I have been using my sarah 300B (one of the first 3 produced) for 3 months. I can fully underline Steve's comments. With 7 watts, the maximum volume is somewhat limited with my Sasha DAW, but what these few watts are capable of is extraordinary.
Sasha DAW have 91dB at 4 ohms and you know, Altec-Lansing 604c, there's loads of them in NY have 104dB per watt but they don't use 7 watt amplifiers. We need to look at amplifiers that had 7 watts then use their speakers. Western Electric used horns and you know, in NY there were people that hung these gramophone horns high on the wall and that's what we use with 300B because they're 60% efficient compare to 2% with moving coil speaker.
I'm sorry for all the backlash regarding Decware's lead time Steve. I personally enjoyed your reviews on my namesake amplifier and would like to thank you. I may be biased but it truly is a thing of beauty!!
Don’t mind the haters. If they don’t value handmade craftsmanship they can get mass-produced gear from elsewhere. As I said in a different post, I’m happy to wait and truly appreciate Decware’s business ethos that doesn’t sacrifice quality for a goal of unlimited growth.
I just ordered a Sarah primarily based on this terrific review. I am aware of the list and have other amps to keep me happy in the meantime. Looking forward to it. Thank you for the review, Steve. Always appreciate your candid take and thorough approach. Best. -Tom
I'm on the wait list as well. It's a pain but I am astounded by the negativity in the comments. Nobody is forcing anyone to order and/or wait... Do what makes you happy.
Do what makes you happy? It's a pain being on the waiting list but do what makes you happy? Wow. Steve has his share of oddball comments. No wonder Len Lesser plunked for a micro system. No need to wait and you know, from the Bronx, ignoring English prose, it does the job. Not an audiophile perhaps but it kept him happy.
A friend of mine ordered this amp and had to wait almost 2 years until it got delivered recently. It had so much hum that he contacted decware and they confirmed this is within tolerance; not the answer he expected, as he said hum so loud it’s unusable, so he had to send it back. Quality Control failed and another review the didn’t talk about the possible downsides.
Well, the unit I had did not hum. And obviously if they all had noise problems Decware would be long out of business. I'm sorry it didn't work out for your friend.
I've got a Decware SE 34.I6, which is an amp no one seems to talk about for some reason, and I love it. The wait list is a trial but the end product is worth it. I haven't started the tube rolling yet, but I am looking forward to that as well.
I had an order for the Zen amp and changed it to the Sarah a few months ago, I do hope to live long enough to get it 😅 All kidding aside, they are great people over at Decware and the wait time is a testament to their success and their meticulous build process.
It doesn't hurt that he keeps getting plugged by reviewers who don't have to wait for product. There are other amp makers out there, but I respect your opinion.
Wow, that ancient expression: החצי הטוב יותר. It'd be nice if Steve could get some Audiophiliac System Of The Day photos of the new tube gear and speakers in the rooms actually owned by recent customers.
Are those tube amps good for Heavy Metal, New Wave, Country, and Blues. My tastes vary from Led Zeppelin, RUSH, and Pink Floyd to Bryan Ferry, Lyle Lovett, Gary Moore, and Stevie Ray Vaughan.
@@nostradamus7648 I have had low power tube amps before and with the right speaker they sing, I love Zepp and Floyd and all the rest you mentioned, ideally powered subs always help bring fullness to the bottom end no matter what you're using but with low watt tubes, probably more so.
STEVE, DUDE.....I am majorly impressed with your chance to review the VOLTI Speakers. I have been keeping up with this company for about 2-3 years now as they offered supreme upgrades to Klipsch horn speakers as a custom upgrade. This is a company to keep watching for sure. Have always wanted to hear these speakers. Wow can't believe you're actually reviewing these with so so many options out there. You have my attention big time.
Steve, just want to tell you I think your videos are great. I’m in line for a Sarah and find it interesting for that reason but would also find it interesting even if I wasn’t! The haters on this thread are a sad lot. No reason for the negativity.
Steve, love your reviews! I just bought a set of Heresy IV's paired with a Luxman R-113 and Denon turntable with a Ortofon 2M Red. I just ordered a Zen Triode from Decware and can't wait the hear the experience. Just wish my ears were as good as they were back in 1977.
Thanks for watching Lee, but the thing is about your ears you have a more experienced set of ears now than you did a 1977. You can appreciate music in a deeper level now, so savor that.
I was looking forward to this review, Steve! The tubes, of course, but also the Razz! I own a pair for some time, it’s the last pair of speakers I’ve ever bought…. Thanks for the great review
Rolling Westinghouse 12bh7s, a Sylvania 12sn7 and TAD 5u4g rectifier into my Musical Paradise 701mk2 preamp this morning. Mundorf SGO evo supreme coupling caps.... Every roll opens a new musical window. Getting tube AND capacitor "experienced" 😊
Im sitting at approx 1.5-1.75 yrs till delivery, for a Hand Built Boutique higly sought-after, Masterwork of Tube audio. It is worth it, if it’s what you want. I getting 2 built so I can Bi-Amp or run both in Mono. I can wait for what I know will be my Music Amp for Life.
@@DrSinissterNah son, I could buy one used at the same price point waiting around online than waiting for them to build one for you. And I check the list often and know it floats between 1.5 to 2 years often because the list is so long and they only have 3-6 people building em. You can have it...I'll buy one used. Again...that list is too damn long....and they need more people helping them build these out.
Hey Steve, I have the 25th Anniversary amp and I love it. I was wondering is it worth picking up the Sarah 300. Is there that much difference in the sound between the two?
Four questions: At list based in the information available in Deckware page how do you compare Torii mark V to Torii jr v2? How would you compare Torii mk V to mc 275 vi? How hot the Torii gets to listen to it in the summer? Is there a remedy, like using a fan? Thanks
I have heard it and will likely hear it when I’m there next. My ufo2 is the end of my rainbow and my budget. The Sarah is a work of art and bliss for your ears.
The 3 small tubes are voltage regulator, probably 75V for the pre-amp/driver tubes. So you know. I've heard many stories about hum. And having seen the inside of the amplifier, I'm not very surprised. I personally made and concieved many *many* tubes amplifier and solid state amplifier. I'm surprised to see how small the output transformer are.
Steve, I like your approach of breaking these videos up for the decware 300B. Thanks for your continued reviews and look forward to viewing more on the Sarah! Any chance the SP behind you can extract the same oodles of goodness from the Sarah?
In the year 1977 Leak of England had launched their 3000 speaker series with a plastic stepped baffle and it was all, it was ALL about getting a design award, then there were the you know, people that would buy these and when I look at Andrew Jones MoFi speakers with that horrible diffraction-free ... plastic baffle, I don't like it, or the designer. I think it's about a design award and he's a self-seeking guy.
I was seeking more on the efficiency range of the speaker like the SP. Steve mentions high sensitivity and looks like to he favor speakers in the 98+ to benefit from the Sarah which is unfortunate but it is what it is.
@@labalo5 Unless you're listening quietly, such as late at night, and don't mind some compression of macro dynamics. I personally own several amps, and my 2.3 Watt Decware with its voltage regulator tubes is just perfect for late night listening, the reason I bought it in the first place, music emerging from a black background as if driven by battery power. It'll play loud enough with more speakers then I expected (meaning louder than I'm comfortable with), but compress macro dynamics with some, but the way the sound carries at low levels is quite unique, plus when one is using high-sensitivity speakers, there's no compromise at all. But again, using average sensitivity speakers, it's easy to come by a second amp to play at party level, even if it may not provide the same magic or communicate music at the same emotional level.
@@LeonFleisherFan that’s fair. I was just trying to get a gauge and what to expect. I have a Sarah on preorder as well. My speakers are claimed 94db sensitivity. My hope is that I will still experience uncompressed materials even if listening to 65db. Of course like Steve is saying the higher, the better. Perhaps, dual Sarahs will provide what I seek.
