My music teacher taught me the modes on piano, which I think is the best way to learn them. Most people don't understand why modes would sound different if you're using the same scale notes. It's not until you hear each mode played beside a chord that you can hear what they're all about.
I've been so intimidated by the modes that I kinda gave up trying to learn them. No one (that I've seen) has broken down the modes in this way. You've provided me with enough baby steps that things are clicking for me. Thank you!
What helped me was realizing that the modes are simply a set of scales each with a unique sequence of intervals equal to the number of notes in the scale. I only remember the sequence of the first major scale, the Ionian, or the scale we all learned in grammer school ( do-ray-me-fa-so-la-ti-do). The same scale Julie Andrews taught the children in the movie "The Sound of Music", which is, starting at the root note, whole step-whole step-half step-whole step-whole step-whole step-half step arriving back at the root an octave higher. The are seven scales; three major scales, three minor scales, and the diminished scale contained in this first seven note major (Ionian) scale. So, if I want to play a minor scale, like the Dorian minor scale, from my first (root) note my sequence is whole step-half step-whole step-whole step-whole step-half step-whole step arriving back at the root an octave higher. The original pattern stays the same, but the sequence of intervals is changing as you start at different points (notes) in the pattern (scale). I hope this helps someone. I wanted to keep it short and simple but it seems a little long winded. Sorry, good luck to you all!
Thank you so much! I don't know why, but, I've never seen the modes described in this way. Every instructor ought to begin with that very clear linear description, moving one note to the right. So clear! Still much to learn but with that fundamental bit of info, much of the 'mystery' is suddenly gone. Thank you!!! Alex
Great lesson. Really simplifies the modes for me. as for remembering them, As a bass player here is what I just came up with: I Don't Play Like Marcus(miller) And Larry(graham)! LOL..But I wish I did!! thank you again!
Been following u for about 2 years now and a couple weeks ago after practicing all your previous lessons on modes for a while, I just came to an understanding. Like once I realized the stuff, I sat down and went through all the modes in every key. So for example day 1, the 7 modes in C, day 2 in F and so on and I went up the scale to the last note I could play. So let's say I did B locrian, I started on the open B string and ended on G 24th fret (basically I ended in G mixolydian) and walk it right back down to the open B string. Almost 4 octaves applying the 2 octaves major scale lesson from a while ago and shifting with my pinky while going up the scale and shifting with my index while going back down. It's mostly how u think that mess u up while playing the modes. So if you're playing Eb Mixolydian, just think Ab Major/Ionian scale starting from Eb that way u won't mess up and play Eb major. Or think Eb major with a b7 since that's basically what the mixolydian scale is.
@@daricsbasslessons You're a great educator and a Master Bass Player. Hey, I really admire both you and Frederico Malaman you are both great players and human beings. Thanks, for all that you do and share.
The more I hear about music theory concepts, the more I realise it isn't some magical clandestine art and it's actually just cavemen doing simple combinations and shifts. Thank you.
i learn the name of the lydian scale because my wife's ame is Nidia XD and the Locrian scale because there's a food dish here in Dominican Republic named "Locrio" so for me is Locrian XD
I couldn't see the point of the modes for years. It was only when their relationship to chords and chord progressions was explained to me that I saw their value. Let's face it, starting a scale in a different place doesn't sound like the most worthwhile thing to practice if no one tells you what you'd use it for.
Yeah, I'm with you on that. I saw the modes as nothing more than the major scale starting on a different note and said so what?.... until I started to see the relationship with chords and extensions.
I didn't it at first. Until I got it under my fingers. Once you've play it for awhile the muscle memory comes to the fore. Also, for ear training using a keyboard or Looper play a C Maj Chord that repeates and you will hear it work.
The coolest and best no bull bass teacher on the planet. I've learnt so much from you quickly! Thanks so much!
Facts!!!!!!! Same here. He just blew my mind with that easy way to understand and memorize the modes
Can't understand why other tubers can't demonstrate like this. Not everyone that picks up the bass can understand the lingo.
My music teacher taught me the modes on piano, which I think is the best way to learn them. Most people don't understand why modes would sound different if you're using the same scale notes. It's not until you hear each mode played beside a chord that you can hear what they're all about.
I've been so intimidated by the modes that I kinda gave up trying to learn them. No one (that I've seen) has broken down the modes in this way. You've provided me with enough baby steps that things are clicking for me. Thank you!
Love ya. . You are a good instructor. . And am 61 years old. . . I feel like am 15....Bass player for life
What helped me was realizing that the modes are simply a set of scales each with a unique sequence of intervals equal to the number of notes in the scale.
I only remember the sequence of the first major scale, the Ionian, or the scale we all learned in grammer school ( do-ray-me-fa-so-la-ti-do). The same scale Julie Andrews taught the children in the movie "The Sound of Music", which is, starting at the root note, whole step-whole step-half step-whole step-whole step-whole step-half step arriving back at the root an octave higher.
The are seven scales; three major scales, three minor scales, and the diminished scale contained in this first seven note major (Ionian) scale.
