Natsuho Murata wows Italy | Mozart: Violin Concerto No.3
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- Опубликовано: 5 дек 2020
- Natsuho performs Mozart: Violin Concerto No.3 in G major, K.216 with Accademia d’Archi Arrigoni di San Vito conducted by Domenico Mason in the Teatro Verdi in Pordenone on 29.01.2019, returning to Italy after winning first prize in the 2018 Il Piccolo Violino Magico competition. She shows her flair for Mozart in this first of two performances with this orchestra (the second conducted by Paolo Paroni in the Teatro Pileo) with her signature elegant phrasing and mature style.
In addition, her 2019 performance schedule in Italy included "Summer" from Vivaldi's Four Seasons to celebrate the Summer Solstice in the seaside resort of Lignano Sabbiadoro on 21.06.2019 (bravely performed at dawn, with the same orchestra and conductor) and a recital of Mozart and Beethoven sonatas in a castle in Felino on 29/06/2019.
With grateful thanks to Accademia d'Archi Arrigoni and Il Piccolo Violino Magico for permission to post this video: / 888133714944577 .
PS: You can support Natsuho during these difficult pandemic times by obtaining a ticket (only 500 yen or US$5) to her recent online recital in the Save the Young Artists program curated by her renowned teacher, Koichiro Harada: www.stya-online.com/videos/ ; Natsuho is the Vol. 7 performer.
Details of the online recital are summarised in the description to the video of Natsuho performing the Paganini Cantabile: • Natsuho Murata (Moscow... .
UPDATE: You can watch a sample clip of Natsuho performing the Bach Chaconne from her online recital here: • Aspen Online Concert ”... . 
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私は夏帆さんの表情が大好きです。シャイで素朴でそんな外見から感じられる貴女の内面はとても心がきれいな方だと思います。
それが演奏に出ているのでしよう。そう思っています!!
今後も沢山聞かせて下さいね!! 0:29
Sono felice di riascoltare questo prezioso gioiello di Mozart in una interpretazione perfetta e affascinante, Aggiungo che eseguivo il Conc,in Sol M ,a 12anni un tempo che non tornerà mai più, Grazie per il godimento,❤
軽やかで伸び伸びとした旋律、美しいです。
夏帆さんの動画を始めて見た時「ウソ❣」って思いました。演奏の切れの良さ・彫りの深さ・彼女が理解した音達の魅力は聴く我々を有無を言わせない感動と説得力で包みます。どうしても彼女の実年齢噛み合いません❓。堂々とした姿は何から来るのでしょう❓。これが超天才と云う事でしょうか。
全てにおいて 人間技の頂点に近いところまで到達している アーティストだと思います。 何かが憑依しているんじゃないでしょうか。 演奏時 のアップ動画を見ていると そう感じることがたびたびの 昨今です。
勘違いです!!
３年たった今と進歩してないですね。これが、夏帆さんの限界、ピークでしょうね！とても上手い演奏家だと思います。それだけです。
@@user-uy9bi2fq5y いいえ勘違いではありません
@@user-uy9bi2fq5y 勘違いではありませんよ
夏帆さんの音色はとても優しく本当に美しいです🎶😌
凄いのひと言 バイオリンの新しい世界😢😮😊
豊かな情感あふれる音色、艶やかな生命力を感じ、素晴らしいです。
これが、天才と言うのでしょうか。
今後楽しみです。
私も彼女の大ファンです❤
She moved me to tears. What talent. God bless you!
彼女の素晴らしい演奏は普遍的で世界的な共通語、感動になりうる。
曲全体の流れを調和させる素晴らしいリズム感のセンス
けれんみの無い美しい音色
今の時代に本当に必要とされるバイオリニストではないでしょうか。
これからも、伸び伸びとしたドライブ感溢れる演奏を楽しみにしています。
そのチャーミングな笑顔のアップもよろしくお願いします。
9Ķt❤5
An amazing artist even at this age. She is bound for greatness.
賞賛の嵐❤
夏帆さんは 若いけれどプロですね
昨年のコンサートで聴きました。物おじせずに素晴らしい
清澄で上品な音。夾雑物や邪な精神を拒絶した演奏姿勢にのみ宿る音。
Fantastico !!!!
