Extraordinaire !!! Mais de quelle planète viennent ses enfants sur-sur-doués ??? Absolument hallucinant !!! Comme le chef d’orchestre se montre bienveillant, aimant, pour cette petite fille totalement géniale encore comme tous ces très jeunes prodiges qui dépassent de loin tout ce que nous pourrions imaginer ! J’espère que ces enfants sont vraiment heureux de leur enfance si particulière ? Bravo à eux tous !
I've been following Natsuho performances . I find her musicality incredible for her age. Not just the technique, but the musical interpretation makes her above anybody else, at least at the level of the greatest violinist in the world. i hope to be able to attend one day soon a live concert with Natusho. There many great very young performers, violin, piano etc. Nevertheless I was struck by the beauty of her interpretation. Which very unique. Thank you so much Natsuho.
I agree with your assessment of Natsuho's talent. On the page of the Scherzo-Tarantella doesn't appear as legato as she plays it and I must admit that I have taken to liking this interpretation because it flows so dynamically from one phrase to another leaving you breathless and expectant at the end. Not bad for someone not even in her teens and so cute to boot. I will be watching her career closely and with great anticipation.
＠Tony Chinn At "Moscow Meets Friends 2018" in Russia, when Natsuho performed with the orchestra, she looked a little nervous and so the conductor pushed her back down for her greeting. At " The Nutcracker 2018" in Russia, she looked one of competitors probably because she played before juries and audience. At "CMIM 2019" at Montreal " in Canada, she became a little more matured and a magnificent performer. There, she became quite accustomed to the stage with a smile on her face after her performance. A series of videos like this gives us a meaningful opportunity to get a glimpse of Natsuho's character and musical progress.
Yes, it is quite interesting to show Natsuho's growing performance experience as she advances through the competitions in 2018, culminating in her spontaneous confidence in the performances in 2019. I have tried to show this chronological development in my playlist here: ruclips.net/p/PLb8U3SDsusr7fMLVhXLWf11v27us6FL2e . As I mentioned in my description in my other video of Natsuho performing the Paganini Cantabile, I think there is a significant change in her performing style in her performance of the 3rd movement of the Tchaikovsky Violin Concerto in Moscow in December 2019. She appears to be more serious although still confident. Alto Clef who kindly accepted my invitation to buy a ticket for Natsuho's online recital said she looked sad in that recital. Do you agree that it was due to the demanding filming conditions rather than any personal issues? I was glad to have seen her smiling photos in the publicity for her last public live performance in 26/09/2020: www.norakubow.com/profile-1/natsuho-murata-vn-01/ . I am charmed by Natsuho's modesty and demure smile when she acknowledges the audience's applause.
@Tony Chinn Your chronological summary covers all the videos of Natsuho posted so far and is very convenient and wonderful for her many fans. First of all, I will answer your question. Ayana Tsuji (vol.1) as well as Natsuho (vol. 7) smile normally before juries and audience in a hall but doesn't smile to camera in a stadio because they are not actress. Japanese generally do not smile like Westerners. This is due to cultural differences. In addition, once Natsuho has a violin bow, she turns into a Samurai as when playing Tchaikovsky Concerto's III movement. It is already and almost just like senior level. Yes, she is a "Samurai Girl". And more, she has answered ,「I would like for as many people as possible to hear me play, and for them to be happy when they listen. 」in an interview of "Découvrez les 5 Mini Violini" of CMIM- 2019. It' is good enough to watch a series of videos summarized by you for us to follow the footsteps of Natsuho's growing up and musical progress.
@@yoshinobutsujikawa5183 It is good to have your informed cultural context to the visual performance aspects. I said almost the same thing about Natsuho's style coming "alive" in front of an audience in my post script expansion to the description in the Paganini Cantabile video. I like your term "Samurai Girl"! From my listening daily to her online recital I certainly agree with your view that her performance has reached a senior level. I was particularly focusing on the Saint-Saens Introduction and Rondo Capriccioso which is musically challenging as well as technically which is why it is often in the repertoire of senior violin competitions and rarely chosen for the Menuhin Junior semi-final virtuoso piece. Natsuho is now clearly a level up from her acclaimed performance of this piece in CMIM 2019.
