I like how you can hear his weak “god” at the pitch shift. It really shows that rather you’re a high band geek or a professional dci judge, that is one of the coolest things in any dci show ever
@@Redheadeddude41glissandos are really hard to mic. They’re way softer for several reasons, and I’ve even seen indoor percussion groups struggle to get them to come through. When you’ve got such a massive sound going on around you it’s even more difficult to pull in.
The mix between the judge's tape and the finals recording is perfect. I've never watched a judge tape video before where I was able to enjoy the show alongside the judge's reaction. Great job!
@@squillz8310dci has so many opportunities to maximize profits by hiring a competent company to run their streams, crisp finals and studio recordings, as well as judge tapes
This show was held against Feliniesque and OOTW, two EXTREMELY technically challenging books with the BD show in, my opinion, the most talented performance in DCI history. To say this came in silver is an achievement.
Has anyone noticed that DCI does more closeups than usual when televised (showing my age here) or streamed. There needs to more high shots, shots from the back, and side angle shots. Superior performance... Bluuuuuuuuuuuuuue!
Fantastic! How were you able to configure the high cam and brass judge audio and camera angle to create a video for your RUclips channel? I’m trying to do the same - not sure if my software is incompatible with it or not.
I did the same thing as this video on my channel, I literally took the audio track & the video & synced them together in Windows movie maker. You can do it with any video editing program you have
This is like listening to someone adore the execution of architectural elements without ever knowing what the building is for. "Good job creating that cupola!" (Wait, what style is the building? What does the building do? What's its purpose? Is it a church? A crematorium? A whore house?) How can you praise the architectural components if they don't coalesce into a meaningful whole? In this case, how can this judge talk about technique, phrasing and the arc of interpretation of the music if there's no specified meaning underneath? If there's no social context or purpose? What is the subject and theme of this particular production and how does the musical interpretation support it?
Here are the songs that were used in this show: Uffe’s Woodshop - by Tyondai Braxton to wALK Or ruN in wEst harlem - by Andy Akiho The Hymn of Axciom - by Vienna Teng Platinum Rows - by Tyondai Braxton According to the Bluecoats' program coordinator Dean Westman, this show used music from young American composers who are artists who “view the world from a different angle,” which made the music appropriate to be “tilted.” More from the DCI website: Westman continued, “These composers worry not about categories and narrative. They compose music through atmosphere, energy, and sound. They create high voltage minimalism, somber songs and shimmering textures full of electronic color. This new generation of composers redefines music for a 21st Century audience. They give us a glimpse of how modern technology and contemporary sounds blend with the rules and traditions of ‘classical’ music and how that music can cause art to lean forward and create something powerful and new.”
@@ajamesu Um, that's what he's saying now. But in the quarterfinals broadcast, he said "there's not a whole lot of meaning underneath this." I think he's matured.
![Seungmin "그렇게, 천천히, 우리(As we are)" | [Stray Kids : SKZ-PLAYER]](http://i.ytimg.com/vi/kAzmhLHePqU/mqdefault.jpg)
I like how you can hear his weak “god” at the pitch shift. It really shows that rather you’re a high band geek or a professional dci judge, that is one of the coolest things in any dci show ever
bro was flabbergasted
bro was in for a frickin ride
Christ the trumpets at 2:04… you can tell they’re clean in the actual audio but the clarity in this tape is next level
You know you mastered a part when you can hear the space between the runs
I had also never noticed the pit @ 11:40 that is so cool
Yeah, what the heck. I wonder if the mics that were set up just weren't able to catch that.
I never noticed it either until you pointed it out, and I've watched this show many dozens of times. Sounds sick. Adds a lot. Love it.
me either, wow
@@Redheadeddude41glissandos are really hard to mic. They’re way softer for several reasons, and I’ve even seen indoor percussion groups struggle to get them to come through. When you’ve got such a massive sound going on around you it’s even more difficult to pull in.
7:30 “yeah mellophones good for you” favorite part
The mix between the judge's tape and the finals recording is perfect. I've never watched a judge tape video before where I was able to enjoy the show alongside the judge's reaction. Great job!
We should have more of this on YT to hear what the judges think and why they gave the scores they did
Wish dci would put the tapes on their results page.
