Bach: Violin Sonata no. 1 - 1st movement (Benjamin Zander - Interpretation Class)

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  • Опубликовано: 28 авг 2024
  • For more classes like this one, please visit the Benjamin Zander Center - www.benjaminza...
    Leo Marillier, violin
    Interpretations of Music: Lessons for Life
    with Benjamin Zander
    Dave Jamrog Audio/Video

Комментарии • 43

  • @cellohood
    @cellohood Год назад +4

    Dear Maestro Zander, you were the conductor of the Connecticut HS All-State orchestra the year we played the first movement of Mahler's Resurrection symphony and Nimrod as an encore. I was second chair that year and you would take my cello to play phrases for us. I'll never forget: "To C, to C, to CeeeeEEE!" with the big crescendo through the last "c"! During one of the breaks we gathered around your score and sang our parts and those of our colleagues like we were in church. Thank you for a most unforgettably brilliant lesson in musicianship and professionalism. Yours forever in gratitude, Alexander Kramer, Conard HS '86.

  • @orchepiaviolinviola
    @orchepiaviolinviola 9 лет назад +65

    Boston Philharmonic Dear teacher,
    I remember when I played this for you thirty years ago! You gave me more guidance on this piece than my violin teacher at NEC at the time.
    Thank you for the wonderful memories! Watching this video made me feel like I was still in class with you!
    Your appreciative student and colleague,
    Elizabeth Monacelli

  • @cellohood
    @cellohood Год назад +2

    Beautiful, wonderful violin playing, Leo, bravo!

    • @jsv438
      @jsv438 11 месяцев назад

      Yes indeed huh? Very impressive. What's amazing is that after a few minor interpretations he sounded like a different player as the analysis progressed and he executed the modified interpretations. When he DID this, his true qualities were really shining through. You could even see a change in his body and physical expression--really executed this adagio so well. I really think this Benjamin Zander has excellent insight into Bach. These things change the way we approach them not only when playing them, but even when listening.
      ~JSV

  • @harmdb5990
    @harmdb5990 5 лет назад +9

    As someone who wants to understand music better, these video's are extremely helpful. The study of harmony can appear a bit 'cold' and tough at times, but then with a video like this, it gets a lot more full of life. I have been analyzing some pieces like it is a journey, marking the tonic, dominant chords and seeing how the composer gets there. It really helps for understanding music.

  • @mdandrews44
    @mdandrews44 4 года назад +3

    Maestro Zander's harmonic analysis provides such a clear depiction of the musical journey - sheds an entirely new light on the composition and its performance. Marvelous.

  • @UTubeSL
    @UTubeSL 8 лет назад +13

    He is an incredible teacher. Absolutely inspirational.

  • @xaviermarican4557
    @xaviermarican4557 3 года назад +3

    I’m just beginning to learn a saxophone arrangement of this piece and I must say, these lessons are musicianship steroids. Entering a complicated piece like this knowing how it works and what it can achieve speeds up the process by so much

    • @JaxonBurn
      @JaxonBurn 2 года назад +1

      Oh my goodness I would love to hear a saxophone interpretation of this piece! If you have any recommendations could you link one, or perhaps point me in the right direction?

  • @svabhavo1216
    @svabhavo1216 11 месяцев назад

    a delight to join this movement towards Bach and his ever fresh and touching music. Thanks

  • @kerumble
    @kerumble 8 лет назад +15

    God, what a stunning piece. Beautifully played.

  • @OaktownGirl
    @OaktownGirl 7 лет назад +8

    I have always loved this piece so much; and it's such a revelation to hear Mr. Zander's insights. Now I love it even more!

  • @kropchik
    @kropchik 6 лет назад +17

    Just a brilliant analysis, beautiful playing. Wonderful lesson. Thank you Master and Desciple. (longer appoggiaturas on shorter trills that start slow becoming faster could help you have bigger tensions for stronger relaxations).

