Geoff & Tim Follin - “Equinox (SNES)” Full Soundtrack [Oscilloscope View]
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- Опубликовано: 25 июн 2024
- Stereo Key: Top = Left, Bottom = Right
In my original view of this soundtrack, the waves were barely visible due to the large amounts of volume variation used by the composers. For this video, I tried to amplify the quiet waves, while still making sure the channels' amplitudes looked in correct proportion to each other.
Tracks:
00:00 Title
03:01 Title (Short Intro)
05:45 Overworld
07:45 Galadonia
11:16 Tori
15:41 Deeso
22:12 Atlena
28:17 Quagmire
31:58 Afralona
39:01 Ghost Ship
45:26 Sonia’s Fortress
52:18 Battle
53:59 Boss
56:42 Victory & Ending
58:17 Game Over
Originally requested by DerpDerp3001.
Oscilloscope visuals created with nyanpasu64's corrscope program. 
Видеоклипы
![Tim Follin - “Time Trax (PAL MD/Genesis)” Full Soundtrack [Improved Oscilloscope View]](http://i.ytimg.com/vi/Cb8bEGqQWVA/mqdefault.jpg)
RIP Geoff, thanks for the amaizing music it will always be part of my life. ❤🙏❤
I came here just because of him!
Oh shoot, I didn't know Geoff passed away. 😕 Also, I'm literally about to launch a tribute video to Tim's musical magistry on a particular game. I'll let everyone guess which one it is.
🐲✨🐲✨🐲✨
This makes me ... This is ... I don't understand how this soundtrack is on a SNES ... This gives me a lot of different emotions listening to it.
It really was one of those games where, as a kid, i didnt even begin to realize what was drawing me continually back to games with sounds such as these. Thinking back, i played some pretty craptastic games, over and over, just for the sounds. Not even realizing it or ever giving the notion a fraction of a thought.
@@fredfry4756 There is nothing ''craptastic'' about Equinox. It's part of a distinct British sub-genre of isometric puzzle/platform games which started back in the 80's and died out in the early-mid 90's. They're not everyone's cup of tea, of course (especially with our American friends).
Let's just say that Tim Follin was, and still is, a wizard when it comes to soundchips.
He may be retired these days, but it used to be that he could make unreal compositions on just about any chip that was sent his way - even if that meant doing what seemed like the impossible.
@@SkyTheLeafeon Don't forget the other talented individuals that worked around Follin. Software Creations had plenty of them.
Ste Ruddy was a wizard in his own right, and created the sound drivers at Software Creations (Nintendo even hired them to create the audio tools for the N64 when it was being developed - meaning every single developer was using their audio tools when designing software for the N64 - and this had nothing to do with Follin).
@@klaymodopostoffice9885 Could you please let me know where I can find this information about the drivers by SC?
11:36 this part RIGHT HERE gives me so many chills. Just the subtle atmosphere sounds of water dripping down into some kind of puddle. And to do it on a SNES, too.
Yes, it literally drips with haunting melancholy and nostalgia. That particular track (the cavern world, Tori) always drove deeper than any other SNES composition I've heard through the years.
With cave-like reverb. That's talent.
Follin's atmospheric soundtracks always deliver a very distinct feeling and atmosphere that suits the game.
This and c64 ghouls and ghosts are my best examples.
Very nice stuff
The C64 Ghouls n' Ghosts soundtrack is a masterpiece.
I think these are the same samples used in his amiga works.
So unique, even today. I like how the tracks come in and out as you're roaming the dungeons in the game. You'll get little splurges of sound effects, water, heart-beat, etc... then a little music will kick up. It's great.
My absolute favorite song from this game is Tori. Something about those choir pads make the song sound so majestic.
What exactly is a choir pad?
@@Sh-hg8kf it's a synth instrument that's supposed to sound like an ensemble of singers (hence the name "choir").
Both that and Deeso. I prefer Deeso a bit more since it’s more like it came straight out of a movie. The intense part, and then the silence.
Same here, it’s incredible to listen to for the first time.
@SuperJet Spade If I were forced to choose a single favourite track from the Super Nintendo library, Tori would certainly take the cake. I've said it many times, but it drips (quite literally) with haunting melancholy, conjuring up warm nostalgia and other misty feelings that vibrate through one's body (or my body, anyway). The quality and majesty go far beyond SNES standards.
Almost an hours worth of music on the SNES.
Jeeeez Tim always loved to make a long song on his systems
11:16 Tori is just... holy shit.
Certainly! Would be perfect for Populous or Age of Empires :)
Can I swear? I need to swear. Just once to emphasise something: simply fucking beautiful.
Equinox is in my top 10 games that I played as a young man & Ive always loved this OST...😉
Best SNES music I've heard! The SNES had a freegin amazing sound chip but I still love me some Genesis sounds!
