i tried to ask him on twitter to sign up for a cryopreservation service because he's too old to make it to the anti-aging things coming out within the next few decades =] i really hope some of these great people - all people really, sign up for that just in case
... not only for classical music .... He is a "oldtimer" with a cultual background many peope do not even understand anymore. I think he attained some degree of enlighnement. He some kind is no part of this I ugly world. Always love viewing his videos even being no musician.
You know how to spot a true teacher ? He sheds light on the obvious you hadn’t seen. Take that F to E ascending bassline around 18:20. So obvious. Yet I did not see it or play it as it should because - as he rightly stated at the beginning - like EVERY learning cellist I’m looking for high notes / romantic lyricism. But Bach’s truth is in the BASS - in disguise behind a perfect melodic line. It’s about re-establishing a balance between the high ait melody and the subterranean forces so often forgotten. So obvious. So true. It’s now 4;30 AM here in France, can’t find sleep. But I found a real treasure here. Thank you so much mister !
I want this man and this cellist to do exactly this for every movement of every suite. Can you imagine the incredible monument that would create to this beautiful literature? But no, we're meant to go home and take apart all the other movements ourselves and plumb their depths using the tools he has given us here. That's the hallmark of a great master class; it's not really about the particular piece that was chosen.
My favourite Suite, I'm making markings in my copy now, only 14 minutes in, and I have to pause the video to turn around because I'm completely mind blown. I've never heard this kind of structure before, and I'm honestly fascinated. This is truly great instruction
It could be so intimidating being next to Mr Zander but his passion and how he makes us appreciate the music just as much as he does only made me feel so close to him the whole time, what a moment! So satisfying how he extracts the beauty of Bach's music, and how the cellist catches that... The level of talent. Remarkable, thank you!
I find the structure transmitted by Bach fascinating, I had not realized that the dilemma is the notes and what happens to them, my head exploded when I discovered it, thanks to this wonderful person I was able to appreciate the beauty of Bach. Thank you BENJAMIN for living and sharing the beauty of music that is the greatest thing we have in this life.
I'm late in coming to classical music and some months ago came across a Benjamin Zander video. I've been a fan ever since and absolutely love what he teaches us all about the music and what he's able to bring out of his students. He is a living legend and os giving back in such a special and impactful way.
I dont understand the dirty looks from half the audience... I've played the first and second suite at competitions and 4 years later I'm still learning what Bach intended to be heard in his music. Fantastic interpretation filled with musical gems
Sat here, cello in its case but with the music in my hand..following. Its incredible, free tuition for all....Mr Zander is pure gold..even tho I find it extraordinary he has to explain a lot of this...its music and packed with emotion....show it.
There is always a wonderful synergy of musical meaning that emerges from the intersection of the talented, advanced students' skills and maestro Zander's inspiring guidance.
What a wonderful lecture to get INTO the music, to share music and to have music as NEEDED thing in all our lifes - and how joyfull !! With the full power of joy !! Thank you very much : -)) " Töne sind höhere Worte "
He is bringing out all that Miss Chi has to give, exposing her soul to the listening audience. They ride on every note. I suspect she was not only physically, but emotionally exhausted after this educational class from maestro Zander. Wonderful.
What an amazing insight Benjamin Zander offers on Bach, music, human communication and life, and how much richer is the appreciation of the music because of it. How he pulls so much more from the student is amazing to see. I knew this music but never noted the architectural structure which Benjamin points out. The idea of 12 bar then 36 bar then 12 bar arches in a 60 bar piece is amazing and I loved the part from bars 30-48 where everything rides in on the wave of that haunting ‘A’ note. Watching this video inspired me to start learning this piece on my cello. Thank you Benjamin Zander for shining such a beautiful light into these dark places.
beautiful performance. I play the cello and I'm currently studying Bach... and did anyone else close their eyes when he told the audience to close theirs? (fav part 2:16 - 2:34)
Always a pleasure to listen to Benjamin's perspective, which is filled with a passion for the music, the composer and for the performer. Julian Bream, the exceptional classical guitarist, made a comment in one of his masterclasses I will never forget and I think may explain why Benjamin said he was a bit lost when he was listening. Julian said something along the lines of when you play the first note, it is as if you played the last note. The piece must be held together through its various bars/sections meticulously and carefully otherwise it will seem disconnected and loose its true emotive potential.
