Producer Max Norman Interview P1 Ozzy, Blizzard of Ozz, Diary Of A Madman, Bark at The Moon, Tribute
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- Опубликовано: 12 апр 2021
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The band “Blizzard of Ozz” was destroyed by Sharon... too bad. Those first two albums (and only two) were incredible. I’m glad I was in high school at that time to have those vivid memories. RIP Randy and Lee... BEST solo and song is “Diary of a Madman” in my opinion. Such an incredible song from beginning to end!
It was all about keeping the Royalties. Studio musicians or hired guns dont get Royalties. Sharon does Not believe in Sharing at least not equally.
@@ricdale7813 No doubt that had he lived, Randy would have gotten screwed over as well. In fact, Sharon even tried to change his contract after he died - according to his family. Evil witch.
After all wasnt the main thing Lee getting fired that they wanted and had a chance to get Tommy Aldridge in the band. The other had to go. As Bob then raised his voice he got fired as well. There really wasnt much of a audition for Rudy as Randy just said he could do the job. But the thing that Lee didnt get along is more of they already had another player. And as Bob came to play on Bark at the Moon band live it cant really be a age issue. As he helped them out all the way up to No More Tears.
The decision was actually made by Don Arden and not Sharon
@@MorryB That's True! Randy's siblings get absolutely none of his royalties. From what I know... Randy's mom actually turned down his royalties cause she considered it blood money. I guess by default or somehow in court Sharon ended up with the rights to everything Randy did for Ozz which is why we'll never hear all the stuff Bob Daisley has with Randy. Also why Sharon was able to squash the movie that was made about Randy by Peter Margolis, and why we'll likely never see any of the professionally filmed shows she absolutely has that were mainly filmed on the Diary tour.
The first two Ozzy Solo albums are nearest and dearest to my heart!! Love 'em! Wish Randy was still here...
Such a lovely guy, still so humble. To think of all he has accomplished. His stories are so fascinating, especially Ozzy and Randy. God bless you Max.
Loudness.... Thunder in the East sounds great!
I saw Blizzard of Ozz both nights at Hammersmith odeon London 1980
Wow...I bet that was incredible.
Lucky. You have lived!
@@SteveKaynan yes I guess I was lucky 1980 was when I was old enough too go to concerts
Saw Iron maiden 3 times,Judas priest ,Ian Gillan when Ritchie Blackmore joined him on stage and Whitesnake just to name a few
Soooo jealous
Two greatest albums ever recorded on this planet. Blizzard and Diary.
Not even close blizzard sounds like shit
Holy Diver and Last in Line also 2 excellent back to back albums.
@@huruduru5144 You are right there. I wore them 2 Dio albums out in my younger days.
@@briangisler1981 I often wonder (not so much anymore) what those two albums would have sounded like with Randy playing on them? 😁
@@huruduru5144 Would’ve never happened. But I see what you’re saying.
All the Blizzard Of Ozz crew/member interviews are so good. Yeah, when the first album came out, it wasn't that huge, right away. Ozzy played a 3000 seater in my hometown Cleveland. Same place any other new artist with one big hit would play. For former Black Sabbath singer, was intimate venue.
Hello Cleveland!!!
Haha, I was there! 10th row with binoculars!
Whenever I saw Max's name on a record I bought it. Nothing sounded like Diary when it came out, it was groundbreaking. Then came Rust In Peace, which also redefined the sound of metal.
I think that was Mike Clink. Maybe Max mixed it...
Rust in peace.. The most over rated album in metal. Dreadful.
@@midnightcharlieman6669LOL!!! Not..
Mad respect to Max Norman!
Mad Max to respect Norman!
🤟🤟🤟
Loudness - Thunder In The East
Loudness - Lightning Strikes
Fascinating interview. Loved hearing about the Orchestra recording process at Abbey Road Studios. Many thanks for sharing your memories Max.
Max Norman thank you for the stories and I look forward to hearing more, kudos for a great, great interview guys.
don't forget Max also produced Megadeth- Countdown to Extinction and Youthanasia
🤔 NICE...I LOVED the production of those now I think of it. Hell, I got a copy of that Megadeth Making of Youthanasia VHS tape somewheres I ain't seen in years...Gonna have to hunt it down. 🤘🔥🤘
Dave Mustaine all dressed up like an old school teacher/professor explaining (ALL condescendingly of course 😏) how a record was made (back in the EARLY 90s anyways) Lol...Good footage of the now departed Nick Menza in his old 70 Chevy PU truck..... GOOD STUFF 😎🤘
@@jamescon55 Yes... these 2 albums are pure masterpiece
He also produced Loudness Thunder in the East
Loved Max’s work with Loudness!