上手い
夏帆は、Piccolo Magico 2018のGala Concertとして、2019年の1月29日 (in
Podenone, 背景が青色 ), 2月2日( in San Vito ), 2月3日( in Prrata、背景が橙色 ) の
3回連続でAcca-demia d’Archi Arrigoniと協演しています。これらが2019年6月12日
開催のNutcrackerのGala Concert の成功に繋がりました。このVideoは、Mozart
Concerto No.3の原点ともいえる名演です。
What a versatile violinist she is！
Comfort and Comfort surge up within me
この歳にしてすでにヴィルトゥオーゾ、驚嘆!
To behold as a great violinist !!!
Marvelous performance! Congrats!
Natsuho Murata is not only talented, she's a miracle
NOW THAT'S A VERY TRUE STATEMENT!!!!!!!!!! BRAVO
Her solo part is God's presence, blessing the composer, the conductor, the orchestra and the audience. And the solo lead is provocative, the orchestra takes it softly and she responds gently. Mutual trust that is not one-sided erases the boundaries of race, age and gender in this space and leads to the original goal of music.
ありがとう！夏帆.
There are many more skilled than you. However, your 10-year-old innocence and expressiveness towards music is something no one can do.
そして指揮者、オーケストラ、この場を提供してくれた全ての皆さんに感謝します。
MARAVILHA 👏👏👏👏👏👏🇧🇷🇧🇷
Very impressive!
this girl is my love. angel
Das ist schon herausragend, selbstbewußt, konzentriert und dabei mit spielerischer Leichtigkeit schon genial interpretiert. Außergewöhnliches Talent und das angesichts ihres Alters.
Wir sind hier definitiv mit Ihnen einverstanden, also willkommen im Natsuho Murata Enthusiastenclub.
Wenn Sie dies noch nicht getan haben, kaufen Sie ein Ticket (4 €) für ihr Online-Konzert im September, das von ihrem renommierten Lehrer Koichiro Harada kuratiert wurde: www.stya-online.com/videos/; Natsuho ist der Vol. 7 Darsteller.
In den zwei Jahren seit der Mozart-Aufführung hier hat sie ihre Kunst auf ein noch höheres Niveau gebracht.
Many thanks for sharing this incredible and marvellous performance !
It is a pleasure to share Natsuho's talent with you. BTW, have you watched her current online video: www.stya-online.com/videos/ (Natsuho is the Vol. 7 performer)? If not it's worthwhile to see and hear how her performance level has progressed.
And so are we Harold and tony !!!
@@ChiefHerzensCoach Thank you for your admirable comments. Do join us in watching her performances in the coming Menuhin Competition which will be a virtual event due to the Covid-19 pandemic restrictions, from 14 May. VPM will stream the videos on RUclips. And if you haven't yet watched her online recital, do buy a ticket (only US$5) at: www.stya-online.com/videos/ ; Natsuho is the Vol. 7 performer.
Extraordinaria y completamente resuelta por ESTA NIÑA. ¡ QUE MEMORIA!.
待ってました!
夏帆は, 現在 原田幸一郎先生プロヂュースによるAspen Online Concert, Save
The Young Artists® Vol.7に出演中です. チケット(Vimeoの視聴券)は, 各￥500 →
vimeo.com/ondemand/haradaproduce/
夏帆の演奏曲目は 下記の4曲で, 演奏時間は41.55です.
１）Schubert ; Violin Sonata（Sonatine）No.1
２）Wieniawski : Scherzo-Tarantelle
３）J.S. Bach : Violin Partita No.2 （V. Cianonna）
４）Saint-Saens : Introduction et rondo capriccioso
(注)支払い項目のところの請求先郵便番号の記入の際には, ハイフォンを省略のこと.
Thanks .
Incredible--- leaves me speechless.