Bream really was a brilliant musician and pedagogue. Nice to meet a lover of classical guitar (I’m assuming you are one if you’re familiar with Bream) out here. Sometimes I feel like classical guitar is so disconnected from the rest of the world of classical music.
I didn't think it could sound any better after Amanda first performed it at the beginning of the video, it sounded so good, then by the final performance the difference was goose bumps all over me.
Amazing performance and eye-opening interpretation to understanding this piece. I’m slowly picking up the cello again and playing different pieces that I played before. This will be one to try again with the help of this video. Great job!
As requested by others I would very much like your analysis you offered to those in the audience. I love Bach but have difficulty knowing how to bring out what Bach intended. Your analysis will really help.
Very interesting. Zander really helps her improve what she does. I think that she does a great job to be honest. A couple of other things to work on though: easy on the vibrato; inject a bit of 'magic' (the first few bars set things up and should sound really ethereal - she must avoid making it sound mechanical); listen to baroque specialists playing other instruments (especially violin, viola de gamba and lute) 👏
Honestly, I wonder, do we need to go for audition to be the audience, why are there so many empty seats? TT wish me luck guys I'm auditioning to conservatories in Boston, if I get in, and move to Boston you will see me in every of his video!!! Maestro Zander is my most favourite man in this entire universe!!! I wanna join BPYO tooo before it's too late!!! I want to play for him one day, I will.
I like to imagine a low bass D pedal throughout the first 4 bars. Completely changes the rhetorical impact of the second and 3rd bars. The pedal note might represent Bach’s unchanging and ever present god, the dissonances above might depict the struggles of faith, or the pain of loss. The prelude wanders through a wilderness of frailties and uncertainty until finally, in the closing bars, faith is affirmed…or something. 🤷🏻♂️
93,000 views, 2100 likes (one of which is mine - stunning playing), and about 11 people in the audience in a theatre that seats 200 😃 This in a nutshell is why You Tube is so amazing.
I found it very beautiful, the way these two human beings interact. The joy of life itself emanate from his every move and voice. Any guess why the old lady in the minute 16:11 wore that look?
It very well could’ve been she was just enjoying the depth of the moment, and rather than clap, she was taking it in... but by just a quick micro glance, it looks like frustration, when really it’s appreciation. One possible interpretation
Hello from Alaska! I've been waiting for this piece to be featured here. You have no idea how excited I was to see it. I've been waiting for guidance on how to breathe life into this piece. It was wonderful, just brilliant! Please please please can you make a copy of the analysis available online? It would mean so very much to me to get a copy.
Excellent! It's intersting that he says to her that she should play for the audience but I like better Rostropovich approach to the suite. This suite should be only played for yourself and the audience is just eavesdropping.
As a classical guitarist who absolutely loves listening to and playing Bach, I have to agree. When I learn a piece by Bach I usually have it under my fingers after the first couple of days (several hour sessions each) but getting it to sound beautiful? Months and months of work. And even then I would say the piece would benefit from a few more years of practice, for the lore difficult ones at least.
![Twenty One Pilots - “The Line” (from Arcane Season 2) [Official Music Video]](http://i.ytimg.com/vi/E2Rj2gQAyPA/mqdefault.jpg)
This man is pure gold for Classical music. So grateful for him in this world.
Touched
Don’t forget the cellist
i tried to ask him on twitter to sign up for a cryopreservation service because he's too old to make it to the anti-aging things coming out within the next few decades =] i really hope some of these great people - all people really, sign up for that just in case
@@dakotamcmillan dude... That's the weirdest thing to ask somebody you don't know to do
... not only for classical music .... He is a "oldtimer" with a cultual background many peope do not even understand anymore. I think he attained some degree of enlighnement. He some kind is no part of this I ugly world. Always love viewing his videos even being no musician.
40:08 "You can't disappear inside yourself to be a leader; you have to give yourself away."
More Bach masterclasses, please. There's really nothing else. Bach with Bach and Bach on the side.