Hi Steve, I love your channel. I have decided to order a pair of Lucera Volti audio and I’m torn on amps. Currently on the wait list for a Decware Rachael and csp3 pre, but am considering the torii with csp3 or Sarah. I listen to classic rock and 90s mostly. What are your thoughts?
For another ( a bit cheaper but not cheap ) 300b tube I recommend KR audio from the Czech Republic. Excellent sounding, beautifully made tube that I use in my Allnic T1500 300b amp. Speaking of which Allnic ( from Korea ) make outstanding tube amps which you can buy right away. They also, using some secret magic, manage to squeeze 12 Watts per side out of 300b tubes which is useful extra power. I did look at Western Electric 300b valves but they cost over £1600 for a matched pair in the UK and only give a 90 day guarantee, which you can extend to 5 years if you register. Disappointing. A lifetime guarantee would have made them a much more enticing proposition.
Looking at the website they are still working on orders from 9/2021. Closer to 2 years than 1. I bought a bunch of stuff over the last year. Had these been available within 3-6 months I likely would have bought one of their amps. Just too long of a wait for my sensibilities. I wish I had the patience.
@DaveSchulze Based on Audiophiliac reviews and an encouraging response by Steve to a comment I left, I have the 2.3WPC Decware Zen Triode and a pair of Zu Omen DW2s. It sounds amazing and can play more than loud enough in my small listening area at a distance of 7 or 8 feet.
How low sensitivity is too low? I currently own a pair of SVS bookshelves at 87db, Klipsch at 95db. I’m in a small room and honestly don’t listen loud that often. I could swap out the klipsch with the SVS , but I prefer the sound of the SVS because I don’t get fatigued like I do with the klipsch.
I'm in line for the UFO 2.1. Any comparisons forthcoming since you have a lot of experience with the Zen? I assume it sounds better but is it worth 2+ the money? Thanks.
***The Guttenberg challenge*** Steve, how about adding a new element to some reviews? In addition to the comparisons you have with contemporary gear, could you also include some with classic/vintage gear? Ex: I came upon a pair of McIntosh MC-60s at an estate sale. It would be interesting to hear your impressions on how those old Macs compare w contemporary versions side by side? Or, dive into your best-of lists? How would a refurb WATT 3 / Puppy 2 sound today against the Sabrina?
Thanks, it's a cool fantasy. But you're leaving out the logistics of how this gear gets here, setting it up, the costs of shipping heavy stuff back and forth? And locating the lender of the gear. A HUGE amount of work and the costs. That said, I do have a Hovland preamp made around 25 years ago that's awesome, and will compare it with a new preamp.
Good points; thanks for what you are already doing for the hobby. Too bad you aren’t in the Denver area. I had those monoblocks brought back to factory spec and would have dropped them by. At ~60 yrs they hold up well against my PS audio BHK 250. I find it amazing how good some vintage gear can be.
I am in a wonder if price not a subject, I shd get their 6V6 SET or this Sarah 300B. The speakers are mostly efficient like JBL 4320’s and Fostex FE206Sigma(E).
Completely different beast. From Victor K. NA distributor Sunvalley/ELEKIT...""ELEKIT tube amp is not a traditional tube amp design and ELEKIT is changing the design model by model. The life span of each model is very short as Mr. Fujita is not an audiophile. His design is based on spec."" Know Decware is a traditional amp design, Point-To-Point wiring and with tube rectification. Old school with Old Tube World sound.
Thanks @joenovak6393 My question was submitted as both Steve and Herb Reichert absolutely loved the TU-8600S (or its slightly less impressive predecessor the 8600R). Herb thought the 8600S would be happy in the company of the best tube company makers in the world, and said you could buy a $20K amp or just build the 8600S for around $2K. Steve compared the 8600R to at least one of the Decware amps and was more impressed by the 8600R as I recall. Hoping Steve will address my question. I hear Herb also has a review forthcoming on another Elekit amp and hopefully may compare and contrast some of the amps at issue.
@@Cary_Grant to recap, Steve Guttenberg starting @ 5m35s said Sarah 300B does live in your room better than anything anywhere near it's price, goes on to say of course there are other amps that do things better but not at this price and not in this way. Elekit 8600 and 8900 with all upgrades could be considered at the low end of this price range, actually they're almost half the price. We have video of Steve G at Herb R's with the TU-8600 and I'd be surprised if Steve G has not listened to the Tu-8900 Herb R reviewed in July '23 Stereophile magazine, given that I'd say it's safe to infer that Steve thinks Sarah 300b is the better sounding amp, no, do tell?
@mpix8302 Based on your comment I am going down a bit of a rabbit hole here: The full production model Sarah amp price cannot be compared to the 8600S's price they way you propose as the 8600S is a kit. Looking at the parts to the Sarah, it would be fair to say a hypothetical Sarah kit would cost thousands of dollars less. Generally when reviewers talk about amps at certain price point or range they are typically talking about apples to apples products (for e.g., full production model amps to pull production model amps). It is hard to say what the price of the 8600S would or should be priced at if it was a full production model with all that entails. Herb essentially said the 8600R (not even the better 8600S) would fit in nicely in the $20K full production tube amp crowd (4 times the price of the Sarah with some upgrades). So it is pretty unclear which amp is boxing in which weight class. (Or is it?) My main point is that the 8600S made substantial improvements (especially with the optional upgrades) to the 8600R. Steve has never reviewed the 8600S. Unless a reviewer has directly compared two products, I would not presume to know what their opinion is. Hence my original question to Steve - how the Sarah compares with the 8600S. It really was that simple. (I know that they are constructed very differently, have different components, etc., but I would like Steve (and Herb's) thoughts on sound differences.
@@Cary_Grant Well it sounds like you answered your question. However I will say according to July '23 Stereophile Gramophone Dreams TU8900 review by Herb Reichert, Victor charges $375 to assemble the kit for the customer therefor my comparison would be Apples to Apples other than that Steve D does not offer Sarah 300B as a kit. Remember Steve D is direct to consumer. For those of us in North America Elekit goes thru VK music distributorship which in theory should cost more than direct from manufacture. If I'm reading Herb's Stereophile review of TU8900 correct I am under the impression Herb thinks even higher of all options TU8900 2A3/300B amp than the all options (except the limited availability Silver Lundahl output transformer option) TU8600 whatever letter iteration it is up to.
Thanks for the reply back! I truly enjoy your podcasts, RUclips content, and of course, your print work, when it was the only way to get the info/perspective you share with us. Thanks again! @@SteveGuttenbergAudiophiliac
I’m currently on the wait list (page 11) for an amp and a phono from Decware, i paid my deposit happily and I’m very aware of the wait times. Ive recently built a new home - took over a year longer than the 6month expected build time, ordered a Toyota took a year longer than expected for delivery, currently getting a caravan built will be a year from ordering to receiving. If you want quality you wait. If you can’t, look elsewhere or buy secondhand. Pretty simple.
I’m on the waitlist for a Zen and considering switching to the Sarah. I recently went to Peoria and hung out with Steve and listened to them and had a great time with him. What a champ and a true master craftsman. If anyone doesn’t want to wait for it that’s ok but there’s really no need to litter comment sections with your negativity. I’m fine waiting for the quality of experience and I’m very happy to support a company like Decware. I’ll wait a while and then get a lifetime of astonishing listening experiences while the people who didn’t go for it are still complaining.
I took too long to make up my mind on the upgrades on mine (ended up maxing out anyways, always the best decision), which was right around the time Steve reviewed the 25th Anniversary Zen Triode, and had to wait almost half a year longer as a result. Of course it was worth it, but it also made me wonder, are there really audiophiles out there who do not have anything to listen to in the meantime? What's all that impatience and resulting negativity about? On a purely qualitative level, having compared my Decware to e.g. Amplifon, Aries Cerat, Boenicke, Horning, KR Audio, Line Magnetic, Sound Design Atelier and Spectral (and more), while it's true it's not the only world class amp out there, and some have more power driving a greater variety of speakers, none of those is in the same price category. In short, if one is impatient and wants this level of sound quality, there's always the option of spending three times as much or more. But don't fool yourself thinking there's competition out there at the same price level. I certainly haven't heard it. What I can say is that if one were on the fence whether the speakers one owns can at all be driven by a flea watt amplifier, seriously, unless one is confident it's going to work (and/or has contacted Steve and got confirmation), I'd recommend saving up for e.g. a 211, 813 or GM70 SET. But there, low-level listening with something like an Altec Lansing Voice of the Theatre may be a problem (near-impossible to set the volume).
