Feel a bit jealous, those first few months of synthesis exploration are magical. It's part of what drives GAS, trying to recapture those moments of revelation and discovery. Enjoy the trip, see you in space!
What I love about the things you share (apart from appreciating that you do take the time to share it) is that more often than not your videos are just inspiring. Try things, mess around with idea, laugh at what sounds like (or actually is) a mistake … grab some coffee and start over again. There are only one or two other people that have this level of impact on how I feel about making music - and even more important: help me to return to making music, again and again and again. Thank you so much!
5 years I had my Montage and I only played the presets. The first time I programmed a sound was after seeing this video. As a result I stored it as "Tinez Bass". Thanks for the inspiration! :)
It ain’t gotta be complicated to be good, it’s just gotta be good to be good. This patch - and this video - is good. I do the same Juno 106 pad on nearly every synth I buy.
Great video, this is exactly what I do on every synth too. I also have Pro 2 and Pro 3 and let me expand on this Pro 3 patch: 1. I start with the saw on VCO 1 but that is irrelevant atm - pulse will give you more round bottom though 2. Filter - there are few things to do here - I choose one of the two low pass filters, crank up resonance and set cutoff. Instead creating simple AD filter envelope, I prefer going with ADSR like you, sometimes even with negative values, but that might be too much. Set key tracking just a bit. This is for a flavour , don't have to do this. I prefer having rounder bottom notes and brighter tops, that I can turn into acid if I use after touch. Do not assign your envelope amount to max. Control his the other way, with the pressure. Set filter envelope to retrigger. 3. VCA envelope - turn on "velocity" so your envelope follows. Create zero or near zero attack, figure out decay, sustain, short release 4. Now - a trick I picked up from the Tempest, and that always works if you want snappy sound - take VCA envelope as a source and VCA envelope decay as mod destination. Set it to 30 ish. This will make for a smooth end of your bass hit . 5. Then, i turn on aux envelope to be pretty snappy - and this is a matter of tweaking - assign it to resonance, and mod it with pressure - to allow for more resonance control while you play. 6. Turn on VCO 2 - we have 3 oscillators, lets use at least 2! - here I go with pulse and assign slow lfo to the shape , taking care it never goes past 70% of pulse width squash - mix it in 50% under saw, it is sill way louder than saw. 7. I would always turn glide on and add a little bit of port here. 8. Effects, drive etc, as you wish :) It is given this is simple patch we all go for as soon as we see an oscillator and a filter, there is something so satisfying in that "boom boom - squelch" sound when you hi two bottom d's and then raise it an octave lol
I feel like the Pro 2 is verrrry underrated as a mono / paraphonic beast... I too own one and combined with a small investment in modular this is a dream synth. I need to make it a more central part of my modular rig than I currently do... sort of got the GAS when delving into the world of Eurorack, but the Pro 2's 32/8 or 16/16 sequencer and mod matrix for 4 CV outs (and midi cc) gives you so many options to bring rich analog character (analog VCOs that wiggle and waver on their own according to power current) and some wild effects (wavefolders, CV delay, multisampling to make it a mono-para-poly rig, extra s&h, quantizers, sequencing arpeggiation) to a precise digital sound design tool... yes, my modular became a fun rig all on its own, but part of the fun was putting together small skiffs specifically to gig with the Pro 2 - no one knows what to expect when bringing me into a jam.
@@fetterssv PRO 2 sound source is 100% digital, when you mentioned wavering VCOs, did you mean PRO3 or another, modular sound source? I think both synths are monsters and while I am sure sequencers work great for you on modular, not using these two synths architecture is a shame:))
Synthesizers can become overwhelming when you look at the infinity of sounds that can be produced from a myriad of available controls and settings. I love how you zero in on a small section of a synth and show the functionality of just a few parameters at a time. This really promotes understanding of what is really going on behind the scenes in your filters and envelopes. Many times I think that the simplicity in how a sound is crafted wins out over convoluted and quirky setups and complicated routings. Great video! Thanks for enhancing my understanding and my inspiration! And thanks for just being real ;-) about how all of us do this thing we love.