With You on this... ❤
This man snatches you out of your comfort zone and throws you onto the passion podium where the light shines brightest
You know how to spot a true teacher ? He sheds light on the obvious you hadn’t seen. Take that F to E ascending bassline around 18:20. So obvious. Yet I did not see it or play it as it should because - as he rightly stated at the beginning - like EVERY learning cellist I’m looking for high notes / romantic lyricism. But Bach’s truth is in the BASS - in disguise behind a perfect melodic line. It’s about re-establishing a balance between the high ait melody and the subterranean forces so often forgotten. So obvious. So true. It’s now 4;30 AM here in France, can’t find sleep. But I found a real treasure here. Thank you so much mister !
I want this man and this cellist to do exactly this for every movement of every suite. Can you imagine the incredible monument that would create to this beautiful literature? But no, we're meant to go home and take apart all the other movements ourselves and plumb their depths using the tools he has given us here. That's the hallmark of a great master class; it's not really about the particular piece that was chosen.
My favourite Suite, I'm making markings in my copy now, only 14 minutes in, and I have to pause the video to turn around because I'm completely mind blown. I've never heard this kind of structure before, and I'm honestly fascinated. This is truly great instruction
It could be so intimidating being next to Mr Zander but his passion and how he makes us appreciate the music just as much as he does only made me feel so close to him the whole time, what a moment! So satisfying how he extracts the beauty of Bach's music, and how the cellist catches that... The level of talent. Remarkable, thank you!
If this man is not the most inspiring teacher know, I don't know who is.
The world could use more people like Benjamin Zander.
I didnt get anything close to this taking private lessons as a kid. I didn't know music could be interpreted like this. Absolutely mind blowing.
I find the structure transmitted by Bach fascinating, I had not realized that the dilemma is the notes and what happens to them, my head exploded when I discovered it, thanks to this wonderful person I was able to appreciate the beauty of Bach. Thank you BENJAMIN for living and sharing the beauty of music that is the greatest thing we have in this life.
How can that hall not be full? This is magic.
Amanda's playing is wonderful, too. I can tell she's only going to go from strength to strength.
I'm late in coming to classical music and some months ago came across a Benjamin Zander video. I've been a fan ever since and absolutely love what he teaches us all about the music and what he's able to bring out of his students.
He is a living legend and os giving back in such a special and impactful way.
After her first runthru i cant tell you how fast i started practicing to this, prolly gonna keep on for a few hrs lol i love these
I dont understand the dirty looks from half the audience... I've played the first and second suite at competitions and 4 years later I'm still learning what Bach intended to be heard in his music. Fantastic interpretation filled with musical gems
Benjamin Zander is fantastic
Sat here, cello in its case but with the music in my hand..following. Its incredible, free tuition for all....Mr Zander is pure gold..even tho I find it extraordinary he has to explain a lot of this...its music and packed with emotion....show it.
There is always a wonderful synergy of musical meaning that emerges from the intersection of the talented, advanced students' skills and maestro Zander's inspiring guidance.
He’s so respectfull and gentle. Great. Inspiring.
I used a portion of one of these videos in a security seminar - the lessons of Mr. Zander go beyond music. Thank you sir.
What was the teaching you used in the security seminar? I’m curious
He’s a genius ... no more words needed
The performance at the end was very moving for me.
From a rather stiff introduction to a wonderful flowing piece of music Ben has so much knowledge for us to learn
What a wonderful lecture to get INTO the music, to share music and to have music as NEEDED thing in all our lifes - and how joyfull !! With the full power of joy !! Thank you very much : -)) " Töne sind höhere Worte "
He is bringing out all that Miss Chi has to give, exposing her soul to the listening audience. They ride on every note. I suspect she was not only physically, but emotionally exhausted after this educational class from maestro Zander. Wonderful.
Thank you sooo much for sharing!!!! I learned sooo much and I love how Zander is thinking about the role of musicians. He talks like an awaken person!
This is just fantastic. Mr Zander is a rare gift.
