Some addendums (and corrections if applicable)... - Stage Ready Sound: 2011 is widely known to have this, with its famous heartbeat. But it _could_ be argued that 2006 was the first to have this, with the transition sound & lights effect out of the postcard. The jury is still out on this one! -- In addition, 2012 did not have an official SR sound (it came back in 2013). However, in rehearsals it appears several test versions were played out, inspired by Azerbaijani traditional musical instruments. My theory is they weren't used due to their duration being several seconds long - but you never know, what could have been!
i'm so glad you focused on the technical excellence of the broadcast, this year was so overshadowed by drama and i'm beyond fed up hearing about it. the team deserve a huge amount of props and recognition !! they pulled off so many amazing feats
Just watched it, and you’ve done such an amazing job again! Every year, you keep raising the bar. Even though this year felt a bit chaotic, seeing the effort behind it reminded me why I love this competition so much.
AAA! Thanks so much, super glad you like! And I agree, it was a particularly crazy year, already well covered online - so just focusing on the otherwise impressive production and high effort behind the scenes. Massively looking forward to seeing your 'What If' / design concept videos into next year!
Wow!!! I have discovered this video today and It is full of details and very good commentaries for this year great EUROVISION!!! As live Audience inside Malmö Arena was brilliant and SPECTACULAR how every worked and all available news this edition!!! Very well done Sweden, SVT and of course, Malmö!!! Other strong point was the security👏🏻👏🏻👏🏻🇸🇪
I'm so in love with the dynamic light grid that can change the rotation and y-position individually It looks so sick, especially when used in a dome shape like it is at the end of nemos performance e.g. (they used it in another performance more prominently but I don't remember haha)
Good point! It could also be argued that it was the sound at the end of the postcard transitioning into the song, so 'kind' of a stage ready before it was a Stage Ready sound, haha. Bonus fact: 2012 officially did not have a SR sound but it appears they were testing one (or a few) during rehearsals. Never know what could have been...
The PSF look is just ugly. I’d get it if the whole show was produced that way (although I’d still strongly prefer interlaced video or 50 fps progressive) but if you look closely, the graphics are still shown in interlaced format so it just seems like an afterthought. And they also screwed up the PSF settings for Sweden’s performance in the final, hence why the performance looks so stuttery and ugly compared to the semifinal.
Your video just reminded me how absolutely unfair the disqualification of Joost Klein was! You video like the EBU’s attitude is to pretend the show was good when I fact whatever the production value were the EBU allowed the intimidation of artist while being over zealous in it punishment of The Netherlands especially in the light of the Swedish prosecutors comments. I now routinely avoid all RUclipsrs who do not yell this as they truely are, that includes you.
Some addendums (and corrections if applicable)...
- Stage Ready Sound: 2011 is widely known to have this, with its famous heartbeat. But it _could_ be argued that 2006 was the first to have this, with the transition sound & lights effect out of the postcard. The jury is still out on this one!
-- In addition, 2012 did not have an official SR sound (it came back in 2013). However, in rehearsals it appears several test versions were played out, inspired by Azerbaijani traditional musical instruments. My theory is they weren't used due to their duration being several seconds long - but you never know, what could have been!
THE LONG AWAITED, FERDINAND IS BACK!
WOW!! Remarkably good documentary. Excellent work!
i'm so glad you focused on the technical excellence of the broadcast, this year was so overshadowed by drama and i'm beyond fed up hearing about it. the team deserve a huge amount of props and recognition !! they pulled off so many amazing feats
Absolutely! It was a pretty crazy year unlike one seen before, but the production itself was arguably top notch!
Genuinely one of if not the best Eurovision videos every year, you outdid yourself this year! Amazing:)
@@vdan3821 DAN! Always a pleasure hearing from you, and these very kind words are awesome to hear ☺️ I try! Thanks so much!
oh hell yeah i’ve been waiting for this one
@@escgabe yes Gabe 🙌 a great 'flip-side' accompaniment to your great videos for sure!