You can technically use Genesis samples on SNES
@@Plasmariel You could, but with significant cuts. A Mega Drive can do things with super long envelopes which a SNES couldn't efficiently replicate due to its small audio memory. But of course, if Toy Story is anything to go by, you can basically do Amiga music on the Mega Drive. not sure what the drawbacks would be regarding processing overhead, but it certainly can be done.
@@autumnbrushtail Well-said, however the SNES does have limited FM: Pitch Modulation
@@Plasmariel I am aware. but doing it to the level of a Mega Drive would be next to impossible to my knowledge. Not to mention that the FM already needs two channels to work in the first place.
@@autumnbrushtail yup, it costs a lot of channels
Why is this so cool and why did i not discover it so much sooner???
and they thought Donkey Kong Country had the best ambience/atmosphere music...
pffft we got Tim over here
Please don't forget Dean Evans for the list of "more atmospheric soundtracks than Donkey Kong Country".
the ppl who thought dkc is more ambient are dorks (bc they literally stereotyped nintendo, especially being an overall best gaming company at that time) afaik
Although David Wise did a good job too.
And if I'm correct, he was inspired by Tim.
@@RedTsarOldChannel-INACTIVE
You are correct.
@@RedTsarOldChannel-INACTIVE Yep, David was directly influenced by Tim and Geoff's work. Explains a lot, really.
I love these classic sounds: The same strings used in Castlevania IV and the pitched drums and choir that are in Super Metroid. Follins always delivers.
this is one of the best chiptune osts I've ever heard, very relaxing
The intro to Atlena is nothing short of amazing 22:12
Oh my gosh, that ending makes me cry every time. It's just, beautiful.
Man, this soundtrack is so dynamic.
This has got to be the most unique feeling for a SNES soundtrack, 90% ambiance and 10% melody.
Wish there was more like this in other games that mixes the two instead of picking usually melodies or ambiance instead of both!
I can think of several... Secret of Evermore, Last Bible III, Terranigma, Clock Tower, and Super Metroid.
The Boss theme went from your typical RPG Boss theme to Earthbound Boss theme!
More like plok
@@Plasmariel Now feels like a mixture between Plok Boss theme & Battle against a Machine from Earthbound.
@@Plasmariel It's the same composer!
Battle Against a Machine
The Equinox boss music sounds nothing like the Earthbound one (Equinox takes it up to 11, whilst Earthbound is pretty laid back for boss music).
I overlooked this game back in the day, but my goodness it's got a banger soundtrack! :D
honestly so cool they only used 4 channels for a lot of the tracks
The boss music slaps!
the boss theme...just as rock as the plok one (done by the same bros)
As much as I love the Plok boss theme, the Equinox boss theme has far more to it, and it loops very effectively, getting faster at times which adds to the tension.
I love all of it
Thank you for posting this. It is a remarkable piece of programming and composition. Very reminiscent of bands like Camel and other music of the prog-rock era.
The balance between tantalising and atmospheric is spot on in creating an immersive acoustic environment.
Love it.
I dunno why but these stage names sound exactly like something you'd see from Space Harrier as well
Nostalgia❤️
Lovely
Tks!..I🧡
20:41 looks like Tim Follin made a typo when coding this in.
Probably Geoff (I think the track sounds more like his work)
Wait, how can you tell who composed what?
@@Juuhazan_ Tim Follin doesn’t feel okay making the scary tracks.
Yup that's Geoff.
@@NEStalgia He said he was absolutely terrified of the Wolverine theme.
Ambience.
why do i love those sine waves so much help
no
yes.
no, but sometimes yes........
@@user-ql2re2es9y Well yes, but actually perhaps.
Ay check out Jeroen Tel's Stranglehold
28:17 fake, i didn’t see a man turn into a toilet
XDDD
The overworld theme is my favorite, though the boss theme is great, too.
gaming music
Why did you use the abridged American/Japanese version of the title themes instead of the native British/European version? Those missing notes at the very start always bug me, as they allow the intro to breathe, leading into the building xylophones so much better.
The Boss theme is the best track in the game!😄🤩😎👌
Quagmire reminds me of Ghouls 'n' Ghosts.
Giggity Giggity.
Funnily enough, Tim worked on the soundtrack for that too.
did it take 5 picoyears to make this?
banger btw
yeah seems about right. I think it was worth it in the end though.
This HUMBLES Kolibri (32x soundtrack, search up the fixed version for the true intentional PWM experience)
Should do Jurassic Park 2's (SNES Ocean) soundtrack next. It was pretty good with some cinematic elements.
53:59 sounds like a greak theme 54:24 than it turns into a night club bass
The latter part reminds me of _Mario Forever._
52:18 certainly reminds me of Actraiser's opening motif
Did the ingame tracks really just utilize 4 channels? and 4 for sound effects? (sound effects are sparsely used in the game) so I wonder why Tim & Geoff limited themselves down to 4 channels of audio on the ingame tracks. The snow dungeon is my favorite level and music, very meditative and relaxing! I played & beat the game in 90s and even play it nowadays! Great slow game with difficult puzzles for awesome relaxation and meditation. Super soundtrack!