@@keplermission I wouldn't call that a "copy" as any designer worth their salt is going to try and avoid diffraction, and there's only a limited number of ways rounding off or backwards folding baffles - I've built speakers for decades, and doubt we'd be able to point to any "firsts" of anything (I think the MoFi baffle looks good, and I know it works, good enough for me). The SB-M300 was more unique because of the combination of compound and passive radiator internal design. The Design Acoustics designs would appear conventional by modern standards but weren't yet in their era. When you refer to wood as being conventional, it sure isn't nowadays because of the cost. The MoFi speakers are MDF, which is a compromise, semi-affordable and easy to machine. I personally prefer ply or read wood from a sonic perspective, or compound materials that do not just, like MDF for the most part consist of dust plus glue. If your point is that not everything is improving, let me refer to the ancient Romans who I believe were the first to put down in writing that speech and morals were deteriorating - it always seems that way, and in some respects it may be true, but times are constantly changing. In audio, those audiophiles who do listen to music know full well that not everything sounds better than last year, or in some cases, not even better than a hundred years ago. I happen to find people's obsession with and belief in numbers deplorable (as in horse power in cars, forgetting to ask if the new model still weighs the same). It's all a matter of relevance, but you're right, some people appear to be constantly chasing after novelty.
@@keplermission I doubt it. Dome tweeters all resemble each other with the exception of Dynaudio's (and Morel's) inverted suspension, and ones that physically aren't domes (radial breakup modes) to begin with. Fibre reinforced paper cones aren't exactly rare either, nonetheless, they're all designed for a specific application. What's unique is the magnet structure, and that certainly looks like his own. And again, any designer worth their salt builds baffles to be low in diffraction - there's no such thing as "diffraction-free" (if anyone uses that term in their sales blurb, don't buy from them. means they're lying to your face).
@@keplermission There's no contradiction here: it's a coaxial driver (whether or not it really is time-coincident is doubtful) using a silk dome tweeter and reinforced paper cone mid-bass woofer. The two magnet plates have to be forced into each other by a machine compressing several tons, once in place forming continuous flux. I seem to remember reading the driver is made in China, but am not sure. What makes you think Andrew Jones would claim to have designed a driver if he hadn't? There are several videos online where he explains in person his thought process and what went into the design.
How did an amplifier review morph into a discussion of Andrew Jones? Geez. AJ has been designing speakers with coincident drivers for over 35 years, first with KEF, then TAD, then Pioneer, And now MoFi. He isn’t copying anyone.
Another review well done, BUT, you need to tell the viewers that the wait for any Decware amp is pushing two years!!!! I'd buy one in a heart beat if I could get it in a reasonable amount of time. Please review product that is readily available. I have no doubt that the Decware amps are awesome, represent incredible value and will last forever but viewers need to know that buying one is a royal PITA due to lead times.
Volti speakers? I'd be interested to hear your review. I'm lucky enough to have the Vittora and Elf. Forever speakers! Mr Roberts is a great guy, very helpful 👍
I've heard from a friend (still waiting) that the backlog is incredible. I'd be more likely to buy from Aric Audio, personally, rather than wait. Just my opinion.
@ SteveGuttenbergAudiophiliac nice review! Is the Sarah on loan or purchased? Saw in another you will eventually part with it, if you happy to local pick up in Brooklyn! :)
Does anyone of Steve's community know if Steve has ever talked about hearing the Klipsch La Scala's ? I would love to hear his review of these speakers. Just about every audiophile channel has reviewed these except Steve. I suspect he doesn't have the room.
Thanks for watching, no, I have never reviewed the la scala. But I did an episode in February, the four part episode with a confession. I heard La Scala and was blown away by the sound. Check it out. But please understand, while they are big, they don't make big bass, very high-quality bass, but not Room shaky bass.
Would be awesome to have a Decware, any one of them, my luck I’d put down a deposit then much later down the road when it’s ready I’d be broke. When you look at their wait lists you just sigh.
I have ordered mine today...as for the tubes I have to tell this.... The wester electrics here in Europe go for about 1500 euros.. Decware gives a coupon for 10%off...and it has lifetime warranty... On the other way the wathren are around 1000 euros and they don't have lifetime warranty... So there is a gap of about 350 euros... In my opinion the western are the way to go...
@@juanmillaruelo7647 I really wish there were good kits around. It seems to make sense for Decware but it would cost a lot of time in support I would imagine. Heathkit are making kits again, I'm hoping they start amps soon.
I hope Decware are training up/employ more people?!? Because a 2yr lead time doesn't seem a great business model coz their flagship Torii amp is soo sweet looking
So Steve, Zen or Sarah??? For the Decware complainers out there...I've been on the list until November, 2021. Yes, 18 months. I'm about to be promoted to Page 1 of the wait list. So, 2 years feels about right. Alas, I was about 1,200 in when I ordered. So, instead of complaining, take it for what it is...Decware puts out some really great tube amps and other equipment that for many of us, is worth the wait. If not for you, that's fine... Steve, truly, if you have to pick, which will you listen to the most??? (I still have time to change my order...LOL).
Yes Steve, I too am on page 1 for a Zen but really thinking about upgrading while I can. Would really appreciate your thoughts on whether it is worth the extra money.
Interesting Steve - seems like in pt 2 your enthusiasm for this amp is a bit tamped down compared to pt 1 where you proudly declared this 300b amp to be the best ever/first time you ever "really" heard sound of George Harrison's voice, and ending with a comparison to the LTA amps where LTA comes out on top. Wondering if your impressions of this amp was a bit diminished over time?
Thanks for watching, I said it was the best 300B amplifier I've heard. That doesn't make it the best amplifier ever, and sure that's why I did an extended test to offer a broader perspective. The Sarah is still a a terrific amplifier.
@@SteveGuttenbergAudiophiliac Thanks for your reply. Fair enough - but I will say if you had only watched pt 2 of this review, you would be wondering what all the fuss is about.
Watts mean nothing. It's all about the transformers and the frequency band. I have a 19 Watt Scott LK 48 driving the dog crap out of my magnepan 1.7 speakers. I'm sure at normal listening levels this amplifier will be quite fine for most speakers.
All these differences in bass delivery are probably because of fletcher Munson curves and human ear sensitivity. It takes a lot more power to deliver bass at 75db when compared to midrange at 75db. So, no wonder SETs run out of steam...
Thanks for the review. Seems like Decware is like the audio equivalent of vaporware... 99% of your viewers will never see, touch or hear one... much less own it. Still makes for an interesting video, though.
Don't care how good it sounds, the wait time is ridiculously long. This problem needs to be addressed. Wonder if the wait time on getting you amp serviced is as long.
I have not been happy with my decware amps..have had a few. My main problem has always been hummm....each amp had the same issue. I switched to a Shindo and humm went away. I also tried a few of the really cheap Chinese, $400, Tube amps..and had no hummm. Steve could not solve the issue and laid blame on customer setup.
Seriously? Steve's amps are famous for not having any hum, and I've taken mine to several audiophile acquaintances, meaning I've heard it in more than half a dozen systems, and it's dead quiet.
@@20CycleMonger Did all that....had no effect. Problem went away when I switched to a Shindo amp. And as I wrote, I did not have that issue with a cheapo Chinese tube amp...which BTW sounded pretty good for the money.