ドレスに着られているような可愛いらしい少女が出てきたらと思ったら…という良い意味での裏切り
可愛い夏帆さん
素晴らしい
たしかに夏帆ちゃんのニャンコの手がかわゆく動く様子が見えない。。。(でも鍛えた肉球がいい音出してるにゃあ)
まだ柔らかい若木が成長して、硬い芯ができたらもっと素晴らしい花を咲かせる・・・楽しみだにゃあ。
ここへきて吉村妃鞠ちゃんと村田夏帆ちゃんの新しい動画が出てきたのがうれしい！
今から予言しておきます、村田さんは音楽史に残るでしょう、吉村さんはあらゆる日本の音楽家と一緒に消えていくでしょう。十年後に反論してください。
@@onofrioscriba ほぼ賛成。吉村さんの直近の日本のテレビ番組での演奏を見て、？マークが付いた。
一方、村田さんには不安要素は何も感じない。無意識の底から何か大きな存在が彼女にバイオリンを弾かせているように感じます。
@@WaterSeesWater さま 村田さんのほかの演奏へのコメントを読むと、「私は彼女の演奏を聴いて、生まれ変わりを信じるようになった」とか書いてあります。ただ霊的にみると、僕はそうは感じず、また彼女の背後に誰かがいるのではなく、彼女自身の霊能力を使っています。最も日本的でない才能が日本人から生まれたのが脅威です。遵守と隷属の国民から自発と脱却の村田さんが生まれたのは脅威です。例えば日本人は雲中白鶴というのを、雲の間に鶴が飛んでいると考えるでしょうが、中とはもともと絵としての字の通り、串刺しするです。つまり、厚い雲の層を貫いて、無限の青い空に向かうことです。コンチェルトの場合、厚い雲とはオーケストラ、そして鶴が村田さんです。字から見ると、口と、縦棒がそれに対応します。ほかのところには英語で同じことを書いたので、繰り返しですが。
@@onofrioscriba お二方のトークを興味を持って拝聴致しました。例の日本のテレビ番組とは、この件と思い最後まで聴きました：ruclips.net/video/7x2rmL9_JOY/видео.html
HIMARIの場合,violinは歌わせることが出来ていなし、その声はありきたりでした。tackong ultraman様 ストレートな物言い、悪しからず。
@@yoshinobutsujikawa5183さま。村田さんは常人ではありません、比較する演奏家などいないのです。ハイフェッツは芸人、オイストラッフは機械体操選手、20世紀にまともなヴァイオリン演奏家などいませんでした。中国に包摂されるであろうろう滅びゆく21世紀の日本の最後の輝きなのです。
Machaa Allah !
モーツァルト😂に見える😮
thanks for uploading this little genius!
It is a pleasure to share this admiration for Natsuho's talent.
@@tonychinn3400 I' m a big fan of her, and I watched her video in Aspen, brilliant!!
maybe there are more video' s of Natsuho on the internet...
@@humphreyterveer1338 So glad you did - I hope you find she is reaching a new level of performance in time for the 2021 Menuhin competition.
@@tonychinn3400 try to seek more video' s of Natsuho, maybe with the Tokyo String quartet?
是非、是非お願いしたい！ 村田夏帆さんと吉村妃鞠さんの二人でバッハの「二つのヴァイオリンのための協奏曲」を演奏していただきたい。たとえ平日でも会社を休んで聴きに行きます♪ｗ
すごいですね あなたには負けました
Continuation of Discussion on Natsuho in relation to the Menuhin Competition
from the comments in the long discussion thread under previous video, ruclips.net/video/YTzHIzMVvCs/видео.html .
@Tony Chinn I also downloaded Spotify, but quit halfway because my monthly payment required card details. In my case, I was traumatized with a card. So I applied for Natsuho's Online Concert with my relatives' card. I bought Natsuho's Online Concert in mid-August last year. It is still valid after mid-November, three months later. I listen to Natsuho every day, wondering how long it will be effective.
I also liked Federico Guglielmo's performance among the three. The total of the three movements of I Presto (1:39), II Largo (2:36), and III Allegro (0:53) that you informed me was 5:08. Among these 3 movements, II Largo is a little slow. In addition to the three performers whom you mentioned, I added four people of Audery Wright, Syunnsuke Sato, Rachel Podger, and Rennosuke Fukuda, to measure and compare the movements of I, II, and III.
