I love these info packed and explained video format you’ve made. And despite not being one of the latest cameras launched you dedicated a great amount to G9 alone, I’m almost done with every single one, watching them fully. Really appreciate your effort!
I've finally got round to watching this. So camera viewing LUT off for clean feed to Ninja? And viewing LUT off on the Ninja when recording? Use the Viewing LUT to view your masterpiece
Hi Frank. The camera viewing LUT can stay on at all times. Just don’t send it out over HDMI (it’s a separate setting). The LUT on the NinjaV can stay on as well. Just be aware of the different exposure reading when the LUT is on. If you want to check the exposure of Vlog on the Ninja, you have to turn off the LUT. On the other hand, if you familiarise yourself with the difference in exposure reading, you could judge exposure with LUT on. Hope that makes sense!
@@RedFrameTech Good morning😀 I’m getting confused about the camera’s viewing LUT. As the camera connects to my Ninja via a HDMI cable should I turn the camera viewing LUT off? I can happily live with a washed out LOG image on the Ninja and use the Waveform + Zebras as my guide for exposure. I don’t want to be caught out again with mixing LUTs and exposure settings and ending up with under exposed footage that could not be saved. The noise in the shadows was shocking.😱😱
@frankinblackpool Good morning. I get the confusion. The viewing LUT can either be displayed on the camera's screen or _also_ be sent out over HDMI. In the 'HDMI Rec Output' menu there's a setting 'LUT HDMI Display'. Leave this set to OFF. This will make sure the viewing LUT won't affect any of you recorded footage. Neither internally nor externally (Ninja V). The viewing LUT also won't affect the reading of any exposure tools. Not in camera or on the Ninja.So, in short, you can leave the camera's viewing LUT set to ON at all times, given you have 'LUT HDMI Display' set to OFF.This way, you can use the Ninja like you described and you don't have to worry about any LUT being baked into your footage.
Hey, your first video about v-log brought me here. Thank you, they're really useful. Conincidentally, I also have a bmpcc (actually, I've 2) I mainly shoot on my GH5. I'm interested in how you matched the footage from your G9 and the bmpcc. Could you give me some pointers please?
My method is to shoot the same shot of a colour chart with both cameras (with the exact same exposure and native ISOs). Then get into Davinci Resolve, put a window on the chart, so I only see the chart represented in the vectorscope and match the colours and saturation of the colours on the charts by playing with hue vs hue, hue vs sat and hue vs lum. That’s how I created my G9 to GH6 conversion LUT and how I match footage to Ursa Mini Pro. You have to put a bit of time in, but it makes life easier afterwards. Sadly, I don’t have my BMPCC anymore. Hope that helps. Thanks for watching!
ATOMOS sell their own brand of HDMI cable that can transfer the video signal from a Lumix camera to the monitor for recording 4K, 422, 10 bit, 50p & 60p.
Hi. Thanks for your input! I am aware of the Atomos cables. Didn’t get those because I prefer non-coiled cables and they’re also a bit pricey to say the least
Thanks for the video! I tried doing your way with false color without lut and its hard for me to know which part are blown. My zebras on the camera is showing the part that is blown, but my false color is showing more blown areas.
Hi. Not entirely sure what you mean, but you can set your zebras to show up at a certain percentage or IRE. Make sure your set them to where you want them to show up and compare that to what you see on the false colors. Hope it helps!
@@RedFrameTech Haha sorry I mean Im so used to using a false color lut internally in my gh5 and I like to for example blow my highlights and slowly increase my nd filter until the clipped area is no longer blown. So whenever I see "red" in the false color, I know its blown. But now I just got a ninja V, the false color doesnt show "red" for the overexposed areas because its not hitting that IRE and I know is because vlog doesnt go beyond 80 IRE. Is there a way to stretch the vlog-l highlights to reach 90-100 IRE?
Will this cable work?: Highwings Short 8K HDMI Cable 1FT/0.3M 48Gbps, Ultra High Speed HDMI Braided Cord-4K@120Hz, 8K@60Hz,eARC,DTS-HD,12 Bit Color Compatible for PS5,Monitor,PC and More
Thanks again 🙏🙂 and yes, the Vari cam LUTs work well with the GH6. I only recently picked up the GH6 and haven’t had the chance to test much with it yet, but the LUTs work. The Vari cam LUTs have been designed for the full V-log version (which the GH6 has), although they also work well with V-logL. What camera do you use?
I love these info packed and explained video format you’ve made. And despite not being one of the latest cameras launched you dedicated a great amount to G9 alone, I’m almost done with every single one, watching them fully. Really appreciate your effort!
You’re very welcome! And thanks for watching!
Thank you very very much for this video. Thanks to you i can now set up my G9 with my Atomos monitor. Greetings from Dominican Republic!
🙏 happy to hear my video was helpful 🙂
Thank you for so good, well explained and came to the point videos. They help me a lot. 😊💙
I've finally got round to watching this.
So camera viewing LUT off for clean feed to Ninja?
And viewing LUT off on the Ninja when recording?