@@20CycleMonger I've often wondered if the preference in the U.S. for balanced cabling (common mode rejection) and shielded cables has to do with the use of 110VAC from the wall, domestic installation, building wiring, as well as, perhaps, above ground phone and power lines? Sonically, it's a tradeoff in that I have never found shielded connections to sound better where the shielding wasn't necessary, for this reason I'd always recommend trying both, as well as of course cable routing (e.g. low-level phono cabling or interconnects in parallel with power cables). The most common reason for hum may be residual DC on the AC from the wall, no amount of shielding won't remedy that (need a DC blocker, most of which negatively affect dynamics, so again, worth a try, but not universally recommended).
Indeed this one is. Some of the Decware amps are technically speaking power amplifiers with input attenuation, so depending on the source component, may profit from using a preamp. This one really is a full-blown integrated.
I simply cannot wrap my head around the wait time. I was over at the DW site and they were just getting to orders from 2021... In that amount of time, I am sure I could find one on the used market.
It sounds like (pardon the pun) the 300b's are not quite as special as their reputation; certainly not worth $1500/pair. . By contrast, the LTA (and others of its ilk) seems to be an amp for all seasons. Maybe that's why Steve Deckert was so slow in introducng it.
Good for you... For us , ordinary people, ordering it at the moment, it means we have to hope to be still alive when the " Sarah" will arrive... So, this rewiew seems pratically unuseful...
Depends on the speaker, of course. I've heard my 2.3 Watt Decware with half a dozen different speakers so far, and in several of them it's pretty much as you say (and it sounds beautiful regardless, merely macro dynamics suffer). Having said that I know people who own e.g. Altec Lansing Voice of the Theatre and such, where a two-digit power single-ended (such as a 211, those have maximum 19.7 Watts depending on the design) will have too much gain to comfortably set the volume.
@@LeonFleisherFan Appreciate your reply. However, not referencing volume. With exceptionally sensitive spks the option to increase volume would certainly be greatly increased. Nonetheless, are the dynamics equal to well designed 50 watt tube amps & 100 watt solidstate amps? The rounding of the edges of a 2 watt amp isn't going away.
@@saint6563 Typed an in-depth reply that got deleted, not sure why? The matter is on of transient attack not being the same as dynamics. Just as a lighter car has less inertia stopping and going, low-mass high-sensitivity speakers are faster-settling driven by a zero negative feedback flea watt amplifier than trying to control a high-mass, low-sensitivity speaker with an amp that uses negative feedback to exert high damping. Only servo control can remedy that to some effect, and then only for bass (long waves = sufficient time for servo to work). Dynamics isn't, to me as someone who builds loudspeakers, how loud a system can play, but the proportion in which a speaker is able to follow the signal (as in 0% to 99.9%), and how fast (the settling time is much more audible than the rise time). It needs to be able to follow the signal without macro-dynamic compression, which in turn affects micro dynamics to become inaudible. As a system, a zero negative feedback driven lightweight, high mechanical Q (low-damping) driver sounds faster. There's no way high electrical damping is ever going to make something jump from standstill to full signal and stop in dime that has higher moving mass. The short answer to your question is: if you own that type of speaker, and I'm not being judgemental as I have as much experience with low sensitivity as horns and dipole/open baffle), then it's not just that one needs wattage to make them "behave", but damping factor - the "rounding off" you hear isn't as much caused by the output transformer (it's not the tube themselves that keep a tube amp from being able to reproduce square waves), but the combination. It's as with sports cars: want to make them accelerate faster and stop and turn on a dime, take out weight, as there's a limit to how much more horsepower it might have, or how much the brakes can be improved.
@@saint6563 I forgot to address your question: a well-designed 50 Watt tube amp (e.g. the Amplifon SET42 Special Edition with 42 Watts out of a pair of GM70, which are basically the end-all version of the American jumbo tube lineage going from 211 to 845 and 805), will drive almost anything ("almost" referring to sudden impedance and/or electrical phase dips in poorly designed passive speakers, something like an SET140 from that brand, no business affiliation, by the way, will in fact drive pretty much any speaker at 140 Watts from 833 tubes). The attribute "well-designed" alluding not least to the quality of output transformers, which become disproportionally more expensive at high wattage, bandwidth and isolation, no financial shortcuts available there (that's why medium to high-wattage and stable SET amps are such beasts, virtually all power supply and output transformers). In contrast, 100 Watts in a solid state amplifier are no big deal in the modern world, it's not even an indication of quality. I'm waiting for the day when a mobile phone is going to output that much wattage and still not be able to drive a decent pair of headphones.
@@LeonFleisherFan That's why I specifically stated "well designed" for both tube & solidstate amps. Not talking about a $250 100 watt 5 channel receiver. Enjoy.
Extended wait times? Guess that's what I would expect from something that looks like it was made in somebody's shed in their backyard from a DIY kit on weekends 😂😂
I would love to send you a video of me tube rolling ' Steve (Galion) been using 2 differnt power tubes 😆 I can send you video soon ' APPRICATE YOU BUDDY. Just sold my Marantz 1403 5.1 reciever you reviewed at Cnet 12 years ago ! You compare to Sony 1090 lol
Lifetime warranties mean nothing when the company goes out of business. There have been several companies with respectable products that had lifetime warranties and there gone along with the “lifetime warranty”.
True. Having said that, Decware has been around for 27-28 years now, and they're not going to run out of orders any time soon. In addition to that, trouble-shooting tube amps isn't exactly rocket science, and it's all point-to-point wiring, no circuit boards.
I have been using my sarah 300B (one of the first 3 produced) for 3 months.
I can fully underline Steve's comments.
With 7 watts, the maximum volume is somewhat limited with my Sasha DAW, but what these few watts are capable of is extraordinary.
Sasha DAW have 91dB at 4 ohms and you know, Altec-Lansing 604c, there's loads of them in NY have 104dB per watt but they don't use 7 watt amplifiers. We need to look at amplifiers that had 7 watts then use their speakers. Western Electric used horns and you know, in NY there were people that hung these gramophone horns high on the wall and that's what we use with 300B because they're 60% efficient compare to 2% with moving coil speaker.
I'm sorry for all the backlash regarding Decware's lead time Steve. I personally enjoyed your reviews on my namesake amplifier and would like to thank you. I may be biased but it truly is a thing of beauty!!
Thank you Sarah!
Don’t mind the haters. If they don’t value handmade craftsmanship they can get mass-produced gear from elsewhere. As I said in a different post, I’m happy to wait and truly appreciate Decware’s business ethos that doesn’t sacrifice quality for a goal of unlimited growth.
I just ordered a Sarah primarily based on this terrific review. I am aware of the list and have other amps to keep me happy in the meantime. Looking forward to it. Thank you for the review, Steve. Always appreciate your candid take and thorough approach. Best. -Tom
Ordered mine a few days ago after watching your review at least 5 times. I can’t wait to hook Sarah up to my vintage LaScalas!!
I'm on the wait list as well. It's a pain but I am astounded by the negativity in the comments. Nobody is forcing anyone to order and/or wait... Do what makes you happy.
Do what makes you happy? It's a pain being on the waiting list but do what makes you happy? Wow. Steve has his share of oddball comments. No wonder Len Lesser plunked for a micro system. No need to wait and you know, from the Bronx, ignoring English prose, it does the job. Not an audiophile perhaps but it kept him happy.
A friend of mine ordered this amp and had to wait almost 2 years until it got delivered recently. It had so much hum that he contacted decware and they confirmed this is within tolerance; not the answer he expected, as he said hum so loud it’s unusable, so he had to send it back. Quality Control failed and another review the didn’t talk about the possible downsides.
Well, the unit I had did not hum. And obviously if they all had noise problems Decware would be long out of business. I'm sorry it didn't work out for your friend.
I've got a Decware SE 34.I6, which is an amp no one seems to talk about for some reason, and I love it. The wait list is a trial but the end product is worth it. I haven't started the tube rolling yet, but I am looking forward to that as well.