this entire channel is a great demonstration of how important lighting and camera/lens quality is. your content can be literally the most basic nothing advice but as long as it looks nice, thousands of people will love it
@@stanvanillo9831 I think he's just saying about the video . It is very basic even Ricky said it's basic stuff . It's true I'd rather watch this than a super low quality video on the topic. Presentation is important on a platform such as RUclips . Can't get mad at the truth
So cool. I freshly dipped my toes into the synth world, purchased a Novation Circuit Tracks, and this was one of the first patches I made with its components software. So awesome... Thanks man, both for the patch and the inspiration! You worth your weight in gold!
despite my main monosynth being a moog granmother with shared amp/filter envelope, the keyboard release amp mode allows you to approximate this patch as well. it is also my go-to patch. though my preferred waves are a square wave with a hardsynced triangle wave at the same pitch. add resonance to taste.
I spent years wondering in the wilderness, not using the filter envelope when I created bass sounds. I figured it out, oh, like 3 months ago with my Moog Minitaur…… Lemme tell ya, I’d really thought the thing that mattered was the oscillators, and it’s just not true (at least with bass sounds). You can filter any wave down for a good bass sound and then, to really make it sing, start using the filter envelop (as you show here). Honestly, it’s one of those things that feels so simple when you figure it out that it kind of escapes notice that you even learned anything. And, I think because of that, nobody really explains this technique to new producers. So, I’m glad you made this video, honestly everyone going about making bass synth sounds should be aware of this. Hopefully they find this video ;)
I would have liked to hear at the end, when you’re putting it in a musical context, an example of the sound with an effects set you might use. Still, much appreciated as is.
This patch should be in everyone's pocket. It's not basic. It's fundamental. I am on VCV and I always patch the envelope into the filter, which in the modular world is almost always a voltage controlled filter with an attenuator. It's a staple of sound design.
Man, dude! I always thought I know about ADSR... but your explantation is so insightful - it really opened my eyes. Big THX Ricky! Soundwise: for me, its THAT Housebass --> know your fundamentals
I totally agree with you. Simplicity is good. Having a really nice workhouse bass sound is essential. I've never found a heavily modulated/complex bass sound that satisfying.
Every bassist approaching bass synth should see this. More than helpful for me, thanks man! ✌🏻 I recently bought a Bass Station II and for those how are searching for the "amount" knob, it's "Mod Env depth" next to the frequency knob. Just discovered now XD
I'd call this vid "My Top Secret Bass Patch - ADSR explained" Thanks for this! I never could fully wrap my head around ADSR (especially sustain) but your explanation just made it easy for me to understand.
Thank you, this helped me a lot to design patches using filter envelope, and understanding the different parameters As always, amazing content, and your energy is so warm
When I heard Pulsewidth, I thought yeah, bring on some PWM. Thank you Ricky for sharing your bass tips! It's very easy to make this kind of synth bass patch with the Roland Juno 106, in fact there is a preset called funky, I think that is close-ish. For those of you who are wondering how a synth with only a 2 digit LED display has patch names, the 106 came with a sheet of paper with the patch numbers and next to it, the patch names!
...then start modulating the filter amount and or filter and filter decay! Btw...for techno tracks I skip the sustain (set to 0)...perfect for percussive sounds.
Bread & butter indeed -- this is the heart of the Moog/subtractive/East-coast approach to synthesis. Think about this video while listening to the sound design on Switched-On Bach.
I loved my Juno-106 because I could dial in sounds like this during my live sets. Having such parameters accessible as knob or fader is so helpful. Like watching your youtube videos Ricky.
Thanks dude for much clarity on how to use sustain to control an internal filter, very useful. Talking of Novation; I have a BassStation - the original version - unfortunately the ADSR envelope settings are switched between the amp and the filter (and the PWM kinda) by teeny tiny itty bitty switches that they must have stolen out of the back of recycled 1970's transistor radios and so whatever setting you've got it on turns out to be the wrong one whenever you twiddle a knob. Pfffff! Sounds great though once you've dialed something in and "saved" it. Pretty useless in a performative way except you can generally adjust the filter with the mod wheel but even that is a bit hit and miss. I've taken to playing it through an external filter, DJ style lately. I'm skint, it's a hobby. Any suggestions, other than buy a BS2?
