Crimson live when I present the fractures, really amazing, as Fripp said in an interview, this music has to be played live, in the studio it can be done but with all the tricks that it allows. Definitely his music will last for many years for the enjoyment of future generations.
Agreed
¡Excelente! Mis modestas felicitaciones. Saludos desde Valparaíso.
Gracias amigo!
Great job. I've tried, unsuccessfully, to play Fracture.
Just skip to 5:40 . You're welcome
Thank you
amazing work
Fracture is my all time favorite Crimson piece of music. When it goes on, it goes on loud.
So, what about the bass and drums? Is that next?
Hahaha
It's either this or Starless, but either way, the versions from USA.
I truly admire you giving yourself a B and still being able to walk away short of "perfection". There is an incredible wisdom in that, and I think it's an attitude more true to the ultimate spirit of music. And congratulations for reaching your goal! So much fun to watch folks like you and Maria have the joy and personal satisfaction of learning and playing this song.
I tried learning various parts of this song over the years, and much of it is just too painful. He employs so many complex techniques. I'm pretty sure the guy shouting near the end was Bruford. This song was not recorded in a studio either, that sh*t was live(ie like what you did here). So good.
Glad you enjoyed it. And yes, it was Bruford.
This is hands down of the most awesome pieces of modern composition and one of my absolute favoritest songs. Ever.
I'm so glad you enjoy it! Check out the FraKctured video, too
The moto perpetuo section is dead on, good job
Thank you so much
Man you got the guts on your side. Congratulations on taking and archiving this challenge. I love this song. And i loved this performance.
Now i understand why this is so damn difficult.
Thank you. I firmly believe that if this series existed when I first started learning, I could have done it within a few years. Definitely a fraction of the time. Thanks for watching!
i don't see the Robert Fripp's tuning on his guitar. I think it's half of the guitar in fifth and the small strings normal. I might be totally wrong.
This video is in standard tuning. The FraKctured video is in the new standard tuning
@@MakeWeirdMusic
NST is like playing cello with a plectrum instead of a bow..
and stacked with a violin on top
with doubble trouuble drums to drive..
try it yourself, pusssssy..
Yes I have two guitars in NST.
You're incredible, i hope you know that. Someone else said it, but the precision and especially the stamina it takes to pluck that is just incredible. It's about as difficult as guitar playing get as far as I'm concerned. Forget your self doubts, i hope you're proud of yourself.
Thank you, Jevin!! That's really nice of you. Yes, it's difficult, but it's doable now.
You're not quite Maria Barbieri, but great job on this incredible tune. I have no business trying to learn this song as a horrendous player...I'm still struggling mightily with trying to learn Discipline, but I'm inspired to try to get parts of it down.
I'm definitely no Maria haha. She's great! We make different mistakes, but hers is definitely better and more enjoyable.
Truly inspiring. After I started to play the guitar I discovered so much music and one of my goals became to play Zappa tunes and I'll be sure to take my time and learn as much as I can along the way! Amazing job and thanks!
Thanks so much
The later half of this song always reminds me of the Simpsons. I would imagine Danny Elfman was influenced by King Crimson's work.
Anyone working with tri-tones in "popular" music will have some similarities.
It is because Fracture has octatonic scale and the Simpsons has C lydianb7 mode. They are not the same mode and scale, but both contains the tritone as defining interval.
Well done mate! I've been following your attempts at this since 2006 and it's brilliant to finally see the 'conclusion'. Really proud of you.
Amazing there are several of you who've been following for so long. I'm so grateful. Thank you for your support! FraKctured is next. I was just practicing!
Idea for new challenge: Learn some Angelo Debarre gypsy jazz. Its the hardest thing I've ever encountered, and I'm playing 24 years and have done all the classical grades. Its real head-melting and finger melting stuff.
Gypsy jazz is brain melting for sure.
getting back to that riff after the perptuo must be so satisfying!
Best moment of the day that day. 😆
Maybe there was no alternative for you at this point in time but leaving in the few tiny errors is IMHO absolutely the right thing to do - in a Frippian way - this performance was the truth of that moment and the imperfections are those details that make it both beautiful and uniquely yours. I disagree that the destination is everything - all destinations are invariably nothing more than points along the way.
I was actually going for the best performance to watch. Some were more accurate, but sterile. Some where full of mistakes and exciting. This had a good balance. I think there's something to be said for performances that are so close to falling apart.
Thanks for engaging on the destination/journey thing. I've been thinking a lot about it. Journeys and destinations are both valid, but some people set out to a destination, never reach it, and then all they can talk about is the journey. I didn't want that for myself.
I'd argue that if you listen to a the 70s live versions available even Fripp had a few "surprises" while playing the piece.