I would absolutely love to have Max’s memory’s of Randy playing. Just to be a fly on the wall in that recording studio. OMG!!
Great interview, what an interesting chap Max Norman!
Also watching this for the second time. How humble is Max? "Well it was a great studio and great mics and a great board. And if you have a great drummer... " AND a great sound engineer, Max! Thank you for recording this music that was so impactful I can't even think of a way to explain it. Thank you!
thanks max for producing all those classic albums,i've learn guitar&still listening to it today
loved what he did for loudness!! thunder in the east is a classic!!
I worked for Jet Records during these recordings. I loved Randy Rhodes lovely guy hugley talented and great work ethic. His girlfriend was with him most of the time. She was lovely parents owned hotels. I was there for tree and a half years and learnt alot and had a lot of input, Happy days
max norman one of the greatest engineers in the rock history
I really enjoyed this looking forward to part 2 thanks guys and max. Loved his ozzy impersonation. Jimmy i didn't see this live but i swear i had just written i loved his ozzy impersonation when u said best thing was the ozzy impersonation.
13:50 Best part of the whole thing. "That guy is fxcking gone. Can you do it?" "Yeah sure Oz." Alright - you're doing it."
That cracked me up too.
Another Great interview guys! Thanks!
Wow.. Bad Company, Robin Trower, Dangerous Toys, Tower of Power .... THIS IS "the guy"
You forgot megadeth
@@tragicallymalicious1 No...I didn't. NOT at all. I was just throwing "a few" out there. ALREADY returned a reply/commented the Megadeth CDs in the comments elsewhere in this thread 😁
That was first Dangerous Toys album is so underrated
Savatage Power of the Night was the best . Had the eerieness of Diary of a madman..plus Max mixed Fates Warning No Exit. He rules...He also did a band from Detroit called Vendetta in 1982
He did Power of the Night? LOVE THAT ALBUM
Totally agree, Power of the Night is such a great album!
Power of the Nights excellent album sounds good!!!
Brilliant interview love hearing these story’s . I love to hear the Pantera story’s
excellent interview and guest, really enjoyed this!
Amazing - so great to hear Max's perspective and reminiscences on this era which had a tremendous impact on a certain generation ;) Only wish this were longer.
Incredible - love hearing this.
SO cool and what a pair of records.
Stellar upload.
❤️👹🙋♂️
This is Gold!. Love hearing Max's recollections of that point in time. Masterpiece albums
I'm a fan! I love his Megadeth years! 🤘🏻 Max have an amazing taste in production. Great editor, engenier and producer! What he did with "Countdon to extiction" and "Youthanasia" and "Angry Again" and "99 ways to die", I'm Thankfull forever. He made it so great! Mustaine is very talent, but Max understood the way to make it greater. I wish Dave could enjoy that partnership again. Marco from Brazil.
Youthanasia is one of my all time favorites! Great songs and the record sounds live!!
Excelente, Marco, um grande abraço da Argentina!
That was a good one !!! great interview
Love hearing about the making if these classic albums. Great interview guys!
thanx for this.... Max's impressions are hysterical .... Great "Scotty" from Star Trek , Ozzy impression
Ozzy was seeing things. Randy was found outside the garage, the Randy Rhoads book documents it and interview from the officer Mike Smalt. He was the only one that was outside the burning garage.
Great show, looking forward to another.
Great interview guys!
Missed the live looking forward to watching this now.
Thanks guys! Max is a legend!
This is awesome!
We, all the fans, should make a compliment to guys such as Max Norman...
This interview is a walk through the past..
Excellent job.
Max Norman is Max Norman. Producer Malice Band License to Kill 1987, Grim Reaper Rock You to Hell album 1987, Loudness Thunder in the East 1985. Excellent sound definitely. Max Norman my Respect👍🎼🎵🎶⚡🥁🎸🤘🙏💪!!!!
Excellent interview and great questions. You guys did amazing. This man is a master and bang on about recording. I approached this method when he talked about leaving mistakes and moving on. Working on instincts and fast is great way to get results. Diary and blizzard are classic and ozzy never got to that level ever again.
hard to when a musician like Randy passes
Really enjoyed that, Max is a nice guy...grew up listening to much of his work.
he is underappreciated as a producer
What a fantastic video. I own both records on vinyl by Jet Records on Japanese issues. They are my treasures among others in my collection.
This is absolutely amazing.