Hell yeah dude! The way you teach how to do something is literally perfect. Thanks! A lot of people can learn how to teach just from watch you even lol.
Your videos are incredible! I am a hardcore fan of electro & game music. I am trying to get into music making myself & have gotten a synthesizer but I am confused if I should learn to play a piano (I have no idea if that even makes sense). I really would love to know what my first step should be, so far I own an arranger keyboard & a synthesizer and am a complete noob. XD
To do: watch all Ricky Tinez's vid's next. :-) (I have got so much to learn. Recently purchased a Hydrasynth Deluxe and a Novation Peak because I want to get into sound design.)
every bass patch on youtube: saw wave or square wave. close the filter. add envelope to to filter. if you're creative use another envelope to modulate pitch. maybe map velocity and keytrack as well... THE END ps: if it's a poly, make sure you set to MONOPHONIC and perhaps use a bit of glide : D
Great explanation 👍. There's an old Sylvester track that has a mellow version of this bass sound. I must give it a try because I tend to gravitate to triangle without thinking about other options.
Thanks! It is a great help to get to the right bass on my Minitaur. Never thought about the Sustain-move... Actually, the end was NOT embarassing: Playing without a sequencer is the real thing ;-)
Every great acid bass sound starts with this as it's foundation, sidechain mods include wavefolding and pulse width modulating. Of course dirty/rich filters that resonate without losing low end like WASP or SEM filters in notch mode are truly magical. These mono synths with CV in/out and multi-channel sequencers that fit in the mod matrix make precise digital sound design control hybridized with analog outboard modular tools an absolute dream.
Hmm, I've been eyeballing the Pro 3 to accompany my hydrasynth Desktop. Probably use it as a controller also. I use the Akai force for my Beats. How do you find the Pro 3 in general for bass and leads as well as some drone business? Thanks for sharing Ricky. (I'm guessing the Pro3 will drive a poly synth (chords) Via midi)
right around 12:44 where you say "brain can't compute", you darken the sound to a level that I find perfect for the bassline you're playing. The sub bass hum and subtlety I think is the most pleasing form of this patch from the episode IMO.
No computer though. Just samsung tablet and phone and and 2 YAM dgx and korg r3 with vocoder. Midi and patching is very important but I'm confused about how to go about this without a computer
Hi! would you mind if I ask you what your position at Novation is and how you got there? Almost done with my Production & Sound Design bachelors from Berklee and... well yea, I'm just thinking about possible paths I can take post-college and working for some of these audio companies (like focusrite and novation) sounds like something that can interest me 😅 Thanks so much for your vids, I always have a great time watching
You are complicating the whole "where is it going to land" and "max attack and decay" thing, while having not one, but TWO auxilliary envelopes in front of you. By applying recursive modulation to any of these, either directly in aux envelope section or in the mod matrix (I suggest the latter as you can choose multiple destinations), you can fully control "where it lands". In this case you can: change envelope stage shapes for attack and decay between linear, exponential and logarythmic, as well as control sustain by applying negative recursive modulation. It sounds more complicated than it actually is. And... you are making bass patch using P6 filter, while there is perfectly moogy ladder next to it?:)
@@RickyTinez I think it's really important for making your "sound" as well! Not getting stale but just enough familiarity in vibe to be you. Gotta love it! Hope you're good bro!
As a newbie, this gave me a better and more clear understanding of attack, decay, and sustain. Thanks for the value, Ricky!
Hell yea! Happy to help
Feel a bit jealous, those first few months of synthesis exploration are magical. It's part of what drives GAS, trying to recapture those moments of revelation and discovery. Enjoy the trip, see you in space!
What I love about the things you share (apart from appreciating that you do take the time to share it) is that more often than not your videos are just inspiring. Try things, mess around with idea, laugh at what sounds like (or actually is) a mistake … grab some coffee and start over again. There are only one or two other people that have this level of impact on how I feel about making music - and even more important: help me to return to making music, again and again and again. Thank you so much!
I agree completely!