KC was not known for song consistency...that's part of the reason why Bruford isn't there anymore🤣
@@MakeWeirdMusic When I make music I am in the improv space constantly, looking for interesting threads to pull. The fun part about music is in the individual artist's interpretation of a work, technical prowess is nothing if you cannot make the whole work swing with your own vibe, which you did. I'm tempted to put piano bits to fill in the gaps.
I love improvising and writing through-composed music. But since I have so much going on in my life, I mostly work on composes material a few bars at a time.
Saw the video you spoke of some years ago and I am happy that you finally finished it. Many congratulations king
Haha, thanks Vishrut! Glad you've been following all this time.
Congrats! I'm trying to decide if I want to attempt an equivalent on bass I dont know what to choose. The Jaco stuff I've attempted learning goes beyond what I'm physically capable of it its up to bpm.
Good luck!
Congratulations. It was a joy watching your process (although I only became aware of your channel and work... last year, I think), and watching it all come to a conclusion really is quite inspiring. Thank you for all your work and insight on enduring dedication towards an aim. I will definitely be buying your book once it's out.
That is so generous. Thank you
8:26 The Frippeggio from hell.
Brutal
AMAZING! Congrats on your accomplishment and I cant wait to see what you do in the future!
Thank you. Very excited too
Ok but can you play smoke on the water?
No
You’ll have to give him 22 years to learn it first
It’s amazing the way you play this wonderful piece. I’ve been following your videos for a long time and is clear your level of commitment and sacrifice to get to play this. Incredible performance!
Thank you!
Really good performance. I don't know what it is though, that opening monologue was just delivered so dryly and strangely that I found myself not being able to sit through it. Clearly you've put a lot of time into learning this piece and it's hard to "reduce" that into a ~4 minute speech. I don't know...
I am a boring person, for sure. Still working on my delivery. Don’t watch the old videos. Super cringe.
@@MakeWeirdMusic Mate, that was ANYTHING but boring!
I listened to this track repeatedly during some dark years of my adolescence. It made a huge imprint on me with the complexity of the journey that it conveys. Congratulations on bringing it home!
Thank you. I loved listening to it in my car and never even thought of trying to play it because it was so enjoyable. I love this kind of music.
Maybe someday someone will be inspired by this story and video to score “Fracture” for full orchestra and the piece can finally be heard for what I humbly believe it to be: a masterwork of early twentieth century modernism among the greatest works of Holst and Stravinsky (that was a mouthful lol)!
This is stunning. Thank you for doing such warm and affectionate justice to my personal favorite song by my personal favorite band. Much love.
Amazing to see such kindness! Thank you. Look up Ricardo Odriozola’s orchestral arrangement of FraKctured. It’s just what you need.
Make Weird Music awesome lol! I will check this out. Haven’t heard it yet. Thanks!
It might sound a little cheesy, but I was touched by your story. “Fracture” has a special place in my heart and it was really cool to see someone chase after it with so much adoration and excitement. You still looked excited to play it after 20 years of wrestling with it lol. Really cool.
Thank you, Patrick. You're one of the few who understands.
Thank you for sharing this brilliant masterpiece. Bravo to you for its performance and to your devotion and commitment to this incredible piece of music. I am also happy to see the successful release of your stunning hardback book - pure genius by the Author, fellow contributors and Robert Fripp! A heartfelt Congratulations to you and all that helped in its production!
Thanks so much, Douglas. Super kind of you.
22 years learning a song just to sell a book.. NICE.
It’s the only way to sell a couple dozen books and make a quick $50
Mr. Simpson, you diabolical Millenial Styles.
Well, great stuff, I fully enjoyed your playing AND comments, thick skin indeed. Have to check out your music.
Thanks so much! So far, only one negative dude got a little under my skin with extremely persistent ignorance and foolish assumptions. Otherwise, feeling good about all the comments on this video! :)
Congratulations. I really enjoyed it... but I am one of those weirdos that think King Crimson is the greatest rock band of all time.
🙌🏻👍🏻
Hey Anthony, this was so excellent dude! Bravo! I loved the story behind it 😊 always love hearing that side as it gives context the music, why we play it and how we got there. Excellent journey - I’m sure you learnt a great deal along the way - your next destination await now 😊😊😊 🙏🏽🙏🏽🙏🏽 have an amazing day my friend!
Wow! Jay! Hope you're well, man. So nice to hear from you. Thank you for watching and for the comment.
Make Weird Music my pleasure dude 😊 I’m doing well my friend. Making music and enjoying life 🙏🏽😊
I love your recent guitar mods! Amazing work
Who puts ads in the middle of a song? Seriously.
RUclips. I didn’t do any ad placement.
You must be new to the 'tubeternet.