That's how many sound effect were used at some times.
@@DerpDerp3001 Ah ok!
That's not really the full answer. Yes, one reason is, that there's sound effects, that need to play independently off the music, but the code responsible for playback of these pieces also saves much space, if less channels are used. Of course there are some exceptions: The title theme, ending theme and game over theme use all 8, since they should sound more 'epic', than the rest and because there are no sfx output during their playtime.
@@cemstrumental Ah I see, thanks for the info!
@galaxy_racc00n I see! But strange considering Tim said in interviews that he wanted to make the music sounding as "made with real instruments" as possible, but limiting himself down channel wise at the same time. Tim hated chipsounds and said that the soundchips in those computers are just for bleep and bloop sound fx, not for making music with them.
👏 👏 👏
Weird, the spcs don't loop properly, omitting the rest of the time of some songs.
How do you do videos like this?
1. Record audio of the individual channels and the full songs with an emulator (or real hardware if the luxury is available)
2. Edit the audio in Audacity (e.g. amplification, fade-outs, high-pass filter) and export .wav files
3. Import .wav files into corrscope, adjusting video settings if needed
4. Export video and upload
You can get most of the programs you'll need by just googling them.
41:35 Hey, this noise was sampled straight out of the NES 2a03!! The 'chimes' you can hear in the 'background' of the noise are a dead giveaway!
there's also NES noise in the title theme at 0:23
Actually, the noise, here wasn't sampled. It's a feature of the sound chip. It can produce a very similar procedural noise, similar to the NES, hence why it sounds so clear.
how the hell did they put stereo samples on a snes?
So does anyone notice how in Atlena, channel 4 plays sound but nothing comes out?
There's sound, it's just very quiet and subtle.
Can I get the MIDI to this?
i dont think this used midi
Hey, if there was a GBA port of this?
Very unlikely, since there's almost no periodic waveforms.
@@cemstrumental No, GBA audio is also an ADPCM sampled waveform like the SPC700........
@@user-ql2re2es9y Oh really? I sadly don't know too much of the GBA sound chip. But I already made the Boss theme on the N163 (NES) and I'm probably gonna upload it today. And I was wrong. There are many periodic waves. Trumpet, Brass, Clarinet, Piano etc.
@@user-ql2re2es9y the GBA's audio is actually a bit closer to what was in the Sega 32X, in that it makes use of software mixing to mix music and sound effects together. Typically, early GBA games had poor sound quality while later GBA games had more decent sound quality.
@@cemstrumental
Actually the GBA lacks a sound chip.
It's sample sounds are generated by the CPU(pretty much like the ZX Spectrum before the 128k machines).
What can be considered a sound chip on the GBA is actually the GBC sound chip (present there for backwards compatibility).
Reminds me of the Final Fantasy VII soundtrack.
28:26 Oh my gosh, this is so uncomfortable...
sounds like it legit comes from an N64
The white noise was recorded from his C64.
No, the SNES actually has a Noise generator built in.
@@autumnbrushtail ...
@@cemstrumental Super Mario World and many Squaresoft games actually use the noise generator. In fact, you can modulate the frequency of one channel with another, which is how many sound effects are made in Squaresoft games, particularly wind sounds
@@autumnbrushtail Huh. I'm sure The SNES has channels with PCM sample playback only and the wind and noise sounds are just the 21st, 24th and 33rd, sample in the cardridges ROM. Can you give me a source with your information? I might be mistaken.
@@cemstrumental Retro Game Mechanics Explained has a video going over every single aspect of the SPC700, not to mention I own a plugin for music production that can be used to create literal .spc files for playback on SNES which has these features.
GENESIS DOES
what Nintendon't.
I bet you *wish* your SNES could modulate as good as the genesis.
@@gavinclark6891 Actually it can. The SNES can actually modulate one sample's frequency by another. yes it takes up two channels to do it, but nevertheless, it can. I love the Mega Drive more than the SNES, but don't discredit the SPC700. It's still a nice soundchip uwu
But can the genesis do, what nintendoes?
Shut ya' noise, Gavin Clark. Stop making us Mega Drive/Genesis lovers look bad and just appreciate both systems. Equinox is an exquisite gem lost to time. Go and pollute something overrated, like a Mario World comment section or something...
@@klaymodopostoffice9885 Ok yeah tbh, I agree with the mario world soundtrack being meh for the snes
Sorry to say, but this video is out of sync, especially at the Ending tune.
I don't see the issue. Many people have been noticing these sync issues lately, and they appear to be on RUclips's end. I would wait a while and check the video again to see if the problem goes away, which it seems to do for some reason.
How the fuck is there 16 channels?!?!
It doesn't there's 8. Each channel is showing a left and right output
the fart of 87
... was that the fart of 87?!?