@Tony Chinn I will say about Mozart Violin Concerto Mo. 3 in your chronological summary. Natsuho played this concerto three times in Podeone provance early in the new year of 2019. 1) I Concerti Delle 18 (The Concerts at 6:00 pm of the Concervatory) on 29 /Jan at Teatro Comunale, Pordenone. .→facebook.com/watch/?v=888133714944577 And for encore →facebook.com/enzo.canciani.1/videos/1567509426754035 2) Winter Week dell" Accademia Arrigoni on 2 /Feb at I' Auditorium Comunale, San Vito al Tagliamento, Pordenone. →facebook.com/namlaboratorimusicali/posts/10161798714520157 3) Altoliverefestival on 3/Feb at Prato di Pordenone. Natsuho's reharsal for concert → facebook.com/430947780354739/videos/393399461437285 These three concertos by Natsuho can be considered to have led to the success of Gala Concert in Saint Petersburg on 2 /June (officially named : The 24th International Musical Olympus Festival ) →www.musicalolympus.ru/en/about/news/59-meropriyatie/festival-en/953-24th-festival-2019
@@yoshinobutsujikawa5183 It is helpful to have your further details of Natsuho's performances of the Mozart Violin Concerto No.3., which I commented on in the Paganini Cantabile page, with the Accademia d'Archi Arrigoni, the first one conducted by Domenico Mason and the second by Paolo Paroni. In fact the second performance, in full, was listed in Natsuho's EMCY page and uploaded to RUclips (unfortunately NOT listed, so not searchable and therefore had only a few views) by 村田幸弘 (Natsuho's father?) ruclips.net/video/MWtKYqe_eyM/видео.html . I have already made a comment in that video and have included it in my playlist, and the banner on my RUclips homepage is taken from a screenshot from that performance . I was thinking of getting permission from il Piccolo Violino Magico International Competition to upload here the Domenico Mason version performed in Teatro Verdi, the concert hall with the blue background. Do you think that would be useful?
On RUclips the number of views a video gets depends more on the channel owner than on the subject of the video. If this video were uploaded by the popular TwoSetViolin channel, it would probably have got 1M views in a week. As for the number of Likes, viewers tend to be "stingy" - maybe it reflects the possibility that not all of them are keen classical music lovers. If you look at the ratio of Likes to Views, the ratio for Natsuho's videos range from 0.8% to 3.3% (which seem to be similar for most music videos) and this one here is 2.4%. Worst still is the number of Dislikes, maybe attributable to those who are envious or rivals e.g. the more viewed Mozart Violin Concerto No.3 here, has a Likes/Views ratio of 2.5% with even 3 Dislikes to the 125 Likes in 4,992 views!
@@tonychinn3400 My excuse is that I just never think of voting. It doesn't occur to me. You can vote? Hey, that's neat.Well, now that you've reminded me, here's one from me. It's right there. Can't you see it. It's #321.
Conductor: Now we must remember to take the dynamics down one level and maintain restraint throughout. The soloist is on a 3/4 size violin and you well know these fractional sizes cannot project as well. Orchestra: Yes, BRB, sweeping up the remains of our egos.
夏帆さんの演奏は神と一緒に演奏しているようで、引き込まれてしまうほどの、光り輝いている音色ですね。素晴らしい才能をこれからも大きく育ててほしいと思います。
並の者がどんなに努力してもこの域には達しない。生まれ持った天性の感覚、正に天才です。
聴いてて演奏後の満足感が凄い。
絶対にライブを見てみたい。
素晴らしい演奏に度肝を抜かれまし🎉 こんな幼い演奏者には思えない表現力‼️ 指揮者とのアイコンタクトには感動でした❤ 有り難う御座います♪♪♪
時折、なんて切ない表情をするのだろう、、、魂に響くような音、心が清らかになる音、、、
ー素晴らしい！です。ダイアモンド💎のようなかがやき、透明なこ
ころを感じます。
What a lovely conductor. So gracious.
such a wonderful conductor..he treats them like precious gems.