So, if I want to play a minor scale, like the Dorian minor scale, from my first (root) note my sequence is whole step-half step-whole step-whole step-whole step-half step-whole step arriving back at the root an octave higher.
The original pattern stays the same, but the sequence of intervals is changing as you start at different points (notes) in the pattern (scale).
I hope this helps someone. I wanted to keep it short and simple but it seems a little long winded. Sorry, good luck to you all!
Thank you so much! I don't know why, but, I've never seen the modes described in this way. Every instructor ought to begin with that very clear linear description, moving one note to the right. So clear! Still much to learn but with that fundamental bit of info, much of the 'mystery' is suddenly gone. Thank you!!! Alex
Clear as water, thanks Mr. Bennett
Great lesson. Really simplifies the modes for me. as for remembering them, As a bass player here is what I just came up with: I Don't Play Like Marcus(miller) And Larry(graham)! LOL..But I wish I did!! thank you again!
Been following u for about 2 years now and a couple weeks ago after practicing all your previous lessons on modes for a while, I just came to an understanding. Like once I realized the stuff, I sat down and went through all the modes in every key. So for example day 1, the 7 modes in C, day 2 in F and so on and I went up the scale to the last note I could play. So let's say I did B locrian, I started on the open B string and ended on G 24th fret (basically I ended in G mixolydian) and walk it right back down to the open B string. Almost 4 octaves applying the 2 octaves major scale lesson from a while ago and shifting with my pinky while going up the scale and shifting with my index while going back down.
It's mostly how u think that mess u up while playing the modes. So if you're playing Eb Mixolydian, just think Ab Major/Ionian scale starting from Eb that way u won't mess up and play Eb major. Or think Eb major with a b7 since that's basically what the mixolydian scale is.
The mnemonic I used originally was "I Don't Particularly Like Modes A Lot" which I found funny, because I actually like them!
thats awesome! I'm stealing this lol
I needed this.
Masterfully explained.
Thank you
No thank you!
@@daricsbasslessons You're a great educator and a Master Bass Player. Hey, I really admire both you and Frederico Malaman you are both great players and human beings. Thanks, for all that you do and share.
The more I hear about music theory concepts, the more I realise it isn't some magical clandestine art and it's actually just cavemen doing simple combinations and shifts. Thank you.
DB...This lesson give me a very solid foundation to build on brother. This video is A+ especially how you put up the graphics . Thank you you sirr!
Damn when you realize what you couldn't figure out eventhough you've been playing it....Lol...We appreciate what you do!
Great explanation 🎉🎉🎉🎉🎉🎉
Thank you for the explanation. It really helped to bring everything I've learned in the past year together and make sense.
Awesome! Glad it helped man!
I Don't Punch Like Mahammed A-Li
I'm stealing this lol
really good explanation! thank you brother
Thank you! So helpful!
This is an awesome lesson daric..
Very useful and i understand easy thanks mr daric
Glad it was helpful!
Thank you!this going to be very useful for me 👍
On point and very useful tips! Thanks Daric
Thanks so much and you’re welcome!
Most important of the modes is to understand chords come from scales ,not vis versa
Nice! Thanks bro!
Great content brother
Nice guitar 🎸
Brillant
Good stuff.
I'm assuming there are those key root notes too within a chosen mode that a player needs to be aware of and learn? Thanks, Love the Elrick bass
i learn the name of the lydian scale because my wife's ame is Nidia XD and the Locrian scale because there's a food dish here in Dominican Republic named "Locrio" so for me is Locrian XD
Soo, can you play d dorian over a c chord?
I couldn't see the point of the modes for years. It was only when their relationship to chords and chord progressions was explained to me that I saw their value. Let's face it, starting a scale in a different place doesn't sound like the most worthwhile thing to practice if no one tells you what you'd use it for.
Yeah, I'm with you on that. I saw the modes as nothing more than the major scale starting on a different note and said so what?.... until I started to see the relationship with chords and extensions.
okay so i think my question would be what’s the difference between a C major scale and an Ionian Mode?
luckily for me I'm only into original bands so this does matter
Oh! OHHHHHH! OHHHHHHHHHH! :- ))
Awesome! Shouldn't the intervals be a focus when talking about modes tho? But great way of illustrating it. Thank you.
The fingerings pattern for each mode is not the same!!!!
Yeah I still can’t get it.
I didn't it at first. Until I got it under my fingers.
Once you've play it for awhile the muscle memory comes to the fore. Also, for ear training using a keyboard or Looper play a C Maj Chord that repeates and you will hear it work.
It will take some time and practice . But you will
@@daricsbasslessons So true Sir. It requires repetition and experimentation.
I got a cheap keybord and went down the white keys :) this has got to be hands down the best video on this so hit that replay.
@@IvoryMobley thanks for tip 👍🏽
The modes seems like Greek, but you explain it in English.
modes never seam to resolve
I Don't Punch Like Mohammed Ali
I Don't Punch Like Muhammad ALi
This dude is so full of himself. A showoff.
P, E, R, F, E, C, T,.... Thank you