Wow LordGU! Thank you for those incredible words that means a ton
“...doing negative stuff- not to yourself, or to your mind, but to a synth.” Transformative. Bravo 👏 😂
5 years I had my Montage and I only played the presets. The first time I programmed a sound was after seeing this video. As a result I stored it as "Tinez Bass". Thanks for the inspiration! :)
It ain’t gotta be complicated to be good, it’s just gotta be good to be good. This patch - and this video - is good. I do the same Juno 106 pad on nearly every synth I buy.
The jig is up! We know your secrets now. All your bass are belongs to us!
GLITTERING PRIZES
Thereisnospoon
Make your time.
Hahaha 🤣
@@Michael_Smith-Red_No.5"tine"
Great video, this is exactly what I do on every synth too. I also have Pro 2 and Pro 3 and let me expand on this Pro 3 patch:
1. I start with the saw on VCO 1 but that is irrelevant atm - pulse will give you more round bottom though
2. Filter - there are few things to do here - I choose one of the two low pass filters, crank up resonance and set cutoff. Instead creating simple AD filter envelope, I prefer going with ADSR like you, sometimes even with negative values, but that might be too much. Set key tracking just a bit. This is for a flavour , don't have to do this. I prefer having rounder bottom notes and brighter tops, that I can turn into acid if I use after touch. Do not assign your envelope amount to max. Control his the other way, with the pressure. Set filter envelope to retrigger.
3. VCA envelope - turn on "velocity" so your envelope follows. Create zero or near zero attack, figure out decay, sustain, short release
4. Now - a trick I picked up from the Tempest, and that always works if you want snappy sound - take VCA envelope as a source and VCA envelope decay as mod destination. Set it to 30 ish. This will make for a smooth end of your bass hit .
5. Then, i turn on aux envelope to be pretty snappy - and this is a matter of tweaking - assign it to resonance, and mod it with pressure - to allow for more resonance control while you play.
6. Turn on VCO 2 - we have 3 oscillators, lets use at least 2! - here I go with pulse and assign slow lfo to the shape , taking care it never goes past 70% of pulse width squash - mix it in 50% under saw, it is sill way louder than saw.
7. I would always turn glide on and add a little bit of port here.
8. Effects, drive etc, as you wish :)
It is given this is simple patch we all go for as soon as we see an oscillator and a filter, there is something so satisfying in that "boom boom - squelch" sound when you hi two bottom d's and then raise it an octave lol
I feel like the Pro 2 is verrrry underrated as a mono / paraphonic beast... I too own one and combined with a small investment in modular this is a dream synth. I need to make it a more central part of my modular rig than I currently do... sort of got the GAS when delving into the world of Eurorack, but the Pro 2's 32/8 or 16/16 sequencer and mod matrix for 4 CV outs (and midi cc) gives you so many options to bring rich analog character (analog VCOs that wiggle and waver on their own according to power current) and some wild effects (wavefolders, CV delay, multisampling to make it a mono-para-poly rig, extra s&h, quantizers, sequencing arpeggiation) to a precise digital sound design tool... yes, my modular became a fun rig all on its own, but part of the fun was putting together small skiffs specifically to gig with the Pro 2 - no one knows what to expect when bringing me into a jam.
@@fetterssv PRO 2 sound source is 100% digital, when you mentioned wavering VCOs, did you mean PRO3 or another, modular sound source? I think both synths are monsters and while I am sure sequencers work great for you on modular, not using these two synths architecture is a shame:))
Synthesizers can become overwhelming when you look at the infinity of sounds that can be produced from a myriad of available controls and settings. I love how you zero in on a small section of a synth and show the functionality of just a few parameters at a time. This really promotes understanding of what is really going on behind the scenes in your filters and envelopes. Many times I think that the simplicity in how a sound is crafted wins out over convoluted and quirky setups and complicated routings. Great video! Thanks for enhancing my understanding and my inspiration! And thanks for just being real ;-) about how all of us do this thing we love.
this entire channel is a great demonstration of how important lighting and camera/lens quality is. your content can be literally the most basic nothing advice but as long as it looks nice, thousands of people will love it
@@stanvanillo9831 I think he's just saying about the video . It is very basic even Ricky said it's basic stuff . It's true I'd rather watch this than a super low quality video on the topic. Presentation is important on a platform such as RUclips . Can't get mad at the truth
So basically a Moog Minotaur would be enough 😜
Or for something cheaper... almost anything with a lowpass filter and a filter envelope. For example, a Microbrute or Bass Station 2.