This is the world-famous violinist and conductor Vladimir Spivakov.
指揮者の満足そうな笑顔が全てを物語っている
このｽｹﾙﾂｫ ﾀﾗﾝﾃﾗの感性､芸術性 あり得ない素晴らしい！真に天才Artist🎶
これがｼｪﾙｸﾝﾁｸ1位の前に訪れた､ﾓｽｸﾜ御招待のときの演奏❤ 指揮者とのｱｲｺﾝﾀｸﾄも観客の大歓声も､ﾂﾎちゃんの笑顔も最高🎉
Wow. Just wow. I am absolutely speechless.
Extraordinaire !!! Mais de quelle planète viennent ses enfants sur-sur-doués ???
Absolument hallucinant !!!
Comme le chef d’orchestre se montre bienveillant, aimant, pour cette petite fille totalement géniale encore comme tous ces très jeunes prodiges qui dépassent de loin tout ce que nous pourrions imaginer !
J’espère que ces enfants sont vraiment heureux de leur enfance si particulière ?
Bravo à eux tous !
She learned to play before she learned to talk. And she has a lot to say.
Fantastique, à voir et écouter sans modération, c'est impressionnant pour la technique, et émouvant pour la sonorité.
Extraordinarily beautiful and brilliant gifted violinist!!! Bravo! Splendid!
I've been following Natsuho performances . I find her musicality incredible for her age. Not just the technique, but the musical interpretation makes her above anybody else, at least at the level of the greatest violinist in the world. i hope to be able to attend one day soon a live concert with Natusho. There many great very young performers, violin, piano etc. Nevertheless I was struck by the beauty of her interpretation. Which very unique.
Thank you so much Natsuho.
Agreed
I agree with your assessment of Natsuho's talent. On the page of the Scherzo-Tarantella doesn't appear as legato as she plays it and I must admit that I have taken to liking this interpretation because it flows so dynamically from one phrase to another leaving you breathless and expectant at the end. Not bad for someone not even in her teens and so cute to boot. I will be watching her career closely and with great anticipation.
. 😞😞
I agree!
魅力的😮
amazing..
Already the little girl is such an artist and Spivakov has much flair!
この人は今生、生まれる前からバイオリニストだったのだろう。😅❤前世も相当に名のある演奏家だったと思う。みんなそう思っているに違いない😊
凄い
Oh my word, I am just Speechless🤔
いやーすごい
ここまでヴァイオリンが歌うとは
いやー 参りました
Sie spielt angesichts ihres Alters atemberaubend, unglaublich, ein außergewöhnliches Talent!
Wir sind uns definitiv einig!
Amazing beautiful ❤❤❤
Marvelous never heard this great little musician with mature vibrato
This super genius appears only once in 2 centuries not one century. She reminds me of the Pianist, Raoul Pugno.
😅c
So true.
Or composer of this peace. He ended music academy at 11
この年齢で指揮者とあうんで呼吸をあわせる…😅
オケと一体となって音楽を作りあげる…
夏帆ちゃん、生まれてくれてありがとう。
The way the conductor looks over at her is so wholesome
Scherzo とは"冗談／自由奔放"という意味なんですね。
常識を外した冗談なような、形式に捉われない個性の自由をバイオリンで表現する。この作曲者の意図であろう演奏を見事に表現しています。
他にも奏者-夏帆が消えて演奏曲そのものが自分に訴えかけてくる演奏もありました。
Superb !!!
凄い ピアニストシフラの 熊ん蜂の飛行 みたい😢
Невероятно вернулся Паганини или ангел спустилась с небес??? Её возвраст и феноменальная игра на скрипке!? Одним трудом не достигнешь феномена!
吉村妃鞠さんも、村田夏帆さんも、お互い日本を代表する良いプレイヤーですよね。音色の味が違います。両者ともうっとりする弾き方で甲乙つけ難いですね。お互い努力しているし、今後が楽しみなお二人です。日本🇯🇵の未来は明るい🔆🎉😄
the kindest conductor .. he is wonderful with the young musicians .