Performer I. (Prest) II. (Largo) III. (Allegro) Total
Fedeglico: 1:39 2:36 0:53 5:08
Andrew Manze: 1:32 2:33 0:59 5:04
Fabio Biondi: 1:36 1:36 0:52 3:59
Audery Wright: 1:42 2:32 0:52 5:06
Syunsuke Sato: 1:43 2:20 1:18 5:26
Rachel Podger: 1:37 3:16 0:50 5:43
Rennosuke: 1:34 2:19 0:40 4:33
Looking at the list, even though the performance is for a total of several minutes, it is very interesting to reflect the ideas of each performer regarding the allocation of the time for I, II, and III. Fedeglico (5; 08), Andrew (5:04), Audrey (5:06) are collectively named as the 5 minute-group. With the interpreting of I Prest = rapidly, II Largo = Slowly, and III Allegro = Just the right speed, is it appropriate that the playing time through Fantasia No. 10 is within about 5 minutes ? Fabio's II Largo is fast, while Rachel's II Largo is a very slow performance. Shunsuke plays II Largo faster, despite the slowness of I and III. If I listen to No. 10 alone rather than listening to No. 10 in the overall flow of 12 Fantasias, I like Rennosuke's tempo. Fabio's playing atmosphere is similar to Rennosuke, but I think it's difficult for Juniors to play II Largo like Fabio.
A downloadable PDF of the Barenreiter music score by the editor, Günter Hausswald is not accessible here in Japan; The result is “403 Forbidden”. And I directly tried to access the Barenreiter music score, but the search result is “No products were found” .
( 2645 characters )
I'm just summarizing my thoughts on the Menuhin Competition Cardiff 2008. There are no competitors videos in Cardiff 2008. After a lot of research, it may be appropriate to translate the relationship between the Menuhin Competition and Hattori Foundation in the UK into a deep connection between Menuhin Family and Hattori Family. I think Sir Menuhin is very memorable for your family.
Could you check out V. Jury and Trust Members of Menuhin Competition in Cardiff 2018, which will be available on Sunday or Monday. Thanks to you, I have become more and more interested in the Menuhin Competition.
Well then
Yoshi
Could you see V. Jury and Trust Members of Menuhin Competition in Cardiff 2008. Thanks to you, I have become more and more interested in the Menuhin Competition.
Tony Chinn As for minimalism and syncopated rhythms on performing a Mason Bates violin work, I searched for minimalism music on Wikipedia in Japanese. Among them, I noticed both Yuzuru Hisaisi and Ryuichi Sakamoto as the related composers.
The theme song of the anime "Nausicaa of the Valley of the Wind" composed by Yuzuru Hisaishi was very famous here in Japan, and I first saw the video of the concert where the animation image is projected according to the full orchestra and choir. →→ ruclips.net/video/B51bLBdUt3w/видео.html
I also often listen to the theme song of the movie "Merry Chrismas Mr. Lawrence" composed by Ryuichi Sakamoto. →→ ruclips.net/video/hDaQF-LNrug/видео.html
I only listened to these two songs, but the playing style of minimalism seems to be suitable for piano solo. So, when I listened to Mason Bates' Mothership in contrast to Hisaishi and Sakamoto, its length of the song was about 8 minutes, and the taste became even deeper.→→ ruclips.net/video/N0K1kJOins4/видео.html
Returning to the Violin solo, I can't imagine what it would be like to mix syncopated rhythms with minimalism, which minimizes sound movement and repeats patterned figures. .. It is certain that the beautiful violin voice will be put on the melody of syncopated minimalism.
When Natsuho faces Richmond 2021, Taiga Tojyo and Ayana Tsuji are already experienced in Menuhin Competition Beijing 2012. Both were studying under Teacher Koiciro Harada. Ayana Tsuji's Beijing 2012 Finals set pieces were the same, so I wanted to watch the video footage at that time, but it was already erased in 2013. It was complicated for the Menuhin Team to distinguish between those who were in the top 5 of the Finalists and those who were not. Therefore, check to see the videos posted on the blog "Ayana's Tone" by Ayana’s eager supporter.