I had an order for the Zen amp and changed it to the Sarah a few months ago, I do hope to live long enough to get it 😅
All kidding aside, they are great people over at Decware and the wait time is a testament to their success and their meticulous build process.
" Testament" is the right word...
It doesn't hurt that he keeps getting plugged by reviewers who don't have to wait for product. There are other amp makers out there, but I respect your opinion.
Wow, that ancient expression: החצי הטוב יותר. It'd be nice if Steve could get some Audiophiliac System Of The Day photos of the new tube gear and speakers in the rooms actually owned by recent customers.
Are those tube amps good for Heavy Metal, New Wave, Country, and Blues.
My tastes vary from Led Zeppelin, RUSH, and Pink Floyd to Bryan Ferry, Lyle Lovett, Gary Moore, and Stevie Ray Vaughan.
@@nostradamus7648 I have had low power tube amps before and with the right speaker they sing, I love Zepp and Floyd and all the rest you mentioned, ideally powered subs always help bring fullness to the bottom end no matter what you're using but with low watt tubes, probably more so.
STEVE, DUDE.....I am majorly impressed with your chance to review the VOLTI Speakers.
I have been keeping up with this company for about 2-3 years now as they offered supreme upgrades to Klipsch horn speakers as a custom upgrade. This is a company to keep watching for sure. Have always wanted to hear these speakers.
Wow can't believe you're actually reviewing these with so so many options out there. You have my attention big time.
Hey man, thanks for watching!
I have owned 2 Decware amps over the years as well as dozens of others. They truly have a magical holographic sound! Great company to deal with also.
I have a Decware Zen Triode (no mods) and a pair of Zu DW2s; the amp is an absolute treasure.
I’m very interested in upgrading my vinyl system to Zu DW6 and some kind of Decware amplification. Thanks for all the reviews, Steve!!!
@Steveguttenbergaudiophilliac1 SCAM alert
I got the zen amp almost two years and it amazes me everyday....run it with a rme adi dac with klipsch khorns.
Steve, just want to tell you I think your videos are great. I’m in line for a Sarah and find it interesting for that reason but would also find it interesting even if I wasn’t! The haters on this thread are a sad lot. No reason for the negativity.
Steve, love your reviews! I just bought a set of Heresy IV's paired with a Luxman R-113 and Denon turntable with a Ortofon 2M Red. I just ordered a Zen Triode from Decware and can't wait the hear the experience. Just wish my ears were as good as they were back in 1977.
Thanks for watching Lee, but the thing is about your ears you have a more experienced set of ears now than you did a 1977. You can appreciate music in a deeper level now, so savor that.
I was looking forward to this review, Steve! The tubes, of course, but also the Razz! I own a pair for some time, it’s the last pair of speakers I’ve ever bought…. Thanks for the great review
Rolling Westinghouse 12bh7s, a Sylvania 12sn7 and TAD 5u4g rectifier into my Musical Paradise 701mk2 preamp this morning.
Mundorf SGO evo supreme coupling caps....
Every roll opens a new musical window.
Getting tube AND capacitor "experienced" 😊
You're on a roll!
Thanks Steve.
Yep!
(Acoustic Revive R-777 provides "wetness" ....😅)))
Yeah Steve, you may as well sell us a unicorn because nobody here is ever gonna see one of these with Decware's 10 year wait times😢
"Fake News":
No need to exaggerate [to put it politely] wait-time on Decware amps. Actual wait-time is enough to turn many potential buyers off.
Im sitting at approx 1.5-1.75 yrs till delivery, for a Hand Built Boutique higly sought-after, Masterwork of Tube audio. It is worth it, if it’s what you want. I getting 2 built so I can Bi-Amp or run both in Mono. I can wait for what I know will be my Music Amp for Life.
@@DrSinissterNah son, I could buy one used at the same price point waiting around online than waiting for them to build one for you. And I check the list often and know it floats between 1.5 to 2 years often because the list is so long and they only have 3-6 people building em. You can have it...I'll buy one used. Again...that list is too damn long....and they need more people helping them build these out.
Too long wait times
Hey Steve, I have the 25th Anniversary amp and I love it. I was wondering is it worth picking up the Sarah 300. Is there that much difference in the sound between the two?
Four questions: At list based in the information available in Deckware page how do you compare Torii mark V to Torii jr v2? How would you compare Torii mk V to mc 275 vi? How hot the Torii gets to listen to it in the summer? Is there a remedy, like using a fan? Thanks
I have heard it and will likely hear it when I’m there next. My ufo2 is the end of my rainbow and my budget. The Sarah is a work of art and bliss for your ears.
The 3 small tubes are voltage regulator, probably 75V for the pre-amp/driver tubes. So you know. I've heard many stories about hum. And having seen the inside of the amplifier, I'm not very surprised. I personally made and concieved many *many* tubes amplifier and solid state amplifier. I'm surprised to see how small the output transformer are.
Steve, I like your approach of breaking these videos up for the decware 300B. Thanks for your continued reviews and look forward to viewing more on the Sarah!
Any chance the SP behind you can extract the same oodles of goodness from the Sarah?
Nope
In the year 1977 Leak of England had launched their 3000 speaker series with a plastic stepped baffle and it was all, it was ALL about getting a design award, then there were the you know, people that would buy these and when I look at Andrew Jones MoFi speakers with that horrible diffraction-free ... plastic baffle, I don't like it, or the designer. I think it's about a design award and he's a self-seeking guy.
I was seeking more on the efficiency range of the speaker like the SP. Steve mentions high sensitivity and looks like to he favor speakers in the 98+ to benefit from the Sarah which is unfortunate but it is what it is.
@@labalo5 Unless you're listening quietly, such as late at night, and don't mind some compression of macro dynamics. I personally own several amps, and my 2.3 Watt Decware with its voltage regulator tubes is just perfect for late night listening, the reason I bought it in the first place, music emerging from a black background as if driven by battery power. It'll play loud enough with more speakers then I expected (meaning louder than I'm comfortable with), but compress macro dynamics with some, but the way the sound carries at low levels is quite unique, plus when one is using high-sensitivity speakers, there's no compromise at all. But again, using average sensitivity speakers, it's easy to come by a second amp to play at party level, even if it may not provide the same magic or communicate music at the same emotional level.
@@LeonFleisherFan that’s fair. I was just trying to get a gauge and what to expect. I have a Sarah on preorder as well. My speakers are claimed 94db sensitivity. My hope is that I will still experience uncompressed materials even if listening to 65db. Of course like Steve is saying the higher, the better. Perhaps, dual Sarahs will provide what I seek.
Hi Steve,
I love your channel. I have decided to order a pair of Lucera Volti audio and I’m torn on amps. Currently on the wait list for a Decware Rachael and csp3 pre, but am considering the torii with csp3 or Sarah. I listen to classic rock and 90s mostly. What are your thoughts?
For another ( a bit cheaper but not cheap ) 300b tube I recommend KR audio from the Czech Republic. Excellent sounding, beautifully made tube that I use in my Allnic T1500 300b amp.
Speaking of which Allnic ( from Korea ) make outstanding tube amps which you can buy right away. They also, using some secret magic, manage to squeeze 12 Watts per side out of 300b tubes which is useful extra power.
I did look at Western Electric 300b valves but they cost over £1600 for a matched pair in the UK and only give a 90 day guarantee, which you can extend to 5 years if you register. Disappointing. A lifetime guarantee would have made them a much more enticing proposition.
oh well, Made in USA sucks? ;-)
No tube manufacturer provides lifetime guarantee, it just doesn’t make commercial sense.
Anyone know what wood the base is made of on this Sarah amp?
Aren’t they still back ordered for over a year?! Want to try on my Zu Omen DW2.
Looking at the website they are still working on orders from 9/2021. Closer to 2 years than 1. I bought a bunch of stuff over the last year. Had these been available within 3-6 months I likely would have bought one of their amps. Just too long of a wait for my sensibilities. I wish I had the patience.