    • @martinh1277
      @martinh1277 5 лет назад

      That's right. What you mean needs more time and a slower tempo. There is more time then to lead the auditors. The piece will change from an instrumental improvisation to something more singing. The fast fingerins, which I cannot follow, would be more understandable. And there would be a slower exit of the piece.
      I should do it myself ...

  • @shanshanw4913
    @shanshanw4913 8 лет назад +8

    What a wonderful master class! Very useful comment that the music is like a journey!

  • @singingone1
    @singingone1 5 лет назад +1

    How EXQUISITE! this is transforming for this young man...I hope he gleans this lesson...he went from a violinist to a lover!

  • @wupeide
    @wupeide 6 лет назад +6

    What a fantastic violinist!

  • @alydar2716
    @alydar2716 6 лет назад +2

    Beautifully played Theo. Thank for for your gift.

  • @TheKillaShow
    @TheKillaShow 5 лет назад +4

    The acoustics were lovely while he walked around the room.

  • @eriknystrom5839
    @eriknystrom5839 5 лет назад +7

    I always thought that this Adagio was the most beautiful music ever written by a human being, even more beautiful than the Chaconne. Sadly as an amateur violinist , I will not be able to master this piece!

    • @Neophema
      @Neophema 4 года назад +5

      Not right now, but maybe in a few years' time? :)

    • @billyleecw
      @billyleecw 2 года назад +2

      a statement closes the mind. a question opens it. Ask yourself: HOW can I master it? How much practice? how long?
      and go do it. If you want it, make it happen. all the best.

    • @eriknystrom5839
      @eriknystrom5839 2 года назад +1

      Well, I started to play the violin again at 65 yo after retirement as an engineer. I did get some violin lessons for 2 years when I was a teenager. Then I didn’t touch a violin for almost 50 years. I’m now 75 yo.. Is it still possible to improve my playing? To be serious, probably not. But I have the score and I’ll try to work on it again… But there are other very beautiful pieces to play that are a bit more easy to play. I do practice 2 - 3 hours a day, and I’m playing 2nd violin with an amateur string orchestra .

  • @KM-px8cs
    @KM-px8cs 7 лет назад +5

    What a beautiful Violin

  • @SeaRasp
    @SeaRasp Год назад

    We should be grateful for Bach

  • @sandrolubis2921
    @sandrolubis2921 7 лет назад +3

    so divine...

  • @jasonahbh4880
    @jasonahbh4880 9 лет назад +2

    Enchanting!!

  • @DivaDeb1234
    @DivaDeb1234 3 года назад

    Amazing

  • @DivaDeb1234
    @DivaDeb1234 3 года назад

    Bach was very active !

  • @debashismitro3255
    @debashismitro3255 Год назад

    Why the manuscript appears to be an improvisation?

  • @mikegreenguitar
    @mikegreenguitar 5 лет назад +2

    6:19 best advice!

  • @patrick6110
    @patrick6110 4 года назад +2

    The public is by no means young but look at their eyes. They are like children at a birthday party.

  • @cvlen
    @cvlen 6 лет назад +3

    Why does he always ask people to play faster? That doesn't improve performances.

  • @stanaklol
    @stanaklol 5 лет назад +2

    The G string seemed a bit out of tune for me

  • @Francescomedardo
    @Francescomedardo 6 лет назад +2

    Celibidache taught us, that Adagio of Bach is ALWAYS in eights...and he was very sad, that so few people know this...why so fast??? Don't they hear the beauty of the music?

    • @Timpaaa2
      @Timpaaa2 5 лет назад +2

      Celibidache's OPINION was that Bach's adagio's should be played in eights. Completely subjective.

    • @patrick6110
      @patrick6110 4 года назад +1

      When in doubt always check what Heifetz did.

  • @wiltonpt1
    @wiltonpt1 3 года назад

    Why is religiosity inappropriate? Can we define religiosity. Bach was a profoundly religious soul.

  • @wiltonpt1
    @wiltonpt1 3 года назад

    A pianist teaching interpretation on the violin?? Odd