I'm getting back into media creation. I've been debating several cameras. Mostly shoot sports. I would like to be versatile. This video helps a lot. I'm not quite ready to spend the money on this one, but it will probably be my upgrade from the R7 when the time comes. Thanks again!
Honestly I think EVERY modern cinema camera has more than enough dynamic range/resolution for any work - RAW is nice if you completely miss white balance/exposure - but otherwise modern 10 bit 4:2:2 codecs give a lot of flexibility in post. It comes down to workflow/ease of use - that is where the only meaningful differences lie. (I have an FX30 - and yes I would love internal ND filters - XLR and internal RAW are not so interesting to me. I would love open gate 6K RAW capture - but doubt Sony will unlock that!)
DGO sensor is indeed amazing! Coming from RED's RAW the DGO sensor was not specifically a 'main' point for me when buying the c70 but it is worth a shout out 100%. Thank you for mentioning it here.
@@frankfeng2701 Canon is bring out fullframe cinema and mirrorless cams in 2024. I hope they have global shutters. If not I may have to rethink Sony as they are innovators. That FX3/6 may get global shutters in future iterations
Got 2xc70 and a R5c and R3 for photos.. they are amazing cameras... but I hate that Canon make us get one camera for portraits... another camera for shooting photos of sport or movement... another for video if you want build in NDs.. another if the video camera should be full frame with build in ND :P HATE THE CANON WAY of making cameras... i have 4 cameras to do my work :P And no C-log 2 in all their cameras so its now super easy to match the different cameras straight away if not filming in RAW first :P But just get two c70 cameras.. and one R1 ;) then you can do everything.. I think
Good shout, as a matter of fact I'm following the R1 closely (also hoping that the amazing R3 will be cheaper then). I'm very happy with Hasselblad for in the studio but some of my commercial has a lot of movement (cars, moving people) and the Hasselblad just can't keep up.
@@PeterBaerveldt Yeah me 2 :D hehe but its most out of facination of what kind of sensor they are gonne make this time.. because if it is actually 33 MP its gonne be the best 33 MP sensor en the world if canon is gonna put it in the flagship camera :) thats for sure. Im plenty happy with the setup i have now.. im just a little sad that you have to get two C70 if you want a A and a B angle without a lot of fuzz in post when colorcorrectiong and grading. And its an easy fix.. Canon knows their colors.. if they make the correction luts on their website look alike in "C-log3, cinnegammut - to - Rec 709 Wide DR" it would all be fixed :P and you could just film in c-log 3 on the R5C and the C70 and when corrected it would be the same colors.. just annoying.. its the same camera brand.. Everything is perfect if you film in RAW all the time, then its easy to match.. but I dont :P Hasselblad and Leica.. just love the colors.. even from the older of their cameras.. they just make magic stuff.. but i earn my bread and butter from video :) cant spend the money if it cant record good video.
fx3 and fx30 are not the same - also i had the c70 and i couldnt use the camera after the fx3 - you need to try the fx3, much better camera then the fx30
Funny fact is i switched many cameras in the last 3 years: s1H, c70, c200, fx30, fx3, fx6, fx9...Now i have a komodo and a c300markIII. Sure, Sony is AF stellar, good DR, many function, S1H was full of video specs but lame hdmi delay and rolling shutter but in the end the image and the look is what matters and canon colors and what red raw can dom Sony does not....so actually in the process of selling all my Sony gear. That was an expensive journey but glad i did it....@@PeterBaerveldt
Thanks for the honesty. I had a red komodo myself and ended up selling it for the Canon c70. No regrets.
Great video mate. Loved your journey, conclusion, and footage along the way!
I'm getting back into media creation. I've been debating several cameras. Mostly shoot sports. I would like to be versatile. This video helps a lot. I'm not quite ready to spend the money on this one, but it will probably be my upgrade from the R7 when the time comes. Thanks again!
R7 is a great camera! Glad you appreciate the video man.
Honestly I think EVERY modern cinema camera has more than enough dynamic range/resolution for any work - RAW is nice if you completely miss white balance/exposure - but otherwise modern 10 bit 4:2:2 codecs give a lot of flexibility in post. It comes down to workflow/ease of use - that is where the only meaningful differences lie. (I have an FX30 - and yes I would love internal ND filters - XLR and internal RAW are not so interesting to me. I would love open gate 6K RAW capture - but doubt Sony will unlock that!)
