Tim is interesting, I liked it. Those sketch books seem like a decent way to have some fun. 4:45, sounds like a cool story told in a sassy voice. 7:40, downgrading the street into older days when that building might not have been there, perfect plot twist. Tim's artwork looked like a photo, almost impossible to tell it was painted unless you get up close (like less than a feet away). Those values were crazy. Mike's painting looks like a fantasy story from a kid book and very inviting too. Great paintings you guys.
'If something doesn't work, I get rid of it' Exactly! I've done lots of 'surgery' on many projects and the results always turn out much better. One must remember that painting is NOT photography and that excluding items from a work is perfectly fine. Removing that white building from your painting allowed it to work much better! Great lesson in re-arranging a project! Thanks Michael....another great, straight-forward video!
The painting you worked on is so pretty. But I also feel the need to tell you how much I love the painting behind you at the end of the video, it’s so full of light and beautiful colors!!! ❤
Tim is an awesome instructor! I have been lucky enough to do 2 of his workshops. I am also proud that I have 2 Tim Horn paintings and 1 Michael Chamberlain painting hanging in my home! Love your work guys!!!
A beautiful day, a challenging subject, a good friend = a really fun day of painting in the city. Great vid! Fun to see it all on film. Well done. Thanks Mike!!!
Tim Horn always starts with a sketch A habit that is well entrenched The cars in shadow may prove testy Starts right of painting does his bestie If it doesn’t work twice, he’s going to edit Ideas the left brain tries to discredit Urban plein air always a workout Heads to the taqueria for a time out Always good to enjoy rapprochement Don’t forget to check out Pa-tre-on 😁 Love the city scapes. Those books of sketches are priceless. Thanks for sharing! Peace and love..Suz What ☮️💛
Congrats on that painting! The composition was quite difficult. Thank you for teaching me the importance of starting with the shadow values and really focusing on that. I am feeling more satisfied with my paintings now when I use this approach!
I find it so stressful trying to paint when the sunlight is changing everything 😂 yet you both captured the feeling of this scene perfectly with the coolness of the shadows in the foreground. the cool vs warmth really brings the atmosphere of the street onto the canvas
Interesting. I love Tim Horn’s work. About a year ago, I had the idea of using ultramarine blue for everything in shade to start out. I had no idea he did the same thing!
Great one Mike. I loved hearing the conversation between you and Tim about the challenges and how you've grown to overcome them. By the way, tell Tim that I'd buy one too. So that's two for the sketchbook sales. 😀
Another brilliant urban painting. How do you ensure that you don't get paint onto the cars next to your easel ? Working on a slope must be difficult - do you run the risk of getting your perspective wrong or the buildings become too large? And then you moved everything over to the shady part of the street!!! I envy your ability to edit the detail out and capture the image. Tim's sketching beforehand is good - its something I'm trying to do. Really like these urban/cityscape series of paintings. How many times do you visit a location before doing a painting?
If people don't want paint on their cars, they shouldn't have parked there! Actually, i'm glad the owner never showed up, because they probably would have been a little miffed at how close I was to their car. I try to get most of the paint on the canvas though.
Thanks Paul. Keeping paint off the nearby cars isn't a problem. Painting on a slope can be more tiring on the legs but it has to be a pretty steep slope. I haven't noticed the slope changing perspective. I usually do a painting the first time I visit a location if I see something inspiring. I often return to spots that I feel have potential. As I mentioned in the video it often takes painting a scene a few times before I achieve a result I'm happy with.
Not in a milion years i will achive your talent in showing the light, i am so fascinated, again sorry for my poor english, thank you for a lovely time watching a master in action.
Stuff that "doesn't make sense" can be quite liberating, as long as they don't clash or prominently stand out with the rest of the painting. One spot that stands out from the rest invites an explanation. But if there are several areas that "don't make sense", each one is more forgiven...but then the whole painting gets accused of being "unfinished"... the academic criticism cast upon impressionist paintings in general. Kind of tricky.
@@chamberlainpaintings michael, follow the palm trunk down, just below the roof edge , “” see a lioness “” her face , left eye, nose , mouth , pavement shadows hold some imagery, not as easy for many to see as the lioness ❤
@@chamberlainpaintings -( michael , just have to say, 10:59 when you turn, foreground of your painting , and into the roadway shadows , also noticed in your friends painting , 10:26 , midground, right somewhat, um, peached amber above, into/with , the top of the heavy convolution shadow)- “ thought you may glance back at both )- Oh , the weather people say it may rain a bit ( gotta run to the store again ) . Michael you’ve a beautiful painting. ( admittedly, I will , must look at both some more, thank you (both) for sharing such creativity ❤
I'd buy it. I actually prefer the sketch work to the paintings. Unless it's painted in the academic style it isn't worth spending money on in my opinion. But the sketch, now that's cool.