“You Looking at Me, Looking at You” was recorded during the BOO recording sessions but dropped in favor of No Bone Movies which was recorded as an intended non-LP B-side after the rest of the songs and after Randy went back to the US briefly for a Quiet Riot reunion. “You Said It All”, as Max mentioned, was recorded in Southampton and Bob gives some details in his great book. Both are great tracks. “YLAMLAY” exists in 3 mixes:
-The original 1980 7” UK Crazy Train B-side mix (no cowbell).
-A different mix that was released in 1984 and 1985 in Japan with a cowbell in the chorus and the guitars mixed differently and the outro guitar riff coming in at a different time. Not quite as heavy sounding of a mix as the 7”.
Which of those 2 mixes were supposed to originally be on the album? Were both mixes done and available for the album before the song was dropped?
-3rd mix: the 2002 version with Bob and Lee erased and replaced.
this gets caught on a Rhoad loop starting with the cow palance interview from 12/30/1981
I bought Tribute on vinyl in 1987 and interestingly, there was a sticker on the shrink film cover (which I still have) that said the album was recorded in Canada! I think by now, fans know that most of the songs were actually taken from the King Biscuit show in Cleveland, as mentioned in this interview.
I always wondered why they claimed it was Canada, even in magazines, when only the guitar solo is from Montreal. The Cleveland show was actually recorded and broadcasted by NBC The Source. The King Biscuit Flower Hour recorded and broadcasted the Montreal Canada show and Randy’s playing was unreal. I was always disappointed they didn’t use the Montreal show but at least the full show is available and without any performance overdubs.
Really enjoyed this interview. Makes me feel like I know the guy. I've had a bunch of the studio experiences just not stardom. Gotta to meet and hear some funny stories from various engineers. So yeah. Wow. Always interesting vids to watch/ listen.
Cool insight.. BOO AND DOMM are incredible. The production is something I strive for. Domm was so dark sounding.
This was Absolutely,Absolutely incredible. Thank you. I just wish Max new he produced the TWO greatest albums ever recorded on the face of this planet. Blizzard and Diary.
Not that good
@@jamie.777 Just one word.. WOW!
@@briangisler1981 there good rock albums, but NOT the greatest of all time. U fan boy
You guys are bring a great gift to us metalheads! Would love to chat metal with you all any time...
Great interview
Max is a really nice guy and has great rock history! Kudos to him!
Great stuff guys, I just stumbled on this vid and I'm subbed now. You guys should make 5-10 min clips of these interviews. I would love one starting where he talks about randy triple tracking and ending with how ozzy doubles his vocs 1 line at a time. I need to show this to my band mates I'm sick of arguing haha
20:30 to 26:36 is the part I'm referring to.
Tribute is mostly Cleveland solo is Montreal. No bone movies and goodbye to romance was in Southampton same show the Mr Crowley EP was recorded. The rest of the show is stilled locked in a vault.
Max fixed Randy in two spots on Tribute both times on crazy train. The power chord slide on the intro his first chord is off by a fret. The solo he also begins by tapping a fret too low.
If you're bored on a Sunday the sound boards for Montreal and Cleveland can be found to verify this.
Max is a legend. I've read Rudy's book, Bob's book and Ozzy's. Bobs account of the events during that time is the only one that lines up spot on with the all the dates recordings and live shows I could find. For facts sakes is an excellent account this time period.
Stop interrupting your guests with your “look how much I know “ comments and let them finish a thought.
Max reminds me of the butler from trading places and Dave Murray
Lol
Nice Voivod shirt! 🤘🏽
37:00 OLIVER REED !!! HAHA!
Oh hell, you just have to know the energy in that pub 10X'd itself : Ozzy and Ollie drinking together is one for the books.
I wish Max would have said how that pub session ended. I bet they drank it dry and deep into the night !
I had heard that story somewhere. Classic!
They were the days! 😀
I wonder how good the solo is on that 1980 Southampton show. Randy's playing is powerful in that show.
Gary Moore was up with helping to set up auditions/finding musicians etc. However, Dana Strum (Slaughter) was involved and did the auditions thing with/for Ozzy. It was he who knew about Randy and brought him in. It was Dana who set up the audition with Ozzy (pretty much by force and persistance. Ozzy had pissed in his pants then too. There's a great video with Dana Strum telling the whole story, check it. Great Ozzy impersonation in it.). Apparently, according to many comments, including Mike Slaughter, Dana also brought in Jake E. Lee, but I'd still need to hear it from Dana or Jake.
Most people say BOO and DOAM had the best songs and everyone agrees on Randy's talent.