What an amazing insight Benjamin Zander offers on Bach, music, human communication and life, and how much richer is the appreciation of the music because of it. How he pulls so much more from the student is amazing to see. I knew this music but never noted the architectural structure which Benjamin points out. The idea of 12 bar then 36 bar then 12 bar arches in a 60 bar piece is amazing and I loved the part from bars 30-48 where everything rides in on the wave of that haunting ‘A’ note. Watching this video inspired me to start learning this piece on my cello. Thank you Benjamin Zander for shining such a beautiful light into these dark places.
beautiful performance. I play the cello and I'm currently studying Bach... and did anyone else close their eyes when he told the audience to close theirs? (fav part 2:16 - 2:34)
I think the name of the student should be mentioned in the Title. Great job, Mrs. Chi and Mr. Zander!
Always a pleasure to listen to Benjamin's perspective, which is filled with a passion for the music, the composer and for the performer.
Julian Bream, the exceptional classical guitarist, made a comment in one of his masterclasses I will never forget and I think may explain why Benjamin said he was a bit lost when he was listening. Julian said something along the lines of when you play the first note, it is as if you played the last note. The piece must be held together through its various bars/sections meticulously and carefully otherwise it will seem disconnected and loose its true emotive potential.
Bream really was a brilliant musician and pedagogue. Nice to meet a lover of classical guitar (I’m assuming you are one if you’re familiar with Bream) out here. Sometimes I feel like classical guitar is so disconnected from the rest of the world of classical music.
Applause for teacher and student. Intense journey to fully elucidate Bach’s magnificent music.
47:44 min seems a bit long interpretation... 47.44 min later. Wow it ended so soon.
I didn't think it could sound any better after Amanda first performed it at the beginning of the video, it sounded so good, then by the final performance the difference was goose bumps all over me.
This is true beauty of this world.
Great video,
drinking game: Drink every time he says "isn't that amazing."
David Clarke
Are you trying to kill us?
First time I get so deep into this piece. Like a reward for an ageing cello amateur. Many thanks to the fantastic cellist!
Wonderful program... thank you Amanda and Benjamin 🙏
Loved her style right away, this cello sounds wonderful as well
Master Oogway of classical music. I love the wisdom he sprinkles.
How amazing!! The amount of joy in learning and teaching, loved it!!
26:45 So beautiful, It's like the world crumble around them in such a magnificent way.
I dont know which is more beautiful… The music, the cello or her face.
Thanks for more Bach masterclass
Amazing performance and eye-opening interpretation to understanding this piece. I’m slowly picking up the cello again and playing different pieces that I played before. This will be one to try again with the help of this video. Great job!
JSBach - Greatest composer of all times! His music is as modern and breathtaking as it was ~ 300 years ago.
As requested by others I would very much like your analysis you offered to those in the audience. I love Bach but have difficulty knowing how to bring out what Bach intended. Your analysis will really help.
Feel first.
Then play.
No rush.
Music is love.
I love this piece (I'm learning to play it), this masterclass is pure gold for me, thank you M. Zander, and thank you, young lady 🙏🤗
Benjamin is incredible.
Ms. Chi has great chi and now the maestro has shown Bach's to her
So very enlightening over this profound prelude.
And I wish I could make it sound like that!
Thank you, You took me on a journey and i was in utter ore. x
This was such a treat! Thanks you!
Merci Mr Zander
She’s brilliant 😊❤
He gets you out of your comfort zone in a nice way. My master class instructor was a tad tougher.
Very interesting. Zander really helps her improve what she does. I think that she does a great job to be honest. A couple of other things to work on though: easy on the vibrato; inject a bit of 'magic' (the first few bars set things up and should sound really ethereal - she must avoid making it sound mechanical); listen to baroque specialists playing other instruments (especially violin, viola de gamba and lute) 👏
Honestly, I wonder, do we need to go for audition to be the audience, why are there so many empty seats? TT wish me luck guys I'm auditioning to conservatories in Boston, if I get in, and move to Boston you will see me in every of his video!!! Maestro Zander is my most favourite man in this entire universe!!! I wanna join BPYO tooo before it's too late!!! I want to play for him one day, I will.