Yes, if all you want to do is design one sound at a time. Which can also be done even more cheaply with a Werkstatt.
So cool. I freshly dipped my toes into the synth world, purchased a Novation Circuit Tracks, and this was one of the first patches I made with its components software. So awesome... Thanks man, both for the patch and the inspiration! You worth your weight in gold!
despite my main monosynth being a moog granmother with shared amp/filter envelope, the keyboard release amp mode allows you to approximate this patch as well.
it is also my go-to patch. though my preferred waves are a square wave with a hardsynced triangle wave at the same pitch. add resonance to taste.
I spent years wondering in the wilderness, not using the filter envelope when I created bass sounds. I figured it out, oh, like 3 months ago with my Moog Minitaur…… Lemme tell ya, I’d really thought the thing that mattered was the oscillators, and it’s just not true (at least with bass sounds). You can filter any wave down for a good bass sound and then, to really make it sing, start using the filter envelop (as you show here).
Honestly, it’s one of those things that feels so simple when you figure it out that it kind of escapes notice that you even learned anything. And, I think because of that, nobody really explains this technique to new producers. So, I’m glad you made this video, honestly everyone going about making bass synth sounds should be aware of this. Hopefully they find this video ;)
Bruh I feel you 100%
Yeap
I’m waiting for the day that this doesn’t feel like a foreign language to me. Working on it
There’s several entire genres that have been around since the 90s that revolve around (a variation) of this sound.
Hell yeah. Supper dope. Leaned a lot from this "simple" patch. Thanks for the content RT! Been watching for a bit, and still living the channel.
One of the best friends intros to ADSR I’ve seen. Thanks!
This made the ADSR of the Filter Envelope section of my synth CRYSTAL CLEAR! Thank you so much, and keep creating awesome videos!!!
Literally first thing I do when I hit the studio is make this exact patch, what a staple.
I would have liked to hear at the end, when you’re putting it in a musical context, an example of the sound with an effects set you might use. Still, much appreciated as is.
I was thinking how funny it would be if it were the same bass patch as the one I make most of the time, and it was :) Love it Ricky
This patch should be in everyone's pocket. It's not basic. It's fundamental. I am on VCV and I always patch the envelope into the filter, which in the modular world is almost always a voltage controlled filter with an attenuator. It's a staple of sound design.
Man, dude! I always thought I know about ADSR... but your explantation is so insightful - it really opened my eyes.
Big THX Ricky!
Soundwise: for me, its THAT Housebass --> know your fundamentals
Really good explanation of the use of amp and mod envelope filters. It finally started to click
This is mindblowing. Thats such a great way to dial in the envelope via the sustain. This opened up an easy way to do that.
Thanks a lot for sharing.
I totally agree with you. Simplicity is good. Having a really nice workhouse bass sound is essential. I've never found a heavily modulated/complex bass sound that satisfying.
Every bassist approaching bass synth should see this. More than helpful for me, thanks man! ✌🏻
I recently bought a Bass Station II and for those how are searching for the "amount" knob, it's "Mod Env depth" next to the frequency knob. Just discovered now XD
Wow this helped a lot. Just made a patch like this on my bass station 2 and jammed on it for an hour.
My favourite bass sound is "lately bass" from the Yamaha TX81Z. The most versatile bass ever!
It's like you knew I was working on basslines this weekend... THANKS!
I'd call this vid "My Top Secret Bass Patch - ADSR explained"
Thanks for this! I never could fully wrap my head around ADSR (especially sustain) but your explanation just made it easy for me to understand.
Can this be done on a DX9 or Vocal Bass? Right around the 13:00 mark you get a nice Public Enemy sound.
Love your stuff every time Ricky ... even if it's just to hear the enthusiasm and positivity 👍🙏
Thank you, this helped me a lot to design patches using filter envelope, and understanding the different parameters
As always, amazing content, and your energy is so warm
The negative stuff line cracked me up haha
Out of nowhere 😄
You’re a gem Ricky!