Dont have time to watch rn but i am SO PUMPED for another live show show
Just watched it, and you’ve done such an amazing job again! Every year, you keep raising the bar. Even though this year felt a bit chaotic, seeing the effort behind it reminded me why I love this competition so much.
AAA! Thanks so much, super glad you like! And I agree, it was a particularly crazy year, already well covered online - so just focusing on the otherwise impressive production and high effort behind the scenes.
Massively looking forward to seeing your 'What If' / design concept videos into next year!
every year I LOVE your recap video .Well done again !! :)
Cant wait for Eurovision 2025! And the wonders it brings with it
i was watching your 2021 video earlier today, looking forward to watching this one 🍿
@@zzzzzz4110 a great video to start on! Hope you enjoyed - and do enjoy this one when ready!
@@FernandsLiveShowShow I did get to it, great video as always man!
You GENIUS!
29:58 Ayo! Baby Lasagna is so good man 😂❤
Absolutely FANTASTIC!!!!
Wow!!! I have discovered this video today and It is full of details and very good commentaries for this year great EUROVISION!!! As live Audience inside Malmö Arena was brilliant and SPECTACULAR how every worked and all available news this edition!!! Very well done Sweden, SVT and of course, Malmö!!! Other strong point was the security👏🏻👏🏻👏🏻🇸🇪
I'm so in love with the dynamic light grid that can change the rotation and y-position individually
It looks so sick, especially when used in a dome shape like it is at the end of nemos performance e.g. (they used it in another performance more prominently but I don't remember haha)
I agree, those light fixtures are super versatile! Estonia's one was impressive too, in a completely 'random' pattern
What an INCREDIBLY well done documentary. Super interesting. Thank you so much for this! 🍿
Great documentary!!
Yay
Finally!
This is the one i want rn
Glad you’re back. I was worried about this years episode 😅. Your production has really reached a big level! Keep up with these amazing videos.
37:00 days until the next year in may
well done on the video - love this behind the scenes vide. nw my question is - what d the presenter see on their monitors?
Great VIdeo! But i have one question didnt the Stage Ready start in Athens 2006, cuz it had light and sound effect before the song started
Good point! It could also be argued that it was the sound at the end of the postcard transitioning into the song, so 'kind' of a stage ready before it was a Stage Ready sound, haha.
Bonus fact: 2012 officially did not have a SR sound but it appears they were testing one (or a few) during rehearsals. Never know what could have been...
Not noticed that finland had nicely hidden backing vocals.
I saw you filming outside the arena but I was too scared to come up and say hi, didn’t wanna interrupt you. Love your content Fernand
Ah you should have said hello! Thanks for stopping by 😊
finally :D
just wondering do you have jury and televote full theme
The PSF look is just ugly. I’d get it if the whole show was produced that way (although I’d still strongly prefer interlaced video or 50 fps progressive) but if you look closely, the graphics are still shown in interlaced format so it just seems like an afterthought.
And they also screwed up the PSF settings for Sweden’s performance in the final, hence why the performance looks so stuttery and ugly compared to the semifinal.
Comment for the algorithm :)
The tech has to be impressive because the acts are beyond shyte. You can't polish a turd, but you can use smoke and wizardry to mask it.
The production was ok, austria…
It was great honestly, you're pointing out the one mistake during the three live shows
@@tonyem5458 last year's production was so much better tho. Awesome camera work, 60fps instead of 50, it even lagged on some scenes like Sweden.
Your video just reminded me how absolutely unfair the disqualification of Joost Klein was! You video like the EBU’s attitude is to pretend the show was good when I fact whatever the production value were the EBU allowed the intimidation of artist while being over zealous in it punishment of The Netherlands especially in the light of the Swedish prosecutors comments. I now routinely avoid all RUclipsrs who do not yell this as they truely are, that includes you.
Womp womp
The worst ESC show and organizer in history
Not true in any way, shape or form