Pizzacato good luck on your endeavour
Isaac Brito thanks Isaac ❤️😭
Pizzacato No problem 👍
Here’s an update, I got my offer!! Boston I’m coming🥺❤️
@karrie your update is so heartwarming to read. Experience it fully, you deserve the best 🙏🏽
I like to imagine a low bass D pedal throughout the first 4 bars. Completely changes the rhetorical impact of the second and 3rd bars. The pedal note might represent Bach’s unchanging and ever present god, the dissonances above might depict the struggles of faith, or the pain of loss. The prelude wanders through a wilderness of frailties and uncertainty until finally, in the closing bars, faith is affirmed…or something. 🤷🏻♂️
This is so inspiring! Even though I just put my cello away for the day, I'm longing to get it out again and practice.
MusicaAngela I know the feeling. I’m tempted to start again and it’s pretty late at night :)
Love this so much!
Dear channel admin! I have sent you an email asking for permission to add Persian subtitle to your videos. Please respond ! 🙏🏻
A wonderful idea....Wish u luck
have you done it? dont you mind to Share please?
Ali Bayat
Well I haven’t translated anything yet, but if I do so, you could find it in the “caption” section
Incredible. Great tutor
sirry Ananda. Too much shivers. 🤧
93,000 views, 2100 likes (one of which is mine - stunning playing), and about 11 people in the audience in a theatre that seats 200 😃 This in a nutshell is why You Tube is so amazing.
thanks for this absolutely great lesson
Absolutely fabulous as usual 😊
Master Class.
I can see myself in the audience!
Bon travaille!!!
What a maestro he is...i love his technique too
I found it very beautiful, the way these two human beings interact. The joy of life itself emanate from his every move and voice. Any guess why the old lady in the minute 16:11 wore that look?
Didn't like what the old man was saying
It very well could’ve been she was just enjoying the depth of the moment, and rather than clap, she was taking it in... but by just a quick micro glance, it looks like frustration, when really it’s appreciation. One possible interpretation
Hello from Alaska! I've been waiting for this piece to be featured here. You have no idea how excited I was to see it. I've been waiting for guidance on how to breathe life into this piece. It was wonderful, just brilliant!
Please please please can you make a copy of the analysis available online? It would mean so very much to me to get a copy.
If your from Alaska you must know who Zuill Bailey is?
I don't believe so, are they a musician in the Anchorage Symphony?
there is people with internet in alaska ? there is cities in alaska ?
its in the description
The handout is available online here: www.benjaminzander.org/library/bach-cello-suite-no-2-prelude/
Excellent! It's intersting that he says to her that she should play for the audience but I like better Rostropovich approach to the suite. This suite should be only played for yourself and the audience is just eavesdropping.
Maybe if one truly allows the love of the piece to cleanse the understanding 😊
Oh, I wish I had one of those handouts! ;-)
Wonderful! Can we have a link to the analysis you mention at the end- Grazie mille!
The Zander handout is available on line here: www.benjaminzander.org/library/bach-cello-suite-no-2-prelude/
All hail Zander!!
Mr Zander was basically teaching Ms Chi how to do the "funk" on the cello😁
Amanda is from Taiwan - a country which produces so many great musicians.
in Bach, EVERY note is important--Casals
I actually don’t know why she is doing it fast. But it’s very good
In Bach every note is important--Pablo Casals...I would add, emotionally important..
The hidden scales!
By holding the A so long you are in an inevitable centrifugal gravitational spin into the black hole of D
Mostly comments from Benjamin always lead to miracle of hiding note between secret chamber bar # string , excellent 👍
is there a musical note or vibration that can kill this corona virus?
Bellissima Amanda
灵魂的声音。
Can we have the analysis as well???
The Zander handout is available online here: www.benjaminzander.org/library/bach-cello-suite-no-2-prelude/
@@seberry1 I posted this comment 2 years ago...
Wow
42:52
Hello good day
FUCK YEAHHH
Boa tarde!
Bach is easy to play and very hard to actually make sound good...
** well but there is very much of him that‘s very hard to play in tune
Bach is not..easy!
@@cindymcfarlane9371 exactly my point haha
As a classical guitarist who absolutely loves listening to and playing Bach, I have to agree. When I learn a piece by Bach I usually have it under my fingers after the first couple of days (several hour sessions each) but getting it to sound beautiful? Months and months of work. And even then I would say the piece would benefit from a few more years of practice, for the lore difficult ones at least.
is it an error for everyone recently or just me?
Where is this recorded?
At the Boston Public Library.