However, Jake was no less of a guitarist. His live performances showed he was actually more advanced than Randy in that setting, that genre, although Jake also has a diverse background and heavy metal not being his "home base" either. Extremely good at improvisation and in his own way he was also good at composition and also a distinctive style and outside-the-box playing.
So both Randy and Jake were instrumental (pun intended) in making Ozzy big and carrying/flying Ozzy over the abyss that Ozzy himself and his life otherwise was.
When Zakk came in the whole OsbourneInc. locomotive and train was already fully in motion no uphill anymore (BOO band w/Randy building the train from scratch and getting steam running, Jake made the train go uphill the mountain where it could have stopped or crashed).
Good interview and I really appreciate the opportunity to hear the stories. However, please don't interrupt the guest too much with unknown ramblings, let him talk freely. A good example is the interview "DEF LEPPARD - Gear Historia with Vivian Campbell" which really gives the guest a lot of air. You might want to intervene with a couple of comments, but for the most part, let the guest talk. Thanks!
Tribute:
First 11 tracks: from NBC The Source, Cleveland May 11, 1981, except guitar solo is from King Biscuit Flower Hour Montreal July 28, 1981.
Goodbye to Romance and No Bone Movies: Southampton October 2, 1980.
Max has never recalled using both Cleveland and Montreal in any of the interviews I’ve seen and has always said it was two tapes of the same show. Somehow multiple shows were used and I always wondered why most of Cleveland was chosen for the bulk instead of Montreal. Maybe what he said about the guitar sound and level had something to do with the choices and provides some insight. Montreal definitely has a different guitar tone. I prefer his playing on Montreal as well. Sounds like he mentions a tape from the Midwest. Maybe he also had the Indianapolis August 1981 multitrack to chose from that made up most, but not all, of the Ozzy Live bonus disc.
Great stories and interview.
Great interview. What a career he's had! There's so many better recordings they could have used for the Tribute album it's crazy. Why they only gave him a second generation tape of a show that was good but far from the best I'll never know.
That was hilarious with his recollection of Speak of the devil. Loved hearing about it though cause I was lucky enough to be there at the Ritz when I was 17. Thank you for keeping Randy's memory and legacy alive. It's a travesty that all they've released footage wise is part of the palladium show when there's so much more!
Max's work on Death Angel's Act III is top drawer, the guitar tone is killer, and for a thrash album has a lot of nuances to it. Same with the Malice album License to Kill, that album should have been a success, it sounded excellent.
I love the part.. (not knowing Lee was playing with Ozzy) " Lee walks into the room, oh Lee ..What the fuck???" Lol
There was mention of the feel of the song "DIARY OF A MADMAN" and to my ear, you must begin that song with "S.A.T.O." in order to "travel that journey" you speak of! (Just saying) it works so much that song in the next, I think that must've been planned, because if not it's just another serendipitous thing!! Amaze-ballz!!🤘
Epic Show ...Love Jake E Lee
Jake is the man!
This video had me cracking up through some of the stories.
Max Norman: LEGEND
I think I'll go with the guy that mastered the mix when he said the live album tape hasn't been cut, and the show was recorded in one venue.
Regarding the intro to Mr. Crowley, check out the instrumental called "Angel (Theme)" from the debut album by the band Angel (1975). Makes you wonder if Randy may have even suggested it to Don Airey, since Angel would have been very well known to Randy from his time in LA. There are lots of parts on those two albums that seemed lifted from other artists, and even Ozzy admitted they stole a lot of things.
I heard Bob Daisley say in an interview today that the intro was done by another keyboard player ,then when Don came into the band he just added a few minor things to it
Indeed about that Angel track. I noticed that as well.
There’s nothing new under the sun. Everybody lifts from everybody else... it’s what humans do.
Wow I'll have to check out Angel! 🤟
@@jasonhudson5357 Bill Hunt was the keyboard player that auditioned for the band and came up with the basics of the Mr. Crowley intro. Don Airey refined it to what we know today.
love the voivod shirt
Back in the days when I was a kid, the name Max Norman meant that I will have to part company with some cash and buy the album! :-)
Now the intro to Crazy Train lives on through the sound system of every NFL sports stadium!
00:48:50 Lou Clark from ELO - "...Louis walks in at about 10.20 in the morning with 2 pints of beer....he starts writing this stuff out writing out the music straight out of his head its like Mozart its like Amadeus..."
One of the best MV interviews ever
I was 14 and loved crazy train
Thanks for reply but it just came to me when yee were discussing writing credits. Im sure there must be something with instrumentals aswell.