→→ ayanatone.blog.fc2.com/blog-category-6.html#entry16
In such a blog, there were 3 videos as the followings, as for First Round, 9th video from the top; ・ Mozart: Violin Sonata No. 25 in G major, K.301, as for Finals, 11th video from the top; ・ Saint-Saens : Introduction and Rondo Capriccioso, and 12th video from the top; ・ Vivaldi Concerto `Winter" from the four seasons. At the very end of that blog, "Additional note in red (2013/12/06), the videos are no longer available."
The commissioned work of Beijing 2012 was "Entranced with Mountain Scenery" composed by Li Shangqian. Here is the performance by Arei Horowitz (age 15, USA) who competed and received the Morningside Music Bridge Young Artists Award.
→→ ruclips.net/video/1szkSpugk24/видео.html
Again, at Menuhin Competition Beijing 2012, the videos up to Top 5 winners were posted. Other Finalists have been excluded. It was from Austin 2014 that you could watch the videos of all the finalists.
It is encouraging that vaccination is progressing and the acceptance system is being set up for Richmond 2021. In other countries, vaccinations are not so much available, so visitors are more worried than recipients in Richmond.
I like these pieces, Round 1: G.F. Telemann Fantasia for Solo Violin, No. 10 in D Major, TWV 40:23, P. Rode Caprice No. 9 in E Major, Op. 22, R. Schubert Sonatina No. 1 in D Major, Op. 137, D. 384, Krysler, as a non violinist
@@humphreyterveer1338 Thank you for joining our Talking. Among G.F. Telemann's 12 Fantasias of No.8, No.9 and No.10, I also like No.10. According to the Menuhin Competition's repertoire record, G.F. Telemann was adopted twice, in Cardiff 2008 and Austin 2014. The First Round videos were uploaded since 2014. The breakdown of the song selections by 7 finalists at 2014 was No.10 : No. 9 = 5 : 2. Among them at that time , I like Rennosuke Fukuda's pergormance. Watch at 1:00 Menuhin Competition 2014 -- Junior 1st Round : →
ruclips.net/video/em6pWtQVsOU/видео.html
At Cardiff 2008, the breakdown of the song selections of the six winners was No.10 : No. 9 : No. 8 = 2: 3: 1 from their repertoires. I feel regrettable I can't listen to them in Cardiff 2008 on RUclips.
P. Rode 24 Caprices has been selected as an assignment song for the first time since Cardiff 2008. Competitors tend to neglect their Etude prictices because they are so enthusiastic about practicing virtuoso songs. Chloe Chua, the joint 1st prizer of Geneva 2018, was a good example. Watch at 0:10 : 26 H. Wieniawski Etude-Caprice Op. 18, No. 2. She covered this minus in Etude-Caprice with other three songs and advanced to Semi Finals : → ruclips.net/video/zrFxvvmoF0Y/видео.html
As a piece composed by F. Kleisler, we expect Natsuho to choose Caprice Viennois, Op. 2. Specifically, the playing time by Liliane Garnier is 3:37 within 4 minutes, so we decide it is all right and suitable for Natsuho.
@@yoshinobutsujikawa5183 I largely agree with you, I find her Schubert interpretation very musical in terms of phrasing and dynamics, as for the Bach Chaconne (Vimeo), in the first beats of the piece I' have a little problem where Natsuho plays staccato...generally a good performance. When will her program be known?
@Humphrey ter Veer and @Tony Chinn I also like Natsuho's Schubert performance as well as Mozart. Compared to professional musicians, Natsuho's Chaconne is certainly pierced by so-called meso-staccato from start to finish. I think this is due to the teachings of the teacher who teaches her. It may be said that she is playing like a 13-year-old girl. For Richmondo 2021, Mr. Chinn told me about the progress of vaccination by the Governor of Virginia. However, considering that Repertoires has not been released yet, Competition may be postponed to around autumn. The Tokyo Olympics this summer are still in jeopardy, so I don't think it's for everyone else.