Use the Viewing LUT to view your masterpiece
Hi Frank. The camera viewing LUT can stay on at all times. Just don’t send it out over HDMI (it’s a separate setting).
The LUT on the NinjaV can stay on as well. Just be aware of the different exposure reading when the LUT is on. If you want to check the exposure of Vlog on the Ninja, you have to turn off the LUT.
On the other hand, if you familiarise yourself with the difference in exposure reading, you could judge exposure with LUT on.
Hope that makes sense!
@@RedFrameTech Good morning😀
I’m getting confused about the camera’s viewing LUT. As the camera connects to my Ninja via a HDMI cable should I turn the camera viewing LUT off?
I can happily live with a washed out LOG image on the Ninja and use the Waveform + Zebras as my guide for exposure.
I don’t want to be caught out again with mixing LUTs and exposure settings and ending up with under exposed footage that could not be saved. The noise in the shadows was shocking.😱😱
@frankinblackpool Good morning. I get the confusion. The viewing LUT can either be displayed on the camera's screen or _also_ be sent out over HDMI. In the 'HDMI Rec Output' menu there's a setting 'LUT HDMI Display'. Leave this set to OFF. This will make sure the viewing LUT won't affect any of you recorded footage. Neither internally nor externally (Ninja V). The viewing LUT also won't affect the reading of any exposure tools. Not in camera or on the Ninja.So, in short, you can leave the camera's viewing LUT set to ON at all times, given you have 'LUT HDMI Display' set to OFF.This way, you can use the Ninja like you described and you don't have to worry about any LUT being baked into your footage.
Hey, your first video about v-log brought me here. Thank you, they're really useful.
Conincidentally, I also have a bmpcc (actually, I've 2) I mainly shoot on my GH5. I'm interested in how you matched the footage from your G9 and the bmpcc.
Could you give me some pointers please?
My method is to shoot the same shot of a colour chart with both cameras (with the exact same exposure and native ISOs). Then get into Davinci Resolve, put a window on the chart, so I only see the chart represented in the vectorscope and match the colours and saturation of the colours on the charts by playing with hue vs hue, hue vs sat and hue vs lum. That’s how I created my G9 to GH6 conversion LUT and how I match footage to Ursa Mini Pro. You have to put a bit of time in, but it makes life easier afterwards.
Sadly, I don’t have my BMPCC anymore.
Hope that helps. Thanks for watching!
@@RedFrameTech That's brilliant, thank you for taking the time to reply, I'll give it a go. Best of luck :)
Any video about 10 bit 4.2.2 vs 4.2.0?
And 8 bit 4.2.0 vs 8 bit 4.2.2. Maybe there are others videos, but I Like your style.😉
Thanks Andres 🙏
I probably will make a video around that topic
Thank you for all the information! You help a lot 🙏🏼
Just a note: The GH6 and the S1H both have vector scopes in camera. And the S5ii as well, but I think that came out after this video.
True. And the GH6 and S5II came out after this video
Very clear. Thanks 🙏
ATOMOS sell their own brand of HDMI cable that can transfer the video signal from a Lumix camera to the monitor for recording 4K, 422, 10 bit, 50p & 60p.
Hi. Thanks for your input!
I am aware of the Atomos cables. Didn’t get those because I prefer non-coiled cables and they’re also a bit pricey to say the least
Thanks for the video! I tried doing your way with false color without lut and its hard for me to know which part are blown. My zebras on the camera is showing the part that is blown, but my false color is showing more blown areas.
Hi. Not entirely sure what you mean, but you can set your zebras to show up at a certain percentage or IRE. Make sure your set them to where you want them to show up and compare that to what you see on the false colors. Hope it helps!
@@RedFrameTech Haha sorry I mean Im so used to using a false color lut internally in my gh5 and I like to for example blow my highlights and slowly increase my nd filter until the clipped area is no longer blown. So whenever I see "red" in the false color, I know its blown.
But now I just got a ninja V, the false color doesnt show "red" for the overexposed areas because its not hitting that IRE and I know is because vlog doesnt go beyond 80 IRE. Is there a way to stretch the vlog-l highlights to reach 90-100 IRE?
@@Farisdaniiel Oh I see what you mean now 😃 Unfortunately there's no way to adjust the false colours on the Ninja V. It is the colour it is at 80 IRE.
Will this cable work?: Highwings Short 8K HDMI Cable 1FT/0.3M 48Gbps, Ultra High Speed HDMI Braided Cord-4K@120Hz, 8K@60Hz,eARC,DTS-HD,12 Bit Color Compatible for PS5,Monitor,PC and More
48Gbps, yes that should work
Excellent info great link to have with the Luts. Will those vari cam luts work well with GH6
Thanks again 🙏🙂 and yes, the Vari cam LUTs work well with the GH6. I only recently picked up the GH6 and haven’t had the chance to test much with it yet, but the LUTs work. The Vari cam LUTs have been designed for the full V-log version (which the GH6 has), although they also work well with V-logL. What camera do you use?
@@RedFrameTech looking forward !