Ha. I remember when you jumped ship. Canon C70 rocks!! Plus the new Canon app that can run a C70... awesome! Nice to see you back.
Glad to be back, and thank you for sticking around!
Nobody is mentioning the C70's biggest selling points - the DGO sensor... But it is the sum of its parts (like Peter is saying) that makes it unique.
DGO sensor is indeed amazing! Coming from RED's RAW the DGO sensor was not specifically a 'main' point for me when buying the c70 but it is worth a shout out 100%. Thank you for mentioning it here.
Enjoy using whatever works for you, sometimes the better gear is not what you actually like using
True! Plus, the end result matters most. Not the tool you make it with. Something I really find difficult sometimes.
I LOVE my C70 and now with the 24-105 2.8.... SUPER BEASTMODE activate!!!!
So true! Can't wait to check out the 24-105 2.8!!
It'd be cropped though. Too bad there are very few cropped lenses compared to Sony E mount.
@@frankfeng2701 True! That's a bit of a let down by canon. With EF there are luckily a lot more options.
@@frankfeng2701 Canon is bring out fullframe cinema and mirrorless cams in 2024. I hope they have global shutters. If not I may have to rethink Sony as they are innovators. That FX3/6 may get global shutters in future iterations
Well they just released first ever mirrorless camera with global shutter. A9III@@GabrielScindian
Love your videos!!
Got 2xc70 and a R5c and R3 for photos.. they are amazing cameras... but I hate that Canon make us get one camera for portraits... another camera for shooting photos of sport or movement... another for video if you want build in NDs.. another if the video camera should be full frame with build in ND :P
HATE THE CANON WAY of making cameras... i have 4 cameras to do my work :P
And no C-log 2 in all their cameras so its now super easy to match the different cameras straight away if not filming in RAW first :P
But just get two c70 cameras.. and one R1 ;) then you can do everything.. I think
Good shout, as a matter of fact I'm following the R1 closely (also hoping that the amazing R3 will be cheaper then). I'm very happy with Hasselblad for in the studio but some of my commercial has a lot of movement (cars, moving people) and the Hasselblad just can't keep up.
@@PeterBaerveldt Yeah me 2 :D hehe but its most out of facination of what kind of sensor they are gonne make this time.. because if it is actually 33 MP its gonne be the best 33 MP sensor en the world if canon is gonna put it in the flagship camera :) thats for sure.
Im plenty happy with the setup i have now.. im just a little sad that you have to get two C70 if you want a A and a B angle without a lot of fuzz in post when colorcorrectiong and grading. And its an easy fix.. Canon knows their colors.. if they make the correction luts on their website look alike in "C-log3, cinnegammut - to - Rec 709 Wide DR" it would all be fixed :P and you could just film in c-log 3 on the R5C and the C70 and when corrected it would be the same colors.. just annoying.. its the same camera brand..
Everything is perfect if you film in RAW all the time, then its easy to match.. but I dont :P
Hasselblad and Leica.. just love the colors.. even from the older of their cameras.. they just make magic stuff.. but i earn my bread and butter from video :) cant spend the money if it cant record good video.
fx3 and fx30 are not the same - also i had the c70 and i couldnt use the camera after the fx3 - you need to try the fx3, much better camera then the fx30
I recently did and you are not wrong indeed. The FX3 is amazing.
Should’ve waited for the R5ii. That camera will be a beast!!
I'm curious to see what canon does with the R5II.
@@PeterBaerveldt if they give us Fine 4K with 60fps and better dynamic range would sell me.
bcz of canon colors
What use of XLR ports do you have on fashion campaigns?
During a typical campaign shoot almost none, besides some interview content and BTS on set maybe. Nothing that the Komodo couldn't handle.
Funny fact is i switched many cameras in the last 3 years: s1H, c70, c200, fx30, fx3, fx6, fx9...Now i have a komodo and a c300markIII. Sure, Sony is AF stellar, good DR, many function, S1H was full of video specs but lame hdmi delay and rolling shutter but in the end the image and the look is what matters and canon colors and what red raw can dom Sony does not....so actually in the process of selling all my Sony gear. That was an expensive journey but glad i did it....@@PeterBaerveldt
Hahā me too like to pretend "girls in bra's are necessary or artsy"😀
Can’t figure out why you bought one in the first place. $5500 for an H.264 machine is insane.
The C70 also shoots raw internally.
@@matadormartin 🧢
@@craynotcreighcinema raw light, and not 🧢