What a great, interesting and fun interview. Thanks all
He’s told these stories a million times and his memory is slipping. Nonetheless can’t get enough of it. Thank you!
All you have to do is listen to 5-11-81 and the Montreal gig and you know exactly what is said is true. It’s Cleveland with the Montreal solo dropped into it. It’s kind of annoying to listen to these guys fumbling through that. It’s been documented to death.
Maybe someone else edited it that way and gave it to Max on one tape and he didn’t know. I doubt it - he probably just doesn’t remember.
The messed up solo also is actually “Crazy Train.” Just have to listen to the 5-11-81 bootleg to hear what he fixed.
Vocals were redone as well. That must have been a trip for Ozzy to be singing “with” Randy one more time. Would have been one of the first things I would have asked about. He sang great on that.
Max mentioned in an interview that they had 2 tapes of the same show, so I figure he was referring to Cleveland and Montreal because the original shows have the same track order and track list, but I’ve never heard him say how they decided what to use between the 2 shows.
7:47 Max was great to be around making that record. I choose Max to produce because Randy was the best.18:24 Like you, I have talked to most everyone before that about Randy secretly being alive... but Max finished it for me and said "Yes, Randy is gone, he's gone". He is good at what he does and fun to learn from and be around. Cheers Max, Tim Trembly(Dangerous Toys) Be Blessed
we all wish Randy were still alive...what a talent, all time A leaguer
Imagine the diary sound on blizzard
People forget that Sharon bought Randy’s rights from his mom after he died. Sharon is “Randy Rhoads”, so there will never be a Randy movie without Sharon’s involvement. Let alone that she owns the music too.
That was Randy Rhoads always striving to be better when he was already perfect
Carmine says Tommy didn't hit the crash cymbals properly for vocals to be recorded on top. So he redid the cymbals.
I’m late to this, but is there any discussion anywhere (straight from Max Norman) about what was done to Randy’s tone for the Tribute album? Was Randy’s track re-recorded through a different cabinet? Re-EQd? It’s a great tone, and so different from the live bootlegs.
I always wondered why the guitar tone is so different vs the original Cleveland broadcast. The same thing happened with the guitar tone on the Montreal “Flying High Again” that appeared on the Ozzy Live bonus CD. It’s drier and not as big as the original. My guess is that they used a direct line track and not the miked track so there’s not the bleed-through of the original vocal track. Just a guess.
@@RedBlaze02 Sound's like they shut the chorus off his guitar
@@bls8959 Exactly. Apparently Randy split his guitar sound through a MXR Stereo Chorus that fed two independent tape delay units (a Roland Space Echo and a Korg similar unit) that each went to its own Marshal head (black one and white one). That's the full stereo chorused sound you hear on both Cleveland and Montreal broadcasts. I'm *guessing* Mr Nornan used just one side of this for the Tribute album mix (panned slightly right of center) which renders the chorusing effect void and makes guitar sound drier and more direct. But again, I'm just guessing here!
I'm guessing he just took one output of Randy's live stereo spread, to make the guitar drier and more focused on Tribute (maybe?). Interestingly, the album that *does* indeed have Randy's tracks re-amped and re-mic-ed is Quiet Riot "The Randy Rhoads Years" on which Kevin DuBrow (as told by himself in a contemporary interview) ran the guitar tracks through Carlos Cavazo's Marshalls to update his 70's tone to Ozzy-era standards.
what was the ozzy quote/ imitation at the end? I couldn't hear what he said
He loved classical guitar
Max da MAN!!!!!
The lost tracks of Wee'd himself & Wet your seat . FanTastic . Max Norman .
Please don't give Ozzy a break on the whole "screwing over" thing and believe it was only Sharon and Don doing the dirty work. He knew good and well what was happening at all points in time. Ozzy is a dude that rode the coat tails of several iconic musicians and writers and made himself into a brand and a rock icon. Can't play an instrument, can't write riffs, can't sing, doesn't contribute much to any album other than scatting a few melodies (which were usually sung "along with the riff" rather than ride on top of the riff or be separate from the riff. Think Iron Man, Electric Funeral, NIB, Crazy Train, Mr Crowley, etc.....) Icon my ass.
It's funny that he says that Blizzard was dated by 1980. I guess that's the bias of Heavy Metal being a 70's phenomenon, that it kind of died with John Bonham and Bon Scott. The music journalists certainly thought it was. But then came the resurgence of NWOBHM, and a few years later came Guns n Roses.
It was supposed to be Robert Sarzo not Bernie.
🤘🏻 🌟 🤘