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Matti Salminen, "O wie will ich triumphieren"
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- Опубликовано: 15 дек 2008
- Matti Salminen singt "O wie will ich triumphieren" aus der Mozart- Oper "Die Entführung aus dem Serail".
Text: Christoph Friedrich Bretzner
O, wie will ich triumphieren, wenn sie euch zum Richtplatz führen.Und die Hälse schnüren zu!
Hüpfen will ich, lachen, springen
Und ein Freudenliedchen singen,
Denn nun hab' ich vor euch Ruh.
O, wie will ich triumphieren...
Schleicht nur säuberlich und leise,
Ihr verdammten Haremsmäuse,
Unser Ohr entdeckt euch schon,
Und eh' ihr uns könnt entspringen,
Seh ich euch in unsern Schlingen,
Und erhaschet euren Lohn.
O, wie will ich triumphieren...
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the triplets in the cadenza section are some of the most clear Ive heard out of other people doing this opera
He really has quite a voice!
A massive voice.
Sinceramente não entendi nada do que ele disse mas,que controle q ele tem sobre a própria voz...
Muito bom.
Incredible performance!
super interpretácia ♥♥♥
Even changing the text on the low D does not make much difference in the quality or volume of the sound. Pinza’s version, even in Italian, is still among the best that I have heard. O.K, he was singing in the studio but having heard him live elsewhere he definitely had the notes & he was a basso cantante.
I, as an opera and singing enthusiast, went studying the documented vocal extensions and impressed myself with recordings of people reaching the deepest and highest extremes of human voice in concerts of hundreds, and when I look at the comments, I see these performances that are amazing before my eyes being criticized with such asperity and unamusement as if they were executed by mere amateurs! I hope I learn enough to properly judge the pieces myself soon, but I wouldn't complain if a more informed individual would educate me on this.
I can say you that this man is very professional singer and is a very very good at it, normal people criticize him for the not-the-top-1-worlds-best-on-this-particular-evening lowest note (which is a lot richer and stronger than 99% of people) because they don't really know anything about anything. They also seem to ignore how different microphones catch bass notes differently. I'm studying classical singing stuff at university, has seem him live singing and god it's just so good.
Great interpretation
Exactly 9 years old today.
Upea!!! Splendid
Bravo!!!
Sweet Lord. Amazing.
Ah what a bass!
Impressive!!! Bravissimo!!!!
meilleur Osmin de tous les temps....
BRAVO
I have two recordings of Matti performing this. This is probably the better of the *three* I've heard of him do - which isn't saying much because he's darn good anyway. Of course, given that this is a concert performance versus full production there's going to be some sound and energy differences.
@sukuchi1
LOL I always loved his face expressions.
He was the first Osmin I heard on recording.
Mozart wrote for four major basses; Francsco Bernucci, Francesco Busani, Franz Gerl, and Karl Ludwig Fischer. Bernucci was the first Figaro, Leporello, and Guglielmo. He sang lots of roles. Busani (the first Commendatore, Alfonso and Bartolo) also got a lot of work. Gerl had a lower voice but still not too low. Fischer the lowest of all of them and the first Osmin had trouble finding appropriate roles. He had to wrIte his own material. Osmin remains hard to cast to this day.
bravissimo = )
Matti Salminen is fenomenal bass singer. I agree Kurt Moll is the best but one who gives bigest emotion in this numera is Martti Talvela.
Pinza is the best Osmin ever.
@@BaroneVitellioScarpia1 Pinza sings in the studio, so the best osmin is someone everyone knows - Kurt Moll
Frick and Böhme are great also
belleza
Das war doch in Dresden, oder?
shoutout an meine schule die mich hier hingebracht hat
bravo...però lo trovo lento per l'aria che interpreta
lowest I don't think, it's low but the low D is not very clear!
In fact in opera it's lowest,but you're right,oktavists(basso profondos) can take lower notes.
Well, many great basses can't sing low D, including Talvela.
I listen at 1.25 speed. Hehe. :)
2x speed 😆
Kurt Moll the best
yeah I think I got that lol
tännään ostetaan.keksi ite
Low D... at the times when the roles were given, there was just basses and tenors, somewhat low was bass and high was tenor. Then they invented baritone, and people started to listen how low or high one can get.
This is not what singing is all about. It is about singing well. Many times bass-baritones do the singing better than basses, although they may miss something in the lowest notes. I watched "Triumphieren" by Kurt Moll in RUclips, and as a presentation, Salminen wins hands down.
gosh this tenor has a pretty big cold ;)
@Alexander Abdalla Hello,
If you pause the picture, you will notice that he wears a tiny microphone on his jacket.
This is probably the way the sound was taken.
Best regards,
very weep the low D
Нижнее ре никакое, простите
xD
Horrendous, wtf.
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