Knowledge Dropped. That's a very smooth and chill AF bass😄
This was really helpful for me. Thanks for posting!
First time I really understand why two separate envelopes are used for VCA and VCF. Cool and thanks.
When I heard Pulsewidth, I thought yeah, bring on some PWM. Thank you Ricky for sharing your bass tips! It's very easy to make this kind of synth bass patch with the Roland Juno 106, in fact there is a preset called funky, I think that is close-ish. For those of you who are wondering how a synth with only a 2 digit LED display has patch names, the 106 came with a sheet of paper with the patch numbers and next to it, the patch names!
*Nick Batt has entered the chat*
Who is Nick Batt?
Haha, yes I think I stole the PWM thing from Nick Batt, then forgot his name!
...then start modulating the filter amount and or filter and filter decay! Btw...for techno tracks I skip the sustain (set to 0)...perfect for percussive sounds.
A nice video and a fun to use sound, I made it inside my DAW with stock tools and it was fine. Thanks!
Bread & butter indeed -- this is the heart of the Moog/subtractive/East-coast approach to synthesis. Think about this video while listening to the sound design on Switched-On Bach.
I loved my Juno-106 because I could dial in sounds like this during my live sets. Having such parameters accessible as knob or fader is so helpful. Like watching your youtube videos Ricky.
Roland just released the JD-08 its ideal for sound design.
My Korg M500 Micropreset doesn't have these features. But it has 'A' bass sound that is sublime simplicity that I absolutely adore :)
This was the best “real use case” lesson on filter adsr that I have ever seen. So good my dude!!
Adsr's are great utility CV wigglers. They even make decent off-beat sequencers if they have gate/trigger outputs at individual event stages.
Inspirational as always!
Thanks dude for much clarity on how to use sustain to control an internal filter, very useful. Talking of Novation; I have a BassStation - the original version - unfortunately the ADSR envelope settings are switched between the amp and the filter (and the PWM kinda) by teeny tiny itty bitty switches that they must have stolen out of the back of recycled 1970's transistor radios and so whatever setting you've got it on turns out to be the wrong one whenever you twiddle a knob. Pfffff! Sounds great though once you've dialed something in and "saved" it. Pretty useless in a performative way except you can generally adjust the filter with the mod wheel but even that is a bit hit and miss. I've taken to playing it through an external filter, DJ style lately. I'm skint, it's a hobby. Any suggestions, other than buy a BS2?
Hell yeah dude! The way you teach how to do something is literally perfect. Thanks! A lot of people can learn how to teach just from watch you even lol.
Ricky we need more of that dubby Jams on the channel
Great explanation of ADSR envelopes!
Your videos are incredible! I am a hardcore fan of electro & game music. I am trying to get into music making myself & have gotten a synthesizer but I am confused if I should learn to play a piano (I have no idea if that even makes sense). I really would love to know what my first step should be, so far I own an arranger keyboard & a synthesizer and am a complete noob. XD
Check out Syntorial if you wanna shortcut to learning synth programming
I loved your “technically I work for them now…” 😂
great video, love the explanation, I have learnt something today:)!
Much appreciated! Fun to get to know my Pro 3 better.
You ARE my Skillshare 🤣😊 big ups fam!
Great video! Love the explanations and demonstrations.
To do: watch all Ricky Tinez's vid's next. :-) (I have got so much to learn. Recently purchased a Hydrasynth Deluxe and a Novation Peak because I want to get into sound design.)
every bass patch on youtube: saw wave or square wave. close the filter. add envelope to to filter. if you're creative use another envelope to modulate pitch. maybe map velocity and keytrack as well...
THE END
ps: if it's a poly, make sure you set to MONOPHONIC and perhaps use a bit of glide : D
Much appreciated! Fun to get to know my Medusa ;)
I appreciate all of your videos. Thank you so much for sharing!
well explained! would be dope to see more synthesis vids!
lol "start doing negative stuff' that made me giggle
Great explanation 👍. There's an old Sylvester track that has a mellow version of this bass sound. I must give it a try because I tend to gravitate to triangle without thinking about other options.