@DaveSchulze Based on Audiophiliac reviews and an encouraging response by Steve to a comment I left, I have the 2.3WPC Decware Zen Triode and a pair of Zu Omen DW2s. It sounds amazing and can play more than loud enough in my small listening area at a distance of 7 or 8 feet.
@@SteveWille Nice. I’m running it a Rogue Cronus Magnum III and it’s pretty glorious but always wondered what a SET would sound like.
How low sensitivity is too low? I currently own a pair of SVS bookshelves at 87db, Klipsch at 95db. I’m in a small room and honestly don’t listen loud that often. I could swap out the klipsch with the SVS , but I prefer the sound of the SVS because I don’t get fatigued like I do with the klipsch.
I'm in line for the UFO 2.1. Any comparisons forthcoming since you have a lot of experience with the Zen? I assume it sounds better but is it worth 2+ the money? Thanks.
***The Guttenberg challenge*** Steve, how about adding a new element to some reviews? In addition to the comparisons you have with contemporary gear, could you also include some with classic/vintage gear? Ex: I came upon a pair of McIntosh MC-60s at an estate sale. It would be interesting to hear your impressions on how those old Macs compare w contemporary versions side by side? Or, dive into your best-of lists? How would a refurb WATT 3 / Puppy 2 sound today against the Sabrina?
Thanks, it's a cool fantasy. But you're leaving out the logistics of how this gear gets here, setting it up, the costs of shipping heavy stuff back and forth? And locating the lender of the gear. A HUGE amount of work and the costs. That said, I do have a Hovland preamp made around 25 years ago that's awesome, and will compare it with a new preamp.
Good points; thanks for what you are already doing for the hobby. Too bad you aren’t in the Denver area. I had those monoblocks brought back to factory spec and would have dropped them by. At ~60 yrs they hold up well against my PS audio BHK 250. I find it amazing how good some vintage gear can be.
Another great review Steve
Keep up the great work mate
From your friends in Australia 🦘
What a system to listen to, Decware Sarah 300b playing thru a Pure Audio Project Duet speakers.
I am in a wonder if price not a subject, I shd get their 6V6 SET or this Sarah 300B. The speakers are mostly efficient like JBL 4320’s and Fostex FE206Sigma(E).
looks like a great product.
are you familiar with: OTOMON Laboratory ?. very similar to Decware's Design and Philosophy. thanks for the video.
If you order one today you just might be lucky enough to get it before the sun burns out.
I wonder how this amp compares with the Elekit TU-8600S? Any thoughts Steve?
Completely different beast. From Victor K. NA distributor Sunvalley/ELEKIT...""ELEKIT tube amp is not a traditional tube amp design and ELEKIT is changing the design model by model. The life span of each model is very short as Mr. Fujita is not an audiophile. His design is based on spec."" Know Decware is a traditional amp design, Point-To-Point wiring and with tube rectification. Old school with Old Tube World sound.
Thanks @joenovak6393 My question was submitted as both Steve and Herb Reichert absolutely loved the TU-8600S (or its slightly less impressive predecessor the 8600R). Herb thought the 8600S would be happy in the company of the best tube company makers in the world, and said you could buy a $20K amp or just build the 8600S for around $2K. Steve compared the 8600R to at least one of the Decware amps and was more impressed by the 8600R as I recall. Hoping Steve will address my question. I hear Herb also has a review forthcoming on another Elekit amp and hopefully may compare and contrast some of the amps at issue.
@@Cary_Grant to recap, Steve Guttenberg starting @ 5m35s said Sarah 300B does live in your room better than anything anywhere near it's price, goes on to say of course there are other amps that do things better but not at this price and not in this way. Elekit 8600 and 8900 with all upgrades could be considered at the low end of this price range, actually they're almost half the price. We have video of Steve G at Herb R's with the TU-8600 and I'd be surprised if Steve G has not listened to the Tu-8900 Herb R reviewed in July '23 Stereophile magazine, given that I'd say it's safe to infer that Steve thinks Sarah 300b is the better sounding amp, no, do tell?
@mpix8302 Based on your comment I am going down a bit of a rabbit hole here: The full production model Sarah amp price cannot be compared to the 8600S's price they way you propose as the 8600S is a kit. Looking at the parts to the Sarah, it would be fair to say a hypothetical Sarah kit would cost thousands of dollars less. Generally when reviewers talk about amps at certain price point or range they are typically talking about apples to apples products (for e.g., full production model amps to pull production model amps). It is hard to say what the price of the 8600S would or should be priced at if it was a full production model with all that entails. Herb essentially said the 8600R (not even the better 8600S) would fit in nicely in the $20K full production tube amp crowd (4 times the price of the Sarah with some upgrades). So it is pretty unclear which amp is boxing in which weight class. (Or is it?)
My main point is that the 8600S made substantial improvements (especially with the optional upgrades) to the 8600R. Steve has never reviewed the 8600S. Unless a reviewer has directly compared two products, I would not presume to know what their opinion is. Hence my original question to Steve - how the Sarah compares with the 8600S. It really was that simple. (I know that they are constructed very differently, have different components, etc., but I would like Steve (and Herb's) thoughts on sound differences.
@@Cary_Grant Well it sounds like you answered your question. However I will say according to July '23 Stereophile Gramophone Dreams TU8900 review by Herb Reichert, Victor charges $375 to assemble the kit for the customer therefor my comparison would be Apples to Apples other than that Steve D does not offer Sarah 300B as a kit. Remember Steve D is direct to consumer. For those of us in North America Elekit goes thru VK music distributorship which in theory should cost more than direct from manufacture.
If I'm reading Herb's Stereophile review of TU8900 correct I am under the impression Herb thinks even higher of all options TU8900 2A3/300B amp than the all options (except the limited availability Silver Lundahl output transformer option) TU8600 whatever letter iteration it is up to.
Hi Steve. If you used the DecWare with your Tannoys, I would love to hear your thoughts on that.🤔🎼🎹🎼👍🏽
Sorry, I don't have Tannoys
Thanks for the reply back! I truly enjoy your podcasts, RUclips content, and of course, your print work, when it was the only way to get the info/perspective you share with us. Thanks again! @@SteveGuttenbergAudiophiliac
Any chance of you reviewing the western Electric integrated amp that does 20W on 300b? Or their unobtanium monoblocs that do the same power from 300b?
Sorry, no.
@@SteveGuttenbergAudiophiliac it's ok I will keep watching anyway 🤣
I’m currently on the wait list (page 11) for an amp and a phono from Decware, i paid my deposit happily and I’m very aware of the wait times. Ive recently built a new home - took over a year longer than the 6month expected build time, ordered a Toyota took a year longer than expected for delivery, currently getting a caravan built will be a year from ordering to receiving. If you want quality you wait. If you can’t, look elsewhere or buy secondhand. Pretty simple.
How does Sarah 300b sound on the ZU DW6s?
Nice to see some vintage Nak in the VSOTD.....
I’m on the waitlist for a Zen and considering switching to the Sarah. I recently went to Peoria and hung out with Steve and listened to them and had a great time with him. What a champ and a true master craftsman. If anyone doesn’t want to wait for it that’s ok but there’s really no need to litter comment sections with your negativity. I’m fine waiting for the quality of experience and I’m very happy to support a company like Decware. I’ll wait a while and then get a lifetime of astonishing listening experiences while the people who didn’t go for it are still complaining.