❤
ごくろうさんです。ときどき吉村ひまりさんと比較するコメントする方がいますが、わたしから見たら、どちらも神の使い、音楽の女神の化身、比較などできません。ただ、わたしの父方の先祖が茨城県水戸なので、村田夏帆さんのほうに魅かれてしまうは致しかたないかと（笑）
茨城県水戸市近郊出身、バイオリン趣味歴20年、後期高齢者の
私です。何かと評判が下位に甘んじている茨城ですが夏帆さんが
醸し出す本当のバイオリンの音と茨城県水戸市を日本は言うに及ばず世界中に知らしめて欲しいです。心底から応援してっかんね。(文末は茨城弁です。)❤。
＠Tony Chinn At "Moscow Meets Friends 2018" in Russia, when Natsuho performed with
the orchestra, she looked a little nervous and so the conductor pushed her back down for
her greeting. At " The Nutcracker 2018" in Russia, she looked one of competitors probably because she played before juries and audience. At "CMIM 2019" at Montreal " in Canada,
she became a little more matured and a magnificent performer. There, she became quite accustomed to the stage with a smile on her face after her performance. A series of
videos like this gives us a meaningful opportunity to get a glimpse of Natsuho's character
and musical progress.
Yes, it is quite interesting to show Natsuho's growing performance experience as she advances through the competitions in 2018, culminating in her spontaneous confidence in the performances in 2019. I have tried to show this chronological development in my playlist here: ruclips.net/p/PLb8U3SDsusr7fMLVhXLWf11v27us6FL2e .
As I mentioned in my description in my other video of Natsuho performing the Paganini Cantabile, I think there is a significant change in her performing style in her performance of the 3rd movement of the Tchaikovsky Violin Concerto in Moscow in December 2019. She appears to be more serious although still confident. Alto Clef who kindly accepted my invitation to buy a ticket for Natsuho's online recital said she looked sad in that recital. Do you agree that it was due to the demanding filming conditions rather than any personal issues? I was glad to have seen her smiling photos in the publicity for her last public live performance in 26/09/2020: www.norakubow.com/profile-1/natsuho-murata-vn-01/ . I am charmed by Natsuho's modesty and demure smile when she acknowledges the audience's applause.
@Tony Chinn Your chronological summary covers all the videos of Natsuho
posted so far and is very convenient and wonderful for her many fans.
First of all, I will answer your question. Ayana Tsuji (vol.1) as well as Natsuho
(vol. 7) smile normally before juries and audience in a hall but doesn't smile
to camera in a stadio because they are not actress. Japanese generally do
not smile like Westerners. This is due to cultural differences. In addition,
once Natsuho has a violin bow, she turns into a Samurai as when playing
Tchaikovsky Concerto's III movement. It is already and almost just like senior
level. Yes, she is a "Samurai Girl". And more, she has answered ,「I would
like for as many people as possible to hear me play, and for them to be happy
when they listen. 」in an interview of "Découvrez les 5 Mini Violini" of CMIM-
2019. It' is good enough to watch a series of videos summarized by you for
us to follow the footsteps of Natsuho's growing up and musical progress.
@@yoshinobutsujikawa5183 It is good to have your informed cultural context to the visual performance aspects. I said almost the same thing about Natsuho's style coming "alive" in front of an audience in my post script expansion to the description in the Paganini Cantabile video. I like your term "Samurai Girl"!
From my listening daily to her online recital I certainly agree with your view that her performance has reached a senior level. I was particularly focusing on the Saint-Saens Introduction and Rondo Capriccioso which is musically challenging as well as technically which is why it is often in the repertoire of senior violin competitions and rarely chosen for the Menuhin Junior semi-final virtuoso piece. Natsuho is now clearly a level up from her acclaimed performance of this piece in CMIM 2019.
@Tony Chinn I will say about Mozart Violin Concerto Mo. 3 in your chronological
summary. Natsuho played this concerto three times in Podeone provance early in
the new year of 2019. 1) I Concerti Delle 18 (The Concerts at 6:00 pm of the
Concervatory) on 29 /Jan at Teatro Comunale, Pordenone.