Love what you did with the palm. As you were describing and your brush was wagging at it I kept saying, “No! Don’t fix it!” Great painting.❤️
Thanks Joy!
I love how you described the areas that were not working and how you tried other things to fix it.
Love both of these rock star painters, I’d buy a copy of Tim’s sketchbooks in a heartbeat 🎨👊🏻‼️
I’d never thought of road cones as an artist’s necessity but my eyes have been opened!
Yes, very useful! Cone it off and paint anywhere. Even in the middle of a busy street!
Never not excited when this guy posts 🫶🏻
You both killed it! I love Horn’s sketchbook of thumbnails. Great video.
Thanks Raynola!
Tim is interesting, I liked it. Those sketch books seem like a decent way to have some fun. 4:45, sounds like a cool story told in a sassy voice. 7:40, downgrading the street into older days when that building might not have been there, perfect plot twist.
Tim's artwork looked like a photo, almost impossible to tell it was painted unless you get up close (like less than a feet away). Those values were crazy. Mike's painting looks like a fantasy story from a kid book and very inviting too. Great paintings you guys.
'If something doesn't work, I get rid of it' Exactly! I've done lots of 'surgery' on many projects and the results always turn out much better. One must remember that painting is NOT photography and that excluding items from a work is perfectly fine. Removing that white building from your painting allowed it to work much better! Great lesson in re-arranging a project! Thanks Michael....another great, straight-forward video!
Thanks Charles! It took me a long time to embrace the freedom we have to alter things. My paintings improved dramatically once I did!
The painting you worked on is so pretty. But I also feel the need to tell you how much I love the painting behind you at the end of the video, it’s so full of light and beautiful colors!!! ❤
Thanks Barbara!
His sketch book is amazing! I just love Notan sketches. Always improves my paintings
Tim is an awesome instructor! I have been lucky enough to do 2 of his workshops. I am also proud that I have 2 Tim Horn paintings and 1 Michael Chamberlain painting hanging in my home! Love your work guys!!!
Thanks! Yes, he is!
Lucky you!!!
A beautiful day, a challenging subject, a good friend = a really fun day of painting in the city. Great vid! Fun to see it all on film. Well done. Thanks Mike!!!
Thanks Tim! Yes, a great day despite the challenges. Looking forward to next time!
I love this. I've sketched there when visiting beautiful California. Thank you for sharing this excellent video, and your superb art and location.
Tim Horn always starts with a sketch
A habit that is well entrenched
The cars in shadow may prove testy
Starts right of painting does his bestie
If it doesn’t work twice, he’s going to edit
Ideas the left brain tries to discredit
Urban plein air always a workout
Heads to the taqueria for a time out
Always good to enjoy rapprochement
Don’t forget to check out Pa-tre-on
😁
Love the city scapes. Those books of sketches are priceless. Thanks for sharing! Peace and love..Suz What ☮️💛
Thanks Suz! 😊🙏✌💛
Very cool to see two different artists paint side by side. Both paintings are awesome!
Thanks Greg!
Nice to see you doing some cityscapes . Sf has the best light and shadow views .
Yes, beautiful light in SF. Especially in fall and winter.
Congrats on that painting! The composition was quite difficult.
Thank you for teaching me the importance of starting with the shadow values and really focusing on that. I am feeling more satisfied with my paintings now when I use this approach!
Thanks Daphné! Focusing on value patterns is so helpful in getting a good composition. I'm so glad it's working for you!
I find it so stressful trying to paint when the sunlight is changing everything 😂 yet you both captured the feeling of this scene perfectly with the coolness of the shadows in the foreground. the cool vs warmth really brings the atmosphere of the street onto the canvas
Thanks Hannah!
Interesting. I love Tim Horn’s work. About a year ago, I had the idea of using ultramarine blue for everything in shade to start out. I had no idea he did the same thing!
Love your videos and seeing how others plein air painters work !
Great one Mike. I loved hearing the conversation between you and Tim about the challenges and how you've grown to overcome them. By the way, tell Tim that I'd buy one too. So that's two for the sketchbook sales. 😀
Thanks Cleve!