I took too long to make up my mind on the upgrades on mine (ended up maxing out anyways, always the best decision), which was right around the time Steve reviewed the 25th Anniversary Zen Triode, and had to wait almost half a year longer as a result. Of course it was worth it, but it also made me wonder, are there really audiophiles out there who do not have anything to listen to in the meantime? What's all that impatience and resulting negativity about? On a purely qualitative level, having compared my Decware to e.g. Amplifon, Aries Cerat, Boenicke, Horning, KR Audio, Line Magnetic, Sound Design Atelier and Spectral (and more), while it's true it's not the only world class amp out there, and some have more power driving a greater variety of speakers, none of those is in the same price category. In short, if one is impatient and wants this level of sound quality, there's always the option of spending three times as much or more. But don't fool yourself thinking there's competition out there at the same price level. I certainly haven't heard it. What I can say is that if one were on the fence whether the speakers one owns can at all be driven by a flea watt amplifier, seriously, unless one is confident it's going to work (and/or has contacted Steve and got confirmation), I'd recommend saving up for e.g. a 211, 813 or GM70 SET. But there, low-level listening with something like an Altec Lansing Voice of the Theatre may be a problem (near-impossible to set the volume).
@@keplermission I wouldn't call that a "copy" as any designer worth their salt is going to try and avoid diffraction, and there's only a limited number of ways rounding off or backwards folding baffles - I've built speakers for decades, and doubt we'd be able to point to any "firsts" of anything (I think the MoFi baffle looks good, and I know it works, good enough for me). The SB-M300 was more unique because of the combination of compound and passive radiator internal design. The Design Acoustics designs would appear conventional by modern standards but weren't yet in their era. When you refer to wood as being conventional, it sure isn't nowadays because of the cost. The MoFi speakers are MDF, which is a compromise, semi-affordable and easy to machine. I personally prefer ply or read wood from a sonic perspective, or compound materials that do not just, like MDF for the most part consist of dust plus glue. If your point is that not everything is improving, let me refer to the ancient Romans who I believe were the first to put down in writing that speech and morals were deteriorating - it always seems that way, and in some respects it may be true, but times are constantly changing. In audio, those audiophiles who do listen to music know full well that not everything sounds better than last year, or in some cases, not even better than a hundred years ago. I happen to find people's obsession with and belief in numbers deplorable (as in horse power in cars, forgetting to ask if the new model still weighs the same). It's all a matter of relevance, but you're right, some people appear to be constantly chasing after novelty.
@@keplermission I doubt it. Dome tweeters all resemble each other with the exception of Dynaudio's (and Morel's) inverted suspension, and ones that physically aren't domes (radial breakup modes) to begin with. Fibre reinforced paper cones aren't exactly rare either, nonetheless, they're all designed for a specific application. What's unique is the magnet structure, and that certainly looks like his own. And again, any designer worth their salt builds baffles to be low in diffraction - there's no such thing as "diffraction-free" (if anyone uses that term in their sales blurb, don't buy from them. means they're lying to your face).
@@keplermission There's no contradiction here: it's a coaxial driver (whether or not it really is time-coincident is doubtful) using a silk dome tweeter and reinforced paper cone mid-bass woofer. The two magnet plates have to be forced into each other by a machine compressing several tons, once in place forming continuous flux. I seem to remember reading the driver is made in China, but am not sure. What makes you think Andrew Jones would claim to have designed a driver if he hadn't? There are several videos online where he explains in person his thought process and what went into the design.
How did an amplifier review morph into a discussion of Andrew Jones? Geez. AJ has been designing speakers with coincident drivers for over 35 years, first with KEF, then TAD, then Pioneer, And now MoFi. He isn’t copying anyone.
Have you heard the amp Western Electric is building for thier 300B tubes?
Sorry no
any chance of trying the Sarah with Tekton Perfect SET 15?
Sorry no, both were returned to the manufacturers. I can't keep most of the stuff around, space is the final frontier.
Please do more with Herb..... you two are magic.
Thanks, we have a new one posting today or tomorrow.
Another review well done, BUT, you need to tell the viewers that the wait for any Decware amp is pushing two years!!!! I'd buy one in a heart beat if I could get it in a reasonable amount of time. Please review product that is readily available. I have no doubt that the Decware amps are awesome, represent incredible value and will last forever but viewers need to know that buying one is a royal PITA due to lead times.
Volti speakers? I'd be interested to hear your review. I'm lucky enough to have the Vittora and Elf. Forever speakers! Mr Roberts is a great guy, very helpful 👍
I've heard from a friend (still waiting) that the backlog is incredible. I'd be more likely to buy from Aric Audio, personally, rather than wait. Just my opinion.
@ SteveGuttenbergAudiophiliac nice review! Is the Sarah on loan or purchased? Saw in another you will eventually part with it, if you happy to local pick up in Brooklyn! :)
It was on loan and was returned to the company.
What about the Western Electric 91E?
I think you've asked this question before, and I've answered it. I'm not going to review that one.
How would this pair with my RP600 Ii?
It's a great match.
Does anyone of Steve's community know if Steve has ever talked about hearing the Klipsch La Scala's ? I would love to hear his review of these speakers. Just about every audiophile channel has reviewed these except Steve. I suspect he doesn't have the room.
Thanks for watching, no, I have never reviewed the la scala. But I did an episode in February, the four part episode with a confession. I heard La Scala and was blown away by the sound. Check it out. But please understand, while they are big, they don't make big bass, very high-quality bass, but not Room shaky bass.
@@SteveGuttenbergAudiophiliac very much appreciated . Thank you
Would be awesome to have a Decware, any one of them, my luck I’d put down a deposit then much later down the road when it’s ready I’d be broke. When you look at their wait lists you just sigh.
I have ordered mine today...as for the tubes I have to tell this.... The wester electrics here in Europe go for about 1500 euros.. Decware gives a coupon for 10%off...and it has lifetime warranty... On the other way the wathren are around 1000 euros and they don't have lifetime warranty... So there is a gap of about 350 euros... In my opinion the western are the way to go...
It would look really cool with a copper or brass top plate rather then aluminum.
It’s an option. That’s how I ordered it.
Much more authentic this way. Just like 50's 60's DIY builds. They should give the option to build a kit, just like in the good old days. :-)
@@juanmillaruelo7647 I really wish there were good kits around. It seems to make sense for Decware but it would cost a lot of time in support I would imagine. Heathkit are making kits again, I'm hoping they start amps soon.
I hope Decware are training up/employ more people?!? Because a 2yr lead time doesn't seem a great business model coz their flagship Torii amp is soo sweet looking
So Steve, Zen or Sarah??? For the Decware complainers out there...I've been on the list until November, 2021. Yes, 18 months. I'm about to be promoted to Page 1 of the wait list. So, 2 years feels about right. Alas, I was about 1,200 in when I ordered. So, instead of complaining, take it for what it is...Decware puts out some really great tube amps and other equipment that for many of us, is worth the wait. If not for you, that's fine... Steve, truly, if you have to pick, which will you listen to the most??? (I still have time to change my order...LOL).
Yes Steve, I too am on page 1 for a Zen but really thinking about upgrading while I can. Would really appreciate your thoughts on whether it is worth the extra money.
Interesting Steve - seems like in pt 2 your enthusiasm for this amp is a bit tamped down compared to pt 1 where you proudly declared this 300b amp to be the best ever/first time you ever "really" heard sound of George Harrison's voice, and ending with a comparison to the LTA amps where LTA comes out on top. Wondering if your impressions of this amp was a bit diminished over time?
Thanks for watching, I said it was the best 300B amplifier I've heard. That doesn't make it the best amplifier ever, and sure that's why I did an extended test to offer a broader perspective. The Sarah is still a a terrific amplifier.
@@SteveGuttenbergAudiophiliac Thanks for your reply. Fair enough - but I will say if you had only watched pt 2 of this review, you would be wondering what all the fuss is about.
Watts mean nothing. It's all about the transformers and the frequency band. I have a 19 Watt Scott LK 48 driving the dog crap out of my magnepan 1.7 speakers. I'm sure at normal listening levels this amplifier will be quite fine for most speakers.
All these differences in bass delivery are probably because of fletcher Munson curves and human ear sensitivity. It takes a lot more power to deliver bass at 75db when compared to midrange at 75db. So, no wonder SETs run out of steam...
Thanks for the review. Seems like Decware is like the audio equivalent of vaporware... 99% of your viewers will never see, touch or hear one... much less own it. Still makes for an interesting video, though.