@Yoshinobu and @ Humphrey. Sadly Natsuho did not get through to the Semi-Finals. She was certainly let down badly by her video production team. We hope she will have a chance to redeem herself in future competitions. www.violinist.com/blog/laurie/20214/28743/
I was afraid of it already, I've seen that coming her team has done a bad job they should be ashamed to present her like that. Natsuho couldn't help it, yet she remains my favorite
@@humphreyterveer1338 It really is shocking to see that poor video after the satisfactory one for her online recital, completely unexpected and a proverbial bolt out of the blue. I of course share your sentiments regarding Natsuho, starting this channel for that reason. I hope she will still enjoy making music in the years to come.
@@tonychinn3400 Sorry. The Notification didn't reach me and I missed your comments. Menuhin is virtual, not real. It's gone away. The Aspen Company is in charge of managing Natsuho's music activities and such a result should be very shocking. I'm thinking of exploring this in the future through Scherzo-tarantelle's promotion video.
@@yoshinobutsujikawa5183 It really is shockingly surprising when the Natsuho's online recital of October 2020 was quite acceptable and if she had played the Schubert Sonatina No.1 that way in the entry video, she would have outshone other competitors who played it in Round one. The mystery is why was the production rushed, making it so difficult for her to perform, when they can plainly produce acceptable videos for the Save the Young Artists program? I certainly hope that Natsuho will not be too affected by this mishap and recover her love of music and performance.
@@tonychinn3400 How are you doing？ These days, I can finally calmly re-listen to Natsuho's Richmond 21 video file. I confirmed that she was still playing her original performance. You said that you were able to correct the video file by yourself and comfirm her playing. Could you forward it to me through via Gmail. Of course, it is for private use only to avoid copyright conflicts.
Hey it’s you tony chinn😂😂😂😂😊😊😊😊😊😊😊😊k🎉🎉🎉🎉🎉🎉🎉😂
わしも一日千秋の思いで待ってた。
モスクワと比べると音に艶が出てセクシー。
でもホールトーンはモスクワの会場が大きかっただけにきれいだった。
てゆーか、セキすな。
コロナうつしたらしばくぞ。
彼女は正真正銘の天才です。その演奏は無垢で天真爛漫。バイオリンを意のままに操れる天使です
少女漫画で譬えるとヒマリさんは姫川亜弓、夏帆さんは北島マヤ。
我在想，弹按-小提琴的琴线弦（或吉他）手指会肿痛，可用~布料~制造~手套~供戴上（我可以出资金开厂制造~按琴弦线的手套）！@布料手套的手指处除了母指，-4根指头（接手掌套）-都套-手指头套-，手指按琴线条-处即手指头套尾端，用~较硬的布料（可考虑用有弹性可拉长spring品质的布）~车缝一小片-上去-手指头套尾端-即可。
みなさん動画を撮る際に、初心者を対象としてないので、真っ直ぐからの角度で撮られますが、実際見ているのはプロではなく初心者なので、指板表を縦で指がどこにあるか見やすい方が良いです。
また、楽譜に番号が一緒にあるものや、ボウイングの指示up dawnが明確なものが参考になります。今後再生回数が再生回数が増えるのはそういったものだと思います。
全然ダメでしょ！夏帆ちゃんのアップが無きゃ誰も見ないでしょ！
音楽に資格は邪魔。
@滝沢美子 ご指摘の通りカメラワークは、ロシァの国営放送には及びません。このvideoは、イタリァ、ポルデノーネ(人口5万人ほどの小都市)の音楽愛好家達のいわば手作りの作品です。これに比べると日本のジュ二ァクラスへの育成には、それほど期待できないのが現状ではないでしょうか？
村田さんもの凄く上手だけど褒め褒めし過ぎても本人の負担になると思います。越える方がいないなど言ってるのがバカバカしい！アンネソフィムータンのモーツァルト3番聴いてみてはいかが？
聴いてみました。たしかに上手ではありますが彼女の音色はくせがあって
浸ることができませんでした。夏帆さんのはどなたかも言ってらっしゃたように
けれんみがないので心にすっと入ってきます。
夏帆さんの特別さがわかるようになるといいですね。