Appreciate watching your process no matter what you paint as I have used these techniques in my paintings with much improvement
Wow - you both made a really complicated composition look easy. Beautiful palette you both used.
Thanks Maura!
Another brilliant urban painting. How do you ensure that you don't get paint onto the cars next to your easel ? Working on a slope must be difficult - do you run the risk of getting your perspective wrong or the buildings become too large? And then you moved everything over to the shady part of the street!!! I envy your ability to edit the detail out and capture the image. Tim's sketching beforehand is good - its something I'm trying to do. Really like these urban/cityscape series of paintings. How many times do you visit a location before doing a painting?
If people don't want paint on their cars, they shouldn't have parked there! Actually, i'm glad the owner never showed up, because they probably would have been a little miffed at how close I was to their car. I try to get most of the paint on the canvas though.
Thanks Paul. Keeping paint off the nearby cars isn't a problem. Painting on a slope can be more tiring on the legs but it has to be a pretty steep slope. I haven't noticed the slope changing perspective. I usually do a painting the first time I visit a location if I see something inspiring. I often return to spots that I feel have potential. As I mentioned in the video it often takes painting a scene a few times before I achieve a result I'm happy with.
Tough composition.. you guys pulled it off quite fine!! Beautiful work everyone 👏🏾
Thanks Cedric!
wow this is amazing to watch
Tims Sketch book just looks soooo beautiful a real lesson for us all, I do try for my studio studies but they are real rough lol
Amazing, learn so much from your videos.
Love both of your work! Nice seeing you Tim! I’d buy any book you would publish!
Fantastic paintings, guys! Beautiful. I love it!!! San Francisco is nice. Have a wonderful day. Greetings from the EU!
Thanks Olda!
@@chamberlainpaintings Cheers!
i get so excited when i see a notification
Not in a milion years i will achive your talent in showing the light, i am so fascinated, again sorry for my poor english, thank you for a lovely time watching a master in action.
I would buy it too, Tim!
I'd buy it! Love Tim Horn's work.
pleeesse publish those sketches!! I would definitely buy
Thinking about taking Tim's workshop when he comes to Nashville. Either that or Monhegan Island :)
I love Mr. Horn's sketches, but I love Mr. Chamberlain's painting. I think books should be made, if possible.
Stuff that "doesn't make sense" can be quite liberating, as long as they don't clash or prominently stand out with the rest of the painting. One spot that stands out from the rest invites an explanation. But if there are several areas that "don't make sense", each one is more forgiven...but then the whole painting gets accused of being "unfinished"... the academic criticism cast upon impressionist paintings in general. Kind of tricky.
Yes, there has to be consistency throughout the painting
Agree! Sadly academic criticism has caused many a good artist to put down their brushes...
Gracias por el video amigos
Wonderful
when you paint on a stretched canvas and not planning to frame would you paint the sides black or carry the scene through the edges?
I would leave the edges unpainted
@@chamberlainpaintings thank you. Your videos are enlightening and helping me grow. Thank you
1:50 I'd buy one for sure!
It's very cool
Great paintings
Publish the sketches !
I´d buy one too !
Rock stars 🌟
„Who‘s gonna buy that?“ MEEE
made me so sad when he said that
His sketches are SO good
Good Morning Michael 😎
Good morning Mark 😊
@@chamberlainpaintings michael, follow the palm trunk down, just below the roof edge , “” see a lioness “” her face , left eye, nose , mouth , pavement shadows hold some imagery, not as easy for many to see as the lioness ❤
@@chamberlainpaintings -( michael , just have to say, 10:59 when you turn, foreground of your painting , and into the roadway shadows , also noticed in your friends painting , 10:26 , midground, right somewhat, um, peached amber above, into/with , the top of the heavy convolution shadow)- “ thought you may glance back at both )- Oh , the weather people say it may rain a bit ( gotta run to the store again ) . Michael you’ve a beautiful painting. ( admittedly, I will , must look at both some more, thank you (both) for sharing such creativity ❤
Your friend is very good
I agree!
I'd buy it. I actually prefer the sketch work to the paintings. Unless it's painted in the academic style it isn't worth spending money on in my opinion. But the sketch, now that's cool.
I know it may seem TOO simple-But would you consider doing a video on peeping a canvas before you even begin to put any shadows in.
Not sure what you mean. Just the sketch?
good morning daddy chamby
Good morning Ava 😊