.→facebook.com/watch/?v=888133714944577 And for encore →facebook.com/enzo.canciani.1/videos/1567509426754035
2) Winter Week dell" Accademia Arrigoni on 2 /Feb at I' Auditorium Comunale,
San Vito al Tagliamento, Pordenone. →facebook.com/namlaboratorimusicali/posts/10161798714520157
3) Altoliverefestival on 3/Feb at Prato di Pordenone. Natsuho's reharsal for concert
→
facebook.com/430947780354739/videos/393399461437285
These three concertos by Natsuho can be considered to have led to the success of
Gala Concert in Saint Petersburg on 2 /June (officially named : The 24th International Musical Olympus Festival )
→www.musicalolympus.ru/en/about/news/59-meropriyatie/festival-en/953-24th-festival-2019
@@yoshinobutsujikawa5183 It is helpful to have your further details of Natsuho's performances of the Mozart Violin Concerto No.3., which I commented on in the Paganini Cantabile page, with the Accademia d'Archi Arrigoni, the first one conducted by Domenico Mason and the second by Paolo Paroni. In fact the second performance, in full, was listed in Natsuho's EMCY page and uploaded to RUclips (unfortunately NOT listed, so not searchable and therefore had only a few views) by 村田幸弘 (Natsuho's father?) ruclips.net/video/MWtKYqe_eyM/видео.html . I have already made a comment in that video and have included it in my playlist, and the banner on my RUclips homepage is taken from a screenshot from that performance .
I was thinking of getting permission from il Piccolo Violino Magico International Competition to upload here the Domenico Mason version performed in Teatro Verdi, the concert hall with the blue background. Do you think that would be useful?
excellent
How can this has only 3k views and less than 100 likes. What's wrong with the world?
On RUclips the number of views a video gets depends more on the channel owner than on the subject of the video. If this video were uploaded by the popular TwoSetViolin channel, it would probably have got 1M views in a week. As for the number of Likes, viewers tend to be "stingy" - maybe it reflects the possibility that not all of them are keen classical music lovers. If you look at the ratio of Likes to Views, the ratio for Natsuho's videos range from 0.8% to 3.3% (which seem to be similar for most music videos) and this one here is 2.4%. Worst still is the number of Dislikes, maybe attributable to those who are envious or rivals e.g. the more viewed Mozart Violin Concerto No.3 here, has a Likes/Views ratio of 2.5% with even 3 Dislikes to the 125 Likes in 4,992 views!
@@tonychinn3400
My excuse is that I just never think of voting. It doesn't occur to me. You can vote? Hey, that's neat.Well, now that you've reminded me, here's one from me. It's right there. Can't you see it. It's #321.
@@quabledistocficklepo3597 Much appreciated, thanks!
さっき見た時ひだりで引いてたけど両方使えるとは凄いですね。
Machaa Allah !
No Ling Ling/40 hours comments? Brett and Eddie will be disappointed.
終わった直後に指揮者に向けた表情！ この指揮者に恋しているのかもしれない。。。。笑
De los intérpretes, el mejor.
Her soul is too big for the violin. Even the large concert hall is too small for her flying soul.
夏帆がこの5月に 出場する予定のMenuhin Richmond 2021は、3月5日にVirtual Event へ変更との発表がありました。出場者は、Menuhin Teamが定めるGuide Lineに沿って実況さながらに“one take”で録画されたvideo fileを提出して参戦することになります。
夏帆ちゃんの「ほ」は帆掛け船の帆だよ⛵
As good as Chloe, another super star on the way🎉
Yo Twoset look over here!! Another LingLing waiting to be discovered and appreciated by the world!!
Right! I’m surprised they didn’t review this so far!
@@TruthOfDeath1they reviewed she played the same piece years ago😅
我在她這年紀還只是個小屁孩>"
誰だ人間は生まれつき平等だなんて言った人は。これ見れば決して平等なんかじゃない。才能において天と地ほどの差がもうあるのだ
Why not give her age here?
Conductor: Now we must remember to take the dynamics down one level and maintain restraint throughout. The soloist is on a 3/4 size violin and you well know these fractional sizes cannot project as well.
Orchestra: Yes, BRB, sweeping up the remains of our egos.
😅