You and Herb R Rock stars …… So much appreciated….. and make NO mistake…I am the true AUDIOPHILE 😁
Any idea where a guy can get 4 KT-120 tubes without feeling violated?
Upscale audio have great tubes.
@Steveguttenbergaudiophilliac1 I did?
For real?
Too bad it’s not the real audiophiliac
So it sounds like a good 300B SET amp. Hmmm...
Rega products also come with a lifetime warren.
Watership Down??
🎶😂🎶
DECWARE's Super Salesman! Are you moving to Peoria, Illinois?
Don't care how good it sounds, the wait time is ridiculously long. This problem needs to be addressed. Wonder if the wait time on getting you amp serviced is as long.
Turn around time for service is about 2 weeks.
I have not been happy with my decware amps..have had a few. My main problem has always been hummm....each amp had the same issue. I switched to a Shindo and humm went away. I also tried a few of the really cheap Chinese, $400, Tube amps..and had no hummm. Steve could not solve the issue and laid blame on customer setup.
Seriously? Steve's amps are famous for not having any hum, and I've taken mine to several audiophile acquaintances, meaning I've heard it in more than half a dozen systems, and it's dead quiet.
@@LeonFleisherFan as is my Torii MKV and my brother-in-law's MKIV.
Try shielded interconnects and power cables?
Worked for my tube pre.
@@20CycleMonger Did all that....had no effect. Problem went away when I switched to a Shindo amp. And as I wrote, I did not have that issue with a cheapo Chinese tube amp...which BTW sounded pretty good for the money.
@@20CycleMonger I've often wondered if the preference in the U.S. for balanced cabling (common mode rejection) and shielded cables has to do with the use of 110VAC from the wall, domestic installation, building wiring, as well as, perhaps, above ground phone and power lines? Sonically, it's a tradeoff in that I have never found shielded connections to sound better where the shielding wasn't necessary, for this reason I'd always recommend trying both, as well as of course cable routing (e.g. low-level phono cabling or interconnects in parallel with power cables). The most common reason for hum may be residual DC on the AC from the wall, no amount of shielding won't remedy that (need a DC blocker, most of which negatively affect dynamics, so again, worth a try, but not universally recommended).
My speakers are 87db efficient 4 ohm rated for 600 watts so this probably isn't my best choice.
I got the Decware Zen Triode Phono and it is amazing, no doubt his amps are great too.
so this is technically an integrated amp?
Indeed this one is. Some of the Decware amps are technically speaking power amplifiers with input attenuation, so depending on the source component, may profit from using a preamp. This one really is a full-blown integrated.
I simply cannot wrap my head around the wait time. I was over at the DW site and they were just getting to orders from 2021... In that amount of time, I am sure I could find one on the used market.
It sounds like (pardon the pun) the 300b's are not quite as special as their reputation; certainly not worth $1500/pair. . By contrast, the LTA (and others of its ilk) seems to be an amp for all seasons. Maybe that's why Steve Deckert was so slow in introducng it.
Good for you...
For us , ordinary people, ordering it at the moment, it means we have to hope to be still alive when the " Sarah" will arrive...
So, this rewiew seems pratically unuseful...
Lifetime warranty. Will they be in business for that long?
You made Jimi Hendrix cry 😂
Someday...
audiophiles will realize low power [single digit] amps aren't dynamic. Only 'rich' sounding by lacking 'attack'.
Depends on the speaker, of course. I've heard my 2.3 Watt Decware with half a dozen different speakers so far, and in several of them it's pretty much as you say (and it sounds beautiful regardless, merely macro dynamics suffer). Having said that I know people who own e.g. Altec Lansing Voice of the Theatre and such, where a two-digit power single-ended (such as a 211, those have maximum 19.7 Watts depending on the design) will have too much gain to comfortably set the volume.
@@LeonFleisherFan
Appreciate your reply.
However, not referencing volume.
With exceptionally sensitive spks the option to increase volume would certainly be greatly increased.
Nonetheless, are the dynamics equal to well designed 50 watt tube amps & 100 watt solidstate amps?
The rounding of the edges of a 2 watt amp isn't going away.
@@saint6563 Typed an in-depth reply that got deleted, not sure why? The matter is on of transient attack not being the same as dynamics. Just as a lighter car has less inertia stopping and going, low-mass high-sensitivity speakers are faster-settling driven by a zero negative feedback flea watt amplifier than trying to control a high-mass, low-sensitivity speaker with an amp that uses negative feedback to exert high damping. Only servo control can remedy that to some effect, and then only for bass (long waves = sufficient time for servo to work). Dynamics isn't, to me as someone who builds loudspeakers, how loud a system can play, but the proportion in which a speaker is able to follow the signal (as in 0% to 99.9%), and how fast (the settling time is much more audible than the rise time). It needs to be able to follow the signal without macro-dynamic compression, which in turn affects micro dynamics to become inaudible. As a system, a zero negative feedback driven lightweight, high mechanical Q (low-damping) driver sounds faster. There's no way high electrical damping is ever going to make something jump from standstill to full signal and stop in dime that has higher moving mass. The short answer to your question is: if you own that type of speaker, and I'm not being judgemental as I have as much experience with low sensitivity as horns and dipole/open baffle), then it's not just that one needs wattage to make them "behave", but damping factor - the "rounding off" you hear isn't as much caused by the output transformer (it's not the tube themselves that keep a tube amp from being able to reproduce square waves), but the combination. It's as with sports cars: want to make them accelerate faster and stop and turn on a dime, take out weight, as there's a limit to how much more horsepower it might have, or how much the brakes can be improved.
@@saint6563 I forgot to address your question: a well-designed 50 Watt tube amp (e.g. the Amplifon SET42 Special Edition with 42 Watts out of a pair of GM70, which are basically the end-all version of the American jumbo tube lineage going from 211 to 845 and 805), will drive almost anything ("almost" referring to sudden impedance and/or electrical phase dips in poorly designed passive speakers, something like an SET140 from that brand, no business affiliation, by the way, will in fact drive pretty much any speaker at 140 Watts from 833 tubes). The attribute "well-designed" alluding not least to the quality of output transformers, which become disproportionally more expensive at high wattage, bandwidth and isolation, no financial shortcuts available there (that's why medium to high-wattage and stable SET amps are such beasts, virtually all power supply and output transformers). In contrast, 100 Watts in a solid state amplifier are no big deal in the modern world, it's not even an indication of quality. I'm waiting for the day when a mobile phone is going to output that much wattage and still not be able to drive a decent pair of headphones.
@@LeonFleisherFan
That's why I specifically stated "well designed" for both tube & solidstate amps. Not talking about a $250 100 watt 5 channel receiver.
Enjoy.
300Bs play MUSIC with Emotion
Agee...Steve why are you reviewing this product when customers like me are still waiting on my order after 21 months? Shame on you.
Why would you review you something you can't get for almost 3 years?
Because it's interesting, that's the reason for all of my videos. At least I hope that's the reason people watch them!
Extended wait times? Guess that's what I would expect from something that looks like it was made in somebody's shed in their backyard from a DIY kit on weekends 😂😂
You have no clue what you're talking about.
I would love to send you a video of me tube rolling ' Steve (Galion) been using 2 differnt power tubes 😆 I can send you video soon '
APPRICATE YOU BUDDY. Just sold my Marantz 1403 5.1 reciever you reviewed at Cnet 12 years ago !
You compare to Sony 1090 lol
The fawning review for this specialized unavailable product is ridiculous.
MOFI speakers suck, the artificial hype faded out
Lifetime warranties mean nothing when the company goes out of business. There have been several companies with respectable products that had lifetime warranties and there gone along with the “lifetime warranty”.
True. Having said that, Decware has been around for 27-28 years now, and they're not going to run out of orders any time soon. In addition to that, trouble-shooting tube amps isn't exactly rocket science, and it's all point-to-point wiring, no circuit boards.
Chuck is love your vids but reallty5
The amp is garbage I testes