@@dizdawgjr34 me too. hell, even if they charged like $0.99 for a tape, I'd pay
@@squillz8310dci has so many opportunities to maximize profits by hiring a competent company to run their streams, crisp finals and studio recordings, as well as judge tapes
This show was held against Feliniesque and OOTW, two EXTREMELY technically challenging books with the BD show in, my opinion, the most talented performance in DCI history. To say this came in silver is an achievement.
This high cam is crazy I wish multicam wasn't standard.
I think FloMarching should have a secondary broadcast for high cams.
@@mochawashere they literally do
@@sydelixyt i had no idea lol
i don’t subscribe to flo so idk
@@mochawashere Yep it's just a button you can click, multicam or high cam
No one can tell me this wasnt the best show of 2014. I saw them all. I pay to be entertained. This show was entertaining. The winning show was not.
more brass tapes yesss
Has anyone noticed that DCI does more closeups than usual when televised (showing my age here) or streamed. There needs to more high shots, shots from the back, and side angle shots. Superior performance... Bluuuuuuuuuuuuuue!
Fantastic! How were you able to configure the high cam and brass judge audio and camera angle to create a video for your RUclips channel? I’m trying to do the same - not sure if my software is incompatible with it or not.
I did the same thing as this video on my channel, I literally took the audio track & the video & synced them together in Windows movie maker. You can do it with any video editing program you have
Loved Tilt! Awesome show!
1:28 that C 🔥
D*
@@fredsansoucie644 trumpet d concert c
YES BLUECOATS!!
DO YOU HAVE THE GENERAL EFFECT TAPES FOR THIS SHOW???????
Yep, they’re on RUclips. I forget what it’s called, but I just watched it yesterday
Found it :)
ruclips.net/video/uA4ZxLH_9JQ/видео.html
@@RishiJalukar Good for you
Love your content :)
Can anyone help me out with this recipe? Step 5 is giving me a hard time
Love to hear this, do you have bd 14 brass tape?
Unfortunately I do not. I am at the liberty of the corps who release their tapes, as they are otherwise private.
Was the guy that played the solo in the beginning the same guy that jumped off the ramp and was caught by the guard at the end?
I believe it's a woman that jumps off
Good for you
Where are the judges? Are they way up top in the press box?
They’re walking around the field following whatever they are judging. Some do stay up top
Yeah pretty sure judges like the general effect judge is in the box
Who is the judge?
Jeff Harper, he was my high school assistant band director lol
@@marshall3711 you’re 🧢 ing
@@elijahcrosby786 no sir, I know for a fact
@@elijahcrosby786 the name sounds right I remember listening to our brass tape from that night. I think this guy was our allentown judge in 14’ too
Sheesh
This is like listening to someone adore the execution of architectural elements without ever knowing what the building is for. "Good job creating that cupola!" (Wait, what style is the building? What does the building do? What's its purpose? Is it a church? A crematorium? A whore house?)
How can you praise the architectural components if they don't coalesce into a meaningful whole?
In this case, how can this judge talk about technique, phrasing and the arc of interpretation of the music if there's no specified meaning underneath? If there's no social context or purpose?
What is the subject and theme of this particular production and how does the musical interpretation support it?
Here are the songs that were used in this show:
Uffe’s Woodshop - by Tyondai Braxton
to wALK Or ruN in wEst harlem - by Andy Akiho
The Hymn of Axciom - by Vienna Teng
Platinum Rows - by Tyondai Braxton
According to the Bluecoats' program coordinator Dean Westman, this show used music from young American composers who are artists who “view the world from a different angle,” which made the music appropriate to be “tilted.”
More from the DCI website: Westman continued, “These composers worry not about categories and narrative. They compose music through atmosphere, energy, and sound. They create high voltage minimalism, somber songs and shimmering textures full of electronic color. This new generation of composers redefines music for a 21st Century audience. They give us a glimpse of how modern technology and contemporary sounds blend with the rules and traditions of ‘classical’ music and how that music can cause art to lean forward and create something powerful and new.”
@@ajamesu Um, that's what he's saying now. But in the quarterfinals broadcast, he said "there's not a whole lot of meaning underneath this." I think he's matured.
@@jesuspectre9883 This was from an article in Dec 2015. More or less the same info that Westman discussed in a July 2014 podcast dissecting the show.
I honestly don’t give a shit. This show rocks
@@Bullzi009 Your burgers are burning and your fry machine is on too high.
rubbish bluecoats
Who hurt you? haha 😂
No blue, No coats, Just woke progressive crap