I think that it’d be genuinely fun seeing you create this bass sound on a Digitakt using single cycle wave forms.
The Fred Rogers of explaining synths 🤘🏼
Thanks! It is a great help to get to the right bass on my Minitaur. Never thought about the Sustain-move...
Actually, the end was NOT embarassing: Playing without a sequencer is the real thing ;-)
Every great acid bass sound starts with this as it's foundation, sidechain mods include wavefolding and pulse width modulating. Of course dirty/rich filters that resonate without losing low end like WASP or SEM filters in notch mode are truly magical. These mono synths with CV in/out and multi-channel sequencers that fit in the mod matrix make precise digital sound design control hybridized with analog outboard modular tools an absolute dream.
+1 for sounds design using a synth videos!
which synth so far does you favorite version of this bass patch?
I appreciate you too, a lot.
Very helpful! Thank you:)!
that thumbnail is awesome
ricky is a good man with fat sounds
Killer bass thanks for sharing the knowledge! :D
love content like this
Hmm, I've been eyeballing the Pro 3 to accompany my hydrasynth Desktop. Probably use it as a controller also. I use the Akai force for my Beats. How do you find the Pro 3 in general for bass and leads as well as some drone business? Thanks for sharing Ricky. (I'm guessing the Pro3 will drive a poly synth (chords) Via midi)
What an incredible lesson on envelopes..
Not a boring sound at all. Its a fundamental sound that is very versatile.
Thanks for sharing, super useful!
right around 12:44 where you say "brain can't compute", you darken the sound to a level that I find perfect for the bassline you're playing. The sub bass hum and subtlety I think is the most pleasing form of this patch from the episode IMO.
I wonder if this can be done on a Subharmonicon?
No computer though. Just samsung tablet and phone and and 2 YAM dgx and korg r3 with vocoder. Midi and patching is very important but I'm confused about how to go about this without a computer
Hi! would you mind if I ask you what your position at Novation is and how you got there? Almost done with my Production & Sound Design bachelors from Berklee and... well yea,
I'm just thinking about possible paths I can take post-college and working for some of these audio companies (like focusrite and novation) sounds like something that can interest me 😅
Thanks so much for your vids, I always have a great time watching
Well put Rickey!
Simple things work!!!!
Great beginner's patch! Even better with PWM
Thanks Ricky.
I have a Behringer MonoPoly and a Sub Phatty, although I may have to sell the SP... can I do this on the MP?
Absolutely! The MonoPoly has a separate filter envelope.
I need to learn patch. I've got a korg r3 that I want to patch no idea how to.also does my yamaha dgx do patching too?!
“Your friends, for lack of a better term” :D (Sorry-I know that’s not how you meant it)
filter evelopes are your friend when making basses
Super helpful...thanks!
You are complicating the whole "where is it going to land" and "max attack and decay" thing, while having not one, but TWO auxilliary envelopes in front of you. By applying recursive modulation to any of these, either directly in aux envelope section or in the mod matrix (I suggest the latter as you can choose multiple destinations), you can fully control "where it lands". In this case you can: change envelope stage shapes for attack and decay between linear, exponential and logarythmic, as well as control sustain by applying negative recursive modulation. It sounds more complicated than it actually is. And... you are making bass patch using P6 filter, while there is perfectly moogy ladder next to it?:)
What if my synth does not have any negative stuff?
Why does your camera always look so damn good
Sometimes less is more, good times!
exxaaccttllyy!! if it works, keep it going!
@@RickyTinez I think it's really important for making your "sound" as well! Not getting stale but just enough familiarity in vibe to be you. Gotta love it! Hope you're good bro!
Excellent explanation very good video, thank you. it could include subtitles in spanish it would help a lot thank you very much
muy buen video saludos desde Baja California
You really could have made this with a visual synth like vital or so. But really great video still
Really cool vid thanks a lot
MS-1 (sh-101): does anyone know if it has Separate MOD and AMP or filter ENV?
Thanks Ricky. What camera are you using? Lens? 💗
Check the video description
@@MChristian Doh! Tnx ✌️